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[题目讨论] 6G冲刺模考讨论(六) [复制链接]

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荣誉版主 GRE斩浪之魂 Golden Apple

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发表于 2005-6-4 08:19:17 |只看该作者 |倒序浏览
6G冲刺模考讨论(六)
3 y9 Q2 C! t' a% s9 Y& {2 L) z3 P5 c5 I( `
做了好几天了,不知道大家感觉如何?有提高没?
9 j3 K& `( k  f! o6 o4 {9 t
6 O( y  o1 s- g# d% |: B0 S/ i/ N: _0 x2 s  _$ ^2 v6 ?9 A0 S" F
SECTION 1
" k8 r2 s8 \; M4 G1 \Time –30 minutes" V! Q6 z! t! _& S; w
38 Questions
3 D9 h  m" d5 b% w/ m0 m. z. ~: P5 q& H
1.While scientists dismiss as fanciful the idea of sudden
  J+ k& f8 f+ i& \changes in a genetic code (spontaneous mutation), it
0 h4 z' I  h0 p9 B7 o. Kis possible that nature, like some master musician,
- F, @* `$ D- e; H* T  n# A# S---- on occasion, departing from the expected or 0 d% x) ^' y* ^1 u
predictable.
, J( T4 ]$ s- a/ Q7 `9 e(A) repeats
( [5 G& m. B4 d" v% ^(B) improvises 4 d. i0 i- u/ F1 v! J
(C) ornaments
$ A) u4 ^( X  f- o0 b+ S! m(D) corrects
2 J0 `* a; [5 N& A; I0 ~. M* V(E) harmonizes ) T/ [. T6 b  u) q; Z7 L8 @

4 g2 G; U) j+ Z+ ?/ p0 u& {2. Despite the ---- of time, space, and history, human
' i- R. k; a; k! s; q2 Fsocieties the world over have confronted the same , P6 Q- d% H! d
existential problems and have come to remarkably 8 g4 p7 u. p4 U2 y2 G/ t* S1 [
---- solutions, differing only in superficial details. / i- L. r: x7 \3 v
(A) continuity.. identical ( w/ W2 T" w9 b9 r: q' j4 ]5 D
(B) uniformity.. diverse
6 V0 E7 K: ?4 L/ [: Z' y) j- j: F; E(C) actualities.. varied 0 a/ ^2 Y( Z0 x8 l
(D) contingencies.. similar
2 U$ Q+ i. d. n! ^" I- `) s* e6 B(E) exigencies.. unique
- ^$ M$ K+ c) \# Q3 L2 j& \: Z" F! m; [6 A. F% V
3. Although he was known to be extremely ---- in his ! \: j$ X$ u' n& Y% G
public behavior, scholars have discovered that his 8 k  K, j- \% g* b6 ^
diaries were written with uncommon ----.
, Q- f! D0 f' [3 V& V( X- X3 c(A) reserved.. frankness ; N5 _2 c" W( e% l: R3 V$ Y
(B) polite.. tenderness 3 B" f1 r) [+ ^/ z2 b
(C) modest.. lucidity * f1 `' K! K0 V- v  m* U
(D) reticent.. vagueness 1 f4 q1 v* c2 U" M( ?" f
(E) withdrawn.. subtlety   4. With the ---- of scientific knowledge, work on
6 j8 Y6 ~- ~, P( J. p& }6 ?the new edition of a textbook begins soon after & F3 g7 _: i# ~
completion of the original.  (A) limitation  (B) culmination  (C) veneration  (D) certainty  (E) burgeoning ( Z: S! I5 c* k( J+ c+ t
5. She is most frugal in matters of business, but in her ' J$ q5 K1 v2 `3 _9 E" Q+ s
private life she reveals a streak of ----.  (A) antipathy 7 T* m0 e8 P( O" b
(B) misanthropy
1 _: D5 l% C/ g3 @6 [: u(C) virtuosity ! v: l, j: W- c5 p  R: l$ Z+ c
(D) equanimity
9 G: q, T' |) `/ ^, T$ ~* }8 l, ](E) prodigality
, Y1 q# v# Y. G  c1 Y# {2 G6 u/ q
3 N1 Z( z. w0 r9 @4 Y$ H6. If the state government's latest budget problems 6 {$ j9 x! a8 |1 l4 l# F
were ----, it would not be useful to employ them as
2 h8 l- u6 C8 b( B" |- J----examples in the effort to avoid the inevitable
6 J& D- E: Y, @% p& d* q/ _effects of shortsighted fiscal planning in the future. 1 @$ ~6 h0 |$ p
(A) typical.. representative
8 d6 t& J% A1 ~7 E% V1 c  p6 t0 ^(B) exceptional.. aberrant 1 u3 W& O, x* v2 Z
(C) anomalous.. illuminating
. ~- d% m0 @& L9 d  O! m& a(D) predictable.. helpful4 }6 Q4 G) F. I3 r
(E) solvable.. insignificant   7. Just as some writers have ---- the capacity of 0 K+ M6 I" ?' f# F! n
language to express meaning, Giacometti ---- the
  R8 G' a! Q! {* C6 i& J2 `6 tfailure of art to convey reality.
6 P! [# h2 q, [- l0 o$ J0 p( s(A) scoffed at .. abjured 2 Q8 {# B; f7 I: x! h, m
(B) demonstrated.. exemplified
% A: T. z1 C2 I6 F) z(C) denied.. refuted ; V( X3 q1 |; t6 C' U7 \9 K2 A) r  x
(D) proclaimed.. affirmed 9 L) V) B, s0 Q8 g, T+ I
(E) despaired of .. bewailed   8. WALLET: MONEY:: 6 C5 G% z; q8 h5 {/ X  S3 q
(A) bank: vault " \! C6 L5 P1 s2 o2 F! \
(B) suitcase: clothing
$ D. {% v; L; Y- U  ~(C) checkbook: balance 4 m- S. J1 q3 q6 k
(D) wealth: prestige
+ C! Y1 I, q3 O1 k$ @1 o(E) envelope: stamp
  q. Q2 F& g  F# h* t' W8 I% j; v5 n0 o3 P
9. INSTRUMENTALIST: SYMPHONY::
) R* ?8 U4 C& f  @8 O: p(A) author: drama 9 Q  e& B/ F4 b0 q4 A# X
(B) photographer: cinema
& M9 H4 y% z/ m# n$ N6 H(C) composer: concerto 4 A; s( J6 N$ M: \# N; S
(D) artist: painting : l) D. M* L, ?/ G7 Y: |. J
(E) dancer: ballet ; [0 x4 W' R$ D, Z0 P

