本帖最后由 草木也知愁 于 2009-10-14 19:35 编辑 ( ^! O5 Z, |& h/ i
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写在前面的话' D2 c1 c( B3 K$ U! B
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模考刚刚过半，真正的考验是从现在开始的" n" w" x9 ], Z2 k+ f
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不过也可以松一口气了，都已经挺过一半，我们离成功还剩不到一半的路程
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7 n5 Y* N! R% J, G2 W模考很关键，其关键因素就在于寻找一种感觉, i( a' n( ~0 N8 s
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这个感觉不是做完之后对题时候的快感或者失落感
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而应当时对做题流程的熟悉，在有限时间内将自己的实力进行调整分配，时间和精力达到最佳配比8 I0 L- G6 o; D
' ~9 X& t& [& J所以，模考的时候，要仔细体会这种感觉，并且主动去尝试不同策略，找到一个自己最舒服的节奏5 i& m3 h: r% C4 |( A# g
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GRE是长期的一个过程 ' f) U" D- I7 {: x
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前期迅速入门很重要
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中期找对思路以及瓶颈期坚持不懈也很重要
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但是最重要的 是在冲刺期 将自己所积累的那些 找到最佳节奏进行释放" y \; ?! |% H" ^7 I) J
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节奏 节奏！！
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I/ p z6 V* s7 `feel it
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1 ]& I, L6 {" ^8 ~; W7 |learn from it
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try to get along with it
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: S% k- s/ i8 h4 D9 x( o. Mand! e$ Z) q' i" r7 F! u6 A
* Y2 ]/ d7 _* C9 F8 G4 M0 mmost importantly -- just enjoy it
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8 i; K/ A& O q+ {$ v' k' P0 p 题目下载* F% J7 y7 d8 [$ B% |2 } J. v* M
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模考第六辑.doc
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+ r6 s+ x- i9 o 历届模考0 A0 z- f8 p. l7 f C1 m
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类反、填空题目* P' I& @+ m `$ n2 q( x0 \: V
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Section 1 Time- 30 Minutes% O( Y8 l2 r, \$ Z5 d0 i# ^
38 Questions 7 U8 a" z) H/ _* n; l' x
1.While scientists dismiss as fanciful the idea of sudden
! r* o% n; a9 m9 S2 achanges in a genetic code (spontaneous mutation), it & A6 _2 g1 S) M& Q% `- d
is possible that nature, like some master musician, r) G# R& Y8 l ~- y0 L' _
____ on occasion, departing from the expected or % [. q: ^( v/ X) s
predictable.
5 [" \ e3 X* A) R(A) repeats 3 L+ I( r; x( Y! @, S( ~
(B) improvises ! v5 V, ]& k) M, L
(C) ornaments 6 t) ^4 t5 ^# J% b4 r( A& M: b
(D) corrects 2 _6 C1 i. N! X( \ J2 g
(E) harmonizes . 2. Despite the ____ of time, space, and history, human $ h6 V9 Z K6 p" e, D
societies the world over have confronted the same 4 g! B2 I7 k5 I* ~! ^4 H9 R6 Y
existential problems and have come to remarkably
1 y( z5 M5 ?5 o" C____ solutions, differing only in superficial details. ( S8 s& u- G: U6 j4 B( {5 _
(A) continuity.. identical & s2 r1 v/ ]* ~" U/ }
(B) uniformity.. diverse
, `+ b( K0 C) N. ^; G(C) actualities.. varied + x+ u% A2 F! r% v, O4 b
(D) contingencies.. similar ' V! }- O4 Y. K" F
(E) exigencies.. unique . 3. Although he was known to be extremely ____ in his
5 C9 S( m; P- c- Q; P1 lpublic behavior, scholars have discovered that his 9 |5 a- k3 n9 h4 O
diaries were written with uncommon ____.
