从北大哲学系到IU艺术史
我的申请总结发信人: jdm (热爱生活的jdm), 信区: AdvancedEdu
标 题: 我的申请总结1
发信站: 北大未名站 (2002年04月20日18:53:21 星期六), 转信
我的个人情况:
北大哲学系BA
申请艺术史(Art History, 中国艺术史专业)
申请之前的准备工作:
大二结束之后的暑假上G班 成绩 2200(610/790/800),
没有上T班 成绩：607(60/63/59),TWE: 4.0
GPA(overall):3.4
GPA(major):3.74（因为比较早就决定申请读艺术史，我选修了16个学分的艺术
史专业课程）
申请的材料夹(共25页)＋三封密封签字的推荐信
简历(Curriculum Vitae): 1页
个人陈述(Statement of Purpose):2页
GRE成绩复印件: 1页
TOEFL成绩复印件: 1页
专业课程列表: 1页
论文(Writing Sample): 15页
博物馆实习证明信(Certificate): 英文中文各1页
奖学金证书复印件： 1页
社会工作志愿者证书: 1页
申请的全部学校(共25个，我全都网上申请的，没有交GT成绩):
1. 交了申请费的13个，12月初寄出(平信):
Harvard, Stanford, Cornell, Northwestern, UIUC, WisconsinMadison Michigan, USC, ASU, MSU, OSU, Indiana, Maryland
2. 没交申请费的12个12月下旬寄出(平信):
UCR, Buffalo, UCSB, UCI, Duke, Arizona, Brown, Chicago, Columbia, Georgia, Oregon, Rutgers
现在看来只有Arizona和Oregon逃费成功
申请结果(从来没有过面试):
1. Michigan State U., Department of Art (套过磁，1月20号收到email,全奖)
2. Indiana U., Bloomington, Center for East Asian Studies (没有email通知, 1月中旬有 教授套过我，3月10号收到paperwork offer letter，全奖)
3. UIUC, Art Department (套过磁，3月10号教授email说已经Admission,但是奖学金在waiting list上面；一直争取到4月10号拿到了2/3奖，最后为了签证安全，忍痛割爱)
4. U. of Oregon，Asian Studies Program (没有email通知，3月12号收到paperwork offer letter, 半奖)
5. Stanford U. (没有email通知，3月20号收到Admission Letter,争取钱未果)
6. U.of Arizona (email通知之后来了信，是个Admission,没有钱，没理它)
申请心得:
1.非常重视本科专业的acedemic prepare
由于我们国内没有艺术史本科(好像北大艺术系都只开设广告学专业), 相对
来说，考古系的同学比较有优势，如果是像我一样带转专业性质的话，虽然有些学校的
资料中没有要求，我感觉最好要有10个学分以上的艺术类课程才会比较有竞争力。在这
个基础上，说出自己本科(非艺术史专业)积累对于今后艺术史研究的有利之处。事实上
，很多教授是喜欢有不同领域的元素参加进来的
2.两个途径的申请，熟悉导师是关键
通常来说，在美国，很多大学都设有艺术史系，但是有中国艺术史(或者更大
一点范围讲是亚 洲艺术史)的大概只有30多所，而且基本上就是只有一个教授。还有一
个情况就是，这些学校也往往开设了亚洲文化研究中心或者东亚研究系，这些老师也在
那里任教。也就是说，你既可以申请艺术史系的中国艺术史专业，也可以申请东亚研究
系的中国艺术史专业。
但是请明白，其实是申请做同一个老师的研究生。具体可以根据自己的情况
和学校的情况分别对待(还要提一句的是通常觉得东亚系的钱比较少)。所以，请在申请
前务必花较大精力搞清楚各学校导师的研究领域。我在后面附有我申请的25所大学中国
艺术史教授的介绍和email地址，如果你觉得自己真的跟某个pro.很match，自己也有一
些成绩，可以尝试套磁
除了这25所，我知道的还有Princeton, UCBerkely, FSU, NewYork, Pittsb
urgh, UCLA, Boston。别的大家可以再找找
3.推荐人
我想如果能找到艺术史专业人士做大力推荐的话，效果会非常好。由于我没
有这样的推荐人，我就着中选取了跟自己很熟悉的老师，一个我的班主任，重点突出我
的良好的character和连他都知道的我对于学习中国艺术史的强烈兴趣；一个是带我们实
习的教授，重点说我有对于某个课题的研究能力，还有一个卖点就是他在美国拿的Ph.D
说根据他的观察，我很适合去美国拿Ph.D(呵呵)；第三个是任过我两门课的中国哲学教
授，卖点是我有学习中国文化的悟性，学习好
4. ps的重要性
ps无疑是非常重要，我觉得一个好的ps需要证明你自己两点：一你是个有研
究能力有思想的优秀青年，二你的兴趣正是该老师的研究领域所在，因为他们非常重视
二者的match，你可以根据不同学校导师的不同研究领域在ps中强调自己的相应兴趣，对
其的理解和所做过的研究。。
我的ps改过不知道多少稿，最开始按照自己的构思拟出了四个小标题:为什
么要学艺术史，为什么选择该学校，我的学术准备，我的研究计划。然后写出来，过几
天又改改，有的想到的话并不能很好的归入这四个小标题，就搁在那儿。然后我就发给
了两个师兄请他们提出意见，在段落布置和内容疏密上做了较大调整，基本成形后，我
