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模考第四辑.doc
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- A' t; ^, \# m! r. }# F 历届模考
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6 c9 @$ |) _- u( b5 \8 R0506G模考第四辑 * F" I" D/ H, \
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5 \+ X8 O% D$ M 类反、填空题目1 D. H5 r; N2 S7 r% Q! R" O
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SECTION 1: ~/ Q6 B2 ]# X5 m1 B0 h, v; g
Time –30 minutes
7 Q X& s" |# L( p, s5 ~38 Questions6 q/ [" ^. F8 T0 }
1. Because the monkeys under study are ---- the
# P+ o: a& Z6 `5 ?" R presence of human beings, they typically ----
1 C) @4 U) n* d human observers and go about their business * L0 x; j( H- g4 O; l" R
(A) ambivalent about .. welcome 9 e; j! H5 p4 w9 ]: I
(B) habituated to .. disregard 5 a! `3 T3 z# y3 n5 ?; o4 F
(C) pleased with .. snub
4 d2 V! d9 E- a G' Y (D) inhibited by .. seek
5 Z% e* G' }5 [7 }% o* Q& I (E) unaware of .. avoid 8 n# p3 h) v0 e4 { A( Z' p' j
2. Give he previously expressed interest and the 2 \$ B5 C- ^& n0 i: {2 a
ambitious tone of her recent speeches, the senator's
/ f8 l2 a2 i) Zattempt to convince the public that she is not inter-! ]) g) R8 P* S5 {% J' N) P5 _
ested in running for a second term is ----.* M/ I, I) s; M2 Y% F3 \0 A# k
(A) laudable
( T" _( |1 B; R. w- t (B) likely
, h1 q+ N9 F9 \2 O (C) authentic : ~0 F- C! B4 C+ H
(D) futile
$ d' F. L1 X8 t9 t$ W& [! V (E) sincere 3 f' p. d" z' M7 X( H |: f
3. Many of her followers remain ---- to her, and 1 q) q& n* K L2 D9 s' J! i
even those who have rejected her leadership are 7 T' y0 k+ ^3 e: S
unconvinced of the ---- of replacing her during
3 G0 _6 U0 `* k: e+ { the current turmoil.
) W1 s h+ u; `5 {; X W( w: r (A) opposed.. urgency
: q: P3 a4 Y b" p7 Z (B) friendly.. harm ) u9 a3 \. F( @6 ]9 m) H
(C) loyal.. wisdom
/ }( r) z$ e; o7 U (D) cool.. usefulness
. @. W( i0 B/ z9 T* q! i; h (E) sympathetic.. disadvantage
7 J* j$ K1 Q1 t+ U6 {/ i2 x4. Unlike many recent interpretations of Beethoven's
! r/ K" e0 x- B6 F2 N2 }7 Zpiano sonatas, the recitalist's performance was a ; P. X+ T& p, X# B4 {( e1 d A$ t# m: j
delightfully free and introspective one; nevertheless,
- f! H: B6 b5 T9 bit was also, seemingly paradoxically, quite ----.0 U& m# |: q) c4 g$ D L
(A) appealing - v+ X# H2 t; ~1 D7 j. h4 I; q! y
(B) exuberant 9 c" I# K G3 s9 ?2 e
(C) idiosyncratic 6 G& {8 a" j$ l! k
(D) unskilled
* E& q, e* u2 k2 i+ I( m (E) controlled ) [% p6 j& K: E$ j: v! P8 T& m
5. Species with relatively ---- metabolic rates, including
* x& q$ o2 T- o D- ]! P: h, Dhibernators, generally live longer than those whose
% r+ g' T4 g) ?" pmetabolic rates are more rapid.
