本帖最后由 草木也知愁 于 2009-10-14 19:35 编辑
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9 I; p. `- u( q 写在前面的话
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/ F" ^' `/ J- g模考刚刚过半，真正的考验是从现在开始的
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3 L: p; k' G5 R% _不过也可以松一口气了，都已经挺过一半，我们离成功还剩不到一半的路程/ _/ B1 X/ V% p0 O- |5 o
& H* ~: c5 [0 |1 I模考很关键，其关键因素就在于寻找一种感觉
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这个感觉不是做完之后对题时候的快感或者失落感1 f- y* Q8 u+ _8 {; \: Y% |4 V2 _7 t
7 W( L, T( B9 l1 D3 [9 ]9 I而应当时对做题流程的熟悉，在有限时间内将自己的实力进行调整分配，时间和精力达到最佳配比* H! g) ~) Z% R b6 I
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所以，模考的时候，要仔细体会这种感觉，并且主动去尝试不同策略，找到一个自己最舒服的节奏7 W' I' \/ E ~( ?/ a; T
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GRE是长期的一个过程
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前期迅速入门很重要
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中期找对思路以及瓶颈期坚持不懈也很重要
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4 ~: ~5 A3 O! R但是最重要的 是在冲刺期 将自己所积累的那些 找到最佳节奏进行释放
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节奏 节奏！！
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. |( D& E! {1 Z+ @4 c7 Hfeel it
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learn from it$ d7 C, F; n4 F0 u, c
/ m0 }) x. O1 [( a. t1 A+ p* ytry to get along with it' }6 ~! p* c! p0 ]0 [" S1 y5 H4 r
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and+ O2 x# C! ~, d. V, X
5 m6 m& L8 A ~. |$ _+ u$ fmost importantly -- just enjoy it
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题目下载
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模考第六辑.doc
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5 o+ e3 _/ u. f s5 |& j 历届模考. Q) L' R/ Q+ [) `. m; r% N& N
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$ e M# i2 H8 r4 ySection 1
Time- 30 Minutes
: f. c: @9 V8 w p- V# p/ Z7 F38 Questions 5 u7 E9 X5 T- \
1.While scientists dismiss as fanciful the idea of sudden
9 T! \9 W7 X7 v7 q% d$ zchanges in a genetic code (spontaneous mutation), it
; J7 f) p/ X H- q) {9 wis possible that nature, like some master musician,
- O5 j& ^3 }1 I+ q& Z0 o3 W0 f8 k* K/ C____ on occasion, departing from the expected or
4 ^# ~2 q' _: @, x; i3 W7 Q; Epredictable. . f) W6 L2 S! Y$ C, D U
(A) repeats
1 U# q- i+ I& ^% X' Y! j(B) improvises 7 e* _" j& K+ B% R6 |3 W4 ]5 B
(C) ornaments ; d% e' z) |% `* f% b+ b4 o: p: y
(D) corrects % L3 q4 E1 L- p# g* `( z1 @' Y
(E) harmonizes . 2. Despite the ____ of time, space, and history, human
& u- }. r" {# q5 D" m# Nsocieties the world over have confronted the same 4 V# U2 ^% ]9 ~! t9 O' H
existential problems and have come to remarkably
% [& s% {5 { Q9 l1 v# q8 k____ solutions, differing only in superficial details. ' z; U4 |1 L9 L( _
(A) continuity.. identical
& @. g# K" b( C& M, s(B) uniformity.. diverse 7 U& Z$ l# a) L! F& S
(C) actualities.. varied % v; t, V, ]7 _5 R) \
(D) contingencies.. similar $ l: w8 Z0 @3 R% x1 b" Z0 X
(E) exigencies.. unique . 3. Although he was known to be extremely ____ in his
% y- t# e0 p; X+ Zpublic behavior, scholars have discovered that his 5 t3 V C% t0 {" U& b. G$ J
diaries were written with uncommon ____.