就发给了陶瓷之后一个显得很nice的教授。结果他完全不喜欢我的小标题，说这样太散
乱，于是我赶紧去掉，又绞尽脑汁使全文连贯，取舍了很多段落，之后又寄给各位师兄
大人帮助提意见，改得最后实在是不脱稿不行，等着寄出了，才被迫不改了，仍然觉得
不够好。这期间我也不知道怎么回事一个Chicago大学的美国学生给我写了email，说他
对中国文化很有兴趣，我就乐呵呵的跟他做了笔友。很巧的是，他正在日本做文字编辑
工作，我就让他帮我edit了我的ps,他还一个劲儿夸我英文好，说比他在日本看到的所有
文章都写得好 :) 这样使我的ps可能没有多少用语和格式的失误
总之写ps就是个最容易是你发火的事情，那时候我就只能纠集玩得好的朋
友出来出气了 :)
5. 论文的重要性
一篇好的writing sample是增强竞争力的有力砝码，尤其是对于我们这种
没有论文发表的本科生。首先一个就是论文的格式，因为中美两国学术界的论文格式差
异很大，所以需要特别注意。可以在图书馆找相应的论文来看，将格式套用下来，要特
别注意引用时的出处和年代的标记。内容上如果能有自己的新观点最好，就算没有什么
惊世骇俗的言论，在适当地方有自己的见解也是非常重要的。语言上，如果能用英文直
接写出自己的思想是最好，我自觉英文能力有限，写了这句就忘了下面要说什么，所以
还是用中文再翻译的，就是要辛苦很多，又要请人polish，不过, take it easy, 教授
们会谅解你的 :)
最后，愿大家好好准备，实现飞跃梦想!
发信人: jdm (热爱生活的jdm), 信区: AdvancedEdu
标 题: 我的申请总结2:导师情况
发信站: 北大未名站 (2002年04月20日18:55:06 星期六), 转信
1.Harvard
http://www.fas.harvard.edu/~rsea/
Eugene Yuejin Wang
Assistant Professor of History of Art and Architecture
Chinese art, especially the spatial integration of different media (painting
, sculpture, and architecture) and sites as locus and cues for image-making
and visual perceptions.
作为形象制作和视觉感受的线索和轨迹的不同体现媒介的空间上的综合
2.Stanford
http://www.stanford.edu/dept/CEAS/
Richard Vinograd文以诚
Associate Professor, Chair, Art Department
Research: Chinese landscape painting, Chinese portraiture, Contemporary Chin
ese Art.
Courses: Chinese Art and Culture; Art in China's Modern Era; Picturing Histo
ry in China; Later Chinese Painting; Seminar in Sung Dynasty Painting; Semin
ar in Pictorial Art and Cultural Spaces in Late Ming China
3. Michigan
Martin Powers
Professor of History of Art, 1987:
Director of the Center for Chinese Studies (2000-present)
Specializes in Han and Song art and social history and art theory, 汉代和宋代
的艺术，社会史和艺术理论
poetry, and painting in China中国的诗歌和绘画
E-mail: mpow@umich.edu
4. UCR 艺术史系
Zhong Kui, woodblock print from Yangliuqing, Qianlong period (1736-1795)
Ginger Cheng-chi Hsü ginger.hsu@ucr.edu Gingerhsu@aol.com
Ph.D. University of California, Berkeley
Ginger Hsü is a historian of later Chinese art and culture后期中国艺术史与文
化史家. She publishes primarily in the area of Chinese painting中国画. Some
of her publications are: "Anhui Merchant Culture and Patronage安徽商人文化和
赞助人" in James Cahill (ed.), Shadows of Mt. Huang (1981); Merchant Patrona
ge of the Eighteen Century18世纪的赞助人 Yangchow Painting (1989); Zheng Xie
's Price List: Paintings as a Source of Income in Yangzhou扬州作为收入来源的
绘画 (1991); The Drunken Demon Queller (1996); and the Incarnations of the B
lossoming Plum (1996).