* S: [2 \. C U. X% _9 g; K(A) prolific
: t/ b$ q) T/ T(B) sedentary
2 J- r5 n; f6 o$ q (C) sluggish 1 y) x1 B! R+ P; V" q& H
(D) measured
* \% N, Y8 q, f7 f) f (E) restive - l6 }' j7 J( ~/ M" M
6. Belying his earlier reputation for ---- as a negotiator,
: w* q' G2 M" H# h. q* _8 t6 u- hMorgan had recently assumed a more ---- stance & F5 S5 d+ g4 A6 _, o: E! p
for which many of his erstwhile critics praised him. . G: Z0 ^) ?( m5 S9 N( I3 v
(A) intransigence.. conciliatory
* K* i8 E: \- ` (B) impropriety.. intolerant 2 v' g* \; M9 ]) q7 h
(C) inflexibility.. unreasonable 9 Z& \; ^# m" D/ S
(D) success.. authoritative
( {% v7 X# H. T5 q) U5 z( m4 S (E) incompetence.. combative
) K9 S+ U1 n' |7. Although Irish literature continued to flourish after
6 B1 P) {& {$ l9 R, Fthe sixteenth century, a ---- tradition is ----
$ ?2 q- g8 c$ @' t @- Cin the visual arts: we think about Irish culture in terms of
: W( I4 Z" r4 K2 m9 y3 B8 Nthe word, not in terms of pictorial images. , s' O) V* ~ M) I6 V. C: a f- V
(A) rich.. superfluous ) b$ \% R( k" r% c: T
(B) lively.. found 3 s7 W0 K% X' u# n% R
(C) comparable.. absent 4 w8 g' h' Q% L/ v
(D) forgotten.. apparent 9 M- _) f3 l+ Z
(E) lost.. extant 4 T0 n3 g" j8 S
8. SILVER: TARNISH::( [6 V9 c2 h0 B2 b4 s( w
(A) gold: burnish
8 ^" i } b! ]3 Z$ v( W- w% i (B) steel: forge @$ O8 V% ?$ \2 y6 F+ l
(C) iron: rust / J6 ~5 r- b2 F. I/ {" B' r1 U
(D) lead: cast
1 Y$ z; g+ {7 H2 W$ F8 W; } (E) tin: shear
$ f0 D5 X& g/ y, ^9. DISLIKE: LOATHING::
5 O4 o# _7 m$ d$ Z! n# U2 U! ? (A) appreciation: gratification ; t. o+ d. u% \7 E# [& p
(B) hunger: appetite 4 x" Q9 v" r( T9 v) [
(C) void: dearth
+ [- X/ V2 O; r/ S (D) pleasure: bliss : h$ }# C' d( L
(E) pain: ache 0 \3 b) {/ W4 k) K! c' u. K
10. CRAVEN: HEROIC:: ! a& L7 P% C/ Z. B! E$ g) m% |
(A) unruly: energetic
7 q( T! L* K4 T (B) listless: attractive
7 \9 ]6 i" z+ P0 b (C) volatile: constant ) k- N) J4 c$ O
(D) deft: trifling 9 V1 W9 {5 Y, c$ D" [/ p' x
(E) awkward: amusing 2 x. l3 l$ R2 J4 L# }* M5 h6 N
11. FILLY: HORSE::
7 h, @2 y' u/ c0 j% R% k' K (A) antennae: butterfly . y( T0 T" R/ @( _1 L
(B) pullet: chicken . |$ ]) w# Q; i/ N0 p7 {! Q6 g$ c
(C) gaggle: goose
4 p5 q6 K* ^+ w7 F* L6 z" d4 Y, Z (D) duck: drake
. r2 @8 D% S" T- I5 G4 W' k. Z (E) wasp: bee
4 t- ?6 H I$ E* ~' F6 u" L9 a" \12. PITHINESS: APHORISM::
) |0 Z8 {0 [2 E (A) craft: art
3 P ` y1 z a8 u2 R$ W* V (B) detail: sketch / n! }% F, Q/ R" J2 J s( _7 s
(C) illusion: story 3 U3 n0 }. R0 N; M( v1 N8 [9 ]
(D) exaggeration: caricature
9 u' r. G( A# W# C9 c/ v" f' U- H7 C (E) sophistication: farce % F, J M* b0 s* r$ U" L
13. EPHEMERAL: ENDURING:: $ N( ^* S# _* |1 O2 R
(A) infirm: healing
7 S/ l. T6 t8 }* d( ?2 ?& D (B) insensitive: cooperating
! N" V5 ^9 M! D. J" X4 z1 C* z (C) inanimate: living , B, d# O B3 O0 V/ U6 j0 p6 u
(D) interminable: continuing : u: d8 i2 K& y$ [
(E) ineffectual: proceeding 1 [; ~8 y+ d( ?
