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[题目讨论] 6G冲刺模考讨论(三) [复制链接]

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荣誉版主 GRE斩浪之魂 Golden Apple

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发表于 2005-6-1 09:47:15 |只看该作者 |倒序浏览
6G冲刺模考讨论(三)! q  v* v/ ]' p1 B/ j/ T
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欢迎大家把不懂的问题提出来,在后面跟贴讨论. 也欢迎做对答案的网友分享你的经验.$ @$ ^5 A: @7 \
" _8 M8 T6 f" [6 \" {
2 a: m5 l% m& p6 \1 ~8 `- E- t8 n. D
SECTION 3  P; K6 K3 Z9 x$ R) P& N0 {
Time –30 minutes$ H' D; K! M# `7 f
38 Questions
# x9 w3 I) g; I' ~3 _
* ?0 I# Y5 @6 y1. It is assumed that scientists will avoid making ---- 4 i  N- I- g. l$ B6 X* q8 l
claims about the results of their experiments because
& ], y. j+ a8 Y9 A0 z5 c" f1 l/ oof the likelihood that they will be exposed when
( Q- k5 w, V5 eother researchers cannot ---- their findings. : W8 Z% v* ~! T3 |7 B0 f" I, u
(A) hypothetical.. evaluate - m# I) }, {8 |6 I: e, W" Z& D  p
(B) fraudulent.. duplicate ! V5 ?, b7 ?$ |& p
(C) verifiable.. contradict
. l* y- o) F/ b& V& d(D) radical.. contest
, a' W  Z1 M8 g2 m, j& V8 ~5 ?6 J(E) extravagant.. dispute
! l1 Q- c: P; h" O9 L: @. K" d  E+ A) P. y% i  H, W
2. As long as the nuclear family is ---- a larger kinship
$ J6 r5 }, y7 o( V, a( Zgroup through contiguous residence on undivided 7 n4 _4 b0 b8 L% q; _
land, the pressure to ---- and thus to get along with : `8 Q9 z0 v) _5 q& d
relatives is strong. & |: |! ]" ]/ b. \/ S) v
(A) nurtured among.. abstain 5 n; c( u+ `# t2 z8 u
(B) excluded from.. compromise ; Z1 P; T& }, a2 L
(C) embedded in .. share . L9 p6 p: N# D0 `/ x
(D) scattered throughout.. reject - A0 {1 o/ Z6 r/ G* n) ~) T9 G, C
(E) accepted by .. lead 0 [' y+ L0 Q9 K

0 ^3 t2 D3 D5 a3 {- e/ n6 b; n3. In contrast to the substantial muscular activity
% ?2 l1 K4 d' A5 ]) R1 erequired for inhalation, exhalation is usually a ---- ( q! z. \9 x+ p$ P
process. - k! q$ ^& N2 t% v
(A) slow
! E7 Q8 \1 Q) v/ ]: f% D$ _(B) passive + ]5 d3 e; c% O7 Q, \% ?4 d
(C) precise   }; {: Z2 v1 e+ ~0 a7 W! k
(D) complex
( [3 Z$ o: s- q( g* ~(E) conscious
+ b# M5 Q& `* e! {9 g9 v$ x
# P1 Q9 x" y4 O2 v8 ?4. The documentary film about high school life was so / X2 D2 |. H7 M7 W- V& f0 I
realistic and ---- that feelings of nostalgia flooded ! A9 |* e) x6 |# r) {
over the college-age audience. 0 K6 D( x  l# x8 n% K
(A) logical 1 M- n. T) W5 J
(B) pitiful / T* I( m; K- o* ]# Z  ?" i
(C) evocative
* Y7 u0 ~/ g( ~- R$ W$ }& }(D) critical ' A2 }) e) u3 r) b+ k, F
(E) clinical
/ P$ o4 Z$ x: u1 P
! Y9 w" k* L  Z, R: i- M3 ^5. Although Georgia O'Keeffe is best known for her ' f3 w2 P$ l3 z9 \5 G/ Q3 H, I& |
affinity with the desert landscape, her paintings of
1 w7 y* n; g2 B" l+ F4 F( aurban subjects ---- her longtime residency in New $ t3 w: G" O1 j) ~
York City. 9 _) e" I' E/ G6 v, T
(A) condemn , V2 J6 Z( d5 `" ^, v
(B) obfuscate
, M& V& c4 Q2 i- V6 N4 k(C) attest to
8 a! S- e& g' T( g! s6 b9 U(D) conflict with
) t0 R7 A2 y$ O. L(E) contend with & `4 n. @7 U6 f; A7 Z# N+ e, U