Phone: (909) 787-4627; Office Phone: (909) 787-4632
5.UIUC 艺术史系
Anne Burkus-Chasson
Assistant Professor
received her Ph.D. from the University of California at Berkeley. A speciali
st in Chinese art, she has focused her research on painting and woodblock-pr
inted books from the seventeenth century. Her writings have appeared in Art
Bulletin, Art History, and various exhibition catalogues. In 1995, she was a
warded the Arthur Kingsley Porter Prize by the College Art Association for "
Elegant or Common? Chen Hongshou's Birthday Presentation Pictures and His Pr
ofessional Status" featured in Art Bulletin.
6. MSU
Anning Jing，Assistant Professor
Asian Art
Ph.D. Princeton University
I have several research areas in Chinese art. Water God's Temple: Ritual and
Theatrical Performance 水神庙：仪式与剧院表演is a completed book manuscript
for a study of a folk temple of the fourteenth century 14世纪民众寺庙在中国
艺术宗教和思想上的重要性and its significance in Chinese art, religion, and t
hought. My next book, now nearing completion, is The Yongle Palace永乐殿. It
is a study of the development of the Daoist Pantheon from tenth to fourteen
th centuries10到14世纪道教万神殿的发展. "Daoism and Landscape in Chinese Art
"道家与中国山水画is my most recent project. It focuses on Daoist aesthetics
and its expression in Chinese art.道家美学及其在中国美术中的表达
7. USC
Lan-Ying Tseng
Assistant Professor, Department of Art History
Ph.D., History of Art and Architecture, Harvard University, 2000
Teaching and research: Art history and intellectual history of China美术史和
中国文人史;
art history of Asia 亚洲艺术史
Publications include: "Picturing Heaven: Image and Knowledge in Han China 汉
朝(206 B.C.-A.D.220)", "Workshops, Repertories and Regional Sub-traditions:
Traces of the Han Carved Tomb at Anqiuin Shandong"山东安丘的汉代雕刻墓, "Myt
h, History and Memory: The Modern Cult of the Simuwu Bronze Vessel"司母勿大方
鼎青铜器的现代礼拜(Harvard University): joint appointment with Department of
Art History;
specialties include visual culture in early China早期中国的视觉文化, Confuci
an and Taoist thought儒家和道家思想, gender and the body as represented in a
rt表现在在艺术中的性别和躯体, and visual perception and historical memory视觉
感知和历史记忆.
8. Wisconsin-Madison
Julia K. Murray, Professor
B.A., 1974, Yale; M.A., 1977, Princeton University; Ph.D., 1981, Princeton U
niversity.
Dissertation: Sung Kao-tsung, Ma Ho-chih, and the Mao Shih Scrolls.
On faculty since 1989. Previously worked in curatorial positions at the Harv
ard University Art Museums, Freer Gallery of Art, and Metropolitan Museum of
Art. Books: Ma Hezhi and the Illustration of the Book of Odes, Last of the
Mandarins, Stone Sculptures in the Abby Aldrich Rockefeller Garden, A Decade
of Discovery.
Articles in (journals) The Art Bulletin, Archives of Asian Art, Artibus Asia
e, Ars Orientalis, Arts Asiatiques, Journal of Asian Studies, Journal of Sun
g-Yuan Studies, Early China, Chinese Science, National Palace Museum Bulleti
n, Orientations, Arts of Asia; (books) Latter Days of the Law: Chinese Buddh
ist Pictorial Art中国佛教图示美术, 850-1850, Flowering in the Shadows: Women
in the History of Chinese and Japanese Painting中国日本绘画史上的妇女, Arti
sts and Patrons: Some Social and Economic Aspects of Chinese Painting艺术家和
赞助人：一些中国画上的社会的和经济的方面, The Dictionary of Art艺术词典, etc
. Currently writing a book on pictorial illustration as a medium for asserti
ng Confucian morality. 作为断言儒家道德的媒介的图示解说
Regular course offerings in Chinese art (especially painting), East Asian ar
t, and inter-area seminars (methodology, narrative representation, pictorial
biography).
9. Northwestern
Sarah E. Fraser (Ph.D. UC Berkeley) s-fraser2@northwestern.edu
teaches courses in Chinese and Japanese art with an emphasis on Chinese pain
ting.
