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6G冲刺模考讨论(四)% s4 |, {& ^, y* W' J: t4 S2 M
7 A2 {" D$ p$ Q7 {9 N
现在模考应该限时了. 同时也要练习涂答题卡.) W- p& ^) J$ ^
4 v A b0 @: J* W# j1 [/ g
7 i4 ^4 d. x% m: l0 I: m+ k
$ b, \2 S! i! {5 |SECTION 1
9 B8 ~: t/ M2 m1 NTime –30 minutes
! u' N) {9 U" V' _! b$ K38 Questions
5 i+ s, ]9 V; u0 k, H& C
{! P( v+ s3 x: l( o' m, Y& [1. Because the monkeys under study are ---- the
3 z3 |% Q/ ]1 U% d' o presence of human beings, they typically ----
# u" s( q, Q$ L$ k human observers and go about their business / C2 P' w" o- Q
(A) ambivalent about .. welcome + M+ c/ n: e! c, \ s5 I h# H8 ?) |
(B) habituated to .. disregard
) R; J% s3 `% K! p, ?1 F (C) pleased with .. snub
8 b0 [! X3 ` c$ @ (D) inhibited by .. seek
& E. R6 x; u; Q6 f2 k (E) unaware of .. avoid ) F3 }; N3 n# @7 x3 c
4 X S+ Q) k) b# f7 x2. Give he previously expressed interest and the
4 w* S n' P" l% _ambitious tone of her recent speeches, the senator's + l3 r/ o' C4 l
attempt to convince the public that she is not inter-
% Q* o. o" X) P7 N6 kested in running for a second term is ----.
* q! }' |9 m) |& Y# M# o. M9 S% {6 f (A) laudable
& A7 G& j$ c/ J (B) likely + W" |- F Y8 _% S$ P
(C) authentic
7 Y2 {8 ]7 Q8 z (D) futile
% W3 [* ?# T2 k, _! r9 T' `9 R4 e+ I (E) sincere
4 p% s5 H! ]& K5 U
1 r* f/ g+ I& g I7 z3. Many of her followers remain ---- to her, and
( ]7 e" K- l' i& }7 M6 ~/ j7 W0 J even those who have rejected her leadership are
/ m# K* r# \. a2 ~! q$ N& O unconvinced of the ---- of replacing her during , u- z& p( O" M
the current turmoil.
/ }4 X+ `$ R5 p8 d% [/ m- J5 g (A) opposed.. urgency ( V( C) \7 c* t# Q' Y
(B) friendly.. harm ; n6 [( W0 W* D6 u, C# O# Y/ x
(C) loyal.. wisdom
# |0 b7 o" s1 q3 v, w, w' o1 @ (D) cool.. usefulness ) m! G; e2 i; \
(E) sympathetic.. disadvantage $ X( R' m' S, _, u' c
. B+ a! F. s* L; O- x/ Z. X. ~
4. Unlike many recent interpretations of Beethoven's
1 O# y6 L% _& D8 f v5 o2 ?piano sonatas, the recitalist's performance was a
$ K( f3 k3 ]" `! i( V* Edelightfully free and introspective one; nevertheless, : R4 y. N0 H" Y
it was also, seemingly paradoxically, quite ----.
5 b" _6 J# t7 P8 R7 G (A) appealing
" v% E$ i1 ]9 k" I! d1 @$ ?6 y+ `! A; W (B) exuberant
+ p1 F; S' o0 c. a$ i* X (C) idiosyncratic
; z4 `1 J$ t4 h8 X' N- @4 \6 T- a (D) unskilled ' [" d( c: w' [ s4 z+ O+ u
(E) controlled 8 a! i4 Z7 C5 N
8 k! ^. ?& g. ?5. Species with relatively ---- metabolic rates, including 8 b5 g5 o& g5 ^- V7 M7 r8 M
hibernators, generally live longer than those whose : d- j! j2 o+ S/ ~# k( l
metabolic rates are more rapid.
