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6G冲刺模考讨论(四)( Q& e" g% b1 \% n6 d' o
5 M8 h! n& ]3 c N1 ]* A6 R6 ~现在模考应该限时了. 同时也要练习涂答题卡.2 A( c. y4 u/ ^7 p' ^; y
* k$ ~! a" y- M( W) q+ {! s
% P. O7 L$ w) }
& q7 P# M/ X- ^( R) XSECTION 1& P/ A0 u. Z& ]* y
Time –30 minutes
) l- `$ P% P: `( a/ X* l* K R1 S/ M38 Questions+ i3 f8 e2 i% Y
; F1 ~9 _: M U% q% f3 e
1. Because the monkeys under study are ---- the , l& y! i/ c4 @! M. [7 w
presence of human beings, they typically ----
! J+ r/ f* O _5 B2 B8 I human observers and go about their business , m/ x5 G" g \
(A) ambivalent about .. welcome
4 m6 O- K M; v8 o( ? (B) habituated to .. disregard 2 @- p, O- f. Q
(C) pleased with .. snub 4 ^$ C4 A# l% F3 a6 a9 L3 ?
(D) inhibited by .. seek ! t6 w- R$ P( K$ F9 D& c' A4 G
(E) unaware of .. avoid
. `& J3 r! o# I
4 o: ]- q# c- F8 w( j5 E: L( S2. Give he previously expressed interest and the " ^: A: P4 ^; c/ o5 W7 Q7 B
ambitious tone of her recent speeches, the senator's $ Y. u2 P5 O0 P
attempt to convince the public that she is not inter-9 ?: _. e& _& u( \8 b7 ~
ested in running for a second term is ----.7 `& [; Z# n% V" D" E
(A) laudable 9 y& _: [' g0 `, T& j# n
(B) likely
/ l# j" f$ R* e% T0 r. n& G$ r, q2 [ (C) authentic ( ^2 k: K6 c( C" v; V- h+ T
(D) futile
' o, E( {! g" J, k (E) sincere
I) W! z/ Z1 L! R; D3 @
+ ?0 {4 ]: z' O8 r8 Q3. Many of her followers remain ---- to her, and 6 h. K7 t8 t2 Z
even those who have rejected her leadership are
( Q& q! B* V/ y" H' p unconvinced of the ---- of replacing her during 0 G, r/ @3 P5 F9 B; {# z% e
the current turmoil. ( u L+ A: ^" F1 U2 k: I
(A) opposed.. urgency
6 a, o5 | V M2 J9 _+ N (B) friendly.. harm " t# q- H7 T/ i* ]/ ~6 Z
(C) loyal.. wisdom
# M# [0 W; z* C (D) cool.. usefulness
7 d) n% e$ Y |' g6 Z* s (E) sympathetic.. disadvantage & t& Y6 }" }: U9 s) J5 e6 s8 }
/ J3 c2 p0 H* S& ?1 T
4. Unlike many recent interpretations of Beethoven's
4 c8 k# x9 W7 mpiano sonatas, the recitalist's performance was a 2 x2 i1 L8 }! O4 K; p! R/ P
delightfully free and introspective one; nevertheless, $ i1 v1 O" r- t) n6 p" o2 {
it was also, seemingly paradoxically, quite ----.0 L) v* ^1 D0 L' H( q8 z3 ?
(A) appealing % g4 W- X' K9 Y
(B) exuberant : c2 s+ \. ?5 S
(C) idiosyncratic . g7 q" R* ?: J) d) V4 v
(D) unskilled
. s6 s# O# v% k2 p (E) controlled ) A5 `; _# x6 Y
+ M% b# [- U6 q# e2 x- [5. Species with relatively ---- metabolic rates, including
2 u9 O8 S/ Q: L/ _ ^hibernators, generally live longer than those whose
$ M4 ^: a0 |5 l* a6 D% s6 N( K" Pmetabolic rates are more rapid.
% u% @3 J8 C. {' c, G(A) prolific - c: e- @" H. P5 ~, ? Y
(B) sedentary 4 R& j4 L" f% a9 k0 J8 D8 r; `
(C) sluggish 1 [# i% R+ v. d4 u( |6 K
(D) measured + {, p) b+ l' p( P. u* V
(E) restive & Z% Z2 s. |0 V* O. D
6 x- M: y8 K. E! B* }! M0 I
6. Belying his earlier reputation for ---- as a negotiator, 0 A! d( ^2 F9 i
Morgan had recently assumed a more ---- stance 1 k1 T. j4 b8 h- d) h/ a6 ]/ K
for which many of his erstwhile critics praised him. " [5 N9 h/ T% d5 P
(A) intransigence.. conciliatory - `+ x* N2 T! d, f8 y
(B) impropriety.. intolerant
3 Z1 N2 E" F5 p* D (C) inflexibility.. unreasonable
/ |3 E2 b! J/ l# ]* @ (D) success.. authoritative 0 C! \2 ^5 H4 c- X+ v3 U$ ]: z5 T
(E) incompetence.. combative ! o' Q* g8 \* N4 v* N3 P" h
( W- y) ?: s2 @# B) Z1 ^3 @+ W" n& B7. Although Irish literature continued to flourish after
5 E0 k& Y2 S9 Tthe sixteenth century, a ---- tradition is ---- % g2 r* N) Q" U8 j2 [; m, S I
in the visual arts: we think about Irish culture in terms of 4 Q/ m7 O6 P. H, |+ c0 V9 J
the word, not in terms of pictorial images.
