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wo kan kan
No.1 issue144 请批必回
144"It is the artist, not the critic,* who gives society something of lasting value."
*a person who evaluates works of art, such as novels, films, music, paintings, etc.
My position:
总体上支持:艺术家即便不是比评论家更重要的话,至少也是同等重要。
A.让步,承认评论家以其特有的视角发现艺术作品的价值
B.介定何为艺术的恒久价值。提出价值是有艺术家创造的,具有客观性,评论家只是帮助人们认识到本以存在的事物。
C.探讨两种意义[?]上艺术家与评论家的作用
总结:呼吁人们对艺术家给予更多的关注。
In a world full of aspiration to become famous at one night and impetus to get acknowledged by the public, every person is eager to find a easy way to success, while something 【Is】valuable, but with【in】 a long time known【有点中式的味道Known这里用的不好】, can hardly find their space【该用复数么?】. In this case, critics who can discover a fortune in a block of seemingly ordinary works appear more and more popular; by contrast【by contrast with +Critics】, the artists, those 【同位语?】creating great works of lasting value, are gradually ignored. As far as I am concerned, the contribution of artists is as much as, if not more than that of critics, those who introduce the works to the public and help them know their values.
Critics, admittedly, play a rather【这个词不好,Vital】 important role in finding the value of works, for their acute insight to these works. Since critics are people specially trained to appreciate arts, they can understand ideas of artists from their works, and catch the【删,以下空括号表示删】 their values behind. Quite a few 【Considerable】great works remained ordinary, in that artists’ talent origination implied in them could not be accepted by the masses. In the perspective of critics, however, they are distinguished, and they become famous soon after being introduced to the public, much the way what happens between a singer and a headhunter, the potential ability of the former being discovered by the later, and he or she getting popular soon. Without the headhunter, the singer might only sing for persons around every day, in spite of tune.【最后一句不太顺】
However, a fact must be pointed out that it is the artists who create works with lasting value, whereas critics only help this value found and accepted, who do not increase the value of those great ones. The values in great works, something with creators' feelings and ideas, has existed since the birth of these works, which is what artists want to tell the public, such as their views to the world, the beauty of nature, a desire for peace or certain power of gods. It is objective and constant, and would still exist even without the appearance of critics, although the standards to evaluate this value differs sometimes for the changes of people's thought. As a proverb goes "Gold shines wherever it is.", the value of great works is everlasting at any time although it would take a longer time to convince the public to accept it without critics’ introduction. In addition some great arts, those of Leonardo da vinci for example, are so wonderful that they were universally highly valued since their appearance.
In a sense, if it is understood that to create value is equal to give society this value, the contribution of critics will become much less; nevertheless, if considering that the value of great works get meaningful only when it is acknowledged by the public, the work of critics would be thought more highly, since some works became invaluable after their recommendation. Just for this reason, the contribution of critics seems overestimated somewhat and some artists even drop their own ideas, choosing certain kind of styles to cater to them. This seems a behavior according with the market law, and it would prevail in a material society, because artists complete products according to the tastes of their audience, but it is a dangerous inclination really, for destroying the base of this lasting value¬-- independent creation.
So far, people depend on critics to reveal the value of artists' works too much, this being unreasonable. If paying more attention to the artists, or trying to understand their opinions, we would give them large encourage to create【Vt+n】 without the worry of being neglected, and moreover help ourselves appreciate their works in the prospective of our own.
PS:实在式对不起,保安来了,
太晚了,后两段就没怎么改
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