4 k& k% r4 F9 G$ J/ m3 K ?3 b(A) reserved.. frankness ! C" P# u H8 a( ]* v1 `% [0 z- ?
(B) polite.. tenderness 5 [( @. W( x% d: R) L M
(C) modest.. lucidity
- P, T8 q$ R n(D) reticent.. vagueness
; s, }. ?* l$ Z6 J# ^4 [(E) withdrawn.. subtlety . 4. With the ____ of scientific knowledge, work on 5 j# v( t5 A& X
the new edition of a textbook begins soon after
8 [9 F/ x( \; ]8 Z7 hcompletion of the original.
+ E) i& r6 A* K3 k, _9 z, |: S(A) limitation
$ p; v" O- f6 y$ b4 I8 j& y- S# v(B) culmination & ~; H% t7 V8 g, V
(C) veneration x7 b# I( Q( Z3 Z
(D) certainty
3 u- D; c2 J+ N: B: ^" Q(E) burgeoning . 5. She is most frugal in matters of business, but in her
0 ]& V9 E, j4 [% Hprivate life she reveals a streak of ____. + Q0 ]/ q L* q) y+ `1 h6 W1 O
(A) antipathy
3 J$ o. R. |: y8 K7 f( p, d. `(B) misanthropy * D( E/ w7 G8 R2 i+ [8 [* f
(C) virtuosity
& }/ c8 ]$ n5 I, h' b3 y O(D) equanimity
' h. k" r2 ^2 u2 _# R(E) prodigality . 6. If the state government's latest budget problems 0 P }/ @8 ~+ V6 `% Y c& e3 Q
were ____, it would not be useful to employ them as+ |2 F7 R! a& R$ {/ ]; \2 ~7 n
____examples in the effort to avoid the inevitable
2 o6 I9 o. W+ J# X$ g( ]7 g+ u6 peffects of shortsighted fiscal planning in the future. * a: M/ q1 ], v$ w
(A) typical.. representative
5 n$ }% Z" T: Z& B1 q' o0 C) f(B) exceptional.. aberrant 3 g7 [; j! [; Z3 c: N
(C) anomalous.. illuminating + [( X6 N2 d* J- w& {) V2 X1 {/ i
(D) predictable.. helpful, ?8 w4 G- d3 U+ o7 x; F
(E) solvable.. insignificant . 7. Just as some writers have ____ the capacity of # }) ~) X: \) a5 x; q3 ?7 L% w
language to express meaning, Giacometti ____ the ( ]( k* T) D4 w# x- ^( ]' D6 K
failure of art to convey reality. 7 v2 o/ q; M' \, e; X8 p
(A) scoffed at .. abjured
% G% F8 k1 G6 a! _# t& l(B) demonstrated.. exemplified + k3 V' ]5 I& j9 h+ |( L% N
(C) denied.. refuted ) h4 \, }. h$ d$ f3 e
(D) proclaimed.. affirmed
- M3 L8 e% H, E(E) despaired of .. bewailed . 8. WALLET: MONEY:: : W/ L, ?0 y" l8 l- J3 N
(A) bank: vault ' b( K1 ]5 ?2 I! N) W% C
(B) suitcase: clothing 2 q2 z. l) s. I* B
(C) checkbook: balance
. F4 k% \5 m1 S$ J' X- z(D) wealth: prestige & v. I0 ^$ C2 f4 C
(E) envelope: stamp . 9. INSTRUMENTALIST: SYMPHONY:: & V+ X5 C1 Z1 |$ q8 U) [8 W7 f
(A) author: drama
7 e& B& v0 p$ T* [2 Q(B) photographer: cinema
& T, Z* w! K' v4 @1 o(C) composer: concerto