% W2 `. ?7 a7 n4 {; ]1 h(A) prolific ( X" }3 z& u& p. a& b
(B) sedentary
# R! q: ?4 ~% U1 w P" b( ~ (C) sluggish
- q3 ^; [* L: _& D (D) measured
8 h, t6 p5 Y/ y' ?3 m (E) restive
/ m: c4 c" ]. Q6 j7 e' x
/ A7 J7 ^% D# Q# ^* f$ r7 n$ J6. Belying his earlier reputation for ---- as a negotiator, , F; e+ D% E; \, s5 h" F- i
Morgan had recently assumed a more ---- stance
' h" N$ s1 i) c* i. Wfor which many of his erstwhile critics praised him.
# S3 E s# p$ @# K (A) intransigence.. conciliatory 5 D7 c, g6 j1 i3 w. E- K
(B) impropriety.. intolerant $ n+ E$ p0 E3 e, w @: _2 o r
(C) inflexibility.. unreasonable - n7 R1 i% R* }. A/ h
(D) success.. authoritative ! H; J' a& q0 f5 I
(E) incompetence.. combative
' ^0 t* r+ J8 d$ m c% h5 M
! s3 A7 E2 i2 K7. Although Irish literature continued to flourish after
* k+ t" B9 s1 b5 W" M8 u4 Bthe sixteenth century, a ---- tradition is ----
' d5 l2 V. r4 g' R& oin the visual arts: we think about Irish culture in terms of ) I8 W6 }, i7 ~
the word, not in terms of pictorial images. ; F9 u! l2 t& r; z9 M
(A) rich.. superfluous / _" v4 T0 v7 e6 \2 Z* i9 H
(B) lively.. found 3 A% a! k) G1 a: T) u: Z4 [$ q
(C) comparable.. absent 7 b: L9 L( y1 p; }( F! o: X
(D) forgotten.. apparent ) M. Q% A# C8 S* @+ ?
(E) lost.. extant 7 x# i9 B0 Z) X& `; n% }
* K( R: m$ D% _; ` T( R
8. SILVER: TARNISH::
& {+ S! \9 P9 b' U/ \0 ?/ C7 p (A) gold: burnish
3 X) b# s1 b: x- v" U" o# `, a# H (B) steel: forge
) g# K7 `- S+ f2 u4 r# n (C) iron: rust
7 ?( v8 ?/ H+ F: r6 X (D) lead: cast ! @7 [: ]; y% ^1 o. x* z
(E) tin: shear ' I U! F; K: r0 v% k
. t: `% p3 b( y+ u- P4 k" @
9. DISLIKE: LOATHING:: . u2 g0 T( c# F* E
(A) appreciation: gratification
2 d. i8 Z- |+ J+ o3 f0 I. g (B) hunger: appetite 8 `& b+ `5 n0 L: b: \
(C) void: dearth
. {% Q3 y; A4 ^ (D) pleasure: bliss
1 O7 h# }5 q0 t0 o (E) pain: ache
5 ]6 Y5 g* b- p" u7 x$ F
R* @5 {5 N/ R3 |/ ]6 \ H10. CRAVEN: HEROIC::
( r6 @- u) X* V i9 U8 c (A) unruly: energetic
, E5 A v$ t* s3 T, p3 k4 R (B) listless: attractive
$ N/ ]( Q* F6 n) I! ]. K (C) volatile: constant
1 ]8 U, u4 Y: H (D) deft: trifling - V. w! X2 u4 t7 N3 |
(E) awkward: amusing 8 u. `! o" \5 ]0 J
$ b+ h9 o- |/ t+ t/ D
11. FILLY: HORSE:: ( N0 D- Q6 L, }1 e2 z [5 ?3 Q
(A) antennae: butterfly
5 N) Y* U! R: `0 L l1 w# V3 F (B) pullet: chicken
8 E9 T5 }9 q+ v x8 W (C) gaggle: goose * `8 n/ l$ p0 T7 w: X! V
