本帖最后由 草木也知愁 于 2009-10-14 19:35 编辑 ' U! P% Z) m) z. |) ~' N" q
2 H, g4 G) ] S3 G5 `' W
; s/ V$ Z- t ? ~
7 D0 y5 G; W, x* t% C) L----------------------------------" G% H3 n& R1 i9 J
写在前面的话0 J1 q. F- |7 e0 c7 i1 r7 t
----------------------------------
$ H5 K5 x( r1 M, m3 ~5 |6 u
0 i& U+ K U$ _0 r# D模考刚刚过半，真正的考验是从现在开始的3 J x4 X# F- o% D$ I
3 @2 d( s) D- X8 z5 v, w
不过也可以松一口气了，都已经挺过一半，我们离成功还剩不到一半的路程
7 M6 R. r" t5 @2 p/ t2 g$ v/ N" p, g5 F2 ]4 M- V: Q3 O" ?4 x
模考很关键，其关键因素就在于寻找一种感觉; D" w2 h# P1 C& |) a9 O( f8 O8 E( o
& s$ h* f: v J: k0 H b这个感觉不是做完之后对题时候的快感或者失落感$ X8 f5 T+ C4 N( Z2 ^
- {% F' b1 M4 ^! _
而应当时对做题流程的熟悉，在有限时间内将自己的实力进行调整分配，时间和精力达到最佳配比4 ^+ p0 K' H) z6 p# R
/ c. X* x) g9 Z+ t' ]所以，模考的时候，要仔细体会这种感觉，并且主动去尝试不同策略，找到一个自己最舒服的节奏( G% c: x* A; M
+ ~, x( ^5 `/ e# k
GRE是长期的一个过程 & @8 r5 F6 d8 ?
1 x7 L0 D! ~$ W前期迅速入门很重要
8 y* p+ P1 ^4 p6 y$ C, y5 Z, \ R; T# r
G4 g! f0 L# A' a- s中期找对思路以及瓶颈期坚持不懈也很重要
0 R& d; B7 I% U" \
+ _, f. F7 Y A5 v但是最重要的 是在冲刺期 将自己所积累的那些 找到最佳节奏进行释放: v% z5 Q; a. T% A6 p8 _; y+ s
- K0 N8 \( [$ {
节奏 节奏！！+ s1 P9 H- s$ r$ y! I" Z
# e; \/ y) o+ W6 B8 u* V: O& h$ jfeel it
" x N6 c2 U/ a0 o. e9 A4 ~7 r' y+ K$ o
learn from it
6 \+ Z) O4 s: [7 c
' W1 [: q; X6 e# btry to get along with it! H- Q0 A: Q0 [" L% s, L/ L
; Q0 e. a* |/ t _
and
' x1 d. K p' }+ I1 T3 x4 ]! L, \. r0 | C x$ r0 P. C
most importantly -- just enjoy it( z4 u9 d& C/ n
( N+ f6 i* W" M5 b
----------------------------------2 k# ?" B1 F4 ?# i' ^6 t
题目下载
5 P- [. X0 t7 Y----------------------------------
6 \; O& S$ M {0 x% G( N. ( f& @6 j Z/ R3 T3 b( m
& c: ^6 ^7 y( O* d2 U! e
模考第六辑.doc
(354.5 KB, 下载次数: 3)
# o# t$ U/ S* N: j----------------------------------4 P% d2 k6 e- x: ~" X
历届模考" _' a! U+ ^1 W9 g4 L" R. g! q4 b9 {
----------------------------------
7 t2 ^' k D' W, x& H
0506G模考第六辑
5 B3 a$ |9 p8 o4 g( h6 M# ?, g5 w.
8 L6 O; F) l9 |0606G模考第六辑7 e8 O% D: ]! X- T0 p; Y0 F
.
7 W6 h" B( @5 G0706G冲刺第六辑
q# K5 F0 j0 d" p/ a8 Q3 @.
/ G4 D. G* Y6 Q" ? D9 t0710G模考第六辑
; z2 z: M. G, f# `7 a3 y.& t- J' G2 l7 F; R8 O3 D1 T C
0806G模考第六辑$ X2 ~! ?1 A0 O8 x. ^# M
.
