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- \; D; z7 m: T" c; dSECTION 1
0 }' t: p' q) i% d& Z" _5 {" Z. @Time –30 minutes, c$ ~* Z7 [! L$ x! S
38 Questions
1 \- W* j; d9 T' ~* N. v& t1. Because the monkeys under study are ---- the
3 l: W1 L7 w* m/ i" f# `7 @4 K# J  presence of human beings, they typically ----
& K( v/ L- \- q$ k; o  human observers and go about their business 8 j1 G, K, }" e* U/ F* o. d
(A) ambivalent about .. welcome & S5 W/ c, ?/ [  B4 I7 K0 J
(B) habituated to .. disregard 9 B1 S& W. @' m! y+ {
(C) pleased with .. snub . d. c% @' ]/ K. S$ c6 }0 q+ _
(D) inhibited by .. seek & V% r$ g" M# I( D2 s8 O) x- ^0 |: r
(E) unaware of .. avoid ) c* P# @+ p5 F
2. Give he previously expressed interest and the 9 D8 p- w4 S5 u# c9 [1 `
ambitious tone of her recent speeches, the senator's $ T: m4 M* s7 Y+ @8 ~5 B8 a* V
attempt to convince the public that she is not inter-
3 _5 B) P, b( T, ^& vested in running for a second term is ----./ R/ B, s: x" T* u/ k
(A) laudable ) a; {; e8 p+ x( o9 d1 T% a, C
(B) likely
% d3 Z$ b8 n+ N8 [( e% f (C) authentic ) ~) K" e3 e( l  B. ~
(D) futile
2 n( Y6 q' m7 W1 {7 o2 X: j! J- j$ m (E) sincere * N- _, f/ {# Y" K% t" t4 z& Q
3. Many of her followers remain ---- to her, and , @7 `& i4 V+ [- C2 s. N  W
  even those who have rejected her leadership are 8 W, l5 g# x( C5 \
  unconvinced of the ---- of replacing her during
" \8 p+ v; y3 c6 n% P  the current turmoil. 9 f& p, X( U+ X3 i4 |8 }8 l
(A) opposed.. urgency / [; q+ ?9 F0 a% p( s  \
(B) friendly.. harm
# |' P6 F/ B* Q, U' ^ (C) loyal.. wisdom
* Z; G1 S5 j+ S5 x: g (D) cool.. usefulness 9 @  |. M! Q8 ?
(E) sympathetic.. disadvantage
8 x: Y9 q6 Q! }! g3 m: h6 S/ ]4. Unlike many recent interpretations of Beethoven's & C) _* n9 _0 b3 g/ ^
piano sonatas, the recitalist's performance was a 2 w  s: U" |& l7 N3 x' ]) r
delightfully free and introspective one; nevertheless,
, t) c* `$ p! q5 o; f/ w2 ]- Lit was also, seemingly paradoxically, quite ----.7 C* c" n: g& ^3 V
(A) appealing 9 g$ q+ r' v6 D  M) X, N* T  q
(B) exuberant
+ y" R& N% e! N9 Y+ k (C) idiosyncratic ! O6 I( m8 u4 v( r$ f! @' s
(D) unskilled * S& j% v4 ~7 S+ P) S
(E) controlled
. ?. _6 \8 a3 C* w5. Species with relatively ---- metabolic rates, including
$ {/ C: V& |, C6 D: shibernators, generally live longer than those whose 3 ]: u. x* p# m% h; j- ^  r# x
metabolic rates are more rapid.