4 ~. M% N3 F* w. W6 R10. PLATEAU: CHANGE:
8 g  s# g5 V* ~7 {8 y. v  s(A) respite: activity ( o1 U$ Y  y4 K' u
(B) asylum: security
( P& w3 ]. n' A  ]+ N. c+ M( n(C) terminus: journey ( _4 k7 j- A( R) F6 |9 _
(D) interval: time " L2 g! W0 J" e; W0 k! r  s
(E) lull: rest
. P$ s- K4 D# `# ]) R) n4 @. u$ s( j0 \, a# L: C
11. ISTHMUS: LAND::: |3 \$ E# Z1 M
(A) peninsula: island
& J0 m7 u1 ~7 o. w(B) canal: river
8 j; t& E6 l& w: l* _( }  K) C4 f(C) stratosphere: air # M5 I5 k+ P& V( }% Y  v
(D) strait: water $ F& a* s% A2 g2 a5 H" X
(E) tunnel: mountain 6 U' A' g$ E/ ^$ O. B9 g

# I8 |/ c' W* ?% G: a. c12. EMBARGO: COMMERCE::
' t0 z4 o. D+ I# y' \- i6 X2 A; v. V(A) abstention: election
6 c! s* r& w6 p. f& z(B) strike: lockout 0 ]& n/ P8 m3 K4 E0 C9 e& G
(C) boycott: development + t3 W& Y& C% _) z% Z; @
(D) quarantine: contact
0 e* ~. {- C4 ]/ i* I2 z0 Q(E) blockade: port
; D6 D) c' }; Q& Z5 m" i9 M3 [8 x( j2 k" n
13. DILATORY: PROCRASTINATE::
" o! z: ]" T1 h2 Y- m4 P(A) recalcitrant: comply
8 r/ b% Q8 Y0 Q  O/ G) [( q(B) malcontent: complain
% I& x. O* F% B! ^% U& O(C) ambivalent: decide
0 f# J/ a" F7 z- Z* L* }(D) inept: modify  w7 `( w" }4 O8 C
(E) credulous: learn
% j% u: B) Q" r6 D( d! r; W8 T) ?3 x# T7 w
14. NOMINAL: SIGNIFICANCE::
% x; o  \3 ~" V(A) titular: honor ! R5 V+ U5 N6 X5 \
(B) ephemeral: brevity
7 {2 p- r/ ^2 h+ O* R5 W# T6 ~(C) divisible: continuity 0 t2 e! s4 Y  ~+ E
(D) anomalous: distinction / F% o9 x# u/ V% l
(E) disjunctive: unity
# b; L6 c/ K! U' }. e  x/ L5 x. p
3 E8 h1 u) Z1 `9 E; T4 q15. PLAGIARISM: IDEAS:: 0 Y7 b/ M, a3 m- T$ V- N" W
(A) libel: words
4 \" N: M8 [0 a: V1 E% {6 k(B) forgery: documents
; m$ d" a5 E4 }4 c' n(C) arson: buildings . p0 \9 w, o( z+ e! u
(D) kidnapping: ransom
3 a. R7 N' |3 ^3 W7 f/ p(E) rustling: cattle / N' P8 M) I/ b; V* P