9 C5 {9 D* }/ A* P, o6. Even though the survey was designated as an inter-
  j# y+ l9 f3 E" edisciplinary course, it involved no real ---- of - R, l; g% W! z
subject matter.
5 E! Z6 I  i5 W& h3 ~' M1 J(A) encapsulation / _9 [. c+ _. x, x  E
(B) organization
- n' U+ V; I! e% w" T. f(C) synthesis
7 @3 P$ K2 z. k- b; \8 H(D) discussion
# @7 D- T. G/ ]3 J/ r4 d(E) verification
7 T: J! s" J! O- d" C! o
) c; L! ?! V1 S7. The failure of many psychotherapists to ---- the : _5 N# y6 K6 ~! P) c, f" o
results of pioneering research could be due in part to . G+ U- D3 R) @" k9 t! x
the specialized nature of such findings: even ----
& Z; D6 T% F9 zfindings may not be useful.4 q' @* ^* U* @6 ]0 D; ?* ]0 W
(A) understand.. baffling ! m# M0 J6 F& U
(B) envision.. accessible
+ V( R9 W: u( F+ q/ q" c$ \& h(C) utilize.. momentous
1 n  M% [9 H! t(D) reproduce.. duplicated 4 t" c6 m2 J, T( F( g! k3 _
(E) affirm.. controversial
: x! {6 H- r, f  T2 r* M; S* q9 v4 j( q0 u8 c' t3 p
8. EARPLUG: NOISE::
% A- W: u" r4 ](A) saw: wood : f' S, X. |9 m0 y( W8 }
(B) detonation: explosion # ~0 w; _. e+ {+ G. P# {; y2 V
(C) clothes: covering   R% l7 n) W. k  h* V
(D) liquid: flask : h: j) m0 U9 A( M% u2 L  x
(E) shield: impact
$ z+ u. W$ Q: l4 B3 T) ^) V
# B6 B0 [$ Z0 F4 C" e! W& e& z9. REVISE: MANUSCRIPT::- y8 Y, Z$ `/ U; Q# `, M
(A) retouch: picture
$ z' c  M9 A5 Y( U(B) replicate: experiment 5 S8 y: ]+ Z4 P6 F- O
(C) repair: hammer
3 U0 g( p* x! Z  X+ I! w. c(D) replace: book
# M2 [; w7 L' _9 m. |& U7 `' i(E) restore: masterpiece * Q$ `! V. Y. p' {, b$ W5 L" p

% ]' [  r/ l9 X( b) o% i5 n10. DAREDEVIL: AUDACITY::
+ V& N; L" [5 _4 I8 G1 g(A) malcontent: dissatisfaction
( s6 m8 ]! ~% c4 t% f0 {; f(B) perfectionist: patience
( R$ g8 ~4 Y  w9 \2 E(C) cynic: indiscretion
1 ]: X3 C# {8 P. F* ?(D) melancholic: bitterness 4 ?( h! C4 J# |+ A2 k
(E) hedonist: ambition
7 {/ K2 T/ t4 F" F# P" F) r" W" q! q$ C
11. CALCIUM: MINERAL::
, L$ g" @) O# Z- k2 o(A) sugar: carbohydrate : h. l0 ?0 L5 u1 }8 {" j/ z
(B) salt: solution - d% N, {( ]0 c) f
(C) enzyme: food
" {1 n  D+ S* E+ s5 X" z  Q2 G0 E(D) milk: cheese
' [! J' O9 {  J; @2 a2 Z(E) calorie: diet , ~% G5 A* R+ N& R8 t" e; s3 t& Y2 O
3 E4 d$ x, @* k+ G
12. DIRGE: GRIEF::4 d8 ~* T* Q; W: E
(A) diatribe: uneasiness
# A2 u. g: V: n: f/ {- d# l) Z2 J. j; p(B) parody: cruelty / K  ~) ~: f9 [2 q8 k3 V! s
(C) paean: praise
" G6 o' X- N5 t5 j" Q  K/ u$ B(D) testimonial: veracity ; y0 a; p* a/ c3 l; t$ X
(E) anthem: seriousness
  N4 ?. L7 j# y- @9 ^. S8 R% G# S  l) h* f5 A
13. ABANDON: INHIBITION::
# b0 p8 X3 H& L2 z(A) ascendancy: effort . M' @1 v4 j' R- W  o7 W5 H
(B) prickliness: sensation
9 ]/ N- |2 S3 E(C) surrender: resignation
" f- R' o  u: U- U/ o(D) reversal: instigation ! U* j# w' ~+ |+ ~1 |* V" k
(E) tranquillity: agitation
5 u. k: z/ l. c, v$ m5 I- m9 ?. c4 f6 Y, `* d
14. INAUGURATION: OFFICIAL::7 E. J$ n. `. Q9 {" ~* f7 b8 ~8 P
(A) instruction: lecturer & K2 Q* e) I* a. L; W0 Q1 }
(B) election: politician ' s( s6 J$ n) O3 h. w
(C) pilgrimage: devotee
8 a3 a  Y5 J* f& D(D) dispute: arbitrator
6 L; `) N5 T* X* a3 j( j- D) E. C(E) matriculation: student ; J$ t: j& v3 `+ V