. B4 x' O: Q+ p" h(A) prolific 0 D8 F$ f# L( Z$ A  q- e* y
(B) sedentary ) u- f, y7 `3 c% `
(C) sluggish / Z/ |2 J% C5 z
(D) measured
. s$ }7 [4 M+ x8 U) Z (E) restive
; p; h$ }& f' B) y1 G# c6. Belying his earlier reputation for ---- as a negotiator,
+ |! X/ D4 u3 DMorgan had recently assumed a more ---- stance
+ K% e& {7 M5 L* E2 _8 Vfor which many of his erstwhile critics praised him. + W& E* ~5 a3 T( F. D$ N
(A) intransigence.. conciliatory
- k; A6 H: W1 ?: j: Z (B) impropriety.. intolerant 7 h# D* J+ X& ?7 c  p, S! M7 ~
(C) inflexibility.. unreasonable
  \; K5 a- `. m* }7 H (D) success.. authoritative
/ I& f1 E" O  ~* C! c) }- A+ B (E) incompetence.. combative
# F: c% ~: N2 |* i2 p+ S7. Although Irish literature continued to flourish after 0 X! A, k! Q. ~3 i  }9 r
the sixteenth century, a ---- tradition is ----
: G8 }" H0 g3 S  Xin the visual arts: we think about Irish culture in terms of 7 I) W  j& m4 }) [# h
the word, not in terms of pictorial images.
/ Y: V+ m( l% O. u, `9 t(A) rich.. superfluous
- W. O( e" @0 D (B) lively.. found 8 o+ D" Z' b' k: s- n% J
(C) comparable.. absent 8 k8 V* m, z  e7 ?/ x& i
(D) forgotten.. apparent
" p' }$ q7 s! E1 i& Q$ ?2 d9 Z (E) lost.. extant : }7 ]$ N& L* T
8. SILVER: TARNISH::% U1 X. z. Z+ b" I8 |0 u- G) ?& l
(A) gold: burnish
2 N6 N/ z: K6 |8 O/ ~! Z1 i (B) steel: forge
, y' g$ t7 ]7 ?+ i8 c/ N: S0 t. U (C) iron: rust 7 P; F  v9 `+ U& k! L* R$ h3 e
(D) lead: cast
3 q) I* f6 b2 [/ B5 e5 m (E) tin: shear % W# `1 y& K3 l& R3 U2 I" [
9. DISLIKE: LOATHING::
; u& t. Q& e) z" W (A) appreciation: gratification
+ F- Z+ W: L9 X6 ?) \ (B) hunger: appetite " M! j: T  D; R4 ?% g/ s
(C) void: dearth
& B% i6 v+ a) |+ r9 o+ Q) `6 F' e (D) pleasure: bliss
$ j) h' g, g6 R. v$ H5 } (E) pain: ache ' h) s% e2 P5 g
10. CRAVEN: HEROIC:: 5 T: n' H  K2 Q  ^; \( D! |" E  w
(A) unruly: energetic
0 Q8 h8 {) h2 i  a (B) listless: attractive
+ c/ Y( @0 B8 L, n& z& Z$ K. m, j8 e (C) volatile: constant 3 f( |% h% |' R( S( Z
(D) deft: trifling
0 |) H! V( c. t% N7 i7 n% Y  d0 s (E) awkward: amusing
/ e. }  h3 x% B! l, N11. FILLY: HORSE:: + N6 ^+ f' G/ k" ~, I4 {
(A) antennae: butterfly
9 P2 a* F! I/ v. s% T (B) pullet: chicken ! I; _/ X$ \5 Y2 Q5 b9 }+ U
(C) gaggle: goose
8 Q1 e( [' V. ~ (D) duck: drake
4 q3 ]; [+ c( T8 l! [6 m6 q (E) wasp: bee % M9 [! ]% ?$ i9 ]# D# O
12. PITHINESS: APHORISM::
' S& p# Z( t  i3 K/ j (A) craft: art
" }8 X; E( [5 U* x9 s9 ]/ `" Q" ~% H (B) detail: sketch
8 I! y$ d$ I. I: @7 m (C) illusion: story 6 z3 V9 s' l( F2 o0 J# M
(D) exaggeration: caricature ) {4 Q9 b# ^' q