* c3 x, a! p6 O9 i16. POLITIC: OFFEND::
/ i( w$ I8 j4 @. A+ `(A) distressing: terrify
% @! x1 O  h1 F(B) aloof: associate / a0 l! B; r; u4 a" G
(C) misunderstood: surmise
- n$ L- u, }( X/ S6 T(D) vacuous: deplete ' n: p) K1 R/ Z
(E) trivial: bore
& w+ Z( ~; b/ A- _
. l7 c- g5 e0 ~3 [! r28. STRINGENT:
2 T) e+ W- M, X(A) lax
+ ?! e6 s& W/ t) r7 I, P/ j(B) elusive 8 d4 ~3 M/ \) S/ v  p0 P! T6 X
(C) impartial ( y0 W3 N; ^* ^* w- T
(D) evident
( j; n+ i% i# z1 a0 V(E) vast 9 L7 o0 i* A* }

: m9 L3 N. M) ~7 p; K  D( R29. INTERIM:
+ G$ b$ c% U" c) H% G0 k( B8 {(A) obscure 1 U3 t3 O& K" c7 B* @% a
(B) permanent
1 a' O9 v7 ~- i8 ?/ v1 o5 `* N! g(C) prudent % c7 C3 m. J! V0 T
(D) resolute 2 ]2 y# _  J" n2 c+ ]5 E! b  y6 O+ E
(E) secure ; D7 B* e) Y3 E- Y

8 {1 N$ Z' [4 E4 `1 B30. SCATHING:
. `3 g, F& Q' F6 ^. q# v' R(A) easily understood
4 I' P+ S! R) Q/ U, O! D, s(B) politely cooperative
2 B& N! v5 E' z) I: a! l& g(C) intentionally involuted
8 ~  ?9 l- a9 [4 M) {, a(D) calmly complimentary + r: F0 a9 q+ p
(E) strongly partisan
3 s7 R' h5 h' Q3 x! t2 @4 v3 j& n! R# j; K/ F" t
31. CAPITULATE: + W3 O$ |3 P3 a& k2 L1 G0 A5 b
(A) enjoin
' Z) O+ T8 i: {" C; B: G(B) resist
0 B# E; m/ g5 R, H! z6 _(C) observe closely ' \; `; Z0 k7 N' I* R- }
(D) consider carefully
7 N0 k: B+ P# G(E) appraise critically ; e1 ?3 r* w' \. ]) b8 p" Y) a

2 K0 p& z2 c: J+ d32. RECONSTITUTE:
% N3 g( p, ]! u, x7 z(A) detail
) g5 q4 Y' Y5 {+ n# Q1 P(B) invent ( v: L1 ^2 k* T& P% D3 ]
(C) spoil - d( R; e, t. t+ A9 g) l
(D) conform
& \' C7 M! @! Y# n' L7 l(E) dehydrate ) r6 s. i% `1 V7 u- W- o% X
! C# |; E5 O# C- c) I' \- C
33. REPUTE: ! ?0 n" t( R3 t! ?- f+ |3 d
(A) lack of caution " s. n3 ]4 j& `0 S& F8 t/ p: x# Q/ m
(B) lack of knowledge 0 Q8 M) s6 V$ H- L! j: y8 p
(C) lack of emotion
& w, _5 P3 E; ^* m3 O6 A(D) lack of generosity : [8 ?5 B6 P" Q: D/ ^
(E) lack of distinction
' y7 z# N( v0 v0 {6 r: J
: a, C. x' ]$ T1 P/ ?. s34. TAME:
2 p% }7 e% o# B+ s( h* G(A) resolute
8 f2 Q# t1 T+ o* Z" d1 T(B) ruinous & T3 e. ?  |/ h! e, }+ `* K4 a
(C) racy
; O! n+ Y& U1 O9 s3 s3 p4 `% X(D) erratic
% Z9 ?' a& o1 D) I! f' y2 ~(E) experienced ( H& O3 @& R8 U7 p0 ?