q: P- V, d/ Q! s+ l3 j4 V/ j(D) artist: painting
& z. H7 ^7 j' |% ?3 q(E) dancer: ballet . 10. PLATEAU: CHANGE: ) y% \( i1 d* h$ z2 c
(A) respite: activity " u. P2 @% }6 t: U3 h
(B) asylum: security
/ d! i2 e9 [( D( C' b(C) terminus: journey 9 ]8 |' Z& E" t( `8 h
(D) interval: time
+ G4 D9 W% B3 f(E) lull: rest . 11. ISTHMUS: LAND::5 K D# C7 B, D4 `3 p& p
(A) peninsula: island
5 M0 M( U& y# R: V(B) canal: river
0 e! s) a# T Y+ E(C) stratosphere: air
) u8 f0 t1 ^+ |" i(D) strait: water
: k {0 ^# y9 P/ C(E) tunnel: mountain . 12. EMBARGO: COMMERCE:: ; X" [ X I( f; G. |3 e/ X
(A) abstention: election
. y0 h0 A0 Q6 @(B) strike: lockout ' `" b' p) `4 c
(C) boycott: development + K8 |3 F( E0 J3 w( M) {
(D) quarantine: contact - V: D, K9 _4 t8 L+ ]4 I
(E) blockade: port . 13. DILATORY: PROCRASTINATE::
4 F; k# N+ e! |1 o X(A) recalcitrant: comply
$ Z2 W. |9 k; I+ k: h(B) malcontent: complain
; ?3 V) \% x! R: s(C) ambivalent: decide + D9 q% l0 X& _) K, a; m
(D) inept: modify
4 d/ p5 C& y0 s# P; u8 T: _ A(E) credulous: learn . 14. NOMINAL: SIGNIFICANCE:: 0 V3 n3 ~+ n0 h. i% ^. o0 w+ j( C
(A) titular: honor 8 p- e# Q) j5 F4 [$ f
(B) ephemeral: brevity
. R% M$ e0 F% S5 S" E(C) divisible: continuity 9 m( R# t. x# p7 Y( t% I
(D) anomalous: distinction
* Y: @. D5 c* K4 K2 r l! @0 I7 ?(E) disjunctive: unity . 15. PLAGIARISM: IDEAS:: 1 M- K* I' M" c8 h7 ~) X
(A) libel: words
2 C% x% c. f# X2 f(B) forgery: documents
' N0 y; m# X& {# z) L(C) arson: buildings 6 }; ]4 d5 c( a& E: X
(D) kidnapping: ransom
' X2 @ i* F$ p, S. `) k+ Q$ Z(E) rustling: cattle . 16. POLITIC: OFFEND:: ( S J6 b) h% a/ Q0 T% ^
(A) distressing: terrify / U3 r: A6 M& D
(B) aloof: associate
- ]6 |9 \5 R: d; A/ h5 o0 F6 M(C) misunderstood: surmise
/ h* U" W) Z, D(D) vacuous: deplete # X, D2 K P5 e2 H
(E) trivial: bore . 28. STRINGENT: 6 }% q" C/ E: K: J" Z$ @4 d
(A) lax
5 [, Z6 q4 W6 ~7 l& b! L(B) elusive 5 J0 I; R- F, Y! D1 n! ~
(C) impartial 0 S: M6 M7 M: b0 R3 a
(D) evident
: T. G9 g/ X X% [! a8 J(E) vast . 29. INTERIM: / T/ s& [# A. A A1 }+ K- }/ c
(A) obscure
: ]" \ ]8 ^5 q4 u- S W3 r2 W(B) permanent
3 l9 N, D$ k5 L& \3 V4 y(C) prudent # c" o" B( F0 i% O9 [. c
(D) resolute
( e! c# z5 A* g6 N$ U+ T V @(E) secure . 30. SCATHING: 5 {7 ^4 E. p. j
(A) easily understood 5 J+ A5 Z' x$ O5 ?: B; g
(B) politely cooperative
4 ~/ u! ]9 m$ X9 ]% n- `+ O(C) intentionally involuted & H1 l! J; R3 G( ^4 j