Fraser's forthcoming book, Performing the Visual: Making Wall Paintings in C
hina and Central Asia, 618-960 中国和中亚在唐五代时的壁画制作(Stanford Unive
rsity Press), addresses the status of sketching and issues of cognition and
creativity in painting workshops绘画作坊中认识和创造力的大体状况和问题. Her
articles and essays include contributions to Artibus Asiae, Orientations, L'
art de Dunhuang à la Bibliothèque nationale de France (ècole fran?aise d'
Extrême-Orient, 1999), and Images in Exchange: Cultural Transactions in Chi
nese Pictorial Arts 中国图示美术的文化交易(University of California Press).
In 1999-2000 she was a Getty Post-Doctoral Fellow and Directrice d'etudes at
the ecole Pratique des Hautes etudes in Paris.
Fraser also directs two international research projects指导西北大学的两个有关
佛教艺术的国际研究课题 on Buddhist art at Northwestern. Under the auspices o
f the Andrew Mellon Foundation, she contributes to a 3-D image archive of wa
ll paintings壁画 and transitive archaeological material from western China中
国西部变化的考古学材料. Additionally, with Luce Foundation support, she over
sees a three-year project entitled "Merit, Opulence, and the Buddhist Networ
k of Wealth优点，富足和佛教网的财富," concerning Buddhist material culture.佛
教物质文化 Essays from the conference on this topic hosted with Peking Unive
rsity in Beijing, June 2001, are forthcoming from Shanghai Fine Arts Publish
ers.
10.Arizona State 艺术学院艺术史专业
Claudia Brown (1998) claudia.brown@asu.edu
Assistant Professor of Art,
B.A., M.A., Ph.D., University of Kansas: Asian art.
Affiliated faculty in Center for Asian Studies and Program for Southeast Asi
an Studies. Special interest in later Chinese painting后期中国绘画和装饰美术
and decorative arts, museums and exhibitions. Research Curator of Asian Art
, Phoenix Art Museum. Co-author of Transcending Turmoil: Painting at the Cl
ose of China's Empire, 1796-1911, 1993.
Office: GHALL 149, Phone: (480) 965-2409,
11. Ohio State
Julia F. Andrews
History of Art
JULIA ANDREWS, Professor
e-mail: andrews.2@osu.edu
Professor Andrews is the Associate Director of the East Asian Studies Center
. She is a specialist in Chinese painting and modern Chinese art中国画和现代
中国美术. Her first book, Painters and Politics in the People's Republic of
China中华人民共和国的画家和政治 (1994), won the Joseph Levenson Prize of the
Association for Asian Studies for the best book of the year on modern China
. More recently, she served as co-curator and catalogue author (with OSU alu
mnus Kuiyi Shen) of the Guggenheim Museum's 1998 exhibition A Century in Cri
sis : Modernity and Tradition in the Art of Twentieth Century China, which w
as shown in New York and Bilbao. She has recently contributed to several exh
ibition catalogues and anthologies, including Between the Thunder and the Ra
in: Chinese Paintings from the Opium Wars to the Cultural Revolution鸦片战争
到文化大革命的中国画, 1840-1979 (Asian Art Museum of San Francisco) and Word
and Meaning: Six Contemporary Chinese Artists 六位中国当代画家(Buffalo: Sta
te University of New York at Buffalo, Research Center in Art + Culture, 2000
). She teaches undergraduate courses on Chinese and Japanese art and topical
ly organized graduate seminars that usually focus on Chinese painting or mod
ern Chinese art.
Her graduate students have written theses on topics in Chinese or Japanese a
rt of the seventeenth through the twentieth centuries.17到20世纪的中国和日本
艺术
12. Maryland
Professor Jason Kuo jk103@umail.umd.edu
Chinese Art
Art History & Archaeology
Professor Jason Kuo, an authority on Chinese art, is the author of Wang Y黙n
-ch'i's Art of Landscape Painting; Trapping Heaven and Earth in the Cage of
Form; Innovation within Tradition; The Painting of Huang Pin-hung; The Auste
re Landscape: The Paintings of Hung-jen; Word as Image: The Art of Chinese S
eal Engraving; Chen Chikwan; Heirs to a Great Tradition: Modern Chinese Pain
tings from the Tsien-hsiang-chai Collection, and Rethinking Art History and
Art Criticism.