/ ?( X3 E' {: M9 o% T35. INDURATE:
" ~% a. f  ^8 v+ w, j( a6 Z& f(A) soften
/ f6 t9 p* ~# Q0 h; _  z(B) puncture 9 s6 m9 x9 P2 f6 Z2 M7 z  s
(C) denude
# [4 u& o; f% g7 S(D) immure
, B) t- N. k6 Q* q% h( S2 _: e(E) exchange
, h% b9 \: V2 I
$ ]6 P  ^: _  o! s36. PROLIXITY: : Z, b. \% {5 K) o6 e* B
(A) succinctness " I3 e# ?; r, Z4 Q9 s
(B) profundity
( D) r4 |& M2 Z3 ]' [) {& @8 Z# r7 [(C) persuasiveness ! g  F6 ^& B# Y3 ?7 g
(D) complacency & Q% e4 |# y/ W/ P
(E) cleverness 4 K7 [+ q4 V/ ~
0 @3 l& E' B9 J  G1 Q. T
37. CALLOW: / \  X3 `* D3 I
(A) displaying keen intelligence 2 U! `# q# t  s* \9 n
(B) behaving with adult sophistication
% T+ h6 u/ A* s3 j) w) f8 T(C) reacting cheerfully
& }- r$ [) ?( c7 G4 N, T' p' G2 O) m4 `(D) showing foresight
8 ?3 F$ @9 E9 S7 X(E) deciding quickly 7 ~0 C* S! ?0 Y: |( L$ f( g

; [" _+ ~3 U/ K38. FRIABLE:
- t% x* T8 a! Z2 E7 H% }(A) not easily crumbled
% D4 f6 F$ j2 A  n(B) not easily torn 0 Y0 ^" s2 S% d. T
(C) not easily melted ( r& ~2 t3 z0 `- h% q4 v
(D) not easily eroded % t0 y  I/ y/ r& h
(E) not easily punctured 9 j3 f0 v8 W2 d' o0 y9 ^

1 I( k- J5 C) G
, b% d$ W3 f6 s4 }2 \7 E8 x9 F) E5 LSECTION 5 Time –30 minutes$ z# V9 y; h0 f  W" o  g
38 Questions6 o7 y+ y! A" V& O
4 K# B. }  n% S+ b/ B
1. In spite of the fact that it is convenient to divide the , c' T7 x# ?# ^* a
life span of animals into separate stages such as pre-
5 q4 R* x/ k, d  o9 ^  c' i& l6 j, inatal, adolescent, and senescent, these periods are not
# X3 S  @: x) o  @( f( E& q1 h# lreally----.  (A) advanced  (B) variable  (C) repeatable  (D) connected  (E) distinct  
$ c* Y5 b* ?2 d( v, k2. Although the number of reported volcanic eruptions * t2 c& o: q  t. d% _8 Y- m; A
has risen exponentially since 1850, this indicates not
* t- `* k& M; r( O7 U+ { ---- volcanic activity but rather more widespread # L2 f, N8 t' L/ J- H# Z
and ---- record keeping.  (A) abating..detailed (B) increasing..systematic (C) substantial..erratic (D) stable..superficial (E) consistent..meticulous 1 o% O6 D3 j- R9 t
3. The challenge of interpreting fictional works written & H5 Q6 c5 y2 U  q! z2 N
under politically repressive regimes lies in distin-% O5 J6 S) O: ^0 t
guishing what is ---- to an author's beliefs, as
+ A- e$ e& N* I+ h# x6 c/ y5 f( yopposed to what is ---- by political coercion.  (A) innate.. understood  (B) organic.. imposed  (C) contradictory.. conveyed  (D) oblique.. captured ( R! Q: Z% g0 b% K+ o& V% |
(E) peripheral.. demanded - a$ l1 d$ C8 Y4 a) C

# n- e# {5 B0 W' i5 @+ k" X4. I am often impressed by my own ---- other % V7 I4 B) c0 ?# y! x1 Q( @
people's idiocies: what is harder to ---- is that they, / X2 C/ r2 t/ F
in their folly, are equally engaged in putting up with 5 G7 A& g  [5 T! h9 N2 Y1 h! C
mine.  (A) analysis of.. justify  (B) forbearance toward.. underestimate
* T8 X6 N: ^4 R! T" V" X4 j(C) exasperation with .. credit
& W1 Z1 t. j4 t( n) }(D) involvement in .. allow
6 m6 x& B: \9 i! q# t(E) tolerance of .. appreciate 7 h; w8 R: i+ n: f4 v6 {0 j
9 B8 X9 [8 `- a1 z% }; [