(D) calmly complimentary
& E6 ?9 z, x% }$ j e4 N(E) strongly partisan . 31. CAPITULATE: - q: ?$ j6 e, b4 E. @# A
(A) enjoin
9 n) T! ]- V% F5 J(B) resist + f. C; c n% Y8 M# z, r3 }
(C) observe closely * y4 v) D. w* F, O' }
(D) consider carefully * F8 |' W; N2 }5 O" }1 S. O0 D
(E) appraise critically . 32. RECONSTITUTE:
4 U# r! [) A2 y0 F4 R(A) detail
. {0 w" E5 ~* X" w; G(B) invent
: J5 y3 A E% W( b' {(C) spoil 2 x. M3 h# j$ ~: P
(D) conform
2 R. ^0 o {8 b9 c8 s( n; n8 ^" T(E) dehydrate . 33. REPUTE: / H8 {& O. e$ Q7 l4 a# I7 Q2 y/ g
(A) lack of caution 5 g8 {9 G4 K/ I3 b/ [
(B) lack of knowledge ! B G* Z! f1 l: P& L0 S/ U% c
(C) lack of emotion
8 V1 M( [9 O: J6 H6 g4 F q" k(D) lack of generosity $ r8 F' T/ G4 }/ t
(E) lack of distinction . 34. TAME: ! q6 S% e! Q' u3 M0 B0 m- T8 }2 y( K
(A) resolute
- b$ \9 w( Q2 C8 J# O+ U(B) ruinous 9 L" h7 @, c1 c- b! L
(C) racy
" P, K+ r! A9 N6 _2 i$ [(D) erratic
+ z7 H: m( `1 Y: D2 Y(E) experienced . 35. INDURATE: # s3 ]! G1 v* g' } ^2 ^
(A) soften
8 U* |5 D6 g3 l5 Y) L* S(B) puncture
) o9 D7 [6 G) e! w# z(C) denude
. _) P9 p3 N' ]- r& e0 D(D) immure
2 @- m- d& C7 S" S4 m) S( O2 o(E) exchange . 36. PROLIXITY:
! B2 J3 K* i' ^! m, i" s(A) succinctness . q- R# D, T' J9 y/ m/ _, @
(B) profundity
& X3 L$ G+ ~" S3 l8 w6 _- c/ Y(C) persuasiveness ( Y. e( d6 q* J4 R9 R% v
(D) complacency
8 b, y" K, A' f. i. B8 V9 P9 W(E) cleverness . 37. CALLOW: , W9 \- Z$ p; G( R( f L9 A
(A) displaying keen intelligence 2 t: N! i" H9 I5 i
(B) behaving with adult sophistication ; E/ F4 b7 Z' S! N# ]! O
(C) reacting cheerfully
, l, h: V% |, W7 b(D) showing foresight 7 a: g* }/ d; |9 l1 W6 O
(E) deciding quickly . 6 V% O1 |8 {3 o! t4 {
38. FRIABLE: * x8 w7 v9 @# S( R r$ P
(A) not easily crumbled
; Q$ h3 t# L& v/ n(B) not easily torn T& z& [1 ~/ ~5 \% X, u5 F
(C) not easily melted
5 v _; Y1 K9 E2 K1 F(D) not easily eroded % J0 N2 P% p4 s! u2 d1 l- R+ Q* i
(E) not easily punctured .
8 V+ e2 I* Q. r: E% C" ? aSECTION 5
4 ~) i, w- \+ T: ]1 O- o+ wTime –30 minutes
% T6 H3 F8 i3 a, L38 Questions
- V, g+ Y3 w5 P+ b4 o+ i
1. In spite of the fact that it is convenient to divide the
, Q; L: l: ~7 d) z4 @% {9 c/ L$ B$ `life span of animals into separate stages such as pre-
; e& q1 W: A" u5 znatal, adolescent, and senescent, these periods are not ; F3 {) [8 x/ \( s6 L# T% p+ R* A
really____.