(D) duck: drake : @! x1 O* W3 N, m0 j! U
(E) wasp: bee 8 K9 B, ^- J# @/ K' Q! g/ |
! S8 y2 r" g" Y12. PITHINESS: APHORISM:: 1 c6 W# k% Q! a5 L/ \
(A) craft: art 4 d9 P( @% |$ J
(B) detail: sketch
3 s2 c& H9 ^% |7 L Q (C) illusion: story 6 f0 p5 h$ ~0 g" l7 N2 n% m v5 G3 V
(D) exaggeration: caricature - ~6 M8 l; t3 N1 t0 O& g2 O0 f( g
(E) sophistication: farce
0 V5 Z: F- ?3 @ s' G, \, p. @. z# B
& I- ]. Y! v, R; I13. EPHEMERAL: ENDURING::
! K9 f9 w/ }5 D$ L1 p# ] (A) infirm: healing - g4 j: [; d: L E. l x3 X
(B) insensitive: cooperating
5 p; F6 Y4 f5 a' M (C) inanimate: living ! j8 s# W: `( J
(D) interminable: continuing * @& h5 h+ ]% B$ _ O) o' w
(E) ineffectual: proceeding
5 t) s- i. l5 p. p5 S3 D/ v$ [7 y% ?4 p8 ]. U
14. POSTURER: UNAFFECTED::
! H5 p3 x% l# n% J( X! x (A) brat: insolent U9 E2 m# a; F- F
(B) hypocrite: perceptive
; j4 L4 F& x" [/ u# K( g/ W3 v (C) grouch: respected 6 K5 M; Z, f% @, D
(D) bigot: tolerant
4 X: { A# o+ f& c (E) rogue: empathetic
' o! L. I# N; p; V, y: q* C/ B/ T# V* o( `% W, }
15. FACETIOUS: SPEECH::, w! S2 K% e; Y# g b% e" H7 o' S
(A) precocious: learning
- L4 [5 S/ q' ?1 \" j8 F1 m% l; E (B) unbecoming: color
9 q- \' W; ~* z: {7 n5 L" u (C) exemplary: conduct 7 Z5 R3 o( W) q" i; F+ [1 r3 L o
(D) craven: timidity
( |0 w5 n" A& O2 Z7 E9 A (E) antic: behavior 0 o# e. ~5 I# l
6 `; R) H4 D$ e% V
16. VAGARY: PREDICT::; A [. R7 y( x% C3 D
(A) quotation: misdirect
; P. Q0 _8 S1 U (B) investigation: confirm
: e8 F5 D+ n4 J' q7 t" l (C) stamina: deplete
2 f7 O I" ?' g- k (D) turbulence: upset 0 g7 f7 M0 f0 Q& e
(E) impossibility: execute
. ~% L3 M3 G6 R* `( E2 s: m5 q4 d' T& F# \' F$ s
28. PREFACE:
$ ]( Y2 g$ B0 b) X& C" X6 K' V/ F (A) improvisation
" e8 A( \* g* @% [" w/ _! g (B) burlesque ' Y5 {0 \; x5 S7 O
(C) epilogue " w. Q! s T* m z$ X1 F9 q
(D) tangent 0 l# X) |/ f i# ^
(E) backdrop / N- q' n4 F4 ]9 Y) o. m
8 c) A1 d& _+ G7 E8 V! Q% ^29. DEBILITATE:
# v( K; R: A8 N5 ^, P) J (A) implicate1 D4 s; y$ k; z8 K z( W$ V
(B) invigorate 7 a0 ?0 H+ S. g/ h
(C) obfuscate
4 R; ?- i+ _! r9 U, L9 ^5 u1 ` (D) realign + d+ T) L) l) u) v+ ^
(E) encumber
- ?/ q, C. w8 k4 x6 s( m
2 \2 v" P0 e6 t v' }30. TASTY: * x: _' a r1 E( }+ B% q
(A) uninteresting ! |+ E, H. \4 @/ W( K8 F
(B) unfamiliar " Q" z6 j- I" X, I' }- U8 _ B
(C) unexpected
6 o% E+ n* p R" l0 L8 e+ t1 W6 o: Z (D) understated : D( V2 N( U3 Z& k8 N) c$ O