& u" q2 ?, C: D2 H# f: t5. Despite vigorous protestations, the grin on the teen-8 [/ V) k; u3 F2 L, z+ K3 s
ager's face ----her denial that she had known
* }, ]; B, ?8 T8 nabout the practical joke before it was played on her % g) ]5 M( ^' m; a
parents.  (A) belied  (B) illustrated  (C) reinforced  (D) exacerbated  (E) trivialized  / v6 {, i7 V  k3 N5 Q* F4 ?5 a
6. Far from undermining the impression of permanent % G$ T( Z. ], l* c( j, T
decline, the ---- statue seemed emblematic of its
8 v+ w+ r. }( [/ V( V, M- V. k4 a---- surroundings.  (A) indecorous.. opulent 6 Z  P2 e4 a0 Q  O% q* ]! O
(B) grandiose.. ramshackle + q5 P. K; h9 s* u7 R% `
(C) pretentious.. simple 4 L# F: h: u+ I
(D) ungainly.. elegant
5 M- u# {7 p/ |1 \$ {(E) tawdry.. blighted / B* k  \4 p. s$ {0 w( }8 C1 h$ v
7 C$ t+ B5 m) d# S
7. Despite the fact that it is almost universally ----, 4 e6 B; I8 n3 s( i
the practice of indentured servitude still ---- in 1 h" \/ x) Q: W8 j
many parts of the world. , R3 H# H! }5 f& M& ~/ @  _
(A) condemned… abates 5 ]# g: C  G/ R2 ~
(B) tolerated.. survives
; l# u0 j( m3 y- \2 @(C) proscribed.. persists ! K' w1 y. `) N. G
(D) mandated.. lingers 7 m, @$ {6 `% I: b% M& P
(E) disdained.. intervenes 1 w- @7 s. b& Z" x8 P" M5 v
) m/ t- x, ?+ K1 L
8. CANDY: SUGAR::  I7 e2 r3 `' g) r
(A) chick: egg 1 u3 }2 J. b, D9 L/ d" u) U; [
(B) tire: rubber ' x$ e: g" ?/ {  P' q- m- R6 w& ?
(C) pen: ink & Z! x& {6 K( U" `6 v) F: t
(D) mushroom: spore 3 G8 u/ w3 d1 M& t5 T
(E) rag: scrap
. X( _) R- ]  @! @' ^+ [2 E+ \! k) S- P# N6 h( L6 g+ ^7 J6 p
9. SCRIPT: DRAMA::% T) g& X- M. I* G
(A) theater: play
& u  S1 T* @% [- y$ P(B) movement: symphony
! I9 [3 a% L; I% S(C) photograph: scene : m1 H" o! p$ Y, J% P& ]0 w
(D) map: town / x5 c! K- l+ E; I) O
(E) score: music ; i" W% S1 W. s$ O# S' v

2 F9 U3 ?. K4 I5 K8 k10. AMBIGUOUS: UNDERSTAND::
2 ^' @, k4 R3 n) O(A) veracious: defend
. }8 O0 `& W7 U0 \: }6 J) N(B) blatant: ignore 8 ^3 \9 p' ^0 v2 l2 i  {- l: u
(C) prosaic: classify
' [) S4 E5 r7 L+ i; l% w(D) arcane: conceal
1 D7 {. B3 g  j(E) plausible: believe + ?$ O( y  ?4 B$ v: c
. G* T* E% F  f* |) @( Q8 @
11. MERCURIAL: MOOD::
: r! C: l) `% t( s* B0 B# @9 y(A) callous: emotion ( X) }" g( y# z3 a# H
(B) doleful: energy . U1 R2 E" z3 u, ]7 t5 j4 Z3 ^
(C) jaundiced: attitude
4 x. [2 M2 R* @(D) whimsical: behavior
6 W+ s/ U+ \4 z: S(E) unversed: experience
/ m- b- w5 d3 R0 d: q
- I" v* ]) I& f+ g0 Z' P% _12. PRISTINE: DECAY::
! t5 u. g' V; ~( ^) z! t(A) adequate: imprecision
) ^0 _- \4 N9 c9 y5 U  w4 ](B) stable: fluctuation 0 p9 q6 Q! u; l# r2 }
(C) volatile: force ) e% e; l  r: D' L
(D) symmetric: flaw
" C+ |# W( V. u* A5 K( d9 f6 R1 }(E) valid: exception ) L8 S$ z1 ~* F: s% x