14. POSTURER: UNAFFECTED:: 0 z7 A" h' U& E, j8 h) ^
(A) brat: insolent
. f" n6 P& x) f% f (B) hypocrite: perceptive 1 b% t6 [9 e4 w6 ~
(C) grouch: respected
5 ]8 N& l0 t- Q- H0 l (D) bigot: tolerant , B, ~' `: F. K
(E) rogue: empathetic
9 d- W4 x$ X) A15. FACETIOUS: SPEECH::
x% q# l; z7 U) ]: ^0 X+ Z (A) precocious: learning
" c3 e4 p, D h. S% t& ~9 T; m1 A' G' y3 A (B) unbecoming: color 7 ~7 b: U+ S4 R2 \ \# F9 r' V, k
(C) exemplary: conduct
4 u1 m3 \* g7 T$ ]* I3 p (D) craven: timidity
2 m7 n8 P6 o8 h (E) antic: behavior
/ ]# B- _! N' A) F- h5 @16. VAGARY: PREDICT::9 N% G7 O4 V# J- l9 O/ q$ I+ O- H4 i
(A) quotation: misdirect
& R8 x$ C4 T3 }+ O) |& v5 N (B) investigation: confirm
) B' t, ]# w4 j' z0 L+ h+ z; y (C) stamina: deplete
: X" j+ m4 |9 B5 d$ W (D) turbulence: upset L9 P2 H. t4 `$ ?. f
(E) impossibility: execute
4 i: U# d @0 ]! F5 F28. PREFACE: . C! C4 H. V8 c4 J3 y7 M- d3 U6 n
(A) improvisation 0 f) z' P8 w! a; v0 a; T
(B) burlesque
4 Q0 h. K' y7 m# ~- R(C) epilogue
& A$ B7 }& `& L% B& g(D) tangent - @3 O% R7 y% r! k! g
(E) backdrop * S* X3 X/ s; X: x* |* G* U1 x
29. DEBILITATE: 0 }; F$ _- \, L6 F. v
(A) implicate X$ _4 [7 \3 b! P
(B) invigorate 2 ]4 k3 T4 P E! o/ l2 a! A/ m
(C) obfuscate % F5 m/ z) Y' \' H+ Z4 B3 L
(D) realign % s( n4 w# R# a6 x
(E) encumber
& X2 ^( N2 w" i+ a6 V30. TASTY:
/ l; `& u# Q9 W" \! X( n7 n1 S L: F; e(A) uninteresting 4 t2 o* n! V! |3 e# ]* u
(B) unfamiliar 6 N, `' Y) [$ m
(C) unexpected ) g; D2 b+ j$ z8 E
(D) understated 7 x" e. U4 q* A g2 N8 I2 G$ b
(E) undervalued
; y, {# P8 C) t% c& @$ ^1 Z7 E31. ABNEGATE:
+ T' c. X& e( k3 _* U) X; P1 r, m' Q(A) refresh
5 K8 [3 |& X' t$ T: p% e(B) reaffirm
! X5 j' E6 Z- a% D3 ](C) relieve 8 O3 n' q5 U/ r
(D) react : \$ r! ^' L y$ j# @
(E) reform ) R7 }! J& q! W9 D o
32. SERRIED: ) J; j6 o& e! a8 |
(A) partially formed 9 Y! ~5 w: G! l9 E0 ?9 r6 f
(B) widely separated
0 l0 J! V. Y0 G: f& I+ |(C) narrowly missed
( [7 D4 M" N2 m) b# F$ ]5 X7 o(D) extremely grateful " d; S0 ?8 t8 }' b
(E) reasonably clean % a/ g+ V* l! t. I# D% n F/ b
33. BOMBASTIC:
: h" H1 W- S* ]" ~. r9 q(A) unflappable " D2 {2 F/ S$ ]/ X4 d
(B) uninspired
9 D2 D# u& ~7 ?(C) unpretentious
0 a) m) \' f; i, Z(D) inscrutable
8 B* I; x: A* W6 a$ w' x9 Y(E) incisive
. N# E! u* [8 `- I34. BANAL: 1 M' j+ N# A/ d2 L9 ?+ m/ g0 _
(A) comfortable
+ p" t% H5 X2 \8 u4 K(B) novel