# O- M7 e* }: V/ ~* p5 A6 {* X(A) reserved.. frankness
! R" M* l: d) Y, z(B) polite.. tenderness
& P" L0 X* I* t) e(C) modest.. lucidity 7 i) @3 i" y- ^3 a$ [
(D) reticent.. vagueness
" k1 ? T- V% u; _(E) withdrawn.. subtlety . 4. With the ____ of scientific knowledge, work on 4 m6 |& ~8 v; O4 M/ E! s
the new edition of a textbook begins soon after
" B9 t9 `. f: k. I4 E8 u& O4 ocompletion of the original. % E& e" p8 u. e& L* Y. Q) u
(A) limitation
! T4 u6 }0 ]7 _! }4 s- T2 C(B) culmination
" M2 m, Z% k4 a/ u7 k(C) veneration + e) z4 V# L, C! |1 V
(D) certainty 1 G" U, k. u7 ]
(E) burgeoning . 5. She is most frugal in matters of business, but in her
9 e. A$ c, A- F$ v Oprivate life she reveals a streak of ____. . h/ Z8 ~. f$ g( ^- o8 z
(A) antipathy
8 ^3 B: l) R7 l# f* B(B) misanthropy 0 T# L) v+ E, m+ \+ x3 O
(C) virtuosity
8 _1 ^: {! C g1 |- O) F+ b(D) equanimity
$ p& ?9 S6 c% T% ]' ~# i; i2 j(E) prodigality . 6. If the state government's latest budget problems 4 L& X* m: _) Z8 ~4 z3 z; I
were ____, it would not be useful to employ them as" h% w( U2 e7 e! l! X1 y
____examples in the effort to avoid the inevitable
' K i/ @; G% _* M& S' Ceffects of shortsighted fiscal planning in the future. 5 B. k4 y4 ~$ [5 S6 c3 r8 ?9 }
(A) typical.. representative # s) G; l- d( k; j7 S" ]
(B) exceptional.. aberrant
6 p5 i8 v+ y$ \ R( O3 ](C) anomalous.. illuminating ) D/ X& z# I+ v+ q4 f K
(D) predictable.. helpful
$ o5 H) {# y2 I$ u8 V" i- p" L D(E) solvable.. insignificant . 7. Just as some writers have ____ the capacity of ) Y/ _' L0 |8 @/ R2 w
language to express meaning, Giacometti ____ the
3 B2 R. s% K) B$ x0 Cfailure of art to convey reality. - ^7 E: P1 h- K& M; v
(A) scoffed at .. abjured
9 i- ^* c$ L9 n9 O4 L- M(B) demonstrated.. exemplified
6 v- o# K+ T5 n# {(C) denied.. refuted
: l3 z1 j( t3 y! ~(D) proclaimed.. affirmed
5 \4 C& v( x4 N# y4 f1 a( k! U(E) despaired of .. bewailed . 8. WALLET: MONEY:: : [* ~5 H/ N1 [, g* P3 @9 x' T+ I
(A) bank: vault + N. _' C) c, ]. c1 q# p3 c
(B) suitcase: clothing
4 q+ F& Y/ b( p' X(C) checkbook: balance ) I3 Y* R# k. }. ^: a6 b% s. S
(D) wealth: prestige
/ A6 F% C5 v m5 o; ?4 r(E) envelope: stamp . 9. INSTRUMENTALIST: SYMPHONY:: - q0 p4 `2 J, J% G7 n3 K
(A) author: drama
- _/ V% e$ ?( t3 t% M(B) photographer: cinema / P- B6 j+ T! B6 v3 y
(C) composer: concerto $ @, }" n7 Q' T* P S, _
(D) artist: painting ; b+ N6 l' h7 s7 G! H
(E) dancer: ballet . 10. PLATEAU: CHANGE:
, W( g8 }& _3 L8 H5 n: t(A) respite: activity
0 Z7 c, d9 I/ _) y4 U& ](B) asylum: security
& k. v/ i$ ?5 S! g W(C) terminus: journey 0 o- A, @; i; y* ^
(D) interval: time ' W- R0 x6 n+ q- `
(E) lull: rest . 11. ISTHMUS: LAND::
1 r* q" C, C( e1 ^(A) peninsula: island
) n4 L/ I! q/ C7 ]+ s8 y(B) canal: river
. t2 a5 y$ R( S' |: G5 w4 U(C) stratosphere: air - n( T+ y' Q! A3 b5 j4 f7 k* e% p
(D) strait: water 2 l1 B' B i. z. s/ W2 E R* O2 F
(E) tunnel: mountain . 12. EMBARGO: COMMERCE:: $ J, S5 C2 E6 Q
(A) abstention: election
+ j- I4 `5 M- Y5 X' c(B) strike: lockout - U- P* g& X8 Y) q$ v; n
(C) boycott: development ) N5 V5 E, O( t% G5 J
(D) quarantine: contact 5 d) k4 U9 ?' e! R
(E) blockade: port . 13. DILATORY: PROCRASTINATE:: 5 z+ f3 Q9 O2 P$ X7 v$ Q
(A) recalcitrant: comply
1 i; l2 _2 e0 e% W6 c6 a(B) malcontent: complain
+ ]2 w4 k6 y0 Q! @# H% s5 J% `(C) ambivalent: decide
- q* q9 C2 l; a(D) inept: modify0 X9 I9 z5 _% H7 g: ?