/ l8 G9 z. I' ~) V13. DIGRESS: EXCURSIVE:: 4 r5 d8 J  |) f$ D3 z# ^* Z
(A) improvise: studied
4 K, T. }* d: D4 Y4 \/ g(B) reiterate: redundant
9 V( E" W$ {0 ?: a6 Y  s(C) excise: prolix
+ p0 x" F9 O% A6 H(D) refute: plausible " |/ `+ F1 K! T% G1 C: ]- M/ C
(E) accede: contentious
5 }& h9 B' ^" r; Z
  o; c( I8 \0 F- J" C14. PONTIFICATE: SPEAK::
' O0 b( k% ~1 i; F4 D' U( e(A) indoctrinate: preach 8 C! i4 _: j) z* J% |) D  u  {
(B) impersonate: imitate 0 b$ I- l( N$ Y6 P
(C) obey: listen , E: [2 l. T, D+ N6 o. ~1 y0 _+ S
(D) soar: fly
3 [/ D1 q# z- j' c8 Q(E) strut: walk . k% \* V9 ?# t, O/ T' b
0 f6 _  [5 p& z' q: O$ u9 b
15. OFFICIOUS: MEDDLE::8 M/ x/ y9 n: O1 \1 k7 L
(A) disaffected: rebel
  R" m8 b7 R5 ^" V(B) bustling: excel
$ U* m. b7 S2 K' F8 g(C) profligate: conserve , `" _9 K! t/ ^. d
(D) subservient: esteem 0 z7 z3 }: W$ q" T2 D% U
(E) acrimonious: soothe
( f0 I0 E3 w! j! i% z3 ^$ f4 u: ^6 c
16. ATTENUATE: THICKNESS::
) g- C- N- O* X4 N9 ]5 W% s" Q% P+ z(A) separate: substance . I, ?; X  U8 g- o
(B) ventilate: circulation ) S: Q$ s$ D1 w$ |
(C) vaccinate: immunity 2 X5 n8 n( k% z2 n3 ^
(D) transfer: location 5 Z+ m9 W& t$ c2 g/ ~6 f& s  V
(E) cool: temperature / z5 h; z; B! @9 G9 p' Z& I+ t
9 U1 r4 e6 s8 l7 G, \; M
- ~8 l5 |& t% J7 G
28. ACCESSORY:2 `/ G* N. X0 }+ u7 N
(A) insubordinate
/ T9 {% {$ G8 W% B" V( ~" u2 u3 B; l(B) invisible
; `, r9 q/ Y, S! y. A(C) of high quality
" D7 f$ o' A8 r: g& k(D) of massive proportions & t/ ], [; `5 @; I  [! \
(E) of primary importance
: }7 k8 u! @, V+ `) @  o
% A1 I1 P; I2 h! H29. CHAMPION:
' r, y4 V( S* N+ @3 E: A% n  ](A) emulate . U/ V$ M1 e9 T* W& u0 V
(B) disparage . K; V% w$ F! b7 |( S6 J
(C) compel * ~' X2 j/ I/ N7 K& A- Q' Y9 o
(D) anticipate
$ P! p9 n* j+ }% }, m9 R" Q: ~(E) disappoint $ N( F6 v. j& F7 W3 W
- X. A# }* W* L( W4 x1 V) k7 I( K
30. DECADENCE: 9 q, K# w8 I0 q7 |  B+ H
(A) cheerfulness
9 p" q8 V9 |' @% e  j! |+ X(B) promptness
" k& }$ F- K, H; h(C) cleanliness ) z7 B' s) G: O; Q; i0 |
(D) wholesomeness
" Y. f- d- H8 R" ?! U$ Q8 @(E) carefulness
2 V2 A' z# B7 V" H/ w2 Z  }( x8 e' |  u1 W
31. OPACITY: ( ^: e" ?% ?% e, y2 ?. g* f4 M
(A) transparency
& {) F+ X2 k( a$ Y, Z- X(B) smoothness ' I% O: o$ M; }: |) r+ X
(C) colorlessness
, P# L+ c6 @* N3 b& n(D) elongation and thinness 7 w5 K  w5 @- Y' ~2 v
(E) hardness and durability 2 q5 y  |8 m: Z: u
0 c8 }' b, ?9 d2 N  d
32. MISGIVING:
! w- S' i7 W' M1 n  c2 |4 L(A) consistency
7 Q8 n% Y# v) n; o* n(B) certainty & F; Q8 l* w$ i+ u
(C) generosity
9 `# T- Y9 M& |& ]1 p1 F7 p(D) loyalty
% Y, B0 W5 M2 ]& S(E) affection   E: s1 \4 Y( o  R" L' C5 ^1 k