/ e2 b* a  I2 n' s" Y4 k7 y15. SCORN: REJECT::
, h# W3 p- F+ |(A) adulate: flatter   m: s) k5 Q) m7 o% e2 \
(B) conjecture: forecast
& d0 y, }" ?: a( ^5 \! n+ G: C(C) pledge: renege
/ @3 Z# o4 p: R/ j7 E. J1 @) J(D) allege: declare
9 `! W* g# @4 q3 I(E) disparage: ignore 6 \7 F7 t$ D, R/ N3 i" S
( B6 P5 i- D. D  H% |
16. PROFLIGATE: SOLVENT::
1 I' n8 \9 h0 T# t(A) mercurial: committed
. N8 A" Q3 v9 V1 }8 F! D(B) caustic: rational
! q+ t& i( Q/ k! D( q. V/ j6 U9 I(C) indecisive: confused 5 Z2 x: G* k) L; S$ g% s7 h& V
(D) cautious: uncertain 0 e+ [# y+ q" G5 ?( d) ^7 N
(E) practical: seemly
+ A7 K  J" @8 m9 J( |7 ?
0 v6 V$ n0 y1 l3 }/ ^3 `
6 u( p3 t, o8 g3 `8 A* x28. DRONE: 7 k- q) C9 R; Y( G
(A) behave bestially $ d9 I# L! x0 U( i% Q& s
(B) decide deliberately
. K9 Z( y) a1 |3 i(C) err intentionally ) W5 X, |: T( L( O$ I5 G
(D) speak animatedly
- I. N& A6 V/ m+ t- L  S(E) plan inefficiently " S  S! _7 M- ]& ]) B5 C
) R6 C. P  G5 y. o7 j# |0 Q" V
29.CERTAINTY: ) Q4 g% c2 Y" V# ]# f: b
(A) obstinacy
$ z2 ^3 ~1 B0 ~; R& D(B) impetuosity 6 ?6 i2 k8 v8 }: a! Y
(C) recklessness / z& u6 a+ Z, Q, r" Y* H
(D) indecision 8 x1 p! R- v5 ~0 u2 U
(E) indifference
# @2 S# }. {* P3 i7 V
  Q8 p& c, K/ T) f( R2 G0 O30. MORIBUND: / V5 q, Q# T" x
(A) fully extended
3 ^3 B0 P. G( Y" z4 n(B) automatically controlled 6 i1 ?1 {4 i3 u3 S- f) V$ a
(C) loosely connected ) _' e- d& R! l% k! s2 m
(D) completely dispersed ( B1 m7 ]7 v" \5 T1 o2 D5 S' o
(E) increasingly vital
7 ]+ E4 W- v2 f. I# S
+ W) N2 D; x3 v) z3 ]8 o31. PROFANE: ; C3 \% p/ ]7 e! g9 e; j9 ?/ t
(A) approach expectantly
& P% k- ]: l* ?(B) punish mildly 1 O" Z( D# n2 l9 q6 k% r
(C) appease fully # H+ ^) y/ j! ?+ o% r- C9 _! S
(D) treat reverently # p& t& F' s1 O$ Y" W
(E) admonish sternly # v: c; L# c, M% ~% z

$ c. t6 s1 I4 R2 ]  `32. PERSONABLE: 8 X+ O$ G% d$ |/ ?
(A) unrefined 0 d: N+ f. ?1 ]$ z/ b6 o
(B) unselfish 1 k. r; t6 t) ^' U. x: F+ U
(C) unattractive
& \# s4 ^" S) p5 @(D) uncommitted 3 t/ T3 A5 P3 {
(E) undistinguished 2 ^& O8 ?3 b  E& y5 ?' T
% K6 B3 Y. N$ }. B0 T- H& D
33. MIRE: 3 `, K: O  F8 J
(A) straighten ) H5 v: R" L8 \* A7 F
(B) fracture
- f1 ~8 Q. c0 e7 Y6 y(C) extricate
. [7 O' D9 I6 m2 y$ T+ y7 d(D) elevate
* o% m0 M4 \1 {! B(E) augment
  J$ H' f( T/ s+ U3 `0 |" N2 ]* P# [+ ^" I: K$ d. m6 x# H
34. CONCEPTUAL:
5 T( d) r; u( G  l(A) proven ) V* n- O; _/ m% m
(B) effective 8 f' t$ `4 U% E# c' N! C$ }
(C) manageable
; `. p' @3 E7 j3 Z/ W(D) concrete + o" J1 i0 L+ d
(E) punctilious 4 ~, g7 v. [, g* F  ?3 O7 w+ [/ b