(E) sophistication: farce
/ `% ?( t* K8 f- v, m' K4 j13. EPHEMERAL: ENDURING:: 9 ^/ f% k) z1 e8 S. U
(A) infirm: healing
. z: e% t; u! x' z6 f0 k1 b (B) insensitive: cooperating
6 Q4 M: z8 [  V4 q/ n" Q$ V# ~' E (C) inanimate: living
- g+ x/ L; E( Y& `- k$ D. G% R (D) interminable: continuing 1 X! X! L2 q" t5 h
(E) ineffectual: proceeding
- x3 ^4 G/ e; D& L! R- @14. POSTURER: UNAFFECTED:: # Y, C8 b9 U# v2 R: M, Z
(A) brat: insolent
$ Q: q* t% q! m0 t  }9 ]) |! T- E3 J (B) hypocrite: perceptive : L1 a) y3 L" U4 D, G0 _
(C) grouch: respected
8 l' o# h! f+ A3 c (D) bigot: tolerant
: r. |$ U$ M* V% p; f (E) rogue: empathetic 6 k+ h# g- b  K1 \6 M" f; }0 U) b
15. FACETIOUS: SPEECH::
4 X, }# ]% Z' F; y% p& v" @ (A) precocious: learning
& m& H: a, Z7 o6 H" t (B) unbecoming: color 6 |6 ]1 @; e" b4 u
(C) exemplary: conduct " o  [( k3 r& ]+ r3 |
(D) craven: timidity
1 y& Y0 h6 F% W: s (E) antic: behavior
- ]& g( h- }+ p16. VAGARY: PREDICT::
  T' g9 c# j/ C (A) quotation: misdirect $ C2 x! m& U, W: y1 g
(B) investigation: confirm
  D5 O# x) ]- R (C) stamina: deplete : B8 }, T2 P' J/ P+ Z8 _- n9 [& i
(D) turbulence: upset 8 _: }- X" l$ }, @2 r- I8 q2 d% O
(E) impossibility: execute
. N$ U6 k& ^6 G; N% h28. PREFACE:
' G$ K/ m. r' U, G) D/ ~; C(A) improvisation 6 d  }) V  Q# c4 n1 m  n4 ~( d$ i
(B) burlesque
8 k2 k' n9 q3 H8 S" @  R8 i$ ^(C) epilogue
4 _# P" L0 Y# ?(D) tangent 0 b! {+ p/ ]; y% g" R9 d" c* E  J
(E) backdrop   f+ @$ {  s# G3 v+ {
29. DEBILITATE:
2 A; g, `# A7 o, p% r) W5 O& p3 ?0 M; A: O(A) implicate
& G$ h/ O# ^/ C3 \; D" _- J(B) invigorate
) {2 s0 v# R. `% a& A. e$ k# C3 T& z(C) obfuscate
7 h" L/ T) Y% g$ Z$ d# Y(D) realign . _: L* \) e# t$ O
(E) encumber ; O. k5 ]1 g, _% j! q4 y- c
30. TASTY: 3 R: V& @4 x. Y
(A) uninteresting
3 J" F# i$ Q3 o2 h3 H/ j(B) unfamiliar
, ]' J- B# Q7 [! i- D6 y" F1 @/ L(C) unexpected
( y+ o  P0 ?6 ~4 ?(D) understated
, A, N  P/ Z3 Q" M9 ~8 L(E) undervalued   x$ @8 K. C2 W- g2 I5 b/ [
31. ABNEGATE:
4 n3 m( A! V: v% N% c(A) refresh 7 K$ [* c5 C- G/ c5 l, b( ]
(B) reaffirm ; Z, @3 q7 s  A5 L  E% E
(C) relieve
8 M# W( I% `" ]# R(D) react - v* z. Z4 T! t3 ~; p0 c1 L6 K
(E) reform 0 T% J6 \$ U! R7 R( U# I$ l
32. SERRIED: % [3 ~3 u" a& K1 s
(A) partially formed + o: y; b! C4 R. `0 f! g6 J; o  t
(B) widely separated
2 p; I  x8 v  u6 @, t5 M5 x: h(C) narrowly missed ! t4 r5 F9 ?3 p
(D) extremely grateful
6 ?1 s8 n3 \, e1 X(E) reasonably clean 2 T9 ^, Q) H6 u9 h4 N% `3 Q; g
33. BOMBASTIC: 0 g: f/ V( V; \+ p# e
(A) unflappable
6 v3 C& @0 A# L) ~, o(B) uninspired 1 o0 Y4 T. X( k% Y: Y, d