1 X" E4 R5 _" k1 B+ C; s33. HARANGUE: 2 E, a, g) I! n+ [8 q2 {1 s
(A) overtly envy
+ e( r  h/ D7 S. p1 G* d3 g# F4 N(B) intermittently forget
% d# S- g6 |0 K* U. v8 O4 o/ ~(C) gratefully acknowledge ! ]3 j3 N: d/ |2 Y  R
(D) speak temperately
1 S1 h( L: m9 V% t  U(E) sacrifice unnecessarily ) S5 Q2 y1 L- Z% n7 t9 N3 e
1 _% H6 I7 |+ n3 I9 E
34. GERMANE: . R2 c% f- G0 C! Y
(A) unproductive 6 B! _% E; b8 ~7 g: ~
(B) irregular
6 U; m+ t- t" I" f  d8 j(C) indistinguishable 1 d( l, C: L0 d6 J! \( k) z) C
(D) irrelevant ; W% @# D$ s/ t* j
(E) unsubstantiated
- G2 H# z# Z* l& p1 f( d2 r, B- N. N2 G9 k
35. IMPUGN: & L) M5 v4 I& e9 a/ _  {
(A) rectify : o& [6 j9 z2 D; f
(B) classify 9 x; N/ S0 v% X, l
(C) vindicate 2 S% F" F5 A- q1 ]% U- y
(D) mollify 6 C3 {) I! W7 G' @, X5 |  E
(E) chastise
$ ^! u; ^* y! B6 g5 C# j
% ^, c: j( ?6 V6 c$ w  f36. INEXORABLE: , O2 k1 g7 U5 o! u5 ~4 I* s7 a
(A) discernible 7 Z  o* V  K8 |- Y
(B) quantifiable # ]* g* r. s# x$ H" u7 p# {8 G
(C) relenting 7 D# R: [& ]  V9 w% a
(D) inspiring
( Z. ]- Z' \# L) T! p( L2 V(E) revealing
$ Q' j, ]8 W  E: d: @  B
: E/ S. f9 f7 D5 Q! F7 x37. RESTIVE: : r9 O# S3 ?3 w( j! N! w
(A) necessary
7 o& `' F1 P. ]3 _(B) interesting
- K/ S9 l! ]- H(C) calm
8 R8 ~0 @9 m# a9 g# P(D) healthy ! |9 y. O( u/ T  e9 C/ c# v5 U1 Q
(E) deft
( Q( K$ A+ c5 p, V- j
( L( m3 o; `  o8 }3 Z: t38. BAIT: ) S. b9 ~) f: _) ^
(A) perplex
& G! L" u' t% }6 P$ U& r(B) disarm , ]" h% J+ I" m) a& u
(C) delude - S! I% Y/ H6 n' D2 m, P
(D) release ! p/ T/ ~$ s& m% e. R
(E) fortify
0 0

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Golden Apple

沙发
发表于 2005-6-4 09:26:49 |只看该作者

section5 第五题

多谢司机哥哥和鬼鬼
- g4 ~, f% e- b; P有空麻烦看一下:D
0 i! }2 ~& Y  E8 L* j" ~- _- f9 [" n9 y$ ~8 W" [5 X
[ Last edited by victoriazhizhi on 2005-6-4 at 09:29 ]
痛快去爱痛快去痛
痛快去悲伤痛快去感动
生命给了什么我就享受什么
每颗人间烟火全都美丽了我

笑与哭都值得用力气
吻和泪都是该裱框纪念的痕迹
很乐意每段路都有陌生人同行
爱或伤害都欢呼都是活过的证据

每一天都是一个节庆


offer快来吧!

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Aquarius水瓶座 荣誉版主

板凳
发表于 2005-6-4 09:46:48 |只看该作者
尽管强烈的主张,她的咧嘴笑与她否认早就知道跟父母开的那个玩笑不符
" I* H* L+ Z5 G9 }4 E5 e5 ~; B0 {3 {8 V) L
我觉得这里的belie是不符合的意思8 b, ^& \- A6 k) D& A# k

) ]7 H( b2 R$ h4 }$ C/ C就是说,尽管她强烈的声称她不知道那个玩笑,但是她的grin出卖了她
Ghost
Ravine
Elite

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Golden Apple

地板
发表于 2005-6-4 09:57:09 |只看该作者

BTW,section3的数学怎么上来几题就印的乱糟糟?我做了6题就不想做了

痛快去爱痛快去痛
痛快去悲伤痛快去感动
生命给了什么我就享受什么
每颗人间烟火全都美丽了我

笑与哭都值得用力气
吻和泪都是该裱框纪念的痕迹
很乐意每段路都有陌生人同行
爱或伤害都欢呼都是活过的证据

每一天都是一个节庆


offer快来吧!