/ R- l6 d9 e# B3 m( i0810G模考第六辑. {. f: c% |7 G" p" h/ C$ K
.
" F2 o/ s# }8 y; R: s6 j0906G模考第六辑
" V: M9 j8 L- L: {. w j4 h: b4 U% u1 U* O1 e5 [
) \2 f# `0 y5 Q% C4 M7 a/ O; P; S
----------------------------------8 G I" F8 l% y9 v
类反、填空题目7 r" m' L# ~ [( B# `5 h" K
----------------------------------
- L6 P# D1 Z' ]. ySection 1
Time- 30 Minutes
: M4 C5 m/ `7 N. K3 c3 N38 Questions ; h W2 b" k. N. P/ J
1.While scientists dismiss as fanciful the idea of sudden
4 S9 c! k2 Q; i8 k* J0 Xchanges in a genetic code (spontaneous mutation), it 7 p$ |8 ~: U: b+ [9 a9 {
is possible that nature, like some master musician,
# f) b5 w7 f* H7 I____ on occasion, departing from the expected or
& U3 _ t! T4 rpredictable. 7 a$ A4 x [6 s' F! n! T
(A) repeats " V- A K5 o* X! k, b. w3 u
(B) improvises ) D* O' B0 S6 e0 r1 b
(C) ornaments 9 V+ D( h' a4 o) P4 @
(D) corrects : c0 g. n& `$ M z; T, H4 m d
(E) harmonizes . 2. Despite the ____ of time, space, and history, human
( ?7 c& {, E& k0 ^societies the world over have confronted the same ; g/ U8 m0 _, r1 ~& D+ k
existential problems and have come to remarkably 5 e7 A# L; t8 r3 t0 l5 T
____ solutions, differing only in superficial details. ; x0 _, l% i. `) Z
(A) continuity.. identical 3 \0 h$ q6 F5 I
(B) uniformity.. diverse E6 |' q' M7 N+ F% x& e
(C) actualities.. varied
2 I! @6 c! B: C(D) contingencies.. similar
5 R+ X4 N+ {3 H* T(E) exigencies.. unique . 3. Although he was known to be extremely ____ in his
* L3 t0 q5 o! }9 \3 ]$ Cpublic behavior, scholars have discovered that his t. @/ K" y, I; o# @
diaries were written with uncommon ____.
- j% p' S5 R) J( A! c" f1 c- g$ F(A) reserved.. frankness % e$ K! g) r6 b8 e9 u( {
(B) polite.. tenderness
- z1 @9 l j1 D k$ G(C) modest.. lucidity
( n- c6 S: ?+ U(D) reticent.. vagueness 6 d9 x: F( r# N- }
(E) withdrawn.. subtlety . 4. With the ____ of scientific knowledge, work on
0 u; Q. K# E& V' t# y3 Ethe new edition of a textbook begins soon after - W* z/ }+ G& C$ @
completion of the original.
" i3 |" \) C- S/ m+ N R(A) limitation 1 C" J0 l- `# x |2 N* r4 I
(B) culmination
/ v" r0 v R( c7 I(C) veneration 7 [6 p M# {0 e+ W* p5 Z; K! t o
(D) certainty
2 @! [! t& D5 f(E) burgeoning . 5. She is most frugal in matters of business, but in her
0 U1 ?1 A4 h+ h7 v! Dprivate life she reveals a streak of ____. 7 c- T5 D# w+ T; k
(A) antipathy + w7 t& ]7 `! R; E) y$ }
(B) misanthropy 9 T. J4 E$ O! [- B9 B) f( U
(C) virtuosity 8 b% J. d- s3 i3 z5 d" h
(D) equanimity * ]2 f9 t# d- f
(E) prodigality . 6. If the state government's latest budget problems - X( H+ F s+ i5 X4 `