4 M  M  m* b. X" X4 v9 \  q35. SURFEIT: , K8 q+ r2 k. x: t9 J
(A) precise length
8 k. ?) G5 W+ s8 s(B) delayed increment
3 G* l2 b8 s$ c  P# Z6 C/ Y4 w(C) obtainable quantity % u8 x; [& f- U5 E
(D) unascertained limit
2 p6 J1 B8 h; B5 S  U) f(E) insufficient supply
8 Z! A) n/ \/ b7 T  ~! S) d
; s6 }+ ^4 i) \& n! Y" M% w36. TENACITY: * {. h( {2 K# G* @- A
(A) vacillation
. ^7 }, c# _4 k1 }; m(B) servility / z) m( |* ^% k/ c, x
(C) temerity 7 L3 F2 x: x. u9 g
(D) perversity # A" @* R2 H* g" Y+ I
(E) diversity
. w: S( X2 B) O8 n
: R# M0 t" o  I# E& Y+ y7 ?37. APPOSITE: - a$ Y2 F  x( P, v% l4 d1 o
(A) irrelevant
8 @$ K! B) I) c' h4 r7 ~(B) nameless . V6 t! Y" t7 O( W$ Q
(C) tentative : S- w7 Z0 q7 x1 `
(D) disfavored . F4 z) Y' L4 z; p2 E2 d
(E) lavish . R% ^# D9 t( U- E. d' L

/ M- @; D" s0 T8 ]3 r38. STYMIE: 9 P1 B) R5 Y) Q( t% X
(A) ponder ( r' @/ M7 i% l6 c5 J& S. f
(B) predict
1 a$ P1 ^2 l+ r  d/ T(C) divulge ' U1 B0 L8 S9 k& e
(D) abet 9 K, N" D4 v& j; w* \6 e) l
(E) explain
; T4 K5 X. z" I2 m  y2 b, n- U) v8 J( [. i3 @8 S- _
0 Y4 [+ B; Y3 @0 ?
SECTION 7
7 w& s* ]3 ?! V3 VTime –30 minutes% s$ N8 N, q; V% c
38 Questions
; v( m: n- ]4 R6 c$ z7 j' }& b2 S  |; r0 f$ i) Y" l* U
1. In the nineteenth century, novelists and unsympathetic # J1 y- N! |# |
travelers portrayed the American West as a land of
1 Y1 @' e' p2 Z4 v---- adversity, whereas promoters and idealists ) u" P( j# j$ R# U: c, |. p
created ---- image of a land of infinite promise.   e& o! x: r8 g* S$ H: x
(A) lurid.. a mundane , w6 i* U# |- |& F% d2 }9 J
(B) incredible.. an underplayed
! a" n! Y4 f- B(C) dispiriting.. an identical
2 W# c2 h7 [- V% Q$ _- k5 ^- }  D7 g(D) intriguing.. a luxuriant   s# X, D3 _/ T' \& }5 R( q$ ^  k! e
(E) unremitting.. a compelling
# V- f7 W5 P" I( E5 C# @( _7 Z% U5 s
2. Honeybees tend to be more ---- than earth bees:
. D% I; e3 X' r0 V+ }7 Ythe former, unlike the latter, search for food together & y! U4 B# I* \- m. y+ g; _
and signal their individual findings to one another.
7 E' z9 |  I$ f# {& t' b4 h% C(A) insular
( Q$ }5 S: t/ W! F, x0 }' h(B) aggressive
" m6 P( {  R+ R4 w2 l0 n(C) differentiated
" M- R( ?, R6 E3 i5 j1 z$ N. m(D) mobile
' V5 @8 B% B; Q, t9 z$ r7 {. e(E) social * C3 N  T6 Z1 X  e) c5 b2 H1 h