(E) credulous: learn . 14. NOMINAL: SIGNIFICANCE:: ) j9 s+ |. e) F/ R3 Z/ w2 x0 D
(A) titular: honor
9 b# m4 G& [4 ^ {: ^0 A- N1 f(B) ephemeral: brevity
8 V7 q+ x" T* p. k$ S; `(C) divisible: continuity
G) _; O- D: B& B5 |! i(D) anomalous: distinction
8 B! [. l6 |; |1 f3 W6 w% [9 _(E) disjunctive: unity . 15. PLAGIARISM: IDEAS:: 9 U& t5 ?$ V2 Z- r* X0 z
(A) libel: words
- Q4 ~$ n% L/ d% g0 a7 \8 D(B) forgery: documents % T4 P3 Z/ E- Z {
(C) arson: buildings : i: m9 [! }( x3 k+ b; Z* Q7 R, Y) W
(D) kidnapping: ransom : a, w0 A+ P6 }( O- t9 s1 e j
(E) rustling: cattle . 16. POLITIC: OFFEND::
) O6 P. n9 \$ \1 W2 f(A) distressing: terrify
4 ^! C8 O& b! ?* T7 V(B) aloof: associate
1 e' ]# @1 J8 F/ E" Z6 R" h(C) misunderstood: surmise
( m8 z$ G8 [+ ]# o(D) vacuous: deplete
% b) g. W( N7 X0 b, ]8 N(E) trivial: bore . 28. STRINGENT: : p/ r4 ~3 |4 o; n7 n1 g& B
(A) lax
7 w: F/ i; j% w! v) H# w' q(B) elusive
* ^. O. z, n7 h- s% s1 ~' ~(C) impartial
4 h4 N0 E- }* l \0 U: U$ `/ X(D) evident , V+ w, |# ^6 O7 A# f, P
(E) vast . 29. INTERIM: % ?& q. s# x) W ~
(A) obscure
, v* s% Z7 w% ^8 o, x# L7 J(B) permanent
8 h4 P' {6 T+ B( c, o; u7 U(C) prudent + |3 a. l& i% J9 `
(D) resolute & P6 Y% { N* x8 q# D8 [3 \
(E) secure . 30. SCATHING:
; L& ]; v1 w2 k(A) easily understood 2 K0 E4 y9 }( P2 k! f' m/ a
(B) politely cooperative & N3 z. r3 g0 D
(C) intentionally involuted 3 Q0 Q9 J0 s+ C3 E
(D) calmly complimentary
! |- Y' x0 k! E6 x(E) strongly partisan . 31. CAPITULATE:
* m A- _* g9 s+ b j(A) enjoin
1 i( q! E& I7 {9 @% I(B) resist 5 {% {; N5 ?/ R6 Z: E, P2 ^
(C) observe closely ; Q2 [ Q4 s. i& ?% ?$ r" L: O F: y
(D) consider carefully
8 M% C, T1 S% x& G- S- Q4 Q(E) appraise critically . 32. RECONSTITUTE: ! h" Y( R, d8 u; l( D
(A) detail 6 h* f' \; b$ Y' j) F% I0 Z3 M
(B) invent . u+ Y$ S" u( M5 F; S' b# L
(C) spoil ) ?- |9 Z* \) w4 @
(D) conform
8 J2 }; G5 W' |: ]$ E8 C(E) dehydrate . 33. REPUTE:
* A+ M, u5 t5 @& y0 O. t; \3 y(A) lack of caution 4 B7 ]' l G( v g+ e8 }
(B) lack of knowledge 5 s0 G/ }! g! {% M& X
(C) lack of emotion
1 ?% U' ^- l$ Z. d& c(D) lack of generosity
+ G: ]8 b9 q+ g(E) lack of distinction . 34. TAME: & V& L- ~; M2 Q6 M# x# }7 y& d
(A) resolute & } W% N) C" A" I
(B) ruinous / F" J3 t0 ? J
(C) racy 6 L$ v; e" B }, `
(D) erratic ( x$ H% ?" p; V+ E0 c, x
(E) experienced . 35. INDURATE: 7 D7 L( V( v! V$ G9 z( j9 e# B& F
(A) soften 4 b6 V. b' |( V, F' l
(B) puncture : s, B) {1 E! p) _
(C) denude ; L# `' W+ E) x1 Z" h1 d3 e6 h
(D) immure
9 H. ]; F+ P! @% @(E) exchange . 36. PROLIXITY: 7 w1 Z7 Z# l R
(A) succinctness 1 R+ V" ~$ @$ E! R) @' Q( C. |