were ____, it would not be useful to employ them as
, [% t1 l) P% T% |* q____examples in the effort to avoid the inevitable
8 L2 B U# L+ |% veffects of shortsighted fiscal planning in the future.
0 {3 Z, ^/ }5 M(A) typical.. representative
/ ^& W5 G2 `( D2 X(B) exceptional.. aberrant
( p" k' B2 E- C* u7 u(C) anomalous.. illuminating : b9 Q0 s5 {6 w( V l5 |) V
(D) predictable.. helpful
7 o3 }! x4 T$ q: i& @& w0 `% l(E) solvable.. insignificant . 7. Just as some writers have ____ the capacity of
d" W# ]* f' R- w3 W1 Dlanguage to express meaning, Giacometti ____ the ) z3 s H8 V* e0 Y) e9 k% C9 C
failure of art to convey reality. : s) }; k3 O! v
(A) scoffed at .. abjured
2 G$ N9 e, ?8 U- _% {6 A2 t(B) demonstrated.. exemplified
0 E4 l$ |$ J2 p9 P0 h(C) denied.. refuted
& `# h/ M1 s o8 G0 n7 e/ k(D) proclaimed.. affirmed
4 a }8 Z4 }/ \/ B; E(E) despaired of .. bewailed . 8. WALLET: MONEY::
1 l. [5 B h+ x9 v; ^(A) bank: vault
6 Y) E* w- J1 Z. ?: [(B) suitcase: clothing
# K' k% Z7 h) E- z* J4 {9 H H* Z(C) checkbook: balance
2 l% t/ U k: R9 T) q, d7 t(D) wealth: prestige
: Z/ c( s# @6 o. w. v3 y9 Y(E) envelope: stamp . 9. INSTRUMENTALIST: SYMPHONY:: ( G; }9 m; k2 c- b' S; a7 Q: e" l) N
(A) author: drama 3 s( f# O4 z/ f v: p3 f
(B) photographer: cinema ; N# d5 c/ }& Y2 C
(C) composer: concerto
: c8 Q& \( k) K! |9 o2 M- m8 r1 z(D) artist: painting q& ^" e2 X0 E1 ]8 ~ W
(E) dancer: ballet . 10. PLATEAU: CHANGE:
5 X, M7 v: O/ l5 q! p3 |3 e* B+ y(A) respite: activity
: C! X) `& ~# F. f4 ^/ O5 x6 X(B) asylum: security 1 i9 d0 s1 B' D
(C) terminus: journey . i8 n8 J. Y* ]5 z5 T
(D) interval: time / c' G1 p0 M5 _4 ^3 f/ n
(E) lull: rest . 11. ISTHMUS: LAND::/ v4 W% q- X* D$ b) u; X
(A) peninsula: island ; l" y. j d5 I. G$ \
(B) canal: river
6 S0 G& W+ m4 t( p- w4 F7 h(C) stratosphere: air 9 S7 U! A3 p/ S D7 y
(D) strait: water
( L4 z9 e9 }5 \(E) tunnel: mountain . 12. EMBARGO: COMMERCE::
' E$ x: Z, S! r0 T% q/ U(A) abstention: election
; ?" b* s8 Q8 |9 c! U# J4 {# q2 @(B) strike: lockout 8 K7 n; L C" F8 [9 Q- ^5 Y
(C) boycott: development 3 J4 p* |1 s+ ~9 N7 L% ^
(D) quarantine: contact
+ D( K* l2 U5 f* Q/ |5 K! s(E) blockade: port . 13. DILATORY: PROCRASTINATE::
' ~5 K# ^$ m Y1 E(A) recalcitrant: comply
% } K+ U' \. b(B) malcontent: complain
/ A: x' a2 k% Z1 A7 s/ D5 b, ]/ a(C) ambivalent: decide
$ w, O6 n" }3 J, X/ u* e(D) inept: modify) g. y: ~4 N7 X0 P- c0 K
(E) credulous: learn . 14. NOMINAL: SIGNIFICANCE:: % ^* M& e4 |; t$ X9 M
(A) titular: honor " S( J3 o+ \3 c3 S/ u$ v
(B) ephemeral: brevity $ y o! L4 n& ]& J/ E
(C) divisible: continuity
+ e# @' p9 P: J2 W* x; Y* w(D) anomalous: distinction
" s# T# x2 c# {$ x1 J0 Z(E) disjunctive: unity . 15. PLAGIARISM: IDEAS:: 7 u' I) o2 D" ?