6 ^  B+ E7 N# t0 w6 `3 M& ?3. Joe spoke of superfluous and ---- matters with
$ g. e6 p" R; H- C: texactly the same degree of intensity, as though for - `& ?) h( D9 L/ q9 i! i) B
him serious issues mattered neither more nor less ! x7 S. f3 q+ S% n3 W! L+ B: ^  v1 c
than did ----.
2 l$ E( t; ^. M  N# m. L(A) vital.. trivialities
7 \# m0 \! D) b(B) redundant.. superficialities + r& f, J1 Q: L! ?' y& m) H) c
(C) important.. necessities
; T/ u6 @/ V& w; ?+ a0 R& M(D) impractical.. outcomes / O- }1 s/ [$ B  f
(E) humdrum.. essentials
4 [8 `7 E# H3 s8 M1 L
3 }) [6 \( u4 Y8 W. D4 ]4. The value of Davis' sociological research is com-
9 \+ z3 A4 I8 {' h0 x4 h1 epromised by his unscrupulous tendency to use
5 }9 t% _$ _1 y4 m( Lmaterials---- in order to substantiate his own
- c8 v4 z) e! y- A4 cclaims, while ---- information that points to other ! v/ @, s/ D: f! f
possible conclusions. $ Y- L" p# T, [3 m+ g7 y2 q
(A) haphazardly.. deploying   |, c, I4 r# j% [6 q
(B) selectively.. disregarding
, Z1 X, g. }. c$ m(C) cleverly.. weighing 9 {3 W0 N, ~7 H$ F
(D) modestly.. refuting
: f/ [# A3 H; L% X+ H$ K(E) arbitrarily.. emphasizing
7 Z0 o' ~1 ~7 ~# t4 l* r7 s3 {/ P: F% C9 ]
5. Once Renaissance painters discovered how to ---- : `# Y6 }+ d0 |/ z8 U8 T' d" B
volume and depth, they were able to replace the
& ?9 t7 T$ |: zmedieval convention of symbolic, two-dimensional
& q6 F; v5 L  }space with the more ---- illusion of actual space.
3 F# Z, J: M/ U5 J(A) reverse.. conventional 8 q$ @9 _9 F, x# ~. s0 P
(B) portray.. abstract   C5 O% f& [" u/ k
(C) deny.. concrete
+ {+ S0 h" F- X% z! p(D) adumbrate.. fragmented 9 Y4 R- s8 D4 G; S6 q* n
(E) render.. realistic 9 m2 k' l, o5 L' r3 {$ U
, w$ l' U" M- @6 e) [0 t
6. He had expected gratitude for his disclosure, but " A9 v, y+ |0 d- [: l! J+ X
instead he encountered ---- bordering on hostility.
6 V2 a& M: C$ v9 S0 c9 B(A) patience 2 ^3 \; l: M0 c' J( s
(B) discretion * A8 [' x7 Q$ a- O6 L" [* {
(C) openness
' h! ]- n9 u* Q4 G(D) ineptitude 2 [. J+ M$ v! b/ b0 k: \
(E) indifference ' U- r% c0 ~0 t# l

3 d+ p" I3 m/ V- {. n$ U7. The diplomat, selected for her demonstrated patience
5 e) v8 k$ c* S9 d" X& R1 Uand skill in conducting such delicate negotiations, 1 |& i5 e  @6 e0 p  m; j" ]# t
---- to make a decision during the talks because any
/ E3 U8 W0 G) c6 r9 w( fsudden commitment at that time would have been ----.
+ ?% a5 [6 S( ^: J(A) resolved.. detrimental
% O6 o; u7 z0 I' j  `. S8 A9 A(B) refused.. apropos " V1 t% U. q; T; o9 g
(C) declined.. inopportune
" B/ A7 X2 m8 v! |5 K) v$ }. q4 B(D) struggled.. unconscionable
* F/ o# y: q7 u(E) hesitated.. warranted 4 l4 q& q3 O% L$ J
: K( K* K3 k; y8 `& c$ g5 H1 x$ w
8. CONDUCTOR: INSTRUMENTALIST::
! R: j$ q. x5 v! l% S7 T3 H6 {(A) director: actor ) X5 K6 ]3 _6 n1 t
(B) sculptor: painter ' {! v# D6 ~) G0 d
(C) choreographer: composer " F5 |% g& l% H2 @/ N/ R
(D) virtuoso: amateur . ?3 H' C2 ?) z' U+ i
(E) poet: listener " [" y5 X9 m. a7 b# s5 n1 `
  a4 m7 I. \* |" A$ [% T
9. QUARRY: ROCK
2 u% W4 H' t; A; \(A) silt: gravel
5 P, X& D& ]  H6 C; l(B) sky: rain 7 W& _" g( N; v
(C) cold: ice 7 J5 s* B. j& ?$ A) ~, ?
(D) mine: ore
# u) D# ~1 L$ F/ R# s+ O(E) jewel: diamond
6 B. T7 w$ J6 N! i* G4 C' d9 s& i  @, u" d' T( x
10. STICKLER: EXACTING::
. P+ I- A5 F# W# M0 A(A) charlatan: forthright + b$ ]4 z0 e& R2 M# F4 e. k
(B) malcontent: solicitous 4 G) I) q2 y# [3 d! T( Y: W) w
(C) misanthrope: expressive
8 X! c/ J5 k1 |" {: T6 e(D) defeatist: resigned , E' R9 }5 @5 y, A% W& _! h+ T
(E) braggart: unassuming
. M5 b; v* Y4 o/ E1 N( L11. WALK: AMBLE::
$ F9 x* \2 u& A(A) dream: imagine . K* e4 y9 m# r
(B) talk: chat
( y4 q% `2 d% M* e6 k) r(C) swim: float # s, X0 N3 k4 G7 J# G/ i
(D) look: stare
( N) m( f9 f1 a(E) speak: whisper
; `# l4 C& Y! m2 D$ c8 T$ S
8 z  E  ?6 H7 f5 c8 r) W9 T/ r12. JAZZ: MUSIC::
8 r7 E* I1 p1 t4 V2 d(A) act: play , j  _5 t' e( L) \
(B) variety: vaudeville
; U* I* G1 T; t/ _(C) portraiture: painting
2 E$ z8 G! T6 k, _( {+ A: P(D) menu: restaurant 9 F; L% J. y. G/ B7 Y
(E) species: biology " v8 C4 i5 h! C