) l- j& L: W9 h$ Y(A) advanced
2 G! z6 A/ ]7 b) P5 Y3 P! b% t(B) variable 5 L5 o& u- o: Y+ i# X4 `
(C) repeatable
- K' p+ g6 O# T$ S$ r9 _2 |' V9 b6 c(D) connected * D' `0 d; C+ K( P& ?3 z
(E) distinct . 2. Although the number of reported volcanic eruptions ' N( r8 a( w* q4 T0 s
has risen exponentially since 1850, this indicates not ____ volcanic activity but rather more widespread " Z# x. t# h2 Q+ E0 ?, l/ v
and ____ record keeping. 2 g! ?* Q& a' \6 ]( C0 f
(A) abating..detailed
9 a% O1 G& R7 b8 U, s(B) increasing..systematic; Z& L4 ^: O/ C7 Q0 @$ q% W3 @
(C) substantial..erratic+ B3 t! P# n" ]* g. X
(D) stable..superficial1 a6 o) O* ^/ \6 X F4 u, T' q! t
(E) consistent..meticulous . 3. The challenge of interpreting fictional works written * R5 f9 D& h1 `
under politically repressive regimes lies in distin-( P3 F" Y6 x. r* \
guishing what is ____ to an author's beliefs, as . V) y/ L& D0 I5 I
opposed to what is ____ by political coercion.
) N7 a. s' h* v J. D3 C7 f6 @( J(A) innate.. understood 9 r( e; {1 ^( |- }7 \5 D
(B) organic.. imposed / C8 r: D3 _: Y6 |& Z5 U, b
(C) contradictory.. conveyed $ M) ?. x3 c9 T2 Z$ g- M; W
(D) oblique.. captured
R5 D& J x8 X! X, T. T' z8 D8 { {(E) peripheral.. demanded . 4. I am often impressed by my own ____ other " x, O! v. |5 {6 Z3 J M; w& u o9 U
people's idiocies: what is harder to ____ is that they,
6 z4 W; U2 B* a, B6 xin their folly, are equally engaged in putting up with $ X' P4 u7 v7 N% [9 l
mine.
. b' w2 G7 j" Q(A) analysis of.. justify ; i2 r4 a$ v/ k6 @9 o, N2 U
(B) forbearance toward.. underestimate 3 \# s |! p3 ^" S% |( ~8 u) e
(C) exasperation with .. credit
! C4 N5 J# p5 o/ i(D) involvement in .. allow
& x2 q, F5 ~# t0 Y(E) tolerance of .. appreciate . 5. Despite vigorous protestations, the grin on the teen-
: n1 y# h! W+ i/ \* ? Rager's face ____her denial that she had known 3 j& N( r$ F" _0 v
about the practical joke before it was played on her 7 _% M) K: N6 Q
parents.
0 v4 B* c! E; M+ O- R# @ N(A) belied ! {& O/ E2 n& j5 S2 x
(B) illustrated 1 I. D. t6 I' I( I" Y4 f
(C) reinforced 4 n, D. l, M! p5 @ ?