(A) libel: words 1 k0 B+ x0 P# a0 {, @. q$ b
(B) forgery: documents ; b8 w( e. C3 N: z8 W1 j) `
(C) arson: buildings - Q! [' {3 g! v1 k% C
(D) kidnapping: ransom
6 a* Y0 W+ O2 R+ r7 |(E) rustling: cattle . 16. POLITIC: OFFEND::
/ {! e9 G1 L8 Q- D(A) distressing: terrify
& V7 t0 f" d$ q(B) aloof: associate
: _8 N' a% Z2 N {(C) misunderstood: surmise
2 S& J1 ?3 [" u) W: L$ s# S4 J(D) vacuous: deplete
* h1 x/ |0 u. Q0 c4 K(E) trivial: bore . 28. STRINGENT: # \6 h" m, |- R% V2 y
(A) lax % t' N3 ]: p2 G" ?$ r; S) c/ s4 v
(B) elusive
7 ], M$ ]+ N! ^; ]5 L(C) impartial
* c$ G$ O6 }" k" b(D) evident 8 k, V- T9 I, S' h& m; i" A
(E) vast . 29. INTERIM: , S, `9 T& o0 P* K$ c5 X9 `( V
(A) obscure
3 O7 G* ?1 S9 P+ Z) p: R(B) permanent
8 q8 U( e, r) f3 F0 n, |(C) prudent
& L3 m6 E2 q$ D" \/ _) h(D) resolute
1 }7 ?- Q% {( z9 P2 @% |2 j: z(E) secure . 30. SCATHING: , S9 l- S" y. M* q
(A) easily understood
9 S$ K* t& |7 ?(B) politely cooperative / A( V4 `2 Z. K
(C) intentionally involuted
. ~$ s" T/ f6 {2 J3 z" D" F9 s(D) calmly complimentary
, V1 N3 n+ j3 I4 D8 h9 N e6 J(E) strongly partisan . 31. CAPITULATE:
* r5 I s- K6 Y! p& l' d- A(A) enjoin ; p& ^6 ]2 J- Z8 R6 Z- |; d
(B) resist
/ g5 U. C5 J" ^" P6 o(C) observe closely
9 e+ S# l$ L( L2 @* u7 u7 M# ~0 Y(D) consider carefully . ^0 a% `9 F2 H: b/ Z( f
(E) appraise critically . 32. RECONSTITUTE:
' x4 U/ Z! C( r6 J4 z0 F(A) detail
8 F+ N- d. r. x- n(B) invent : `5 |# `% [; z1 B
(C) spoil 6 s+ ?- z+ V. K7 D ?: W r" z
(D) conform 8 R7 q: F$ g l% E: Z: T a$ g
(E) dehydrate . 33. REPUTE:
# r& C2 k9 p- x" i- F(A) lack of caution
2 c. ]0 y; Z7 T0 F& J P7 g' j(B) lack of knowledge . `5 |/ i! I- Q% I
(C) lack of emotion / t( N; s3 t+ G* t; K' H
(D) lack of generosity
- |% a+ g4 a( M9 ?6 u& K(E) lack of distinction . 34. TAME:
# Q+ e' d. ^7 \(A) resolute 8 z& Z( [' C# V2 I# ~; q
(B) ruinous
! ?- ^) L) b: d/ Q- D% f# k8 n* v(C) racy 6 m& K7 K' s4 s! s" C- V' m- Y
(D) erratic
! c$ a$ p3 ^3 F* i5 ]- l(E) experienced . 35. INDURATE: 1 c/ H6 Q9 D$ \" }' F/ D7 U
(A) soften
4 y- |% l- B; `% ~" }3 _; B% [(B) puncture , R* d W( i( M+ C( n# j" W2 T
(C) denude 0 Y( g% g a" b) T
(D) immure 8 T! l. ~" h) I& a( _; R+ P
(E) exchange . 36. PROLIXITY: & F- K _, d" T0 |2 u
(A) succinctness ) T. {+ S7 E- t9 D. y
(B) profundity
4 f% x! t' |) u/ f T1 _+ H* f(C) persuasiveness 5 G* k4 L! X# d, M3 N
(D) complacency
% j5 }. }1 g- O0 `(E) cleverness . 37. CALLOW:
7 S2 U3 H; _* L+ s) }(A) displaying keen intelligence
" ?$ m# q5 B2 v/ T/ |: K(B) behaving with adult sophistication
0 ~( I2 J& O7 t2 u3 k% q* ~8 f(C) reacting cheerfully - _& h( o) ^' X% e+ C
(D) showing foresight
# h6 G1 u6 o6 j5 w p(E) deciding quickly .
; ^7 v4 U" }" [2 p( V( D, T38. FRIABLE:
' w9 a6 E3 r" m! |8 T(A) not easily crumbled
5 l/ \' m% Y; E" g9 H- Q(B) not easily torn
# v J: r" m+ Y" D, r7 D& i; p(C) not easily melted / I6 z9 b, y! |: p0 Q
(D) not easily eroded 1 B: i% h {- L/ t( a- u
(E) not easily punctured .