(C) unpretentious
$ E+ C0 E3 F, o(D) inscrutable 3 D) l" ~4 ~& y( D+ K
(E) incisive
# }+ c  ?5 |9 i& V34. BANAL:
5 I+ n5 p9 W9 ^4 {1 G/ v) }$ x+ o(A) comfortable
2 o# M4 d( Y9 G" m(B) novel 6 H6 |) ~$ }: L( o
(C) equal
3 l! [# S  N& v6 r7 c! d0 v(D) fatal
: h9 B+ V; a6 W! H# E0 O; w5 ^(E) competent + W2 h$ t! a8 X- V
35. LANGUISH:
- y4 S% r6 M- R9 R! e1 }# f' x(A) agitate / \6 T% H; E, Y3 i4 ~' F
(B) wander 8 Q# W& o: V3 [+ i: u5 v& K6 y
(C) relieve
$ h( O) g( R9 @0 W+ h+ Q' k+ \/ z  [(D) discomfit
" R4 M$ e5 V, j/ f+ N(E) thrive $ r* E5 R* y- z) z) ]7 l
36. ENNUI: & A0 G% C9 F$ P. K
(A) intimidation
8 s5 h. g; J% y(B) sleaze   a9 p2 d) W/ g1 G! k
(C) faint recollection
* i) \/ e. q% L; V7 X! H: `: f(D) keen interest
& g/ B" g! L; I! P+ a5 Q1 L% [(E) deep reservation 7 I- |) s, C7 g. P  Z' m" T3 E
37.DAUNTLESS:0 }+ T: k: h6 h6 \+ O5 [6 v. i
(A) sophomoric
" V% ^# i  M- ]# A- q(B) trifling2 H' R! y$ a1 O2 }
(C) pusillanimous
2 V, J+ |8 G, i/ h(D) specious; R, Z. H: K. k. f- B
(E) parsimonious( k7 d# [/ E  n* p" K
38.TEMERITY:& p% Q3 i( v- O* k9 K. r
(A) credibility
' M6 F" }& c- }4 a; O(B) authority, r  c. k: D7 h# l* x. W
(C) celebrity# K0 H. g3 S- q, F, s
(D) acrimony9 R. w- g, R( k- A; x
(E) circumspection! |- L* }8 w" r) Q/ N0 p
9 v  ?: u/ p, s9 J" O6 W
SECTION 48 ~5 S- H4 [. A* {, b
Time-30 minutes( g; A& i; p# N9 X
38 Questions
5 J: t; m8 H( R1 U, E* h2 P1. Although sales have continued to increase since last 8 u6 Q$ |+ O8 |3 O+ p# e* k
April, unfortunately the rate of increase has ----.$ [, {$ g. Z. H. a/ G1 Y
(A) resurged " O0 p3 Q& n) ^  t
(B) capitulated
" B) [' R  `% g4 @6 Z0 v+ i(C) retaliated
/ z7 f" C) R- p& [8 m(D) persevered
* n) h" [8 r8 [& }(E) decelerated 8 G3 f9 V9 U  Z5 P
2. Although the mental process that creates a fresh and & p- M" k4 E- Z" h# e, l" E
original poem or drama is doubtless ---- that which 2 m7 E0 ^3 R/ W1 A% P  c
originates and elaborates scientific discoveries, there 7 S) u/ Q" [; V* s7 R, g  a8 y' J
is clearly a discernible difference between the crea-0 L) R7 n% k$ K9 S
tors / C, Y( x( d7 f* q8 Q, n4 Y0 ~
(A) peripheral to
% ^! K* S+ o" J" V- j1 Y, |(B) contiguous with / Z6 |/ t2 `) q. P2 c+ j$ O
(C) opposed to
/ T; A+ P$ H: d(D) analogous to 1 J! K9 {' x$ v' u
(E) inconsistent with ( H. z9 _9 c' Q$ i  M7 d) _
3. It is disappointing to note that the latest edition of 0 n9 j* e; L/ |8 h9 V8 ]* u
the bibliography belies its long-standing reputation
* y# X- n/ B. F! efor ---- by ---- some significant references to $ u# ~, G8 V+ q1 ~7 Z% n' h
recent publications.