(D) exacerbated
) k6 @: O" E- U( f(E) trivialized . 6. Far from undermining the impression of permanent ! T9 G# B' L1 Z; O
decline, the ____ statue seemed emblematic of its
7 \# ^, C2 n$ ?- X8 L# [: e) Q____ surroundings. % [& H& j+ |) W$ T w; e
(A) indecorous.. opulent
# M. g6 J$ ]" K" ?(B) grandiose.. ramshackle , L7 R5 }4 c. j2 W9 H/ N3 K
(C) pretentious.. simple 4 E5 `; D# y8 t% y& q+ S
(D) ungainly.. elegant
; ?9 l: d3 C% R) y. c' e g(E) tawdry.. blighted . 7. Despite the fact that it is almost universally ____, % n3 }4 o h# b* C* {
the practice of indentured servitude still ____ in * U1 \ [9 i% c A9 C
many parts of the world. ) N+ Q( E+ q* H5 o" p
(A) condemned… abates
0 d" B1 a$ F& I- R9 L(B) tolerated.. survives ; T/ S, ?; g+ k# V& q$ Z; w; X
(C) proscribed.. persists # A* E9 ]/ \. O$ X& S5 u
(D) mandated.. lingers
. ~$ ~- c1 N5 f( \* X. H( a1 S(E) disdained.. intervenes . 8. CANDY: SUGAR::
; a8 O$ Q% `; D8 i; C6 P0 k7 | I(A) chick: egg
) R1 k# T w! x" F$ t(B) tire: rubber / H8 l) @0 X- d" u. o2 ~
(C) pen: ink $ C1 q" r& ]6 M( N* Z5 K6 P
(D) mushroom: spore
+ x, c4 Y1 C8 @9 `/ ~2 @% d x7 m Z(E) rag: scrap . 9. SCRIPT: DRAMA::- t$ M# u X) }/ z5 E
(A) theater: play ! o1 z. A6 t! ~' L q8 l
(B) movement: symphony , w. g4 t7 e8 j( i7 W+ c1 Z/ F
(C) photograph: scene . F( [3 g5 Q3 k+ o
(D) map: town 3 F" E( Q: ^3 W% `; [
(E) score: music . 10. AMBIGUOUS: UNDERSTAND::
9 b4 @1 \* n7 R3 e% @. w0 ?/ X(A) veracious: defend 5 t# W1 E+ A$ b& M" V: Q
(B) blatant: ignore 7 ?& b$ X) S/ L$ z( J; @
(C) prosaic: classify 6 t$ U- K# [/ Z
(D) arcane: conceal
- `' x: s$ E6 i/ y8 m! H& Y9 l(E) plausible: believe . 11. MERCURIAL: MOOD::
3 a+ S8 w) R$ O8 h% v5 z(A) callous: emotion
4 q1 S- \ J% _. l(B) doleful: energy
7 F1 g& D! O0 G% r(C) jaundiced: attitude ' b+ S9 {. n* h r$ m
(D) whimsical: behavior
- `- H5 ?; v1 o9 I) {2 T9 z(E) unversed: experience . 12. PRISTINE: DECAY:: ( e( l) Q& t: U1 `- ^
(A) adequate: imprecision
- ^! I, A7 r1 J* G(B) stable: fluctuation
Y3 ~- R+ P5 {8 n+ r2 }: ^) B+ n(C) volatile: force
3 Y5 f+ `# `1 C" c$ Q: ?* E k(D) symmetric: flaw
9 P) ~) p/ b2 \% E% e' {9 t! X* `# Z(E) valid: exception . 13. DIGRESS: EXCURSIVE::
& U% `/ X' Y0 n6 ~' p5 _2 i(A) improvise: studied
! U" K& D9 m+ H/ ?0 r. K0 f' _9 a(B) reiterate: redundant 6 r" I8 c7 ?! } J
(C) excise: prolix 3 ^- r: f" ]% m3 I
(D) refute: plausible 8 W4 Z8 x. }5 \/ ]
(E) accede: contentious . 14. PONTIFICATE: SPEAK::/ p" b5 Z& _# q! `& Q) X