8 i( A1 Y% l" }7 O/ t% e' wSECTION 5! q, T+ [( ?2 S2 R+ g) \
Time –30 minutes
0 d6 m5 [' p2 ` `+ [38 Questions
" t+ f/ F0 L9 q% x* u3 o* s8 H* n4 a
1. In spite of the fact that it is convenient to divide the 8 V; x6 _. U; \2 D
life span of animals into separate stages such as pre-
% t0 [" q! f$ g/ d: snatal, adolescent, and senescent, these periods are not 7 B1 j# V4 O/ [
really____. 5 |& ]6 G3 ^1 K! | [
(A) advanced
; G6 L$ L3 e. b" t(B) variable
7 @( s8 n7 R( y9 s(C) repeatable
) ^* w5 N, p0 E(D) connected % \" e/ i6 [, `/ l) R* u2 U+ x: l8 @
(E) distinct . 2. Although the number of reported volcanic eruptions
, I9 a* f9 T8 @2 rhas risen exponentially since 1850, this indicates not ____ volcanic activity but rather more widespread
: N7 G$ X, k7 s) d' N# p: E% Dand ____ record keeping. ! M% }. Y1 z9 Z7 s" T H' l
(A) abating..detailed! j+ ^/ R: i4 {. ?
(B) increasing..systematic8 F( a6 u0 K9 Q$ m) E: C' i- {
(C) substantial..erratic
9 P3 S8 Y0 x" t# E! l1 c+ w, x6 g8 k(D) stable..superficial* I% j0 ?; B* C6 p0 D9 X
(E) consistent..meticulous . 3. The challenge of interpreting fictional works written , Q) Y2 W2 |) W; Q5 {8 j! y
under politically repressive regimes lies in distin-
5 Y1 |' M, `: c% Z; jguishing what is ____ to an author's beliefs, as 7 ]- F* m% h u
opposed to what is ____ by political coercion. ! J, e% ?) f5 w" O5 ^( K
(A) innate.. understood
* B5 {3 q8 t) s2 r& k9 p8 k(B) organic.. imposed
) Q! T9 S' U$ i& t' T# T(C) contradictory.. conveyed 7 B" t4 o5 j% I9 J
(D) oblique.. captured : {: Y- M- T6 s- l' u# i9 R
(E) peripheral.. demanded . 4. I am often impressed by my own ____ other 0 B0 C: n! f! O, n# p
people's idiocies: what is harder to ____ is that they, ( e( o2 T& T. B& D. X4 T7 ?; R
in their folly, are equally engaged in putting up with
. \7 L. ^, w: ?* d" W! p- _mine.
! X( w J: U& Z% O(A) analysis of.. justify
( o8 J) e5 a/ K% x(B) forbearance toward.. underestimate 3 w. @' |- q* N4 o
(C) exasperation with .. credit
O, |7 E# }5 L8 r0 w(D) involvement in .. allow
1 `& b2 D" j9 M(E) tolerance of .. appreciate . 5. Despite vigorous protestations, the grin on the teen-9 e `* V! t* S
