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发表于 2005-4-28 23:58:52
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00年阅读解疑二
10t第二篇
(15) Beside the fireplace and built as part of it was the oven. It was made like a small,
secondary fireplace with a flue leading into the main chimney to draw out smoke. Sometimes the door of the oven faced the room, but most ovens were built with the opening facing into the fireplace. On baking days (usually once or twice a week) a roaring fire of "oven wood," consisting of brown maple sticks, was maintained in the oven until its
(20) walls were extremely hot. The embers were later removed, bread dough was put into the oven, and the oven was sealed shut until the bread was fully baked.
18. It can be inferred from paragraph 3 that,
compared to other firewood, "oven
wood" produced
(A) less smoke
(B) more heat
(C) fewer embers
(D) lower flames
我选A,答案是B,当时我没找到对应啊..
10T第五篇
49. According to the passage, which of the
following changes occurred at the same
time as the Arts and Crafts Movement?
(A)The creation of brighter and more
airy spaces inside homes
(B)The rejection of art that depicted
nature in a realistic manner
(C)A decline of interest in art museum
collections
(D)An increase in the buying of
imported art objects
这题是一个整体题,文章我贴在下面把 ^_^
The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United Slates museums and private
Line collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the
(5) late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to
(10) admit greater light and more freely flowing spaces.
The Arts and Crafts Movement reacted against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most
(15) Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art, Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty.
(20) In the United States as well as in Great Britain, reformers extolled the virtues of
handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts
(25) design is nature.
The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer,
(30) the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization.
答案是A 在文中没找到相关对应的东西
一并谢谢了 ^_^ |
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