(B) profundity # l; s8 M8 M& Z0 Y0 n$ B
(C) persuasiveness
5 L, a( C3 o& ~. c u1 q1 |2 K(D) complacency 3 \" ~0 `$ R( i: m' S, V
(E) cleverness . 37. CALLOW:
7 Q' m4 n( X' ^7 y: M(A) displaying keen intelligence
9 Z$ {+ a2 I- v(B) behaving with adult sophistication 1 |" R! N6 k+ p/ H& ^
(C) reacting cheerfully
# z- w! ~/ J8 T(D) showing foresight 9 J0 R* A8 Z& C& V
(E) deciding quickly .
4 u6 z9 o+ a9 u j; ~38. FRIABLE: ' P1 Y% o/ e: M& e- m4 |2 t
(A) not easily crumbled - d0 s& `/ d1 \3 \# @' V8 \
(B) not easily torn 9 j% @; p6 m/ \/ y1 @" g
(C) not easily melted
% o5 o! T w9 E! [; ?/ U4 i(D) not easily eroded
$ i" l8 o# n4 [; F" Z% D6 ](E) not easily punctured . & K/ i- I9 i. c; k
SECTION 5
- o8 i" i. J3 a/ A% ]Time –30 minutes 6 V! N! x0 L9 m
38 Questions
1 L' t% x4 W( \* |1. In spite of the fact that it is convenient to divide the
: Q9 N5 y* r; n( Q8 Q) Ylife span of animals into separate stages such as pre-7 [. S% R k- d% g' `, L5 D
natal, adolescent, and senescent, these periods are not
5 Q7 N: o3 Q4 ?1 Breally____. + j0 N1 L! j0 Y1 M
(A) advanced ( `9 a; Y( `0 ^' k
(B) variable + E1 J2 w8 u$ w4 B5 |" x% A0 o
(C) repeatable
/ J: \0 g# d/ G8 Q(D) connected
+ V% P" y; X: K5 [0 z9 X(E) distinct .
2. Although the number of reported volcanic eruptions 6 e+ j$ E# L. `: F9 L
has risen exponentially since 1850, this indicates not ____ volcanic activity but rather more widespread 3 x; b2 X& y" |# \0 n
and ____ record keeping.
; E: c1 }, a" i- P0 X(A) abating..detailed
# _4 d1 G$ }6 p% p! @(B) increasing..systematic( z2 v' l/ D: J' {' D9 l; U
(C) substantial..erratic
# K3 b' T u: }, ?(D) stable..superficial
" x& {: T1 {* I( u0 B3 C(E) consistent..meticulous . 3. The challenge of interpreting fictional works written
( c% o* |) i' a+ Z gunder politically repressive regimes lies in distin-
2 F t' ^' D0 {/ j. oguishing what is ____ to an author's beliefs, as 1 C b! s& p. }3 v
opposed to what is ____ by political coercion. 2 c: F: t2 ^2 J4 I5 T! o% w& k
(A) innate.. understood 4 P3 }4 |$ a6 H
(B) organic.. imposed + |- `8 }. P* T! J: z% k5 x
(C) contradictory.. conveyed
: W4 v B4 ` [7 x I2 _4 Y6 U(D) oblique.. captured 4 n2 i1 O/ Y2 X. i9 W4 i- o
(E) peripheral.. demanded . 4. I am often impressed by my own ____ other
: I( C: l( b$ ^% X; r" kpeople's idiocies: what is harder to ____ is that they, 5 `! v/ U [* Z8 p3 b
in their folly, are equally engaged in putting up with 1 U' Z7 q' s9 ~. [4 I
mine. - ?. p% n; Z3 s, G9 r+ Z
(A) analysis of.. justify 3 K7 K% Q7 s- N) t
(B) forbearance toward.. underestimate 6 y! v( @' E- y* n% a! C