ager's face ____her denial that she had known ( W( d6 Z/ h2 k
about the practical joke before it was played on her
# j8 C( n: c4 v4 ~. B( Q2 I) Iparents.
1 g: H& }; ^ L, X! g% H+ F0 w(A) belied
; E/ [( f2 v' j; v/ j(B) illustrated 4 B- |8 k% H1 K( {" n- B/ j' s
(C) reinforced 4 l7 _5 u$ L0 q7 F; X9 C
(D) exacerbated - h9 r9 ]8 k3 s V0 T% p
(E) trivialized . 6. Far from undermining the impression of permanent # {5 g. C8 X3 J5 v$ v# J
decline, the ____ statue seemed emblematic of its
& R2 e8 I2 Y5 h( N6 W____ surroundings. : o1 [# ` M+ O# n+ x1 q" \
(A) indecorous.. opulent 5 O- [( ` P4 k6 j( C, F
(B) grandiose.. ramshackle : m" [1 {8 _4 A0 }; `6 U
(C) pretentious.. simple - _1 s3 c; v* y( L
(D) ungainly.. elegant 5 g6 b" \! G2 f1 b7 u s+ H& n
(E) tawdry.. blighted . 7. Despite the fact that it is almost universally ____, 7 }3 V w8 `8 b- Z+ x6 X3 i/ P
the practice of indentured servitude still ____ in . l8 x. x3 s( B( l. f( b/ G+ w! z
many parts of the world.
, |8 B! _) k5 Q/ i, V3 @(A) condemned… abates
5 P& i% Y4 y* M4 f(B) tolerated.. survives ) j d% s6 ^ Z3 t5 n% R+ G. T' D/ U
(C) proscribed.. persists
6 B! l% _" B2 z# q(D) mandated.. lingers
: t* ]1 e, M& z(E) disdained.. intervenes . 8. CANDY: SUGAR::1 D( }' {) E8 Z) x
(A) chick: egg ( _0 _4 I6 c1 {' H! ]
(B) tire: rubber
# ^: I/ w9 V1 G8 U7 _6 t S(C) pen: ink
6 X$ k5 d) ?( l. w a- r. s. N) d(D) mushroom: spore * B: U( m8 {2 [& ?& _) w2 P
(E) rag: scrap . 9. SCRIPT: DRAMA::
* v: W$ w) e: T8 w* z, C' `+ v4 o(A) theater: play
0 _, E, f8 C! G1 ?7 V2 ?: K. a ~(B) movement: symphony
7 } S/ G. A& v(C) photograph: scene 2 C5 S3 _/ M k% X8 n9 X8 j
(D) map: town 1 S6 T# p' b, U
(E) score: music . 10. AMBIGUOUS: UNDERSTAND::2 S; e5 o! m) D5 m" e0 F U- ?7 Y9 j
(A) veracious: defend 1 |2 z, U) f0 g2 H4 \
(B) blatant: ignore
6 ?% b% @ } t% S B X3 @& m, [- R(C) prosaic: classify
8 Y; i% j4 Z% c# d(D) arcane: conceal
% K8 K. ?7 [7 n8 d/ h- _(E) plausible: believe . 11. MERCURIAL: MOOD::
/ H/ e2 x0 Z# P `; V3 s7 c(A) callous: emotion 7 q& x/ P% _+ R: \/ {, g
(B) doleful: energy
" f$ l2 k$ n( l4 @+ e6 s(C) jaundiced: attitude
1 r% K H) Q" `(D) whimsical: behavior
) R3 D4 K5 T8 j V8 g2 t(E) unversed: experience . 12. PRISTINE: DECAY:: 0 b9 \+ \9 K/ U2 w4 j* c
(A) adequate: imprecision
4 x3 ?4 W9 `6 d% F1 D5 o(B) stable: fluctuation
3 J2 v% G0 u# {# f0 g(C) volatile: force
3 P L" V8 L9 v# w9 t2 A(D) symmetric: flaw @0 y3 X4 J/ O
(E) valid: exception . 13. DIGRESS: EXCURSIVE:: 5 v4 G" n9 L. E. y6 o; t0 L H
(A) improvise: studied
Z9 p1 U1 w r1 e' t- h; n(B) reiterate: redundant
4 G' ^' \1 w0 h, p(C) excise: prolix
" I% p; U- [" |(D) refute: plausible 4 j' S; Y" o! [: x. o6 A) E ~
(E) accede: contentious . 14. PONTIFICATE: SPEAK::
9 Z( [# y% p! c& M(A) indoctrinate: preach
* O& F( g$ p6 }6 Q! {* W) {+ `. K# F(B) impersonate: imitate