(E) undervalued
. H+ h& D$ y9 F( r5 N
3 h [! G6 z Z3 u- y! T31. ABNEGATE: * `1 A: D1 Z0 [
(A) refresh 5 Q5 \. {4 l: c% U! }
(B) reaffirm * [( \4 m9 a0 L- n4 {
(C) relieve 3 }9 w# V! Y+ l- [7 F/ y. ~, r4 {+ G# b6 t! }
(D) react ' W; a7 E8 @" C) X6 T4 w
(E) reform 4 m' ?% U* H8 }( S2 A, i3 ?* Z$ s
9 {* k# Z5 f$ B5 A, I3 x32. SERRIED:
1 C5 q; F% b; C6 J4 O1 s (A) partially formed
# ?" i( ^, q& M% z5 u4 S, m+ G (B) widely separated L5 |1 {. i' ~6 [4 ~+ z8 @* C
(C) narrowly missed 4 y8 P; L3 T( c' f2 z/ R0 o
(D) extremely grateful 7 f* x3 i1 M) l1 B# ^
(E) reasonably clean j8 Y& z5 j0 r7 w
$ U$ z& H% }' z33. BOMBASTIC: " b. y T' b3 w# B; x4 m
(A) unflappable 9 A$ p% e/ Y+ h v$ K. O
(B) uninspired
! J& J/ F. B# ]/ c* v, |/ _1 S (C) unpretentious 5 u) V9 j% t. A6 s* W5 y! n6 |
(D) inscrutable
' t; X0 k1 m a (E) incisive
( @8 I8 h& U) R# Y% L( V) W9 _& x% C# z( v
34. BANAL:
8 e3 M9 D+ f. Z, d' A (A) comfortable 9 o$ u+ }6 P2 h0 P i+ F
(B) novel 6 o$ a! t+ v4 d( o
(C) equal - {& V( Z1 b* m& S9 u7 b! v/ Z
(D) fatal
3 b0 S/ }3 f; l: d4 |- x; k/ d (E) competent 9 ?3 A" Z# s. c% _
35. LANGUISH:
7 Q$ G' {- X- L7 q0 R (A) agitate
: a/ K" j: M$ S (B) wander
5 z- d2 I# F: `6 r4 I+ [ (C) relieve
' F/ Z* x! }" O# O2 k: W) C, a8 P7 I (D) discomfit , A e) g1 {% d3 x: \
(E) thrive - n, ~: y3 r6 K; ^5 d
- g8 c+ I( ~4 {/ |4 t: h9 X, s36. ENNUI: 5 a+ h% n5 {% ?: f3 V
(A) intimidation 9 X5 T6 V7 @ Q
(B) sleaze 3 X* C0 k% j: k0 c9 B
(C) faint recollection * T+ W, {5 S* \
(D) keen interest 2 o7 m; v& y1 {
(E) deep reservation 8 c$ ~$ v/ c) s( {
1 W6 A m0 v3 c' x' ~
37.DAUNTLESS:
7 x C: \: Z% X8 ~7 b0 I# y( y: l(A) sophomoric! U% B( w4 r' B* A4 ^3 H
(B) trifling
" l3 C* \8 e8 Q; T! H: c. U1 V(C) pusillanimous7 P; T* @( O$ _4 b6 ~
(D) specious+ i; o* A! {; h
(E) parsimonious
! Z3 _9 O6 r, [9 \8 E5 \* t( _- [* G' E& U4 _
38.TEMERITY:+ p/ @# M" C6 }+ F
(A) credibility
. P' n3 X. [: d5 d, a8 C(B) authority
1 _4 H) U9 x, z/ c8 D4 y3 h(C) celebrity' M6 @8 [% Q" T% e
(D) acrimony
5 ^5 y2 W& H1 S U6 E(E) circumspection; S1 \1 O% M v& l
7 Y! b X% g" a: ?* ?- ]# p3 O% J3 H0 f% ?% e @
& J5 [2 E4 [3 f, S7 u' VSECTION 4( t: p* g8 o/ w1 r
Time-30 minutes
) w! C# J0 \& F) _) m38 Questions1 s1 d! x! b' j5 {4 Q. O3 m: d
/ M2 J6 q# o' k
1. Although sales have continued to increase since last + t7 U! g) S0 ? u* v& L) Z! T
April, unfortunately the rate of increase has ----.