; ]! l- L$ Z, q" s! {5 r13. REPATRIATE: EMIGRATION:: 3 ]8 G; Y) h; {$ @% c1 k
(A) reinstate: election
7 H7 i8 N" t8 E1 a& W- i(B) recall: impeachment 0 z. X9 d  L( q7 Y$ M( B) U
(C) appropriate: taxation
8 V7 m) x2 ~" U. r4 ]! F) |9 E(D) repeal: ratification
- u& {; _% o2 U- D(E) appeal: adjudication . m3 _- G: f- H# y( o6 Y. G8 N

+ r2 N  U9 H, ~4 o+ L14. PLACEBO: INNOCUOUS::: x8 b& D- E3 j3 q; ^  ^
(A) antibiotic: viral # R/ w5 X9 n; x" ^" y; l4 [
(B) vapor: opaque
, g* Q( {2 r! i- i1 W0 \5 R(C) salve: unctuous
$ c3 V! c: w5 G(D) anesthetic: astringent
, F& Z3 {* m; r" I+ I: a# G; c. ]! J  ^(E) vitamin: synthetic 4 a" ~/ C! V+ h$ p9 G

9 R& ~, v* I$ @5 a  t15. DISSEMINATE: INFORMATION::
9 G* b& k, I, E2 u9 L! D(A) amend: testimony
6 m9 E3 a- ^& {: W" }( l9 n8 @(B) analyze: evidence
! k2 ]# G& L  S. k) w: K/ S(C) investigate: crime
" c9 I  K* H. F) V' z6 t" V(D) prevaricate: confirmation 7 e( v6 z/ O& [; z+ }% [3 _& U
(E) foment: discontentment
  a: M5 R3 x8 t- y, i4 y7 l2 ^/ K/ n9 E+ _
16. VOICE: QUAVER:: . M( N8 i/ p& p5 w; G
(A) pace: quicken , u: b! \+ i. U- w: X: D/ E' M
(B) cheeks: dimple
' T% l7 f- K! j5 I( O! U6 r, D(C) concentration: focus
) L1 F  J1 l$ e; r: Y6 T# \(D) hand: tremble
2 J3 N0 s5 r' o$ Z(E) eye: blink ( V7 v* J( S7 p8 D
5 h, Y9 E& M; g8 Z
28. SUSPEND:
! \5 k* X! H6 O( s, o(A) force
1 f& o+ m" I9 X+ E3 d(B) split 6 J) g" \' o  e: E/ b1 |
(C) tilt 2 G. V- I# r: P# ~
(D) slide down ( r: Q6 A9 W$ B8 V3 h
(E) let fall " [$ B! U( Y3 ?4 v

* H- q$ G6 h5 R5 l8 J29. CREDULITY: : R/ p' R1 b& \. o/ ]- ?" }
(A) originality
! I6 X3 W) S8 Z. D5 H, A4 x(B) skepticism . K5 e4 j6 B* v
(C) diligence
* t3 \, O: Z, @/ n# I; e" A+ q(D) animation
* N1 Z* T; [4 O: m$ Q6 _(E) stoicism
8 ^2 R8 T* G; W$ L' W$ j' S
$ N$ Q. M: A7 G5 j+ J, [30. MILD: 5 Y1 A+ Q  C  E+ v
(A) toxic & q/ c: Z9 C* U% |; ]- k
(B) uniform
9 Z- u0 f2 Z. z7 r* q* a6 Z(C) maximal ' w* w$ O4 J* C. Y/ }
(D) asymptomatic ' G3 J' \4 o/ }+ D7 G; `- o; y
(E) acute
, ~0 t  P& ^8 h) d5 S0 D
; K4 g) {1 Q5 \7 R31. IMPLEMENT:
# ^7 L: O8 P4 x# `' ~9 r, x4 p& m: `3 ]8 V(A) distort
9 q5 o/ T5 n8 \! ?0 o0 o(B) foil
6 ?1 s) ]% _. F% C(C) overlook
8 g* d( _# t5 M/ y) D& D; _% g, ~(D) aggravate
6 {  J/ o# b3 ~7 r( M+ z(E) misinterpret
5 K$ f! y* G; _. F) m
3 k6 P! n8 E1 W2 e$ f+ [32. DIFFIDENCE::
+ L4 i* P' v& [5 [(A) trustworthiness
; W/ b! z. G. e6 U& L, c(B) assertiveness
+ W* T5 _# B0 ~4 [(C) lack of preparation
1 S) r; m) k' ^* i(D) resistance to change 8 ^7 Z/ G6 E! k- {. _# J" g1 D, y% ]! ]
(E) willingness to blame ! [' T3 n. z$ G8 W; K