(C) exasperation with .. credit " R: q% E& N7 s! I1 C# F
(D) involvement in .. allow 3 q. O, _0 W1 p6 z+ ?. T3 v3 A
(E) tolerance of .. appreciate . 5. Despite vigorous protestations, the grin on the teen-
+ ]/ w) ^, p' j9 h! [+ r+ dager's face ____her denial that she had known
4 _" b( r2 Z! }' u; k9 B5 L3 [about the practical joke before it was played on her
% ?8 t' E7 [* Z* ~/ c# yparents. 5 v* \6 Y; k7 x8 Y
(A) belied $ g& q5 G3 y* W/ X; a
(B) illustrated 3 O5 O }3 z+ R5 p
(C) reinforced
; m' w" S$ R# ]0 }6 [8 |+ A$ c(D) exacerbated # P9 y& \ f5 c {' D! w
(E) trivialized . 6. Far from undermining the impression of permanent 0 H7 z7 ?4 z7 Y1 j8 ^
decline, the ____ statue seemed emblematic of its
1 M; Z1 D) z5 w" k {____ surroundings. , b' }0 z0 ^3 W" _
(A) indecorous.. opulent
q& @* @9 z& p$ [7 t! @4 |(B) grandiose.. ramshackle * u4 C1 ^; T9 x0 y( j! P& C; O( \
(C) pretentious.. simple ( v5 U) o. Y: u4 @, B; M% f* H
(D) ungainly.. elegant 8 {" k c Q4 `' B& [7 K6 Z
(E) tawdry.. blighted . 7. Despite the fact that it is almost universally ____,
0 O' S: H) e. ~( \5 z/ R; Qthe practice of indentured servitude still ____ in
! C0 T2 n! M9 v% O' ]$ C. R, jmany parts of the world. 3 E* j! S3 H, i: w# z- b$ x
(A) condemned… abates
) t1 k. P* w4 E1 \(B) tolerated.. survives
2 }6 l! R4 Q. t7 D2 W(C) proscribed.. persists " w- ]- ^/ L5 y. \' s0 S. H
(D) mandated.. lingers " D+ z6 W q$ y
(E) disdained.. intervenes . 8. CANDY: SUGAR::
2 w) J: s7 c# l& A$ \(A) chick: egg
; e5 B. _' h A& O(B) tire: rubber
/ F2 Z. i) O4 X7 A$ f' g# P(C) pen: ink
& }6 q% ]" O. @' I3 c T Y0 f(D) mushroom: spore
; y9 p" ?3 _( R2 v(E) rag: scrap . 9. SCRIPT: DRAMA::
4 N f" s$ i1 z6 w(A) theater: play
( M, g9 j# ~/ ]% Q: e! g8 n' e( K(B) movement: symphony
* p' a# f+ s# A7 C. }- d(C) photograph: scene
$ J s$ h. z7 M% j2 [1 U& I" J$ ^(D) map: town
6 y# D5 u8 r$ u4 q, B2 q% J(E) score: music . 10. AMBIGUOUS: UNDERSTAND::( P$ t! g4 d& F2 S
(A) veracious: defend
5 s0 f9 p! I& i U8 T2 F( u; K(B) blatant: ignore O* z/ ^" W# Q3 {% n
(C) prosaic: classify
3 z) c, F/ G% K* P% f(D) arcane: conceal 8 u+ R9 q$ k; S) J8 @# L q
(E) plausible: believe . 11. MERCURIAL: MOOD::
9 B. u' R' Y! |/ p# p(A) callous: emotion / m7 G% } s# D% V7 n6 K% n
(B) doleful: energy - }$ \( |2 F; c. I
(C) jaundiced: attitude * q5 f0 y7 {/ X+ K: X+ k
(D) whimsical: behavior " q% k2 O; K* I, q, L
(E) unversed: experience . 12. PRISTINE: DECAY::
3 {* F. F& L1 h5 R p( I8 f(A) adequate: imprecision
6 `" A& I, K/ e/ A, C" W(B) stable: fluctuation
I, Q1 U ~; D(C) volatile: force 8 ]( [! o8 c C+ g* \1 ~4 w/ J/ g/ _