3 Y9 p0 c& O; U' o(A) resurged 5 [- \+ W/ W; a4 }! m- [
(B) capitulated 1 l) {* w, h$ L
(C) retaliated 6 `+ X$ \7 p- r9 t/ ~/ g' M/ k
(D) persevered
# P/ D/ r( ^$ w/ t(E) decelerated 7 q5 j; V2 m$ Z2 K" J% e
) ]3 |% V# ~. o; L7 ] r( V& O+ P
2. Although the mental process that creates a fresh and 5 u3 l9 a) w( r# d
original poem or drama is doubtless ---- that which $ V1 @" ]6 Z$ e2 P
originates and elaborates scientific discoveries, there * H' i+ r. |8 M& C* ?, p
is clearly a discernible difference between the crea-
2 w9 t- j+ Q3 }$ n/ o! q Ators 2 ~9 F7 f1 y. V3 w
(A) peripheral to
/ ^( V/ I& f* _9 T0 M6 f' d(B) contiguous with & H1 O3 y$ y" D/ R, Z; G9 O5 `
(C) opposed to ; ]" `4 U# Q: b5 n6 `
(D) analogous to + k d) ?. r& Z5 W
(E) inconsistent with
6 P. u: N1 J# ]8 `' V! ?% x; X* _$ P, q
3. It is disappointing to note that the latest edition of 6 x' ^7 H9 _2 b( l" O8 l
the bibliography belies its long-standing reputation 9 ?$ v7 `7 o o9 {8 L7 `! t
for ---- by ---- some significant references to
. ] l0 L/ u& i0 n- {- I. lrecent publications. ( D; d& \# b. y2 N- l1 R, z+ e
(A) imprecision.. appropriating % S7 B I& l8 J2 v' G. D" K- a
(B) relevance.. adding " r" B7 w+ W" t
(C) timeliness.. updating
~ u' B1 g& l: A+ b0 I(D) meticulousness.. revising 0 j! o/ F8 y4 f
(E) exhaustiveness.. omitting $ A S% c4 G' z" V9 k
4. Although Simpson was ingenious at ---- to appear - |0 c- l( X- {& u* D
innovative and spontaneous, beneath the ruse he
: n8 e' Z1 S, Y; Z mremained uninspired and rigid in his approach to & Z P1 O1 Q5 B. f) E1 p% D
problem-solving. % ^" z9 ^9 @: Y3 e0 |+ C
(A) intending
6 F6 M9 T- H" j% h) t(B) contriving
8 j& @ {; _( L& b# ? l% Z/ h& V(C) forbearing
4 ]# j3 X) R& T0 b(D) declining 4 M2 ?: n6 \8 O* o0 _
(E) deserving 6 v+ N" l( Z# d U; l: f
( X# E. W. g9 s R0 h& J5. She was criticized by her fellow lawyers not because
% n8 e9 ? Q9 o6 H0 jshe was not ----, but because she so ---- pre-% O' p8 n' W/ J* U7 V1 b- s9 d