( E* e. h2 [+ o9 L* i: g, V+ x(C) obey: listen
; ~+ {) X" z3 a$ y, t; c(D) soar: fly * t$ F$ O# t+ M. O8 t' C8 f
(E) strut: walk . 15. OFFICIOUS: MEDDLE::
9 C6 p" R1 V: E9 m3 g6 D3 |: Y(A) disaffected: rebel ; i' X. _! o; A( ~+ u4 J/ N
(B) bustling: excel ) D4 d6 f8 ]' X6 J+ I
(C) profligate: conserve
( V3 H% i% |7 x% m4 t& r- O(D) subservient: esteem
* K) n$ M% L5 e(E) acrimonious: soothe . 16. ATTENUATE: THICKNESS::
# J/ U' a. ?' X; W(A) separate: substance
+ O& o- Y6 S. P& }(B) ventilate: circulation
' [4 h, w: y- }! h! x: x& j- u) I3 L(C) vaccinate: immunity + c. c: l- Q& R6 `8 R3 ~
(D) transfer: location
; z' B' e! h' J- N) b(E) cool: temperature . 28. ACCESSORY:; I+ T4 a1 Y! q) F+ `' H! c
(A) insubordinate & u( i- h' I, M9 _4 V
(B) invisible
) B* G/ m- G9 K(C) of high quality
) r- B+ M/ H3 [1 z, Q. M- U(D) of massive proportions
; y7 s+ t9 e! a `. y2 f/ h(E) of primary importance . 29. CHAMPION:
$ u0 f4 c1 K Z' C: L" z, n% ~# i(A) emulate
0 o+ x1 m' ^/ P7 @" g(B) disparage
: y& a. P; z0 o3 Q(C) compel
# M: O( M+ U/ i5 Q1 R4 A3 c/ ~(D) anticipate ' g) V+ W" J! ?
(E) disappoint . 30. DECADENCE: ! {* q' k: j# Z( M
(A) cheerfulness * q$ [8 G9 h2 ^' P
(B) promptness 4 V& T. E+ Z7 H% ^
(C) cleanliness
+ Z2 E% {8 r. q1 {8 i* U(D) wholesomeness % X- O E/ o. A' q+ k0 e: b3 I; \
(E) carefulness . 31. OPACITY:
' r. Y% g* P, w0 l: f g(A) transparency
0 s; Z9 \; v$ Z% Z1 m$ y) y(B) smoothness
, \6 K! D+ \( X$ J5 @; L; m(C) colorlessness 1 I% o* I5 x' V% B( V/ N# L% h4 X
(D) elongation and thinness ! x+ S# [; b, e3 k7 c; A5 \
(E) hardness and durability . 32. MISGIVING: 6 ?4 J8 \9 e* I/ S9 x5 L& y4 m
(A) consistency 8 V' t E5 n7 ]! Y6 G2 R3 Z
(B) certainty 8 c4 ?' p; u% R1 f' g+ {
(C) generosity ! g' g% d t" u
(D) loyalty
; F6 T; \- ^0 f% m. Q+ F+ D& l(E) affection . 33. HARANGUE: 3 t4 {9 m9 P8 v
(A) overtly envy
6 n) {9 ?8 ?3 `5 M, v(B) intermittently forget , w9 Z: A0 Y2 q) J0 o( T
(C) gratefully acknowledge ) R; t$ h- e- l
(D) speak temperately
) l7 F1 A; Z- p# ?* E' A(E) sacrifice unnecessarily . 34. GERMANE:
( V+ m. l+ C0 p) P7 ]# l(A) unproductive
$ m5 O7 a5 e+ V; R' c: T3 w& u(B) irregular
$ z4 u" K/ b& S" c$ n; p(C) indistinguishable
+ I8 |) B" j! K* N7 z7 {' B& E/ `(D) irrelevant
, W9 k# k; p6 J3 u. ~6 J4 N(E) unsubstantiated . 35. IMPUGN:
6 A9 F2 @% ~! y+ ~; ~(A) rectify ; Z/ c9 x9 b+ u% ?) e7 s# Z
(B) classify / k) a. T5 N0 c: q
(C) vindicate 5 Q, I, X1 [ u/ Q( Z C
(D) mollify
4 U5 \1 u: ?) N0 h2 h6 ^1 {(E) chastise . 36. INEXORABLE: - Q/ r, Y1 N$ x9 t3 J" v
(A) discernible E, E, Q( N, R4 ?+ h8 o' {; L
(B) quantifiable
$ ]3 s' o0 ]: D; D4 w$ d(C) relenting
* o: w+ H1 D, y! l( o(D) inspiring ! a& B/ y0 m. r3 a$ N
(E) revealing . 37. RESTIVE:
$ p, w: m# G- g0 A& d1 i) J1 s(A) necessary
8 u" P" |. U9 Y4 |5 j: n(B) interesting p q: \, |2 ]
(C) calm 5 l" {, C7 i; v1 t1 ?
