标题: tpo12阅读《transition to sound in film》一个问题 [打印本页] 作者: liyonglixiao 时间: 2009-11-24 10:40:41 标题: tpo12阅读《transition to sound in film》一个问题
◆ Yet this most fundamental standard of historical periodization conceals a host of paradoxes. Nearly every movie theater, however modest, had a piano or organ to provide musical accompaniment to silent pictures. In many instances, spectators in the era before recorded sound experienced elaborate aural presentations alongside movies' visual images, from the Japanese benshi (narrators) crafting multivoiced dialogue narratives to original musical compositions performed by symphony-size orchestras in Europe and the United States. In Berlin, for the premiere performance outside the Soviet Union of The Battleship Potemkin, film director Sergei Eisenstein worked with Austrian composer Edmund Meisel (1874-1930) on a musical score matching sound to image; the Berlin screenings with live music helped to bring the film its wide international fame.
这个是第二段原段，问题在下面
Paragraph 2 suggests which of the following about Eisensteins film The Battleship Potemkirf?
A.the film was not accompanied by sound before its Berlin screening
B.the film was unpopular in the Soviet Union before it was screened in Berlin
C.Eisenstein film was the first instance of collaboration between a director and a composer
D.Eisenstein believed that the musical score in a film was as important as dialogue.
正确答案是A，why?原段说这个电影在柏林是首映啊，那为什么又说这个电影在上柏林荧幕之前是没有声音伴奏的呢。。。。。。。。。by the way,俺选的D.作者: liyonglixiao 时间: 2009-11-24 14:29:32
弱弱的顶一下。。。作者: liyonglixiao 时间: 2009-11-24 15:39:59
555，没人解答吗？作者: gaofei323 时间: 2009-11-24 18:01:23
for the premiere performance outside the Soviet Union of The Battleship Potemkin
首映是说在soviet 之外，说明这个电影在soviet放映过
但是的确没有明确说柏林是第一次带声音的放映 虽然文章能模糊看出这个意思
D好像没有这个信息作者: 盐粑粑今年十几岁啦啦啦 时间: 2015-8-4 17:51:26