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5
发表于 2005-6-4 11:12:26 |只看该作者
section1 4题谁给翻译一下吧?谢谢!

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发表于 2005-6-4 11:38:06 |只看该作者
大概是这个吧:随着科学知识的不断涌现,原版本的工作刚刚结束新版本的工作就开始了。

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发表于 2005-6-4 11:47:52 |只看该作者
section5 的两个题:
7 S" t. A- |" ?$ @9. 我觉得选B比E要好一点啊。8 e# Q* C% x( [3 U0 z% C" i
19. 我选是E,答案给的是C。文章里面好像没有说比地球上的大,倒是有两处暗示了在太空的要controll。 一个是:第一段后more standard techniques in an Earch laboratory.说明太空的 那个要求高了。二个是:第二段最后一句里with proper controls.
* t  p' i, U5 t; ^/ e" D$ @* W. f还是我没有找对。帮忙解答一下。谢谢啦

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发表于 2005-6-4 11:56:47 |只看该作者
Originally posted by xry1148 at 2005-6-4 11:47
/ R1 h# @. q# L, {" v  y1 `  Y$ csection5 的两个题:
3 a, ?9 K1 ]7 S5 K0 D2 g0 j/ @) w9. 我觉得选B比E要好一点啊。
4 I8 l6 L6 |- a3 \$ P# o19. 我选是E,答案给的是C。文章里面好像没有说比地球上的大,倒是有两处暗示了在太空的要controll。 一个是:第一段后more standard techniques in an Earch ...
( E2 ~( C( i: w& A; m
script是剧本,score是乐谱,都是表演依赖的范本: i0 B8 I" {9 z( z! I6 L
而movement是交响乐的一个乐章
德州的offer啊,你们快来吧!

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发表于 2005-6-4 12:12:13 |只看该作者
是啊是啊,谢谢啊!

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发表于 2005-6-4 12:34:43 |只看该作者
1 的32 dehydrate 和 reconstitute 反义???什么意思?

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发表于 2005-6-4 12:37:00 |只看该作者
Originally posted by xry1148 at 2005-6-4 11:38) X8 m# c9 d! \7 ~5 ~
大概是这个吧:随着科学知识的不断涌现,原版本的工作刚刚结束新版本的工作就开始了。

: Z4 i# f! X8 r谢谢!

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发表于 2005-6-4 15:35:46 |只看该作者

1 的32

上上楼, 1 的32 dehydrate 和 reconstitute 反义???什么意思? 4 s6 D2 s: G& k1 k
1 s7 u. O6 C+ ]9 M& f' |# c
查了字典, 发现reconstitute有个意思是"复原所丢失掉的水分", 估计这题就是源于此, 真是不做题不知道啊! 而且我个人认为碰到生词, 找寻对应的词根词缀也不失一良策, re---de,: w: ^, E( q, O% s( \" d* u
again---remove!

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发表于 2005-6-4 15:45:42 |只看该作者
19. 我选是E,答案给的是C。文章里面好像没有说比地球上的大,倒是有两处暗示了在太空的要controll。 一个是:第一段后more standard techniques in an Earch laboratory.说明太空的 那个要求高了。二个是:第二段最后一句里with proper controls.$ I6 y+ C! S0 l# w2 {
6B还是我没有找对。帮忙解答一下。谢谢啦

4 ~- h$ P( T: t* b" I  T: M/ j. u1 j# [3 y9 [4 s
文章说了的啊!第一段第四行最后1000 times larger than ....
最是闲,忙里偷闲
最是甜,先苦后甜

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发表于 2005-6-4 15:49:14 |只看该作者
1 的32 dehydrate 和 reconstitute 反义???什么意思?

" h8 I; W& a; N8 a8 `' v% f2 Q2 f8 V4 }  |9 w2 x7 g6 _9 A3 O
记得不太清楚了 好象是红宝还是哪里专门说过reconstitute是加水使重新化合3 X# C) d. w/ z
当时也觉得有些奇怪,所以专门记了一下。XIXI~~:p
+ F. y+ E2 @& R: k
. o% j; B7 x, S[ Last edited by symphony22 on 2005-6-4 at 15:51 ]
最是闲,忙里偷闲
最是甜,先苦后甜

welcome to yumiao's blog

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发表于 2005-6-4 16:56:24 |只看该作者
好像题目越来越难了。section5的填空竟然错了4个
让offer来的更猛烈些吧...

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RE: 6G冲刺模考讨论(六) [修改]

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