. n" W% b2 p) [/ c2 F) t33. BYZANTINE:
5 _  `5 d; q. a5 N(A) symmetrical
* W( A- z6 c9 w, ~( N2 [7 |" H(B) variegated : I( ?3 r% y# E$ Y) m
(C) discordant # X8 e+ B0 F1 H: U; Y# ~% R
(D) straightforward ( u' @9 N9 X' Q, _! @
(E) unblemished 3 Y7 f$ ^) J5 P8 S$ Q
+ A' ]: g( q. i
34. PROCLIVITY: 5 i- h# A6 X6 w7 h# |0 X
(A) confusion 7 _7 W: j  m* J5 G0 ]* j' N
(B) deprivation & N8 F. s0 d8 ^  {
(C) obstruction 7 A  O% n2 p/ }3 _% C
(D) aversion
+ R% `8 I' a) s% P' u(E) hardship
/ H* L, N' m" z- \/ W! O1 [0 W# ~7 E! \
35. PROTRACT:
- C6 H" W) j3 `% r2 \: D# R(A) treat fairly
/ r8 r% W+ H' u* l" x5 f(B) request hesitantly
3 K/ j/ G2 A- ?5 z(C) take back 4 |+ n4 L& a' M; ~
(D) cut short # J& V5 B9 W  k. B/ Q
(E) make accurate
6 y# h, ?/ r# o: M
/ l/ `7 l/ g- j  h* A+ c36. VAUNTING: 6 z: V$ O0 Y2 }- v, Q1 e. [6 i8 P
(A) plucky
  a) J5 s3 N0 h% z" f" C% j(B) meek
' t; U. X8 m8 P" z1 u" i(C) chaste
. S" c/ ~2 j+ H(D) cowardly
( a- {) J: O: t3 l(E) ardent
' ^7 T' q: j* h" ^' z  G' Y1 [5 s# G
37. HALE: 5 h# f, e/ ]3 U' H/ x/ X
(A) unenthusiastic ' d0 |7 i- a2 t9 j; O8 Z) f( V
(B) staid - m7 G. J1 _2 |- H- @+ g
(C) odious - Z& C, T# ]* L
(D) infirm
, f* g- e8 K/ _7 s1 p0 I% k# {(E) uncharacteristic
4 V& B2 ], x7 t1 w % m3 X3 C4 v; j5 G8 l2 x+ J
38. SEMINAL: ' g/ M% E+ ~$ c1 R  r
(A) derivative 2 |1 g# K, a: p6 C( n! Z
(B) substantiated
; Z1 g( E6 ^7 U# c* v(C) reductive 5 k6 ^6 d4 N" u" `- L' i
(D) ambiguous   j+ }6 P9 f: o* H8 y3 n, V) r" f
(E) extremist ) z7 |9 m7 u2 t

9 M6 r! Z8 ?5 c+ K) P
5 l) W3 F& y6 C7 _, W/ e; h* Y. }6 X4 l

% Z2 g. [! I0 q, @: V/ |/ ?' y. |) H' Z9 d( z( `* s. Q# i

2 s$ y" y: S" p4 T* V, x7 [: \* `0 ?# G3 W. ~, X" }
( u6 g& S* n) T- x' F5 p& Q  ?
答案:& r( d$ H' f: y. ]1 n
SECTION 2.        CDAAB BBABD AACCA DDBCC CAEBE AADAE (数学)
& ^% q7 L4 @3 SSECTION 3.        BCBCC CCEAA ACEEA AECDD EDDAC BDDDE DCCDE AAD (语文)+ R3 e1 p& q8 E' u
SECTION 5.        BADBA DDACA BCBDD CACDA BBDEA CEEDE (数学)7 F  H1 g1 h$ H- I
SECTION 7.        EEABE ECADD BCDCE DCADB EEEBC AAEBE BBDDD BDA (语文)
. ?+ b5 w0 X! x7 P1 a/ x# B
+ {6 f  v. i0 D[ Last edited by DriverEntry on 2005-6-1 at 09:48 ]
0 0

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沙发
发表于 2005-6-1 13:14:39 |只看该作者
数学section1第二题x=y+3,为什么选无法比较大小?, M% @; l, [% P+ s
12题的题干没有给x的范围吧?怎么比较大小?
1 F* ?' f9 k7 _) T语文第一个section第一题,因果关系读得好别扭,请教高手翻译一下句子。
my blog:spaces.msn.com/members/loiscici

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板凳
发表于 2005-6-1 13:22:53 |只看该作者
数学2.12题答案很明显有问题 你是对的9 U1 w1 |( x: c6 V
科学家会避免那些带有欺骗性的关于他们试验结果的主张,因为如果别的科学家不能复制他们的那些发现(试验结果),他们就会被曝光。

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地板
发表于 2005-6-1 13:30:11 |只看该作者
section 7 的 5填空

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发表于 2005-6-1 13:32:16 |只看该作者
数学2的12题x有范围阿   0<x<1

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发表于 2005-6-1 13:33:41 |只看该作者
section 7的5,我是看后面的actual space找到的答案,从两维到更加逼真和符合实际的空间
my blog:spaces.msn.com/members/loiscici

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发表于 2005-6-1 13:35:28 |只看该作者
section 7的5,我是看后面的actual space找到的答案,从两维到更加逼真和符合实际的空间
my blog:spaces.msn.com/members/loiscici

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发表于 2005-6-1 14:57:36 |只看该作者
请问section 5(Q)的第一题,前面有人说如果没有draw to scale,就不能确定结果,所以选择了D,答案是B。9 k6 e' k3 }* q: C6 R
这种题到底怎么办?- X& I  o0 |, j/ M3 p/ H
谢谢!
在路上

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发表于 2005-6-1 15:01:46 |只看该作者
数学section2 2 是x+y-3=0,还有大家顺便报一下成绩吧。填空3个,类反6个,阅读7个

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发表于 2005-6-1 15:06:18 |只看该作者
to boancqu:% b: \) i. f9 [) X5 Z
" W+ M/ m# z' H, }; H# o( d* B6 F
xyz都大于0/ [1 V  x6 }0 B, c: K/ ^
怎么看都是xz>xy啊
Ghost
Ravine
Elite

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发表于 2005-6-1 15:17:22 |只看该作者
Originally posted by 鬼谷子 at 2005-6-1 15:06
# a, o" q7 i  g: G) Ato boancqu:6 e' J3 w# _! X) H6 f8 B- P: T' t1 y
* f' p4 H0 r- n1 }
xyz都大于0
! ?+ X8 t! r6 o6 i7 D* l怎么看都是xz>xy啊
+ C+ G: {, J# {, O+ j2 V
看错了,不好意思!
" O/ S! b) f3 A4 }. e$ u谢谢鬼鬼!
在路上

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发表于 2005-6-1 17:35:05 |只看该作者
P16. PROFLIGATE: SOLVENT::- d9 `- J0 x7 M3 q: N. @- w
(A) mercurial: committed
3 e1 t3 v) u% b' }% s% M(B) caustic: rational + l( ~* V6 G8 R- X. A. Z" I! `
(C) indecisive: confused
; Y  o3 |: X  |. _* S. g; Q; a(D) cautious: uncertain
+ ~9 P. ^8 c) c8 y! u(E) practical: seemly0 \% f. K7 w# N$ g

# P- b% z, r5 X' l9 B答案是A- I* B5 Z+ G0 x* A& {' f* e0 c1 M

5 b% v0 u) j" F8 t0 f+ y1 ]没太弄明白是什么关系:confused:
为了理想~~~

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发表于 2005-6-1 18:05:01 |只看该作者
Originally posted by forberkeley at 2005-6-1 17:35
3 F; [9 S1 S! h3 {! rP16. PROFLIGATE: SOLVENT::
4 Q+ Y, a+ w& w( \(A) mercurial: committed 5 {  d2 X% f) ], |
(B) caustic: rational
. L( ]/ b" _) B$ i(C) indecisive: confused
" `5 _. O. t3 x$ x! n4 |& n(D) cautious: uncertain 5 d, W, W( t# ?& q3 [
(E) practical: seemly
+ Y& T. u5 e1 {5 i$ K3 `9 M3 T1 ]  Z3 \& b8 N* m' r
答案是A
: T' K) g4 Z; @, x- M8 K" C6 U4 }7 i1 x3 Y
没太弄明白是什么关系:confused:

; a- G- d1 a, g; \% g& b3 g16题是反面特征:! s3 p  m& S  b, B" q  f# s
A profligate person is no longer solvent
' O) I" Z0 ~: B: M1 RA mercurial person is by no means committed

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发表于 2005-6-1 18:07:13 |只看该作者
section 2 29题: p! C4 i4 {) V2 w
不明白怎么出来的结果

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发表于 2005-6-1 18:34:45 |只看该作者
590+790,今晚咀嚼。
让offer来的更猛烈些吧...

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