His articles have appeared in numerous journals, including Art Journal, Asia
n Culture Quarterly, Chinese Studies, Art in America, Orientations, China Qu
arterly, Journal of Asian Studies, Journal of Asian and African Studies, and
Ars Orientalis. He has received an Andrew W. Mellon Foundation Fellowship,
a grant from the National Endowment for the Humanities, two Stoddard Fellows
hips in Asian Art at the Detroit Institute of Arts, two fellowships from the
J.D. Rockefeller III Fund and many other scholastic honors. In 1991-1992, h
e received the Lilly Fellowship for teaching excellence. In 1992-1993 he org
anized and directed a National Endowment for the Humanities Summer Institute
for College Teachers of the History of Chinese Art. From 1993 to 1998, he u
ndertook the study of the nineteenth- and twentieth-century art of Shanghai,
a research project, funded by the Henry Luce Foundation, combining the work
of six scholars from China and six from the United States. Two books are in
press: Art and Identity in Postwar Taiwan and Modern Chinese Poster-Calenda
rs.
我的申请总结3：导师情况后一部分
发信人: jdm (热爱生活的jdm), 信区: AdvancedEdu
标 题: 我的申请总结3：导师情况后一部分
发信站: 北大未名站 (2002年04月20日18:57:31 星期六), 转信
13.Indiana
Susan Nelson, Associate Professor, Fine Arts and EALC (Ph.D., Harvard Univ.)
: East Asian art history, Chinese painting.
14. Buffalo
Minglu Gao mgao@acsu.buffalo.edu
Ph.D., Harvard University
Chinese Art, Twentieth and twenty-first centuries
Professor Gao is one of the leading authorities on Chinese Art in the twenti
eth and twenty-first centuries. He has an impressive record of curatorial ac
tivity in China prior to 1989 and he has earned an M. A. and Ph.D. at Harvar
d. He is the author of four books, two in Chinese and two in English.
Books (in English):
Inside Out: New Chinese Art,ed.
Fragmented Memory: The Chinese Avant-Garde in Exile,co-ed.
Books (in Chinese):
Chinese Avant-Garde Art
The History of Contemporary Chinese Art
开的课：Chinese Modernity and Avat-Garde中国的现代性和
Contemporary Chinese Arts 当代中国美术
15. Cornell
AN-YI PAN ap76@cornell.edu
Research:
Chinese Painting; Chinese sculpture; Japanese art in general; Cross-cultural
analysis of East Asian art; Sinological interpretation of Chinese art; Budd
hist theology and art; Modern and contemporary Chinese art
Teaching:
Survey courses:
Introduction to the Arts of China
Introduction to the Arts of Japan
Chinese Painting
Seminars:
Arts of the Tang Dynasty
Arts of the Song Dynasty
Friends of the Cold Season
Dawn of Modern Chinese Art
Modernity and Chinese Art
Select Publications:
Books in progress:
Working title: "Li Gonglin's White Lotus Society Picture and the Tang and So
ng Quest for Enlightenment"
Articles:
"The Formation and Ideology of the Three Laughers Story and its Later Deriva
tive: The Two Laughers," in Professor Chu-tsing Li's Festschrift
"Painting and Friendship, Private and Political Life: The Case of Li Gonglin
(ca. 1049-1106)" in Journal of Sung-Yuan Studies (September 2000)
"Eclecticism in Shen Hao's Painting," in Perspectives on the Heritage of the
Brush, Lawrence: Spencer Museum of Art, University of Kansas, 1997.
"A Southern Song Dynasty Amitabha Triad Painting Reconsidered," in The Bulle
tin of the Cleveland Museum of Art 81 (November 1994)
16.Chicago
Jennifer Purtle (Instructor of Chinese painting) jgpurtle@midway.uchica
go.edu
Yale University
Later Chinese Art. Research interests in Chinese visual and material culture
from the Six Dynasties to the present, especially the cultural geography of
Chinese visual production, urbanism, and East-West exchange.
"The Eyes Have It: Technology, Ritual, and Animation in Chinese Sculpture an
d Painting from Han through Tang"
HUNG WU,巫鸿 Ph.D.
Harrie A. Vanderstappen Distinguished Service Professor in Art History and E
ast Asian Languages and Civilizations.
Teaching/Research Interests: Early Chinese art and relationships between vis
ual forms (architecture, bronze vessels, pictorial carvings and murals, etc.
) and ritual, social memory, and political discourses.
17.UCI
Judy Chungwa Ho
My research has been guided by a concern with how Chinese art history has be
en shaped by forces both inside and outside China国内外的情况如何塑造了中国艺
术史, in particular, how recent archaeological finds have transformed our pr
esent understanding and future direction of the field. 近来考古发现如何影响了
目前的理解和对未来方向的定位
In recent years, my major efforts have been directed towards the completion
of two book projects concerning
intercultural contacts on the Silk Road and the impact on art丝绸之路上的跨文
化接触及其对前现代化艺术，形象塑造，视觉和宗教实践的影响, image-production,
and visual and religious practices in pre-modern China. The first book, The
Art of the Storyteller: Translation of a Buddhist Theme早中世纪的佛教主题的翻
译 in Early Medieval China, concerns issues of visual and textual translatio
ns of a Buddhist story--the Vimalakirtinirdesa sutra什么什么佛经的故事, and
the creation of the storyteller as a cultural hero.