(A) indoctrinate: preach 7 j' X; L+ q1 P. z& D4 N3 S) |
(B) impersonate: imitate
- U4 C4 ^+ g- K y8 D0 ?; p8 L9 s(C) obey: listen # O, L9 F9 z. W: e6 h" `9 v
(D) soar: fly
4 e. A5 W# U7 m( Y; R3 I(E) strut: walk . 15. OFFICIOUS: MEDDLE::' P9 r! v8 B- k1 e/ L% l* ~* s
(A) disaffected: rebel $ E7 {+ M% [% k$ `
(B) bustling: excel
# p+ R# E. K y9 v. I(C) profligate: conserve
3 v; ]& H# Z# J5 T/ |(D) subservient: esteem
! Z( X2 t1 z0 ]& @! O(E) acrimonious: soothe . 16. ATTENUATE: THICKNESS:: 3 @4 l/ ]; n" b5 @: x1 v% B) z& j+ W6 p
(A) separate: substance 3 L, K: T. L: N ?4 H5 L
(B) ventilate: circulation & u- Q( b G) M4 O
(C) vaccinate: immunity
! T V3 U& H5 _3 Z(D) transfer: location 1 b: q7 r# p/ j, C" d; _7 b
(E) cool: temperature . 28. ACCESSORY:
% w; n* _2 j' n- e7 H5 J9 x- i(A) insubordinate
/ ?% v8 x) a! d- [* s6 ?(B) invisible
2 I- W8 p# S. B0 F; r(C) of high quality & m: m9 ^: `. ?) w3 x: B
(D) of massive proportions
j# y: p8 X) ~" M$ y! a) N(E) of primary importance . 29. CHAMPION:9 x; y4 V U. |% X* v" o9 o$ F
(A) emulate $ h( E+ P5 A' R0 u+ R8 D3 m" K5 U
(B) disparage 8 R8 k6 \: }! S1 \
(C) compel ' A4 J5 Q: ~% L/ L* @+ i5 g3 H4 N
(D) anticipate
* s4 {8 W- F W9 b5 a3 o(E) disappoint . 30. DECADENCE:
9 _, C* Z# b1 ^2 H' h(A) cheerfulness 8 F: ]3 g5 A) u
(B) promptness
9 x3 K& u5 R9 n3 k3 F" o9 e(C) cleanliness
3 F; \1 H v1 }(D) wholesomeness
+ @& d' F8 A( U6 \) M(E) carefulness . 31. OPACITY:
& ]' W# O/ J+ H7 |7 a; l(A) transparency
4 U/ [: E1 E1 x; W0 k) I$ y9 [2 {(B) smoothness
$ q8 b$ j2 s& {- d L% I2 ?4 d(C) colorlessness
( U; ^: O& m1 ~4 T( b7 Y: ~(D) elongation and thinness
k R$ k( G% o. Q(E) hardness and durability . 32. MISGIVING:
1 X# t" B0 H8 v4 a0 e; @! j5 T(A) consistency / b p, _# Y; W x0 t% _
(B) certainty
- P% _6 o6 S) E+ n1 ]3 G# Q(C) generosity
* f, v3 }- v3 I4 T( Q( y( z: \(D) loyalty
n, M @$ m" F8 z(E) affection . 33. HARANGUE: # z- X( w( [- r: }9 Q" ~
(A) overtly envy
; e6 l$ }3 Z' k0 L" ]$ L(B) intermittently forget
4 p, h0 y/ A5 G( V(C) gratefully acknowledge
7 P# Q+ h7 Q5 x/ n+ R) ^5 O6 E(D) speak temperately 7 ~- x# ]; q- J7 k
(E) sacrifice unnecessarily . 34. GERMANE: 9 y# `# x7 Q$ v, g+ U+ A# \
(A) unproductive
- ^- x% C. c3 a( x( [(B) irregular 2 u, S. t! ~% c
(C) indistinguishable * s }# d$ E) K. Y3 s/ i- x" h9 V
(D) irrelevant
% m2 ]7 f [' i0 f6 W(E) unsubstantiated . 35. IMPUGN:
3 j( ]: D0 W, [) S. j(A) rectify ( T( I& j; z/ x2 _2 W( y
(B) classify