2 j3 _2 K3 L8 l; a' i/ j' I" X(C) equal
6 q% U; i* s6 R/ J(D) fatal
: G( j, @7 x0 c* B7 X(E) competent ! ?2 D# Z$ X. `+ N( a" M6 @4 }
35. LANGUISH:
/ y) t. Z4 h* r( l(A) agitate ( o( z& ^9 e9 M
(B) wander - G/ j2 z& b$ Y
(C) relieve
7 U2 M+ M e' t(D) discomfit
, P2 b) ~3 A7 [- I* } w(E) thrive
! I5 j0 Q2 M* M" A36. ENNUI: , c/ j* O0 J/ U! Z- Z5 e8 l K
(A) intimidation
+ u# G. E! Z) K- K9 P" n$ n& @6 m(B) sleaze
, S& C7 M( o) h; T(C) faint recollection
6 ?, X/ \3 B6 d' @/ [" h6 v4 J" |(D) keen interest
) j) }8 h6 @# Y' s(E) deep reservation ( i" i' P" [% P6 M8 \' Z
37.DAUNTLESS:) q: L/ b) @1 F+ `
(A) sophomoric
, N" ^. v4 j- M, ^; h, [(B) trifling% l* J5 J7 c% X) K$ c4 j* C
(C) pusillanimous9 C- f1 U7 _/ a# d7 |7 j
(D) specious
" U5 P9 I. u# f. z3 U* P(E) parsimonious7 l. v! {' L; Q8 a
38.TEMERITY:- G. l! Y0 M L' Q
(A) credibility4 G/ w/ `9 Q: R/ z
(B) authority+ e! t2 F$ ~/ L8 o o& f
(C) celebrity
/ \- B4 r. |' P(D) acrimony
5 k# F$ C5 F- G: o% h(E) circumspection
; k' i% {! t1 h6 I% i
! w6 Y7 E" G6 |. {% QSECTION 43 [! R0 h7 a8 O3 w3 F# L& b! v; j
Time-30 minutes
$ A' J/ A! c: X38 Questions3 m( r/ W1 J/ I3 Y
1. Although sales have continued to increase since last
) B' ]/ V7 o# e6 |, |- OApril, unfortunately the rate of increase has ----.( Y) m0 K' O/ i+ l( w4 m3 _
(A) resurged
7 `3 }, ^4 s/ b8 w(B) capitulated / t* Z9 ~ N' p2 h6 f5 `. `
(C) retaliated
+ E& k" \' `! Q3 a' Q(D) persevered
0 i% |1 }- C. X- G9 o/ v* |, ~) N(E) decelerated
; @6 B% U: K, h) c, I2. Although the mental process that creates a fresh and ' p* s# I: `; Q! Z7 v1 U
original poem or drama is doubtless ---- that which
) M9 P; c$ S& v0 ^; f* D/ ~originates and elaborates scientific discoveries, there 4 }$ r, Y( |) J6 f. t# ~4 q2 H9 N3 ~
is clearly a discernible difference between the crea-+ l: ~: U% t5 o* @6 C/ ^
tors
2 r% g0 j1 k" n1 Z9 ](A) peripheral to * `9 ]4 H% V, r) I
(B) contiguous with
9 `# s: V5 X* f/ @" q(C) opposed to
' M! X; b% @4 G4 j( R(D) analogous to
$ w6 W% t7 s; E) [" u. I* W4 g(E) inconsistent with 1 \4 T# h* h! u7 y5 ^% v! F
3. It is disappointing to note that the latest edition of
G* ~' v3 D# G6 n5 S9 D- |/ Z+ g. Fthe bibliography belies its long-standing reputation , W6 x% q" B2 d7 o* j7 E
for ---- by ---- some significant references to
$ g N- V2 q5 L; v4 ?0 Q. s$ [recent publications.