The second book, Family and Redemption: Emotional Themes in Chinese Art Duri
ng the North/South Division, concerns the emergence of an unprecedented emot
ional vocabulary during a period of decentralization when north China was un
der the conquest dynasty of the Tuoba Wei拓拔魏统治下的北中国的什么什么. It
analyzes how various anxieties concerning family ideology, the position of w
omen, and other conflicts between the Chinese and nomadic populace were play
ed out in illustrations of Confucian filial piety坟墓和佛庙的儒教孝的虔诚和佛
教故事中体现的华夏民族与游牧民族的冲突，妇人的地位，家庭的意识and Buddhist s
tories that were circulating in tombs, ancestral shrines and Buddhist temple
s at the time.
18. Duke University
Stanley K. Abe sabe@duke.edu
Associate Professor of Art History
Stanley Abe received his Ph.D. from the University of California, Berkeley.
His field of research is Chinese Buddhist art中国佛教美术. Since writing his
monograph, titled Ordinary Images: Chinese Buddhist and Daoist Art of the F
ifth and Early Sixth Centuries 5.6世纪的中国佛教道教美术C.E., he is developi
ng a critical study of the construction of a history of Buddhist art in the
West during the nineteenth and early twentieth centuries 9世纪和20世纪初的西
部佛教美术史. This study pays special attention to colonialism, collecting,
museums, aesthetic theory, ethnography and religion. Northern Wei北魏
19. Maryland
Professor Jason Kuo jk103@umail.umd.edu
Chinese Art
Professor Jason Kuo, an authority on Chinese art, is the author of Wang Y黙n
-ch'i's Art of Landscape Painting; Trapping Heaven and Earth in the Cage of
Form; Innovation within Tradition; The Painting of Huang Pin-hung; The Auste
re Landscape: The Paintings of Hung-jen; Word as Image: The Art of Chinese S
eal Engraving; Chen Chikwan; Heirs to a Great Tradition: Modern Chinese Pain
tings from the Tsien-hsiang-chai Collection, and Rethinking Art History and
Art Criticism. 山水画，印章，现代中国画
From 1993 to 1998, he undertook the study of the nineteenth- and twentieth-
century art of Shanghai, a research project, funded by the Henry Luce Founda
tion, combining the work of six scholars from China and six from the United
States. Two books are in press: Art and Identity in Postwar Taiwan and Moder
n Chinese Poster-Calendars.
20. Brown
Maggie Bickford
Associate Professor maggie_bickford@brown.edu
Professor Bickford works in an object-centered practice, which makes full us
e of the materials and methods of history and the study of literature. Her r
esearch and writing has centered on the development of scholar-amateur ink p
ainting文人水墨画, especially with reference to genre formation尤其是涉及流派
形成 and to the relationship between Chinese painting and poetry中国画于诗歌
的关联.
Her current book projects continue that line of investigation and extend int
o new areas. "Zhao Mengjian赵孟頫, Qianxuan钱选, and the Late Song Literati
Avant-Guard晚宋文人先锋派" explores the stylistic and iconographic fluidity
of scholar-painting and its reception during the late Song/early Yuan period
研究文人画的风格流派和图示流质及其在晚宋和元早期被接受. "Luck and Virtue: Au
spicious Visuality in China" 中国之视觉吉祥investigates interactions and int
ersections among imperial, popular, and scholarly visual traditions皇室，平民
和文人的视觉传统的交叉影响 by means of studying embodiments of good outcomes
(fecundity, longevity, prosperity and peace) throughout the long imperial p
eriod, form the third century B.C. to the early twentieth century. Her teach
ing interests are oriented similarly, stressing the primacy of visual eviden
ce and extending now into non-elite areas of material culture.