pared her cases that she failed to bring the expected
4 K( J v5 k9 Z/ z' M/ q; Cnumber to trial.
" d( @* t' d9 E, A$ g* M(A) well versed.. knowledgeably " c" H7 e/ M' c1 c0 A% c2 K
(B) well trained.. enthusiastically . w3 b E& M# L, `+ i: k
(C) congenial.. rapidly
. |6 I3 @/ [, ?(D) hardworking.. minutely 2 Q2 U7 v+ [ R
(E) astute.. efficiently
: Q/ W |0 R0 ?* l3 |, u6 L0 o- @1 t7 I% ?9 O3 _
6. Schlesinger has recently assumed a conciliatory atti-) F" a S) @- G7 O) M7 ^: D; |( b' _
tude that is not ---- by his colleagues, who con-3 m# ]5 x4 m, Q7 V1 H! {- ^" r6 c
tinue to ---- compromise. % K& u4 v) {1 P+ {
(A) eschewed.. dread
9 _6 L- i& |3 p# E8 u(B) shared.. defend 4 r5 o ~" T; a6 u, P( ~
(C) questioned.. reject ( _. Y: w# S' P: m5 E( z
(D) understood.. advocate
3 P9 p. `8 u; Z# m! F6 m2 k(E) commended.. disparage
8 O. u6 m5 h# x. k( b; z# j7 e. z5 N5 B. X9 [% M: Z4 z
7. The National Archives contain information so ---- ; b" F* Z$ ?. U" ^ X8 Z. s
that researchers have been known never to publish 0 Z0 x& q2 s8 W6 o O7 U' l# }
because they cannot bear to bring their studies to an
6 K. V5 l9 j7 ?; Mend. 6 E! {2 h0 }, ]; \3 G: ?& f
(A) divisive 9 U0 R- E% X( J' h8 D
(B) seductive * }' P! F& l O, p" g" l2 u9 I
(C) selective # F6 ^' H+ E6 ~ d. [- I S0 e
(D) repetitive
5 j7 L$ q' V) _0 N7 Y& I6 [(E) resourceful 2 |. H. l- [ F3 k3 D- h7 p
! \/ u# D W- d a: \+ G2 r
8. HILL: MOUNTAIN::
5 [+ j7 T% B2 a/ z& i (A) grass: rocks 0 M1 u' {; a8 Y# X
(B) autumn: winter ' V, n6 i4 T3 y6 B5 _7 K& p3 W
(C) creek: river
2 H4 p, V4 c4 W: k0 d (D) star: sun ; c. S0 t k' i) O
(E) cliff: slope
3 k- W/ Q! E, T; C, r3 S, z: P
: l& w9 f" E! R! @3 n6 j/ w9. AERATE: OXYGEN::$ r9 _, j9 ~4 [4 I
(A) eclipse: light
3 L4 s( l* R. K- i5 F (B) desiccate: moisture # Z5 a7 p% @$ I* @' V
(C) precipitate: additive ' Y: W, P; e* V; f r
(D) hydrate: water
; \% ]8 |; c# R" W (E) striate: texture
4 W, h6 B9 X* V1 O( p- Z2 |& ?4 F3 T( h6 T) f3 }
10. ORCHESTRA: MUSICIAN:
5 q5 J: ~ y5 i6 `) f+ h1 u# G( Y& \ (A) cube: side 9 G0 H @4 `) ?$ U6 q& c4 H
(B) kilometer: meter
. V8 ]# t, Y# A7 A" k (C) sonnet: poem K; z. W2 N6 L. d1 I# N
(D) biped: foot7 H% d3 P( @7 u
(E) pack: wolf
1 Y5 f: \8 L+ t0 f5 k" U! T9 r, U5 H [# Q- \% G
11. EQUIVOCATION: MISLEADING::7 a# \; @) N+ d2 T
(A) mitigation: severe . k, ]& Q' E( i& V, `4 s* D
(B) advice: peremptory $ e' o C2 ^: j
(C) bromide: hackneyed 6 m- R& Q, @- G- N# ?5 p) [6 K
(D) precept: obedient + n& C: p6 }% x
(E) explanation: unintelligible 8 H4 J$ l1 B" M$ H