(D) healthy
* ]8 C. L9 I7 L! P2 ]. Z3 T(E) deft . 38. BAIT: + i+ p" v9 z2 s
(A) perplex 0 ~4 ]9 O7 j+ \
(B) disarm
8 J0 u2 I$ K0 r) O- T(C) delude 4 J. v$ ]$ D/ ~6 s$ V
(D) release g: s i6 N7 _ x7 I
(E) fortify% Z \7 `( O( a) q
. Y. p z) u! M" h; |----------------------------------0 ?" E' L6 _1 P) E( c% Y
模考答案 v2 f8 _. ~2 D! F. u+ c
----------------------------------
$ u9 F0 E+ V7 A5 `0 Z/ f( tsection1 BDAEE CEBEA DDBEE BECCD CDBDA DCABD BEECA ABA( G9 b- W% p/ V+ L: j3 ~; I
, v- c' n3 x0 v8 d( F5 w
section3 BBAAA ADCDC DCCBD ABBCD DDBDE EAEDE
: n; ?8 A9 y9 h, c) ` y
, b( ]8 w! G* f! f* w6 ksection4 CBBAA ACBDC CADBD BCDAC BDECA CDCEB
1 U) v, t- [% W- r Y; X$ I5 W! J$ N8 G/ N8 y' Y- n, `5 d
section5 EBBEA ECBEB DBBEA EDCCA CCAAC EEEBD ABDDC CCE
6 [$ ]) _: ^+ w3 ]
9 e: m5 y# x6 F. }5 T u----------------------------------
9 K6 Q5 _; x4 l" z; b. v) ^ 争议题目
% u4 k+ z# z7 x, b7 ?----------------------------------
. ]3 `! F2 @4 y1 L( x R* `. V# ?2 N" k0 {2 o
QUOTE: S5-38! t' w! Y. G: U. t5 _
& P/ E; }/ n; |# V9 t% D) `38. BAIT:
: n5 u: @0 ]: k- E. ]) F5 @2 ~8 p3 N4 \1 @+ r4 T' L7 Z
(A) perplex 0 p4 v7 A$ n8 _! |( s
(B) disarm 2 r; ] K+ z) x
(C) delude
8 k& Q0 m' h9 a/ a( J(D) release & i$ y/ b- O2 a& [# v( c! a' R
(E) fortify* }/ {' j- J& ~+ l; O9 s
`" B# S+ i5 a. K: u0 G( x答案&宋浩:E || 红宝:B s" O7 n' U# n* [& ]( j
W) p) K; u$ v& X" f
解析:5 F+ ?( {( ~1 U* n# y
B: disarm解除防御或敌对状态, 对应bait在M-W中的第1个意义: 1 a: to persecute or exasperate with unjust, malicious, or persistent attacks 即激怒, 可以理解成唤起敌对的意识. (by demo)
2 h7 t7 W9 s% PE: fortify在M-W中的意义为: to add material to for strengthening or enriching. 自己体会吧& `$ G% U0 O) D
! K3 u& c: S7 |0 \# d
----------------------------------
* o" \; n# }. a 本次讨论汇总' W% v- o4 ^+ ]" g$ H* S+ h' p" n
----------------------------------
# B9 o' N6 V: w9 K% p {2 h1 F- {' D0 S y; _& E1 I7 t
* j- c }0 ^8 M% Z
----------------------------------
3 u g' V; e: `4 X 写在最后的话/ }0 F9 W: z9 U
----------------------------------
3 P2 z1 {2 ?5 W2 g) j( o% }& V; s [& K: I3 @, g3 z* |
: b# {3 q& v0 _: l
| 
发表于 2009-10-1 11:27:41
0
转发
签到领寄托币
GO