6 |) X6 R) s+ B- C* K, d(C) vindicate , k4 l$ G+ m0 O- C9 ^5 M
(D) mollify W+ Y0 ?: w( j% X+ P' l
(E) chastise . 36. INEXORABLE: . Q6 G- m6 R3 f! ^) h! C/ E7 e
(A) discernible " Z$ j4 M1 h3 o; ~
(B) quantifiable 4 ]% h/ O% {4 r5 t$ ]4 F" h+ z
(C) relenting 8 ^6 X5 x! e9 M. [6 e, v1 q
(D) inspiring ! [9 F _5 e. ?7 D& x
(E) revealing . 37. RESTIVE:
, X% M. O+ @4 Z) |3 Z9 {(A) necessary 8 P% r$ \+ l2 l4 Y. [6 E8 @
(B) interesting / g& f* W( F- h8 L- u
(C) calm
) s5 |; s1 B8 ^! W(D) healthy 4 x. O) Z$ Z* i8 e& r
(E) deft . 38. BAIT: 0 r5 z+ }4 Z1 z8 F3 C+ g7 A
(A) perplex
( D/ s1 @7 W& r% ~8 e/ t: }(B) disarm
' O8 n6 ]7 p; S0 K; t( V' }(C) delude
% n( s N G1 J1 i, z p6 L(D) release
- e$ O" s9 v Z0 t(E) fortify. p( M$ t& x; u0 y7 |& m
) W5 C1 {( @9 q% ~' `! q+ E
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模考答案$ R* l7 a) W3 O# X% M
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section1 BDAEE CEBEA DDBEE BECCD CDBDA DCABD BEECA ABA7 e8 c& h! t- D9 X; V* g& ~: _$ q
3 |9 `2 Y2 V& |! |7 a* u9 }/ k
section3 BBAAA ADCDC DCCBD ABBCD DDBDE EAEDE
/ o2 A' n P B6 D; i; p1 A. J$ z5 M# |, M( X
section4 CBBAA ACBDC CADBD BCDAC BDECA CDCEB5 `& |: q" b& y, W, F
( F$ N! P: Z+ b9 Vsection5 EBBEA ECBEB DBBEA EDCCA CCAAC EEEBD ABDDC CCE8 Y3 ^) n5 i- J' m3 K
6 M7 ^. O( n! r8 L e' _----------------------------------
: K2 o- R3 B4 N* n 争议题目
6 H+ b4 {5 ?$ h: m8 N9 C5 S----------------------------------. V8 O' n6 |: I$ A2 `6 J
; }1 ~& X# ]! A8 C2 K: z2 g9 YQUOTE: S5-38
5 R. m3 I- Q, Y/ E, s) _4 s2 L7 a0 e/ C& Z9 m4 ^6 E
38. BAIT: u3 X* \; g3 b) a# X9 V+ B1 z
1 d( w5 U6 y) J6 O
(A) perplex 7 ^3 H0 e% J# w3 ?7 w2 K
(B) disarm . o2 Z1 d# \9 M* f E3 Q
(C) delude 9 m* D( U( b( t: j9 a$ A! w
(D) release
9 Q' E+ a* c+ Z' z(E) fortify" B+ k1 b* ~& `8 L8 r$ w/ `! [3 }6 ~
, V# k0 w8 Z& y: Y- `答案&宋浩:E || 红宝:B
0 _6 R( R/ A9 M0 o/ K4 w- H2 j5 {4 ]# m9 T: Y1 C# I! {# n
解析:# {/ b7 I, _9 W% V
B: disarm解除防御或敌对状态, 对应bait在M-W中的第1个意义: 1 a: to persecute or exasperate with unjust, malicious, or persistent attacks 即激怒, 可以理解成唤起敌对的意识. (by demo)+ Q+ m u; w/ s4 o. \
E: fortify在M-W中的意义为: to add material to for strengthening or enriching. 自己体会吧6 w }" }8 `3 w9 c2 ^( E( e
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* n& R2 ~" ?3 u0 P* V y 本次讨论汇总/ b3 Q( c8 C5 v) n! D
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写在最后的话
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发表于 2009-10-1 11:27:41
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