6 ^: \0 I/ J/ i" }" u% W1 Y
12. CENSORSHIP: COMMUNICATION::$ ^5 Q. V3 T% n! @0 J/ {+ x
(A) propaganda: ideology
: K/ _% k% @% z" k7 a (B) preservative: decay 7 B3 b: u; Q2 g& t) ~! N, F
(C) revision: accuracy
; x3 g0 f+ t5 ?9 m (D) rest: atrophy
' m3 z) _8 b7 j- G% w (E) exercise: fitness & `' S2 V/ }# W* y* }
/ _7 D5 `3 S* a' S T3 X3 x! _
13. BUS: PASSENGERS: N T/ |, `, e3 R5 g
(A) flock: birds 5 M2 m* N: ^4 \9 n9 B$ A/ O7 c
(B) tanker: liquid
6 _- m6 w1 r; ]5 s: x( m0 X (C) envelope: letter
( P1 f/ c1 @( o4 K( h/ w" o (D) bin: coal ' r$ {$ i# t4 e& O8 |
(E) automobile: gasoline
! { |) F. @; K: k8 M& r& I- [0 H4 _: \* r! B+ S
14. BALLAD: STANZA::
: D$ v0 F$ g; l3 _* |- @+ M- J (A) novel: chapter 4 g9 i3 ^ d; h" Z; V4 M
(B) poem: meter 3 _0 d3 k# g6 W: q$ q3 g0 }) x
(C) play: dialogue ! k7 p8 F9 ?; y! E4 x# ]1 E
(D) movie: script
0 |! Q8 Y3 h! c( M3 M (E) photograph: caption / t- P2 H ^# j, G
+ y' o& l7 G. [% h* u( n15. DISABUSE: FALLACY::
! o1 I7 ?; O* a& d1 Q* _: m& J (A) cure: disease
8 v7 @3 Y( K( j (B) persevere: dereliction
1 @+ h" R- C* i5 r& U (C) belittle: imperfection
" X6 l; l5 A: D! x. c% G (D) discredit: reputation 6 y! x; ?7 u8 X+ `* W
(E) discern: discrimination " J3 R4 C" |- \. x7 l+ n
7 a' W2 |9 v, Y ^
16. BLANDISHMENT: CAJOLE::& Y6 D% @0 h/ C
(A) prediction: convince
- z4 \6 h4 a) Z+ A9 t (B) obstacle: impede . z3 [5 T9 n9 e1 z
(C) embellishment: praise
# q8 S m2 _8 B. Q; E (D) deficiency: compensate
4 c! X- \& M& R! z. N2 f (E) compliment: exaggerate
z- C' t5 v0 t8 `0 q* y- A5 [8 q( X6 {. j; U3 a, I$ B
- Y Y6 z" E1 S; [; A* X2 l28. DEBUT:8 f! f C- r6 T& [6 L2 X- M
(A) collaboration
a, C h9 A/ A (B) monologue # s& l1 K6 _- K* e4 |
(C) farewell performance $ e0 ~: [. w- z
(D) repertoire standard
+ o4 }8 {8 k ~/ ^$ [2 E6 L3 ~ (E) starring role ( m0 [* q1 L' X& f! E: B3 e1 O( k+ l
( _8 ^; B/ @. U/ T K( q29. WITHER:
0 _: V3 u* W! ]4 o: w; @ (A) disagree
]; X+ g) s' s2 X. c; Z$ v$ P- d, u (B) shine 9 a ^4 i5 W: w C/ V$ s& D* B
(C) plant ! E/ F: i' O+ F8 ]! B
(D) adhere
+ F9 p) J) Z' @' S; U# C (E) revive * }! _, |4 {8 Z6 H# f7 V
i# r" H4 @2 ~1 V8 p" h* L5 l1 i1 R30. BUCK:
* d- N% b+ E" d9 ~# B (A) cover over
9 N" o$ L$ F, p% R$ f8 ~ (B) assent to 4 z# a, K1 U# {/ l4 z) Q; V! M% o
(C) brag about 7 t8 G" a& V9 |# f& F! j4 i2 U
(D) improve
/ S9 T8 I6 R& `4 O& a" d' E/ H (E) repair
* X6 V" B# L7 Q8 `' a# }# p0 q% u+ a$ }3 [7 k- G
31. MEAN:
* d$ h) o( \4 {" h7 O8 Q (A) trusting
4 t# d" r9 x' w/ b5 o6 ?1 W (B) ardent : `. H6 Z- m9 B+ D: j5 L
(C) clever