Professor Bickford teaches the history of Chinese art from the Stone Age thr
ough the twentieth century, occasionally comparatively with Japan.从石器时代
到20世纪，有时也做与日本的比较
21. Oregon
East Asian Program
Charles H. Lachman clachman@aaa.uoregon.edu
Associate Professor, Department of Art History (Chinese and Japanese art)
Charles Lachman specializes in art theory and the history of Buddhist art艺术
理论和佛教艺术史, especially in China中国，印度日本, though his research and
teaching occasionally extend to India and Japan as well. His publications i
nclude Evaluations of Sung Dynasty Painters of Renown宋朝画家评鉴 (E.J. Bril
l, 1989), and various articles which have appeared in Artibus Asiae, Art Bul
letin, Asia Major, Clues, and elsewhere; he is currently working on a book c
oncerning problems of interpreting Ch'an Buddhist painting禅宗绘画. He has h
eld grants and fellowships from the NEH, the Social Sciences and Humanities
Research Council of Canada, the Asian Cultural Council, and the College Art
Association, and recently spent a term in residence at the UO Humanities Cen
ter.
22. Georgia
Bradley Tindall (Ph.D. Ohio State)
Assistant Professor of Art: History of Art, India, South-East Asia, China.
23. Rutgers
Angela Howard, Associate Professor
Asian Art
Ph.D., IFA, New York University
Biographical Information:
Professor Howard's teaching spans Chinese and Japanese art. Most of her rese
arch has focused on the development of Buddhist art in China中国佛教艺术的发
展, as signaled by her first book, The Imagery of the Cosmological Buddha (E
.J. Brill, 1986). Her subsequent work recording Buddhist cave and cliff scul
ptures 佛教洞窟与峭壁雕刻in remote areas of China has been funded by a serie
s of National Endowment for the Humanities Fellowships and led to the articl
e
Since 1985 Dr. Howard has been especially involved with the Buddhist art of
southwest China (Sichuan and Yunnan四川云南), from its inception to Song tim
e 宋朝(ca.200-1250), focusing on the development of an indigenous style and
iconography determined by the influence of cultures such as India, Tibet, an
d southeast Asia印度，西藏和东南亚文化的影响. She has also researched Centra
l Asian Buddhist art and its impact on Chinese art of the Nanbeichao period.
中亚佛教艺术及其对于中国南北朝艺术的影响
Also, Professor Howard was hired in 1999 by the Asian Department, The Metrop
olitan Museum of Art, New York, as Special Consultant in Buddhist Art, to or
ganize with other curators the exhibition Early Imperial China: The First Mi
llenium, Han Through Tang Dynasties, scheduled to open March 2004. In this c
apacity, she has traveled twice to China (January and May-June 2001) to visi
t the museums of different provinces to select Buddhist art, mainly sculptur
e. Professor Howard is also responsible for writing an introductory essay on
the development of Buddhist art and all the entries of the Buddhist artifac
ts in the forthcoming catalogue.
Current interests and research:
March 2001: Henry Luce Foundation China On-Site Seminar Program grant admini
stered by the Asian Cultural Council and given to Rutgers, The State Univers
ity of New Jersey. According to the grant's requirements Dr. Howard (Directo
r of the project), Dr. Yu Chun-fang (Rutgers, Chair Religion Department), an
d Dr. Li Chongfeng, Archaeology Department, Beijing University, PRC, will te
ach ten graduate students (five American recruited nationally and five Chine
se) in a four-week seminar Buddhist Art of the Kizil Cave Temples on locatio
n in Kizil, Xinjiang, PRC. The $ 77,000 grant provides honoraria, traveling
and living expenses for all the participants, support for a conference, and
administrative fees paid to Rutgers.
Dr. Howard is currently working as the editor of Art of the Buddhist Caves a
nd Temples of China (300-1800) (New Haven and Beijing: Yale University Press
and Waiwen Press). This is a collaborative work between Western scholars (A
be of Duke University, Howard and Yu of Rutgers, Linrothe of Skidmore, Berge
r of Berkeley) and Chinese scholars (Ma Shichang and Li Chongfeng of Beijing
University, Ding Mingyi of Chinese Academy of Sciences, Luo Shiping of Beij
ing Central Academy, Xie Jisheng of Tibetan Academy, Wang Jiapeng, and Luo W
enhua of Palace Museum, Beijing).
She is also the Senior Western Editor for the upcoming Three Thousand Years
of Chinese Sculpture, co-authored by Wu Hong, Yang Hong, and Li Song. (New H
aven and Beijing: Yale University Press and Waiwen Press, forthcoming Fall 2
002).
24. UCSB
Peter Sturman sturman@arthistory.ucsb.edu
Associate Professor
B.A., STANFORD UNIVERSITY; M.A., PH.D., YALE UNIVERSITY
Peter Sturman's field is Chinese art history, and his research focuses on th
e literati tradition in both painting and calligraphy in the Song dynasty. H
e received a Fulbright, Andrew Mellon Fellowship and many others. His public
ations range from Han dynasty to twentieth-century art and include Mi Fu: St
yle and the Art of Calligraphy in Northern Song China, 1997.