, P: }5 r5 v* A/ f* e(A) imprecision.. appropriating 5 z, S/ I9 L) C0 j
(B) relevance.. adding ) n; N$ f* Y& Z! W
(C) timeliness.. updating 9 z' v. O+ E" K
(D) meticulousness.. revising
3 G1 v2 x3 z' r( M5 F( W(E) exhaustiveness.. omitting  
1 x) K& F6 W& k4. Although Simpson was ingenious at ---- to appear
6 U* M" @6 x% H, Y) q6 N& Y; o0 B$ ~innovative and spontaneous, beneath the ruse he ; @0 x" Y0 {% j, h- d
remained uninspired and rigid in his approach to
/ W" k5 h4 d# k% C0 zproblem-solving. ! R4 Y# K* h( d3 w# {5 _4 D
(A) intending
# [- ^7 F- M, \6 G9 Y' N(B) contriving
2 e/ }1 q3 d7 {2 p% w" F(C) forbearing
! R7 a) j0 w) \' j(D) declining
4 {* q0 c, }4 O) l) y% l(E) deserving   Z4 I5 d5 E) {$ V
5. She was criticized by her fellow lawyers not because
5 C4 O. J8 r) T' V0 Y! Z9 ashe was not ----, but because she so ---- pre-
; J) }# h" c: N. x- W4 E! a; _4 ~! epared her cases that she failed to bring the expected : K' p- I+ c& Q* `9 X" [
number to trial. ( w+ s2 l. g  r0 U# k" p
(A) well versed.. knowledgeably
! J" W$ U- e9 K3 U) M2 S(B) well trained.. enthusiastically
* e3 U# f1 M: B) f  }) z3 N5 Q9 Z$ t(C) congenial.. rapidly 6 W; j, z) B4 g( [0 C- G9 w" S
(D) hardworking.. minutely
6 J/ u1 g6 J& }7 N! ?$ V" p(E) astute.. efficiently
- R: [: f2 T* Z: D8 q+ \0 L3 I2 g6. Schlesinger has recently assumed a conciliatory atti-9 Q7 H- Z- [$ m; M$ z8 f
tude that is not ---- by his colleagues, who con-0 t1 P, G) n6 n, U  [9 r
tinue to ---- compromise.
" @6 ?' C( L* @: l1 \+ O9 R(A) eschewed.. dread & b9 r7 _6 k7 Z5 F5 {% ]
(B) shared.. defend $ Q# o4 c- v8 k0 q
(C) questioned.. reject 8 p9 U$ t1 i3 V
(D) understood.. advocate ; B( [( ?3 `8 J. B# k
(E) commended.. disparage " ]/ J8 G7 |1 H  k- k! l$ S
7. The National Archives contain information so ---- . B( x. T, Z# B& L0 q4 q# z
that researchers have been known never to publish
5 x; P/ C# z; N9 jbecause they cannot bear to bring their studies to an * m- h+ _( Z& M5 f# N7 ~* a$ [' N
end. 8 M! y  c5 t: x% a6 Q
(A) divisive * o+ H% f9 I( @
(B) seductive $ q* b% H" E9 `& G9 _3 y( c9 p7 ?