4 D) m3 \0 F, |5 L (D) incautious
* ] \& \. C1 {7 H. Q" Q' t (E) noble
f+ H4 F' h. c: w2 i2 \) p6 A G( t. X1 X, o$ B0 [5 D* M
32. ADJUNCT:
6 K0 \. g8 Q9 l% t4 B. ?" c (A) expert appraisal
- G6 d# z8 @* @! G (B) generous donation
7 N2 t+ B2 ]! w, s (C) essential element 4 U# x) `. |' S3 ~2 O; C( n% g' v
(D) mild reproof
3 k1 c! O0 t( s( H5 u4 O (E) impartial judgment * s7 G' O, ]" T$ H3 J8 B
( W: e* e+ f. Z+ X h" o* {33. CANONICAL:
$ ]: a4 X" W6 @ (A) imprecise 3 c2 E% c- m+ C1 G2 J2 z. h! Y0 u
(B) ubiquitous
& D- S* C$ R( |" d3 e: T (C) superfluous
- A/ }! z) [0 N m (D) nontraditional . h# n. j. ^/ S6 S
(E) divisive * x) U2 l) P4 r5 k7 F
- _( t1 E! D; @+ j" ^# c3 A6 t" b34. TICKLISH: + B5 O" F$ l+ M% J
(A) heavy-handed 5 Z; `" Y& y6 ~
(B) significant
& ]; P5 n8 H+ K) b& y2 { (C) tolerant 5 q% \4 N) C+ [4 f" A& U
(D) impartial
: [: m' O5 W; f' \: ^: s (E) imperturbable
2 Y2 W+ v! I" P- R, Q9 }+ A0 t" m: A9 L5 n$ B
35. PREVALENT:
# y% t0 j; C8 x2 h (A) invasive : J _% {5 V& C: a: ~ e* r
(B) inconsistent
2 J+ H8 O }: M: p& I (C) indistinct
_( T: S: |: h6 j3 H: B (D) unpalatable " d! K' V: H( c
(E) unusual 0 g, ~- b C" I: n
! b9 {* L: k. L' N, ~36. PENURY:
0 f# A6 e5 |" C1 m* d3 D/ ? (A) approbation
) q) u$ H/ e9 t6 ?- f# j8 F- m+ z (B) affluence
: |) o" ]' J! F (C) objectivity
- t. u; l4 W, D) @# ^7 _ (D) compensation
) L. j3 u7 m+ @' R2 l' [: |; p& I; u: V (E) grandiosity
& O$ E& ~; F) |3 z/ q3 I: d" D1 ~4 H- W! N9 j9 g
37. MINATORY:
0 a5 U t7 ^8 z Z (A) convenient 4 C) v% A" j2 m2 {' m
(B) nonthreatening 3 r- l( }' s8 S
(C) straightforward 0 S* d! ~8 J9 f0 _' i- E+ \) @( N
(D) fastidious - Q- i( K/ @6 S& F. G8 l# N" A
(E) rational 6 ~& |9 u) W+ s2 K$ @7 z
( @2 a2 ^) _0 F! z
38. CALUMNIOUS: # H9 F U6 I3 D/ N3 q
(A) adept
+ l* M- w* X' J# L9 }3 _6 w, u (B) aloof
* e6 o9 E7 o: _4 K (C) quaint
7 q. }& U3 r7 {2 B ?( j (D) decorous
' V) z5 f. R2 z" o. l+ D. e (E) flattering 2 ?7 R# L1 G* W. x* e0 T' ]
; Z5 y k' m7 Q; d
/ G# W; S* j- b0 }' W/ S4 L' H1 x1 ~1 j" ~6 k% j, r& |2 a0 y& \( F/ K8 w6 B
+ J- ^8 f! |" U/ N
+ m$ r* c, i& h# h
9 [4 H8 @; x+ G6 O# YSECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE. x( c( S- B5 U
SECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE3 f, W+ I3 Z1 q# Y
SECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE
g7 o) Z' K# W7 X% w4 QSECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE |
|
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发表于 2005-6-2 10:06:39
发表于 2005-6-2 11:20:54
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