+ A1 Q& d* i2 k& ^(A) imprecision.. appropriating 0 S1 w3 M& W+ w& c& y0 ] G, v. W
(B) relevance.. adding 0 ?9 y: b2 g) V4 Z C
(C) timeliness.. updating $ x g, C! a+ B
(D) meticulousness.. revising l' K# a' m) Y. S5 t
(E) exhaustiveness.. omitting $ [* `9 Y; g7 T# V$ F, P
4. Although Simpson was ingenious at ---- to appear 9 ]/ p& S' ~1 W# V) X+ g
innovative and spontaneous, beneath the ruse he
\2 f$ {: H; R5 D* }& o$ Yremained uninspired and rigid in his approach to
9 N8 Q' K' ?, k. Z5 f4 Kproblem-solving. L( n8 G$ [" O7 I
(A) intending 1 b9 \" _- S9 d3 ? I( @6 O
(B) contriving
6 v$ ]6 u6 [# O, ~; f. Q/ s4 Z(C) forbearing
0 b$ `* Y7 T% H0 g8 j(D) declining D2 w0 \3 T$ v) o5 B
(E) deserving . u0 F" C! Y ~3 N0 u0 L
5. She was criticized by her fellow lawyers not because 7 y- h5 Q( q) x" _) b: r
she was not ----, but because she so ---- pre-
9 m `* r, `, I5 D! M' Kpared her cases that she failed to bring the expected : S) p% F k9 y, d( {
number to trial.
3 H7 I v7 G% K' C1 @0 F$ H3 q(A) well versed.. knowledgeably 6 h3 c. Y+ I, J5 o% B
(B) well trained.. enthusiastically
( y: m) k: W: W2 ?(C) congenial.. rapidly & r, Y f% {! v& H5 E1 e5 d
(D) hardworking.. minutely T7 |( @/ n/ H7 c+ n/ K0 K1 E8 R; ~! @
(E) astute.. efficiently
: d! Q& |- l, t. Z3 {6. Schlesinger has recently assumed a conciliatory atti-. @# A: W7 g& z" B% v2 `
tude that is not ---- by his colleagues, who con-* B+ J, Q8 u7 X9 G; ?
tinue to ---- compromise.
2 Z) y# C# w* S0 e; i(A) eschewed.. dread . ?( v, x9 j! K: m
(B) shared.. defend
3 L2 g$ ?2 s E(C) questioned.. reject
6 y; A5 E& h) O, ~$ z& `(D) understood.. advocate
0 R" `8 S5 N" Y" P2 d/ H9 C2 U(E) commended.. disparage
! ~2 H, H- ?# L" p! f7. The National Archives contain information so ---- 8 @8 ]( x0 K. B5 z* w4 [
that researchers have been known never to publish 5 k3 f, f1 \3 L
because they cannot bear to bring their studies to an
" B$ s: ^5 n/ E' cend.
9 S" ~4 W+ d+ [/ h(A) divisive
8 r& s7 Z: @* b, ]4 X; x(B) seductive
" H8 U. T) J& n' ]+ h, [6 k(C) selective % m, j1 \7 o4 K9 `; c
(D) repetitive
# s F: @# o8 B8 m(E) resourceful " M8 k: w1 B4 `4 M
8. HILL: MOUNTAIN::
7 K: Q7 W2 }7 I$ e! e(A) grass: rocks " f! Q2 Y7 z) S0 }- q
(B) autumn: winter 3 t Q& D" x. V3 D8 @
(C) creek: river ) \& A- V8 |: X1 s( Z; \
(D) star: sun 5 j+ ?) R" P `) f! m) q
(E) cliff: slope / e& m1 m" Z7 A' {- F
9. AERATE: OXYGEN::/ X* [% x/ }: F g+ @, k% c& Z
(A) eclipse: light
2 I$ [2 u. o- b( R(B) desiccate: moisture
2 O8 A) i& d! x; e& ]& w(C) precipitate: additive
0 X" Q6 D, E* |0 \2 r( R(D) hydrate: water