(D) symmetric: flaw
0 A- Y' R% i3 g7 ?6 D+ U2 A(E) valid: exception . 13. DIGRESS: EXCURSIVE::
' Z" ]7 g" Y! x4 e) P(A) improvise: studied
5 A% {4 E5 M# F(B) reiterate: redundant , Y' b; _& w9 }1 |: z8 }! x% r) P* m6 b
(C) excise: prolix
# l1 S3 L. P* z6 O7 R" A) W(D) refute: plausible
3 t+ x: l0 L4 J% ~(E) accede: contentious . 14. PONTIFICATE: SPEAK::
* w! N# L) O' O, D) e( T- R7 B! P, C(A) indoctrinate: preach / _0 G+ I5 h. \- P, n5 s( h+ Z; q
(B) impersonate: imitate
9 l) N& Q" [+ ~* T E, Y7 x(C) obey: listen
% R" U' `7 u" J(D) soar: fly . s" N+ L+ h1 H7 ]! e1 C2 y. O
(E) strut: walk . 15. OFFICIOUS: MEDDLE::7 }8 E, n% Q9 n+ R
(A) disaffected: rebel
, k6 ~/ b: A$ y/ W(B) bustling: excel . ]: v T! e. W3 O
(C) profligate: conserve
" f/ Q4 ?, D" ^! {: S/ a& v(D) subservient: esteem . M1 c( X6 \( C$ ] z
(E) acrimonious: soothe . 16. ATTENUATE: THICKNESS:: ) J9 E7 m& u7 P. C: H5 ~
(A) separate: substance
7 A1 u) C: t4 H$ w2 v(B) ventilate: circulation / s m/ G) i, v/ L* e
(C) vaccinate: immunity
9 `) U5 W- ` C3 R2 _(D) transfer: location : X! o% A6 i' R
(E) cool: temperature . 28. ACCESSORY:8 L* j7 X* w" r0 w2 P8 a
(A) insubordinate
! j% \# o: d$ L5 Q(B) invisible
% G ]. q7 T+ ]# Z( ~(C) of high quality * L0 l3 @, a8 `
(D) of massive proportions 9 y0 j. N- m6 q5 _; i
(E) of primary importance . 29. CHAMPION:0 V" R& `6 D# m7 I& F
(A) emulate
3 Y/ X4 K4 G7 c7 ^7 p* V(B) disparage ; G+ T0 r& J! c6 \
(C) compel
" e8 h, a) @2 k+ m W8 B: W(D) anticipate
" X0 Y& ~0 z5 Q, C(E) disappoint . 30. DECADENCE:
- M3 @0 l G' z R0 `( u+ Q; l1 p(A) cheerfulness ) L; w @9 `" }/ n
(B) promptness
1 M, D$ V$ q* a/ L; ^1 B& z(C) cleanliness + }6 |3 f2 z/ P& c. L) v
(D) wholesomeness " y9 X' W5 ?1 V$ S0 Q3 k! Y
(E) carefulness . 31. OPACITY:
6 y: C2 H0 P7 `4 Y1 `(A) transparency % {' ~1 t: l2 l2 z
(B) smoothness 2 L' K; j! s; e/ d: n. b1 g
(C) colorlessness ! n2 T+ P& C+ P0 K" j! d
(D) elongation and thinness * J: S/ Z' a5 I5 g+ Y( L P
(E) hardness and durability . 32. MISGIVING: 2 F \/ L! u% t. G/ f% d
(A) consistency , b4 K a- {- s4 M2 h3 z; K7 l
(B) certainty
: m ^( B- j2 e+ _, Q& u(C) generosity
- r# R4 w4 l4 U: t(D) loyalty
7 p. |" g; I7 A4 X; K(E) affection . 33. HARANGUE: , o9 l- P4 ] J
(A) overtly envy. h4 i) q+ d z* A1 y. d" n
(B) intermittently forget % _; s1 O2 V5 d" t9 |
(C) gratefully acknowledge
/ V: o( k0 s' w$ }( @4 ]9 D(D) speak temperately & @" a7 E! K- P
(E) sacrifice unnecessarily . 34. GERMANE: - {0 ?7 n1 _1 K: T
(A) unproductive , ^3 L" a- T0 a# |5 R5 e
(B) irregular
}1 G" ~( ?7 V% T4 A(C) indistinguishable
" t1 R; |$ [ W) N& T4 B(D) irrelevant