(C) selective
) w2 `# E0 v* Z; H' V(D) repetitive , p' D& j' j( K& J( ?; z
(E) resourceful
; O* i) o) Z# [2 U! \8. HILL: MOUNTAIN::) \  e8 x( t2 N
(A) grass: rocks
( z* S+ U/ F- D4 e4 o, H(B) autumn: winter
" w, n9 i- _" P& {% ^(C) creek: river : l+ f' K3 H- R' N
(D) star: sun 1 R) h* Z) A$ e& @
(E) cliff: slope ' h/ O! n4 n2 b! H  X' S
9. AERATE: OXYGEN::% N8 ?/ Z# w, A( k5 f/ K# \9 R
(A) eclipse: light
) C+ {9 V: K/ t! E' {- Z(B) desiccate: moisture % ^" R+ b! o1 [' A& i: K( i" }! ]  G) k
(C) precipitate: additive 6 j- ?' h7 |4 H! o
(D) hydrate: water ! y* }' h" I* Y9 H: t) P
(E) striate: texture , ?5 H- j9 B) W- e
10. ORCHESTRA: MUSICIAN:
. h2 F1 O! v3 V# k- h  x5 l- j(A) cube: side 9 ?; W) `# k  d* h* k% y" R; \
(B) kilometer: meter: G8 U) _0 s0 s, l+ C) B, L
(C) sonnet: poem; C/ r& r" q- X+ I5 F
(D) biped: foot( U  L1 k5 S( w* i4 y5 m9 B- ^6 P
(E) pack: wolf
+ {+ ?8 X6 }1 }11. EQUIVOCATION: MISLEADING::
% x" V& q$ p- M. a' U# l, h( R; L(A) mitigation: severe
: R/ N+ T) ~3 b. K* x. e4 D(B) advice: peremptory
& o* E7 h/ [- o(C) bromide: hackneyed
3 p, x" q$ F% T# ^' g5 q  |(D) precept: obedient & O! Y2 n2 t+ `
(E) explanation: unintelligible
; F' I1 |7 N% R: T( F12. CENSORSHIP: COMMUNICATION::
9 ?/ w5 {' U6 N3 ^) j& l5 N(A) propaganda: ideology
+ B( d! P" w4 k+ ^" d2 `6 B(B) preservative: decay
( m2 t9 |, w1 I0 O! }) S9 _3 @: `(C) revision: accuracy
/ ^' `, j8 p; M& b( `(D) rest: atrophy
& z& j( A) K- _. z4 e# {(E) exercise: fitness $ W" g' b& {" a# M
13. BUS: PASSENGERS:
& c6 i1 \0 C7 N: p(A) flock: birds " v- ~0 }) f7 d4 s+ R
(B) tanker: liquid
: L% X: c2 u/ T, x0 w2 K) Y# J(C) envelope: letter
# j3 q* }1 h/ u! v3 Y(D) bin: coal
( B) M( {; v9 ?3 ](E) automobile: gasoline 2 d6 t- r; B* i3 w9 r
14. BALLAD: STANZA::% X4 |# b( K" W# I5 C
(A) novel: chapter
% Z1 V( A: A: S7 F% A1 L(B) poem: meter
+ P( G2 P6 @3 E(C) play: dialogue * L+ o6 U* \9 T& f
(D) movie: script
) d) r5 ^; g) d& x9 f0 W(E) photograph: caption
( }/ v5 l+ x2 U0 V; Y. t! F15. DISABUSE: FALLACY::: n/ t5 E" B/ x7 y0 d
(A) cure: disease
+ x, p+ l" U6 T! @& R(B) persevere: dereliction
& z; _+ {* g- _(C) belittle: imperfection
0 @! x3 ]' q7 m( o(D) discredit: reputation
' a2 h5 j" o" i( [6 n(E) discern: discrimination / {# R  W, S5 ~+ A
16. BLANDISHMENT: CAJOLE::
) M% f- ^2 A$ M. a2 \. C(A) prediction: convince , v) Z, t! Y  S- e! P) n) [+ D
(B) obstacle: impede
0 r! W( y) s) P4 p(C) embellishment: praise
, u. i! ~& e  i& M(D) deficiency: compensate
8 P, |+ e5 Z# o; w1 |) ?7 G+ H(E) compliment: exaggerate . _1 p7 |' U0 h

) U! I, v# q; c28. DEBUT:
: l+ v7 t. a) ^1 G9 Z% v+ c(A) collaboration