! [! E8 F8 G. }3 v(E) striate: texture
! j; j M1 f+ s1 T; m% {1 m10. ORCHESTRA: MUSICIAN:
( }# _; N8 T0 I/ d# I- s X(A) cube: side " D4 Z0 ` ?; V0 g9 @- E0 }
(B) kilometer: meter& U0 q# ^3 e- v- h8 V4 @
(C) sonnet: poem
( ~ @2 g9 w# {; \- |(D) biped: foot) G. Z6 t( C( y7 q$ y# D% \
(E) pack: wolf 4 b' r% G& X3 i9 q3 M. h+ x$ m e& B
11. EQUIVOCATION: MISLEADING::) L7 z& l% ^! O0 v: Q" H
(A) mitigation: severe
% V* q. W* d0 x5 ]# X(B) advice: peremptory $ f1 j X+ P- p" l2 [4 d$ D
(C) bromide: hackneyed H$ x: f, w e* v9 p4 K
(D) precept: obedient , E& U7 Y: N1 u& C
(E) explanation: unintelligible 7 D) Y/ n! q1 ^1 C9 S- g% b0 d
12. CENSORSHIP: COMMUNICATION::, |1 Z! c) E$ v$ ~
(A) propaganda: ideology
* S2 [6 w( _0 [; X4 t+ x(B) preservative: decay
y7 J3 x) f& Y$ W% D N(C) revision: accuracy
8 [! c3 q& N# V7 {1 c, c(D) rest: atrophy
. w7 ~* @) [ l5 y(E) exercise: fitness : ~0 S0 h- E& o5 ~
13. BUS: PASSENGERS: , v6 H! ]0 J6 O2 V) v
(A) flock: birds
7 ?, I! d4 b4 ^" j3 B! `/ c(B) tanker: liquid
+ i# y8 M, j( u2 ](C) envelope: letter
5 \8 ~ g6 [2 @2 @& l1 Y(D) bin: coal
* m N+ c/ f* b5 {(E) automobile: gasoline 9 W- j* l1 R- ^3 A+ O
14. BALLAD: STANZA::+ \1 Q( @- r$ B( u3 {
(A) novel: chapter 2 O6 T8 J" y2 O" e$ D
(B) poem: meter
" P* }! T8 i/ m(C) play: dialogue ! A" @0 w' L" R7 B! f6 O
(D) movie: script , U& T) N# l. L7 c+ k6 N, X4 J9 d
(E) photograph: caption 6 n% l, i" D8 _/ G- l; A
15. DISABUSE: FALLACY::3 _) t p# a5 ?
(A) cure: disease ; H t' C/ w2 g/ m' H
(B) persevere: dereliction
( w8 K: ]- c6 V% ~4 T+ X& W- O(C) belittle: imperfection V4 C: J. u3 W/ m& g
(D) discredit: reputation
2 K( z+ e A) ^2 I6 n(E) discern: discrimination
9 b+ d A: b5 }' b a8 K16. BLANDISHMENT: CAJOLE::% y, J5 K, M6 |1 F
(A) prediction: convince
9 `- U2 T7 u, }. c, B(B) obstacle: impede
" p x3 f/ U9 Y j(C) embellishment: praise
( N1 v6 O- V$ t: ] v' f v(D) deficiency: compensate
y& I- Y( m1 |- N8 n(E) compliment: exaggerate 0 Z( y" n/ s6 Z- q- h" k
! a, z) U: g+ |28. DEBUT: f! R. d& t9 z- ~5 X
(A) collaboration - q8 J. K7 e6 ~2 K- v' J
(B) monologue % b' | V" m# r/ g6 a+ z; H
(C) farewell performance
' i; p4 N$ c8 C* N(D) repertoire standard 7 F. t8 t9 I& S) d: C6 b
(E) starring role 1 T: |8 l+ v+ U4 M: P
29. WITHER:3 g7 l7 E& g1 w
(A) disagree
( r* x1 H% z/ O(B) shine 2 w1 D: p8 j% ^$ \7 i, |
(C) plant
_6 S! c" ~9 z(D) adhere
9 x8 I6 ~% W1 g% h6 y(E) revive
- h- W/ t X& M4 {9 j# A; j30. BUCK: 9 A H8 t- p$ b' r
(A) cover over
, ^$ o k- n% K(B) assent to
/ ]" K2 ^- z5 x, ]7 m' _" Z* T(C) brag about $ ^2 p" j: c6 }& a( X