$ K3 z) U0 ]. H2 ^$ F' X4 W(E) unsubstantiated . 35. IMPUGN:
2 h# E$ g. ]- j; G5 o( v. P& Z(A) rectify ) V* ~1 ` |8 m( Q7 n
(B) classify ' D6 O) ^4 j* [
(C) vindicate
. R! O9 g$ Y0 ^% a7 F2 i- f(D) mollify
2 M: I+ e1 D( S7 i/ W(E) chastise . 36. INEXORABLE: 7 D. {( [, [0 `3 F* m% N* z4 M. B
(A) discernible
! r; g' J5 U- c/ \5 I$ ~8 b(B) quantifiable
6 o0 J* w3 N" t! p' |2 Q8 |$ U6 q(C) relenting
* l9 x; A; d8 b' q(D) inspiring
- \& @4 v I/ i+ M- B( W(E) revealing . 37. RESTIVE: 8 u/ Z' Q% S3 d. a# X
(A) necessary
$ ~- ? ^; x) B. z' V6 I; n$ W(B) interesting ( V; t- R1 @& {5 _$ {7 a
(C) calm & ]( D6 P1 g+ I T) i" S
(D) healthy ( h: q) p. P8 R( t
(E) deft . 38. BAIT:
. |3 T! |# H' E(A) perplex
1 S, j) _( k! S0 h8 J: j% l5 r w% h(B) disarm 8 J2 z0 p( ]( O# g/ g
(C) delude
" p# T2 T+ C2 o |# y(D) release . s5 e. h4 D, P
(E) fortify
1 k A& t/ n: J# ?- b2 S
- G1 a' k% a5 A& O* @----------------------------------; G v" \) r. c+ y5 h8 V: N7 w, r
模考答案
5 ?0 p1 g$ `9 e" h! X! P----------------------------------
_1 h* p8 [+ ^8 P
section1 BDAEE CEBEA DDBEE BECCD CDBDA DCABD BEECA ABA$ j. k4 N. K( k ?7 m
9 \" z$ K# f9 s" N; q3 Z# lsection3 BBAAA ADCDC DCCBD ABBCD DDBDE EAEDE
0 O3 C- q+ ~' C' N6 |( m4 k/ u. ]: ?3 I% m- P
section4 CBBAA ACBDC CADBD BCDAC BDECA CDCEB
: m# M% N) o/ Q& {' j
4 v' H( V' d( L- Hsection5 EBBEA ECBEB DBBEA EDCCA CCAAC EEEBD ABDDC CCE- y: B0 `( ?3 a7 c5 ?8 U1 o9 g8 S1 G) q7 K
& |' W- u9 f/ v' F! O
----------------------------------+ E# H5 U3 m5 ~
争议题目( u- j' {2 s4 {+ Y# X
---------------------------------- v* W& u V+ ?) [6 \9 c% B
: a3 [: F% x+ y6 d
QUOTE: S5-38
" O( K$ j" J. ?: ^4 R+ _7 T% @2 r$ ]' d* I, v; a8 n1 J
38. BAIT: ! n6 @+ `+ D3 u+ {
! E) x$ K2 |* s# I6 k
(A) perplex
& E$ U- g6 c& n! g3 ~(B) disarm
, S- S X/ ]+ z) m \2 D* @+ y(C) delude
& [) C5 T0 f4 p4 f8 }( P(D) release * R2 ^1 |" ]4 o# }
(E) fortify+ ^! o) V* \4 M
; ?. M2 Z. u; D答案&宋浩:E || 红宝:B q( t8 l; Z7 w/ v' R/ x7 i! A
' Q! b0 c3 n1 G/ B2 l: s' q1 G
解析:
0 y/ C6 Q3 t# g* V8 r+ k, A* KB: disarm解除防御或敌对状态, 对应bait在M-W中的第1个意义: 1 a: to persecute or exasperate with unjust, malicious, or persistent attacks 即激怒, 可以理解成唤起敌对的意识. (by demo)
7 i; g7 O6 y# N ?# DE: fortify在M-W中的意义为: to add material to for strengthening or enriching. 自己体会吧$ [1 x2 ^, B0 s
9 R9 ^" {& [; q7 e( f----------------------------------
: |' o7 n' p2 m6 J6 l* \( h9 K) L 本次讨论汇总; r" N' ^2 c O/ Q3 e
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写在最后的话
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发表于 2009-10-1 11:27:41
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