25. Columbia
Robert Harrist reh23@columbia.edu
Jane and Leopold Swergold Professor of Chinese Art
Robert E. Harrist, Jr. received his Ph.D. in Chinese art and archaeology fro
m Princeton University. His research interests include Chinese painting, cal
ligraphy, and gardens中国绘画书法和园林艺术. His most recent lectures and pu
blications deal with the phenomenon of copies and replicas in Chinese art中国
美术的赝品. Currently he is at work on two projects, a general history of Ch
inese calligraphy中国书法史and a book titled "Reading Chinese Mountains" tha
t will study the role of language in shaping perceptions of landscape塑造山水
视觉的语言的角色.
我的申请总结4:要资料的email地址
发信人: jdm (热爱生活的jdm), 信区: AdvancedEdu
标 题: 我的申请总结4:要资料的email地址
发信站: 北大未名站 (2002年04月20日18:58:41 星期六), 转信
我都忘了从哪里找来的这个email地址列表,
但是有很多是没有中国艺术史专业的，管他呢，反正我都发email去要了材料 :)
JScott@binghamton.edu
st_gradstud@bloomu.edu
grartsci@bu.edu
mmallory@brooklyn.cuny.edu
Threasa_Peckham@brown.edu
adm1@mina.gc.cuny.edu
gsas-admit@columbia.edu
art_history@cornell.edu
medievalst@cornell.edu
adm@hugsas.harvard.edu
admissions@tzayid.hunter.cuny.edu
ppiraino@jhunix.jhu.edu
grad-adm@jhu.edu
arch@mit.edu
ifa.program@nyu.edu
cxz3@psu.edu
dschulte@princeton.edu
artdsign@brick.purchase.edu
Graduate_Admissions@qc.edu
dgynn@rci.rutgers.edu
giadm@sjca.edu
suabroad@syr.edu
admissg@vpa.syr.edu
tu_grad@blue.temple.edu
tylerart@vm.temple.edu
gsas@infonet.tufts.edu
efelmet@acsu.buffalo.edu
mscriven@notes.cc.sunysb.edu
Denisse.Basaure@mvs.udel.edu
GradAdmissions@mvs.udel.edu
arthgrad@deans.umd.edu
gradinfo@resgs.umass.edu
dajackso@sas.upenn.edu
GFB+@PITT.EDU
art_arthist@cc.rochester.edu
graduate.admissions@yale.edu
ghaynie@american.edu
brogers@acpub.duke.edu
aeconom@emory.edu
gradadms@admin.fsu.edu
csasgrad@gwu.edu
wwwgas@panther.gsu.edu
dbeck@ua1vm.ua.edu
hmcphers@uab.edu
rwestin@ufl.edu
gradadm@arches.uga.edu
jspete01@ukcc.uky.edu
admitme@louisville.edu
jorge@miami.edu
gschool@olemiss.edu
lindsay@email.unc.edu
delmeer@satie.arts.usf.edu
mwd2f@virginia.edu
arch-admissions@virginia.edu
gradinfo@ilstu.edu
kbrooks@indiana.edu
gradadm@lsu.edu
gradapp@nwu.edu
history-of-art@osu.edu
GSCHANZEN1@OHIOU.EDU
arts@rice.edu
gradcoll@uic.edu
cdolske@uiuc.edu
art01@uiowa.edu
arthist@lark.cc.ukans.edu
ipcaa@umich.edu
ha.admissions@umich.edu
gradinfo@ou.edu
adgrd@utxdp.dp.utexas.edu
arthist@macc.wisc.edu
gradschool@csd.uwm.edu
gradstudy@uwsuper.edu
gradstudies@byu.edu
artinfo@mail.sdsu.edu
artinfo@mail.sdsu.edu
gadmit@sfsu.edu
ck.gaa@forsythe.stanford.edu
gradadm@lorax.admin.arizona.edu
dltashji@uci.edu
visualstudies@uci.edu
gadmission@gdnet.ucla.edu
grdadmis@ucrac1.ucr.edu
admissions@graddiv.ucsb.edu
gradinfo@colorado.edu
saah-gradinfo@du.edu
uoadmit@oregon.uoregon.edu
arthist@usc.edu
uwah@u.washington.edu
--
*锦瑟*
锦瑟无端五十弦，一弦一柱思华年
庄生晓梦迷蝴蝶，望帝春心托杜鹃
沧海月明珠有泪，蓝田日暖玉生烟
此情可待成追忆，只是当时已惘然
※ 来源:·北大未名站 bbs.pku.edu.cn·
页:
[1]