(D) improve 9 A0 M, w+ h) r, z( d9 l
(E) repair
% X" D* G% P' T0 W9 R31. MEAN: * t' [/ ?1 N* \5 z4 `6 M' b# y
(A) trusting P9 X, \+ x. W; ~
(B) ardent
& u7 ?: W: Q0 k* w(C) clever
3 l) Y" r4 }; W% ^, e(D) incautious
9 Y7 N7 s7 P( `6 @(E) noble
* C8 e5 a) \1 B2 U" r6 i# U32. ADJUNCT:
) P! D! D+ W! n: U, `" E(A) expert appraisal
' o0 e: o, b1 |/ V* A+ a5 u/ I. V(B) generous donation
4 D+ ?7 F7 c7 a4 e(C) essential element
2 t2 M5 f; q0 b; b$ n! ?(D) mild reproof
- I0 x* \# r! B& y" V8 Q9 {(E) impartial judgment % o- k) ?. r) v: p' M; i; E
33. CANONICAL: ~7 V" D8 j, k2 k$ Y
(A) imprecise
7 W M. K7 {& z: Q4 _8 x ~2 V. T/ |(B) ubiquitous
6 p/ f0 J! m# }(C) superfluous 0 y" k: i( X* r; X" S6 Z0 @: @
(D) nontraditional 1 e6 D5 {* `( w
(E) divisive
1 S; p) v* c% ], @" y34. TICKLISH:
# ?- ]' D1 X& X# r4 ?(A) heavy-handed 5 l% x* Y7 t9 _
(B) significant
. N& \& h1 r6 c3 ^1 d(C) tolerant 9 @) n+ o! O6 N* s1 ^9 E2 ?0 p; S+ l9 i
(D) impartial
8 R; }- C7 {# q(E) imperturbable
4 p. D/ L8 B8 M35. PREVALENT: 6 g* \1 i) u+ e% `, w" ~
(A) invasive . j, l% e; _% M7 ]
(B) inconsistent
I+ G! N) l0 x) C. e(C) indistinct 6 v. D# M: i8 [ p# F% N! J9 Y
(D) unpalatable ! r3 A T3 O9 K: U& N3 j& k/ L
(E) unusual
1 h7 i' N% }1 H1 x36. PENURY:
. _- z6 K* q5 ~4 j5 W0 H" W(A) approbation
, A9 f4 B0 Q8 i7 v(B) affluence
9 |* B% _' O3 S(C) objectivity 7 A* B2 u/ q U' x( L
(D) compensation
" ?! j' O; e+ [8 W! G(E) grandiosity ; C8 _' v" |; n% g. o
37. MINATORY: 8 Y' e% ?5 x3 [3 o2 ?
(A) convenient
/ `7 t, D ?( X# ]; P! f$ U/ e(B) nonthreatening ( R- k0 J( S, Z5 Z6 x
(C) straightforward ' `. _/ U/ x/ o: E0 F
(D) fastidious / [, c |5 z3 D- I" [
(E) rational 3 V/ D$ Z- V4 m& h- S
38. CALUMNIOUS: 3 ?& n' }/ i% r* r" J! ]6 C( z! G. `
(A) adept
, Q* Z0 ?) x4 t(B) aloof
' ~9 w8 q: _3 @8 ?) C; w(C) quaint
, g; b% K, r4 `4 N(D) decorous
3 s( M- Z7 v$ [$ G* h(E) flattering
7 e2 d% \2 C, ?4 H+ z* u3 o r( i6 O5 p6 b
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模考答案% R4 O5 z2 g7 V; {. U
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SECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE
$ s/ g5 V3 k4 OSECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE
, k, j" ~! m7 j; z6 r9 \" p* cSECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE$ H# y4 N- |: K: q2 p8 F
SECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE
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8 q3 O" `( h6 z6 K, x) B6 m 本次讨论汇总
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. j; K2 m x! e8 F) c 写在最后的话
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