% A3 ^. K$ Y8 R+ x/ d(B) monologue ( I. W$ k3 h% \( _' r3 |( r2 H# z+ i7 P
(C) farewell performance 2 [% K/ `# g* j" T3 A5 f
(D) repertoire standard : v7 c. w; P6 U0 ]
(E) starring role - b2 i3 F0 v1 e. T# [  t
29. WITHER:1 }; t- E0 q6 c
(A) disagree ) g( s* t8 A1 I/ H1 }+ a
(B) shine ; a! c6 g5 O: R7 ?% j
(C) plant 1 u! b# p; g- ~6 _; x
(D) adhere 9 Z6 M2 [9 R: V/ i  @+ t( g4 d
(E) revive
, y. o! _3 {# [% _; h, x; [30. BUCK:
( v; ?/ d: S" W: j6 k  ~  }+ Y(A) cover over
  C% |2 O# u# d4 q4 x(B) assent to 5 v; [9 m2 w0 L- n; r( T
(C) brag about , x$ W" N7 k0 S
(D) improve $ H3 Q% Y; s7 c2 I7 X9 w4 {% r2 {/ O
(E) repair
5 x0 G. i/ T0 r) M& b31. MEAN: * w) g+ \6 Z1 `7 h
(A) trusting
1 x. T: M1 z" V+ g7 Y/ S(B) ardent 8 ~/ T' U1 |, r& V0 y  z8 P
(C) clever
+ }) ]  c/ v9 C) l/ V/ a  T+ \(D) incautious 7 v# s* @" ~7 _5 c5 a) y( c5 l
(E) noble
  |5 Y  D5 \3 m8 m7 q32. ADJUNCT:
9 F9 L2 o6 ^( z  J5 b4 P8 f5 x(A) expert appraisal ( |3 H, s  R, {& v, r3 l* r" w
(B) generous donation
8 z* u- }$ M7 {  g7 e( A6 }(C) essential element
/ F+ }! x' |1 E- ^  H# Q8 C(D) mild reproof
+ P+ P1 v; R, l(E) impartial judgment
% Y1 h0 Z8 G) S3 N- o4 q# p9 o33. CANONICAL: ( g9 Q0 s, m. a1 i: C
(A) imprecise
$ e  ^1 w5 a, ^3 x(B) ubiquitous . X& O. q3 L$ A: ~; \  e
(C) superfluous
* w2 ~5 g; Z5 P1 M+ w  h(D) nontraditional ! U; S6 Q6 ]: V0 [" v
(E) divisive # R" U+ \5 n/ n
34. TICKLISH: : R8 I. m  e9 y8 [
(A) heavy-handed $ K# z; a  v3 y& M3 Z
(B) significant
: ~5 b9 g8 a' ?! E# V7 c(C) tolerant ; U0 j/ f1 n3 \2 E# u, K1 E8 m
(D) impartial
$ n. x9 N/ @$ H(E) imperturbable , d3 E4 s) g# D& D4 K: E
35. PREVALENT:
% ^# b# b$ Q( k$ ~! q(A) invasive ( O. ]" o- d$ k2 |$ H0 D# P
(B) inconsistent
4 V% b1 J0 j) Y! z& X2 H4 ^(C) indistinct
+ l7 z3 J" o. j0 V(D) unpalatable & e# v3 Q. y1 v& i6 L8 v
(E) unusual + y4 t% o1 Q% v8 C5 ^1 R7 n
36. PENURY: ) Q  q. S& j" A& K5 A
(A) approbation
+ u8 F  t8 f6 [8 h) s: [$ l! L(B) affluence
' J* U, T) E1 \3 S; I' d(C) objectivity
3 |5 a7 t- Y2 Q' ]0 o5 b  o% h/ b5 B(D) compensation , D" A% L" h9 b- n
(E) grandiosity
4 v7 Z2 D1 {1 _. t8 f37. MINATORY:
* ?, K" Z, _/ N. S. Y" N6 w+ y7 H(A) convenient . _  i: h7 T8 O- ^+ ?; b
(B) nonthreatening
; f% i8 A/ }' C0 R/ x2 O9 d  d3 x(C) straightforward
  ]7 Z( f' e) V( c8 b6 ~, E4 D( p(D) fastidious
& T- i; F; B7 D6 m. X: C6 T: [(E) rational
7 w0 ]$ \9 x; v6 t  H38. CALUMNIOUS: ' B+ b$ d5 V- K6 P# b# W) {
(A) adept
4 T; u) e+ g# M+ E(B) aloof
3 x$ p7 v9 U& Y2 z8 Q( X(C) quaint
; D, l2 k  U1 i(D) decorous
7 [# D/ \  C- s3 }9 U+ X(E) flattering ; i9 i/ o2 d. G7 J0 A/ v" X

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