Again Austen’s irony is subtle here; while the ending seems to naturalize narrow and impenetrable boundaries, the earlier episodes question this move. G/ E) t5 x9 c* R! v第二篇说jane本身是很irony的,但是最后的结局与她的irony不符7 e! i% B7 |1 z
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"文章的结局与她的irony不符"是作者的观点?6 m {" a9 z0 m# p3 \/ i
"subtle"表示irony在她的文章中还是存在的, 2 `2 k! Y B3 P3 Q s% w"while"又突然来了个转折, 5 P8 n9 x, Y7 l" s这里有点奇怪~
原帖由 86525882 于 2006-12-17 13:10 发表0 o$ M' J% o3 v+ q0 f- ?1 H A. A
I told you before that CR is much difficult than grammer.$ `* O r* c1 X2 a$ U
But you 're insisted asking the grammer book,I have lots of CR preparation book." Q3 g( g8 i% L" b- H1 z5 ?) Q \& F
PM me ,
原帖由 azuresnoopy 于 2006-12-19 11:35 发表 $ O) j- s8 z$ DJane Austen’s pride andprejudice has long been upheld as an example of art that is perfectly executed on a narrow scale. It can be argued that Jane Austen’s famous comment comparing her work to ...
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never too late8 U; f0 T$ T: A- v4 Y
your answer is excellent/ f+ m8 L+ C: N4 D# E( ?5 R2 M- B
thank you :loveliness: