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6G冲刺模考讨论(四)
( H8 m& h* \( h- ^9 @* C5 x# [% i; G
现在模考应该限时了. 同时也要练习涂答题卡.. F; B$ a3 |- U8 `2 ~
% B G" ^& v/ O: G8 X; ]; _
: S. L% |7 D' W9 J" D) [2 g6 I
; E5 z& I% h# a3 h, w4 [ d* X& |SECTION 1
& l! d+ h0 ^6 n$ `: y s3 h9 ZTime –30 minutes
7 `3 V1 D- Z/ n4 q9 I, i7 `) x/ ^) H4 t38 Questions
$ f7 h% a* y, `2 V6 g/ {# W& k. o! E7 T, Q, q
1. Because the monkeys under study are ---- the ' B, m% n# T2 \& q% x2 K4 y I
presence of human beings, they typically ---- ( h# y7 G! m& t j4 y/ R
human observers and go about their business $ a$ c. O0 B) J) f8 J/ P( V9 v
(A) ambivalent about .. welcome + f2 I \# W/ a3 U6 y S* _0 q
(B) habituated to .. disregard : T3 j) [# B) T. a6 d( q; b3 s" E2 c
(C) pleased with .. snub
; \# `5 J5 p9 W" @) v( D (D) inhibited by .. seek % [) Q( s) R2 k' u. `5 X! \" m5 C
(E) unaware of .. avoid
; }3 s. n1 Q0 Q4 Q7 b t. j
' ]. b1 U: R. d0 c3 K4 `' B" ^0 Q2. Give he previously expressed interest and the
9 l% G& u! ]& s( p; yambitious tone of her recent speeches, the senator's
" Y- T8 ~4 L F0 j: Iattempt to convince the public that she is not inter-
8 J4 L1 e6 H0 V1 q. s( vested in running for a second term is ----.2 U- C& t" N8 R4 v( O: F
(A) laudable 7 ~( U l. a; b! C9 t, |) O" B- G
(B) likely
8 C* V" z+ v7 U1 K# }6 |# _( W, ^ (C) authentic 4 T$ N1 c5 {& Q; B+ z; p
(D) futile
$ a6 ^! T/ r( Q0 b+ W (E) sincere $ l& R+ @& m& M. }6 P$ A
- c5 h1 F W c3. Many of her followers remain ---- to her, and 8 M4 |- k7 F" k# E6 i% f! v6 [
even those who have rejected her leadership are
( G: Q6 }. I3 ~( N" w+ ?3 M, e unconvinced of the ---- of replacing her during " w1 e( H3 Z; N0 E. t
the current turmoil.
( r( G7 e8 V8 ^8 C (A) opposed.. urgency
2 p! e! F6 v9 b (B) friendly.. harm ( e' f& w# Y' Z. s* |1 T; a
(C) loyal.. wisdom
5 R4 ~8 j" k( X) t& |) R9 T (D) cool.. usefulness
& ^* C# H! z, q8 _$ Q (E) sympathetic.. disadvantage
: n6 ? G; I8 Q/ m' X2 c6 K! c$ {( W
$ z: Y0 Z1 J% x" e$ R! [4. Unlike many recent interpretations of Beethoven's . `- h( X5 J7 k! h$ x+ X2 v
piano sonatas, the recitalist's performance was a
9 _/ @ C6 b: ~5 W; L1 b* w* qdelightfully free and introspective one; nevertheless,
+ [8 X( g4 z* R X8 w/ bit was also, seemingly paradoxically, quite ----.- d: w* N7 _" M, W1 Z; B
(A) appealing
) q; n" s! |$ B# N (B) exuberant
3 r. [: ?- y8 n# f (C) idiosyncratic
4 Q. }6 O8 Z! R0 Z (D) unskilled
) w4 O$ {- ~7 l$ E7 i) w (E) controlled
$ H S; R! E' o y" u1 M8 B
1 t( v) u) Q; D0 Z, j5. Species with relatively ---- metabolic rates, including
\ T9 i$ W, o) P! E/ n1 x! ^hibernators, generally live longer than those whose
4 F% r& u9 L$ {0 z9 m' n& Emetabolic rates are more rapid.
/ i) `5 C9 A! j) i. y5 P(A) prolific 8 M1 @! O5 a9 k& ^4 g! I
(B) sedentary 9 Y) a" R+ b. l5 [1 I2 U
(C) sluggish
, e1 A- g" A- A& B! E/ y: m; j (D) measured
4 I& Z( l B% B# m. ~* e) C; K (E) restive ) I, G9 ~. O! \" s
7 @) p2 _0 d8 c, l! {
6. Belying his earlier reputation for ---- as a negotiator, ) {# Q- h' Z6 A* K3 b# p- ~( ^
Morgan had recently assumed a more ---- stance
$ T! ]5 q( z1 m8 a8 ~/ hfor which many of his erstwhile critics praised him.
/ E! Y/ l6 P. M! F3 z (A) intransigence.. conciliatory ; f- p) L0 a7 ]2 t+ z, v$ v
(B) impropriety.. intolerant : t2 o: F1 T3 {3 F! r
(C) inflexibility.. unreasonable
. P* N! g; ~+ S- u2 d( q6 ?, o (D) success.. authoritative
- C$ i1 U5 g$ u) A' T$ j (E) incompetence.. combative
$ ]. ]+ {8 L; }7 A$ F- f) L! k3 w8 y* x& O
7. Although Irish literature continued to flourish after
* e6 r& y3 Y# j! Ythe sixteenth century, a ---- tradition is ----
' F7 H* n$ O- C) Oin the visual arts: we think about Irish culture in terms of 0 H5 \3 D+ c. o3 R+ ~3 q& y
the word, not in terms of pictorial images. 4 l% }& M$ a* \1 F/ {
(A) rich.. superfluous ! O4 X% U2 ^7 F6 i9 E4 U1 f2 v3 i
(B) lively.. found
7 c% r, G0 c8 O) Z7 \" X (C) comparable.. absent
" H/ l: T! D! A* `+ g$ q3 @/ W" r (D) forgotten.. apparent 3 w( _' @2 C0 l% i
(E) lost.. extant ; }7 [: D$ G! T& g1 @* B" F8 E
9 T* O9 o* c C/ Z' H: a( ?8. SILVER: TARNISH::
8 x; ^, N6 |4 }* }0 o+ { (A) gold: burnish 1 ~" V2 |9 A; ?# @# u" v$ J M
(B) steel: forge
5 p/ @- U) u2 [. N (C) iron: rust 4 h. w0 M( g6 r' M6 U, w: {
(D) lead: cast
1 M+ a! J; K: K X. V+ S# u (E) tin: shear
: r/ l6 z6 g N6 U* L5 O& M4 @- d7 \ p+ j
9. DISLIKE: LOATHING:: 2 `2 j2 S3 v* Z
(A) appreciation: gratification
3 I! j; p! G& ?' _ (B) hunger: appetite
! Q5 Y" h6 I: x* _; L$ O! P2 Q (C) void: dearth 4 I! F* u( r" v/ ?
(D) pleasure: bliss 3 h2 }$ m! ?9 {
(E) pain: ache 1 Q; W0 ]5 ~3 G K# ~/ G( \! v
' O$ ~; ]" c5 U( p2 c/ t
10. CRAVEN: HEROIC::
# K- g: j. m. D. r9 _* n (A) unruly: energetic
7 o& K; h+ E! ]* N; W (B) listless: attractive ( a: ~8 o3 W) o' v% T
(C) volatile: constant
: Y; v+ M9 n/ u- u8 g) A* g2 Q3 j (D) deft: trifling
1 C( p0 U# _% d7 U4 w (E) awkward: amusing
& N6 M O* _! ]
|8 u" j2 O( N5 ~6 U' H! i; r& D11. FILLY: HORSE:: 0 D; W# H0 k2 p+ E9 z0 S
(A) antennae: butterfly
; J- N" k( d' R T1 d (B) pullet: chicken
1 R* i# [8 x& n l/ s2 Q (C) gaggle: goose 7 |1 c3 Z# n1 f0 q* e: H
(D) duck: drake . g) M- p" j6 c
(E) wasp: bee
0 e( y4 j1 y& a- e4 F
1 x! R' ?/ w% Z/ {2 @12. PITHINESS: APHORISM:: , w6 E4 m4 ?4 {
(A) craft: art
# p/ o! c( F6 C" Q. s (B) detail: sketch , @0 m/ s1 G8 _7 o# }, Z6 u( i( x
(C) illusion: story `! ~9 ^7 d- p. D" B6 o
(D) exaggeration: caricature + d. n) Q4 b% W8 f- m
(E) sophistication: farce
2 y/ X0 A; y( K) o
9 a# {: I. b, l( ?+ W13. EPHEMERAL: ENDURING:: 1 I3 K2 ?8 M! t( k
(A) infirm: healing " [, _& U3 D% `6 |$ b2 E
(B) insensitive: cooperating
/ t6 I1 S9 r8 g3 ?6 Q3 y (C) inanimate: living 2 M/ a, C: B- x" C' G
(D) interminable: continuing
- g- d6 r( N& y& j7 `* H, X (E) ineffectual: proceeding
6 Y" f' k( v) _& r4 |4 u: N) t6 p
4 ^1 X* T( ?0 n' D% W14. POSTURER: UNAFFECTED:: + e$ q7 ^4 B+ o8 E* z
(A) brat: insolent 0 y/ j: A0 n, {) t
(B) hypocrite: perceptive
$ T4 ?4 G% G- a) A (C) grouch: respected
# {8 ?. M( } ]" _8 ?/ M (D) bigot: tolerant
0 s9 w& A, l3 X$ V) f (E) rogue: empathetic
7 B$ m* _) F- g/ r, X! c$ K9 J" m9 }
15. FACETIOUS: SPEECH::
+ Q1 V" x# E; c2 @- P& G& s (A) precocious: learning
% F) n! Z0 A. { K (B) unbecoming: color - D! P+ S+ y& m E- t
(C) exemplary: conduct
/ b6 R; Y; m! V3 f7 L ` (D) craven: timidity : t! h) R6 y+ l! L: x2 l' L6 l
(E) antic: behavior 7 @- n. i9 \ ~8 h' F6 B2 b2 u) R
3 p, j a- ]" H( X" G$ k' Z16. VAGARY: PREDICT::& ^0 |! m* Y) O4 i3 U% C* N4 O
(A) quotation: misdirect 8 V+ r3 {- `9 o" W" f# x0 N) w
(B) investigation: confirm * ~; z" h8 y+ Q, D. x
(C) stamina: deplete
/ {! t: B6 E, r) F# P T- A( U8 Q3 F, Y (D) turbulence: upset
6 w4 m4 h( Q' y* g1 Y2 Q! i (E) impossibility: execute
4 {4 _1 K1 g+ ]+ Z/ O( n% H9 `% X6 t7 _5 j' Y" m+ q2 e J2 S
28. PREFACE: & l# {9 |4 v, t1 \2 B9 g
(A) improvisation
, [( A! m. N5 w (B) burlesque ; k5 k9 H$ g5 [: `, a# g! Z l0 r
(C) epilogue
' B) {4 ]1 p) _) b! w (D) tangent
' F' H8 d8 H6 _& O* n (E) backdrop
; W9 d, w! G8 U8 \5 T5 k0 \' C! {2 B$ r
29. DEBILITATE:
% l: J6 ~0 c( c7 V. ]9 { (A) implicate7 j7 U" G$ U( o# w& U E" a
(B) invigorate ( ^+ [- J3 H' ~7 W
(C) obfuscate + _& @9 ?7 P; a7 I# U6 p. u
(D) realign ' X6 n; h" N9 ?& |7 t
(E) encumber
% j5 s5 Y/ V* s& v1 j
3 h$ Z) \: @6 _& a) e$ m) W30. TASTY: G5 l9 i1 S0 z. D/ k0 e2 L" R
(A) uninteresting
m6 W% F& |. j/ b. Z* G) H (B) unfamiliar
6 U+ B2 c0 x& b" u- j (C) unexpected : l. f' K; A' y) m6 O8 Y/ X. ]
(D) understated
8 H2 r m; H0 z: j3 }' v (E) undervalued
' j0 `8 `3 E% }% @" ^
0 i8 k( y' D# d31. ABNEGATE:
4 ?9 _3 i2 B, o7 _& l! X$ g0 x) F (A) refresh
9 o M7 g8 `: j C L! c8 N (B) reaffirm
# d( d2 G3 O6 z- a% Z G5 S" ] (C) relieve
: V' y( i" K1 x (D) react
) w; H/ n) U5 { (E) reform
, F, N' P, C c
/ n3 y8 z$ `/ p32. SERRIED: ! F! V5 f, Y" b; x& b, l# Z
(A) partially formed
. ?: [9 ]8 A" ? (B) widely separated , ?' ]. X4 m0 H+ B
(C) narrowly missed a( [9 y* l D3 Y& V7 K
(D) extremely grateful
/ a# ?% r; v5 k( }1 z* ` (E) reasonably clean
6 L* A) ]; k H# z, b' j; c- ` }) B4 }/ m5 h0 o
33. BOMBASTIC:
1 z' L1 Z \4 A( y3 `/ a$ C (A) unflappable
( e6 G8 s z5 H: d( ~/ A" O0 M5 Y (B) uninspired , g1 L n9 p, _) ^4 R) a# G
(C) unpretentious
2 h) l' m6 \9 O% |3 ~2 j6 N8 k (D) inscrutable 3 m4 ?" C; y; ^7 e" n k& T$ ~
(E) incisive
[0 v: U4 v% H1 k
$ W, C( F* |5 I# S34. BANAL:
% [( R1 J$ o( i: D( r/ H (A) comfortable
( B# v' P3 a" d+ {' h9 ^ (B) novel
$ \( m; u& N5 J% t+ l8 U1 Q (C) equal d6 h% ^" F9 I I( h3 w" ?) z
(D) fatal " z b1 U& y3 \/ a; t2 P2 q( }
(E) competent
- |2 w6 A( u. Y5 {3 u35. LANGUISH:
. c$ w) Y5 m3 ^' n/ a0 M6 Y, [ (A) agitate
2 P7 a% U# c0 j+ t& H6 j9 P$ m (B) wander
" f7 c, H4 {' i8 O! j' ~7 D (C) relieve
) \5 c% {4 Z! q% { (D) discomfit
0 o0 {; u3 W& ~5 G/ h (E) thrive
& l& c( W# ~: u( G
|2 U: W( b" _& D36. ENNUI:
1 H7 ^) t# A& @ i (A) intimidation / Y5 c. W+ i# Z2 _; p" C1 x$ {
(B) sleaze
+ C( }' t3 o7 ]& b (C) faint recollection " g9 K% O" T/ N9 ?
(D) keen interest : V* Q& y; }9 R5 C
(E) deep reservation
, D# w& V0 U- L0 I z# i# S4 k+ U( O% k
37.DAUNTLESS:
8 R; I8 a; I% n(A) sophomoric
" `7 |" a4 C9 y8 o% g* L(B) trifling. F- t6 X; A/ |7 Z, P0 i$ m" R$ G
(C) pusillanimous, M5 J; X9 ]! O* g
(D) specious
8 s. P6 j& p5 Z# I(E) parsimonious( { D% R6 p5 n
5 O& c; m' s, c! l- q& p38.TEMERITY:
1 K( o) O) Q/ f) }. G(A) credibility
0 o1 i" q! O2 g0 k- c+ s(B) authority
]5 S0 R% v. i1 Z9 [(C) celebrity
3 y/ d" z4 Z0 @6 h1 O+ @' e/ a9 @/ m(D) acrimony
. J8 ^" K a \/ `& t$ x5 b- m(E) circumspection0 F" Q( u. s/ Q! r1 b$ N+ D6 p
) w. a2 n9 q9 f+ S7 a' V
7 y) Z6 |4 a( w, f* e1 G
H5 N* t: K) Q
SECTION 4
+ d6 }# u2 A: |8 h9 ?2 V/ gTime-30 minutes9 N# u9 X0 l3 t2 y$ q8 n
38 Questions2 c( |/ s/ E5 I. ^' R
- z/ S" N* y/ p. `
1. Although sales have continued to increase since last
4 Y) J5 C) T. v" Y6 h; o. i4 m0 w8 Q pApril, unfortunately the rate of increase has ----.
2 q2 p! u( V- V! j(A) resurged ) V7 s5 w* r0 ]' \: N& X7 Q% C
(B) capitulated
7 _6 `7 }$ T8 H6 w- P: x(C) retaliated : V g$ M X7 M- y, L* t
(D) persevered
, Q+ x( z C$ p6 \! T(E) decelerated
5 C9 K- i" m: d- h7 ]
5 [1 c1 |: G$ O' I6 d5 Y2. Although the mental process that creates a fresh and ; i5 H) H$ I' i3 z
original poem or drama is doubtless ---- that which 1 s* H$ G d( b+ t) I- }
originates and elaborates scientific discoveries, there 0 X0 T) z/ \8 m) l
is clearly a discernible difference between the crea-
0 q7 K9 o/ O3 l! `) S( F/ J) ytors & x" N/ q* b( `6 h9 [* f* h
(A) peripheral to
" E, ^7 e) O0 s(B) contiguous with , K+ v+ \* C! c% U. \8 V7 n
(C) opposed to % T* i$ ~2 ~8 g7 c7 x2 C6 g; G1 P. x0 G
(D) analogous to
, A" l0 J$ O" I5 z4 a, |(E) inconsistent with " F* J9 c# w6 t; @! K* t% f g& \
3 t: l! M3 W& {6 n8 F3. It is disappointing to note that the latest edition of
+ [: b/ h$ q0 |. P. othe bibliography belies its long-standing reputation # z; B4 D* \( {& M) j8 j
for ---- by ---- some significant references to % Q! a- C: T6 B4 `
recent publications.
1 a1 a/ T: ^5 I+ E5 W4 H3 G6 [(A) imprecision.. appropriating
( K. S! d0 r- ~& }(B) relevance.. adding
- \& ~6 `( V8 O1 n(C) timeliness.. updating
+ j) P0 W) a( ]# E, U/ Q7 h(D) meticulousness.. revising $ e; _1 E1 S; r
(E) exhaustiveness.. omitting ! b& u) g0 `( f7 ?! u3 Q
4. Although Simpson was ingenious at ---- to appear
( \& }6 K# P( o8 R' G- xinnovative and spontaneous, beneath the ruse he 9 E! o3 K# I7 s0 u# n
remained uninspired and rigid in his approach to
( w5 c6 ^( p/ D$ Z5 M: tproblem-solving. : i3 b9 ]; i/ ?6 [5 @5 y# Y
(A) intending
- [, K+ j7 u( p8 x9 C2 R/ |9 z(B) contriving 3 `) W! i. n: o( l5 J$ ~) a+ B
(C) forbearing
" \; b% n3 B [8 H1 V(D) declining ! \1 U- q; T: {% a
(E) deserving
) \) k2 S' O6 S, r+ t$ |( m6 ]$ E
7 k Z% e7 L l- G9 R5. She was criticized by her fellow lawyers not because * C: u1 U' j+ y' g) g( D- t/ B
she was not ----, but because she so ---- pre-
6 s3 ^, W( n% f1 R9 dpared her cases that she failed to bring the expected
3 w8 P7 G8 }6 |# B: E' tnumber to trial.
! r% Y- U+ V* v/ d(A) well versed.. knowledgeably " W. _* }; e& W4 k4 l5 F4 |
(B) well trained.. enthusiastically + q0 [' ]! R! B
(C) congenial.. rapidly
+ I' P" A6 `9 @3 f' |# O8 s(D) hardworking.. minutely ' J G( t9 I! g% _2 u
(E) astute.. efficiently ' \! { X- \5 N; O4 t1 m4 L
/ L1 K& [ ~ I2 G7 s- Z0 ^6. Schlesinger has recently assumed a conciliatory atti-6 V* g+ U& w5 q3 r; ~* f& } n# _
tude that is not ---- by his colleagues, who con-% x# K t% ~7 k$ w- I$ c
tinue to ---- compromise. - q( H! ^% e9 P
(A) eschewed.. dread
/ h G1 _% _8 V1 C# c(B) shared.. defend 0 d+ y3 ]2 a7 ^) F C4 |$ T
(C) questioned.. reject A. e5 y* z) m9 @ U
(D) understood.. advocate
: G; J+ @# M0 l(E) commended.. disparage
) y6 g2 L& Y, f( w) E" z5 ^5 O/ c( L( W) a9 h# Z. O$ ]8 K
7. The National Archives contain information so ---- + \5 V/ M. j; f! G6 w
that researchers have been known never to publish
7 a, t3 c. K N5 A. V+ Jbecause they cannot bear to bring their studies to an
7 X! [& q& ^. ]) Zend. ! }; L7 Y8 _4 K, }5 Q
(A) divisive
/ D. U* {( L( x# \; Z) H7 b: {(B) seductive 2 m; R4 A8 b% N/ s, I1 C5 F7 ^5 t
(C) selective
8 x/ e- s [/ G+ k3 p(D) repetitive
7 i) y* ~: m$ ?* j8 @6 \+ \4 w* S(E) resourceful
8 i' D2 t( U: b2 X0 I
' ?8 t: T5 i& O% t0 P3 I& }8. HILL: MOUNTAIN::
- n0 A1 j1 j8 X4 F. C1 h) Q. w (A) grass: rocks
9 A6 A) l) M/ \ (B) autumn: winter . r$ T0 K2 _! l' j
(C) creek: river
" J- [! H3 h: Y- J (D) star: sun 5 ^# Q& {& ~6 P T
(E) cliff: slope
M' I. r' m4 K2 X8 P4 b1 S9 O" p
9. AERATE: OXYGEN::
) ^% k& M" s ]; E, ?& Z( j: S9 d (A) eclipse: light
- A8 V' k, P5 k" ?* s) Y" I (B) desiccate: moisture
& x F) o4 q) D* y (C) precipitate: additive , W2 M# X0 [; X5 \ c6 e( i
(D) hydrate: water : k3 B8 W6 P- _7 K( R
(E) striate: texture
4 ?* |* n* c" l, V, s
; m6 y, W: t) x9 {8 x10. ORCHESTRA: MUSICIAN: 9 S6 S) h5 i3 c, D' g, f
(A) cube: side } T& q; a! j
(B) kilometer: meter
8 q& E* L3 @. g( Q7 ]/ \2 d0 K (C) sonnet: poem
2 ?' Y ~4 H' z# o3 j/ f (D) biped: foot+ h5 w4 S2 B: C' D( Z9 P
(E) pack: wolf ) K3 b# I. c% y. y8 { y4 M' i2 R
3 ~) Y. f, b4 p# d: d" K6 E
11. EQUIVOCATION: MISLEADING::# w- ~7 ~* D* R& _/ n5 R$ k% J" T8 N
(A) mitigation: severe ' b* C0 H2 t" l! @! V
(B) advice: peremptory
; K: \ R: i. h8 \; Z( s& |/ A (C) bromide: hackneyed # _( O' j! c! i! h( S# j
(D) precept: obedient # a7 g3 H! F- m$ b( |
(E) explanation: unintelligible 7 i2 \3 h; U! L1 g3 w4 S
3 T) Z7 `9 E4 v6 V
12. CENSORSHIP: COMMUNICATION::& b' B; }$ D/ [/ {) U h7 k* m
(A) propaganda: ideology ! r3 j4 l$ q I0 U
(B) preservative: decay
- m5 t- P) I% V o1 O. F9 F( m (C) revision: accuracy/ T, k* B# G1 R) q( W
(D) rest: atrophy
( `$ S% O5 T0 |, V/ P (E) exercise: fitness
~$ |) Q( P) V. ^) ^% H& _" ]8 Y6 a0 D$ f( g
13. BUS: PASSENGERS:
) H- F! {8 ~ i7 P6 X$ b% | (A) flock: birds
; O4 [& E: @, I' q' ^' R (B) tanker: liquid 0 k% c; j; R9 D# Q. v
(C) envelope: letter 2 w* F' }* \# x" C4 o& E" b0 `
(D) bin: coal
/ _4 A% u' ?8 d! q (E) automobile: gasoline . C+ O9 U& L' c- V7 {; y
. A- A2 ~& B2 J, }1 a, L14. BALLAD: STANZA::
3 z* C9 I8 q* a7 L! M7 }% Z# F6 k7 c (A) novel: chapter 5 J0 t/ ~, @& }" x5 w: ?4 O9 s4 ^. H
(B) poem: meter U; y9 }$ F, ^) q# O
(C) play: dialogue
/ v3 ^# m a' s* b$ g: ] (D) movie: script
& }; P0 @- j6 j/ k3 Y* p0 c (E) photograph: caption % Y2 u$ w U" V8 p" @" Q9 @
% r; s0 `0 k$ |* w- _+ k
15. DISABUSE: FALLACY::* L- _) _" b' N O8 s4 c& @9 [$ g0 E
(A) cure: disease , }" \2 a& U* R5 b. E
(B) persevere: dereliction R& B: ?+ \ }) A
(C) belittle: imperfection 5 p' I9 _4 i; v# V4 D
(D) discredit: reputation
* n* s8 v+ U# ^% F- X: [ (E) discern: discrimination
# S7 P3 ~* i- F" j% w: l/ e: k+ q [
4 E) W0 v+ a8 y16. BLANDISHMENT: CAJOLE::
+ K- @, H5 v% C/ ? (A) prediction: convince
; m# l4 ~, G% Y& _ (B) obstacle: impede
/ v6 ?2 g+ y9 L$ F3 P6 T (C) embellishment: praise
4 [% y% W! {8 t! Z0 ? (D) deficiency: compensate
" {5 Y T* K6 e5 U# k- n (E) compliment: exaggerate 0 d( s7 \2 [9 y4 p! p- G3 x
1 L: ?! Z/ ~* a0 d' K# ^
0 }, d% ]% o; _( ?( o- k1 R
28. DEBUT:# ^- w4 Y3 ~$ X" F
(A) collaboration
0 f% c. l/ E1 c5 T( E# c) X (B) monologue
4 c" g, M. j1 L* }& P" [# ~, a (C) farewell performance
$ j& B$ B; }" B2 n' _8 T (D) repertoire standard + ^( l! b! D3 p5 R
(E) starring role 6 T; a! u3 V3 u- X' a3 G1 r
9 x: _8 `; d4 M' D
29. WITHER:+ _" u, z3 K( ?* X1 a
(A) disagree : p6 g {5 ?+ H: y3 T# Q
(B) shine 3 G$ G: N5 W' p I: j
(C) plant 6 n; M# n% C1 P6 N: J$ R3 q
(D) adhere / ?9 V% j: g; ]0 s, w" n- U: U
(E) revive
4 {# N# A* R) b, V1 o. }* q1 [; F* D+ `
30. BUCK: 6 V/ Q8 W6 K6 x: ]- W
(A) cover over
4 v8 F* v9 b' \" ^2 n (B) assent to 7 D9 o% w+ e' d1 o
(C) brag about
: s/ |: j- w. Z (D) improve
) H8 u3 \1 y V: m (E) repair 3 H* k2 j1 v6 Z2 L. M; _
8 V# v* h( n3 O: D6 r# {7 K1 L
31. MEAN: ( `! K9 j% ^ A, f
(A) trusting
' J$ j% Q6 f. Z6 @ (B) ardent 8 Y/ J. e% N& p! W4 b! }
(C) clever
. Z6 ]) ]" F, q/ p- \( H& c (D) incautious
4 n0 T! j: P1 l7 ?$ H& ? (E) noble
+ G# \' y6 n ^0 V6 }$ K5 [1 p% S3 u0 m- G( l4 ?! W6 H1 `/ S( \3 \
32. ADJUNCT:
% d0 p+ t% p6 t& u m F (A) expert appraisal
( E2 t7 ^$ h2 T0 V# P1 Y (B) generous donation ! ]. o$ } b% j# ?7 l% c
(C) essential element
3 ]; ]$ V$ q; X9 B! m y( B9 S (D) mild reproof
) N5 D! g. u+ @7 n5 h (E) impartial judgment
5 @8 q: F% u' S) s& X) j" ]& V7 {4 O
33. CANONICAL:
: v+ z* a( L+ a) Y+ _ (A) imprecise
$ T7 s, D# E8 a! \2 b9 l- g- X (B) ubiquitous
* R# H7 y% E# ?" S9 t (C) superfluous
: q! M- C6 ~+ [. v& I (D) nontraditional
L/ a. T+ W/ `. J1 z6 E6 M (E) divisive / z- X8 C) f5 ]3 F# n4 k
" {2 h J$ u5 T6 s$ r34. TICKLISH:
8 J9 K7 c6 h/ V; x5 C+ \( U( \% {6 ^ (A) heavy-handed * e3 e$ n" j, c# ?! B
(B) significant , b; p4 d, U3 M X
(C) tolerant
% X; |* x$ {; p4 b: X; W7 L. F (D) impartial $ e6 w- L3 U1 f4 |
(E) imperturbable ' `& Z- i$ W7 t k" x
, D& A, e1 x v* V; d! l35. PREVALENT: 7 r) F6 Y, S9 x' R
(A) invasive
; T% y" E' L2 j7 }- Y O (B) inconsistent # j+ E- S5 X+ n6 k7 p
(C) indistinct k: w q8 `# ? F& Q
(D) unpalatable % x& }& o; B+ p4 I7 n
(E) unusual , v! j9 _* p. Y5 [2 T. r; Q
2 L5 }% V8 [/ ~& `36. PENURY: q& h/ U7 s5 H$ Z! @
(A) approbation " d) Y% [/ A W$ I- s/ k
(B) affluence
: N! T2 K, I5 S; W7 P! s (C) objectivity
* ^/ [9 A1 ^) v" A% F6 Y7 f (D) compensation
7 w" i: h; g4 X, ~, y9 E: Y+ p (E) grandiosity
% w1 l4 k i8 t3 ~' C, ]( c- H& H: K3 r; P: i( R: u5 x4 T. E( i
37. MINATORY: ; v. M T! L4 D9 V' ^& W
(A) convenient
7 e' u0 m& R4 d' J (B) nonthreatening 9 @5 g' r! [$ c" n% k
(C) straightforward |$ x w- a8 w O9 r
(D) fastidious
& `/ H/ c7 ^% M7 u (E) rational 7 C1 m, Q4 L/ W$ o2 g( ?& r
6 f* H4 f# z1 q4 V1 y
38. CALUMNIOUS: & k+ S1 U7 | N2 j2 H8 k0 j
(A) adept 0 j1 K! o. W) c) a$ U- G! t/ l
(B) aloof
: u7 \; ~; G+ @1 }' @' k# o (C) quaint
8 G0 a. X% E. d7 M7 P5 f (D) decorous [ A* b% n( s6 X8 M1 D, l
(E) flattering
+ n5 k) R1 _( l S! N4 f& j% w7 B# q u6 o- G7 L# m
( c& P' ?1 k. r' M: _2 u
V3 ]0 M m1 M$ [, S0 {. d! K# V) ~0 H" p# |0 h \2 C5 [5 h) @! T
; m9 z+ b/ v5 c, Y) I/ j
7 }+ }$ i" Q# j( O
SECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE
6 ~1 X% j1 U1 Z+ x; N1 U% G& a0 }9 k, ]SECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE
8 n; R8 n# y# \: VSECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE4 r) g& z3 F8 r; W3 C3 p, \
SECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE |
|