7 e( u2 k' T1 i5 ]: _4 m% _2 J(A) rich.. superfluous $ H$ F8 c/ H3 q) v5 a
(B) lively.. found 4 d2 {- a0 |: e' n E
(C) comparable.. absent
; P9 L2 W' {3 y( N (D) forgotten.. apparent 1 P+ i0 _) C2 R9 j) `- j
(E) lost.. extant
a, j$ W) P9 f3 ^) j% j0 \; l2 N c5 c r8 B# _9 G
8. SILVER: TARNISH::8 G( z" ~9 Z# Q; S! Y1 M8 @8 j
(A) gold: burnish + ?. B7 x7 v/ C% T$ V$ n
(B) steel: forge
# h8 k. v: @+ T2 @4 x9 S6 l. [9 \ (C) iron: rust 4 o- b* h. R( s, w; d
(D) lead: cast 8 |3 ]" s/ F2 a& r
(E) tin: shear
3 g7 J+ _1 H1 Z. ]& `# c4 F4 D; g. D0 W" u0 G: Z
9. DISLIKE: LOATHING:: % Y0 V1 e0 K# f# u
(A) appreciation: gratification ! u+ i! [9 U9 @; y
(B) hunger: appetite
* {; o: L. o: W5 _% B- F" W' \! W (C) void: dearth 5 l0 J8 G7 R: }% m, I. F8 @7 u1 m
(D) pleasure: bliss
( f& p0 v( G1 s6 G( S (E) pain: ache
& \! J, c+ }/ d5 o- w2 r3 N5 ^8 U2 U. G5 Q3 t
10. CRAVEN: HEROIC:: , w5 b3 s# I3 g7 M( f( {6 P, }( p
(A) unruly: energetic
' U6 X4 D* w* b1 u (B) listless: attractive , P3 Z8 M; i% H& B
(C) volatile: constant
3 {" B, O D" \ a( a (D) deft: trifling
& d" q' a& O& r (E) awkward: amusing # f4 u* h; J5 r( K5 B4 p3 G2 w
0 U/ D2 K7 [( F11. FILLY: HORSE:: ; |6 A$ L3 _! F) e" R
(A) antennae: butterfly ; [4 X. m, v9 G# g) R( O% z
(B) pullet: chicken 2 v+ V. N3 ?: F# K
(C) gaggle: goose
# d* C$ Q2 B% r) [% i (D) duck: drake 3 m; b0 G/ [# W
(E) wasp: bee
+ _1 y5 U" c7 X: ]2 j, j1 n" N. p% ^1 b
12. PITHINESS: APHORISM:: 6 S L2 Y# f: H2 `* v3 A1 u! ^: n' r
(A) craft: art 0 A' B! U2 Y: }- M) E: ]
(B) detail: sketch
, J0 ~' A% `, a, L; u* F% S3 S6 n. c (C) illusion: story g3 w0 N; Q" Y: p% X9 ~, e
(D) exaggeration: caricature 1 M+ u3 A6 I3 X
(E) sophistication: farce
, q$ Z4 v ^0 n' A; z9 H9 W2 O; X! i
13. EPHEMERAL: ENDURING:: 6 P% e' g* g5 X0 t+ _
(A) infirm: healing
; C- t; G- B/ A (B) insensitive: cooperating
1 q" L6 e) G& U" ?! D# _& r; D9 ] (C) inanimate: living
* y h" x1 H/ D( _ (D) interminable: continuing
4 T# _( e, r- K5 ]* o( ]+ c (E) ineffectual: proceeding
- j* P# _, }( B/ l. ?- u; I L5 z! A0 O
14. POSTURER: UNAFFECTED::
$ N! W5 n2 T' A: F# M (A) brat: insolent
! O* ^4 c- @( \' P$ R/ X+ u (B) hypocrite: perceptive
! Y1 g7 X, d' d (C) grouch: respected " P3 O; v8 ~$ Q8 }
(D) bigot: tolerant * X7 J6 o* m, F% v8 }9 s
(E) rogue: empathetic 5 k8 N/ L6 h% l
3 ^0 P3 Q/ c! g$ c1 v15. FACETIOUS: SPEECH::- `+ W$ B$ ^- I* F. W
(A) precocious: learning
5 a& R3 K. S6 a, Q0 A (B) unbecoming: color
! }6 D1 S1 D7 P6 W- z (C) exemplary: conduct
5 T, _7 b9 Q( h% t' U2 v; n) Q (D) craven: timidity
* d, U6 T7 E+ w7 C9 S2 P6 u/ q8 ^ (E) antic: behavior
! s5 I) W7 D7 N6 J& A$ [& Y1 v- |5 L5 D
16. VAGARY: PREDICT::& q: n$ R7 [7 @: {* {2 |
(A) quotation: misdirect 7 c4 Y9 ]. L4 k [
(B) investigation: confirm 9 U8 L, o4 u$ R/ p+ M
(C) stamina: deplete " ]! @) D* s' s
(D) turbulence: upset 3 g8 c* V7 M9 Q! H _2 U8 M7 k# M
(E) impossibility: execute $ f0 {9 w; u2 ~
- q9 D7 K; H! V* g% S2 B
28. PREFACE: $ P# B! W4 p* w- M+ V2 [
(A) improvisation
# D& u% V7 V0 d( D- Z6 N a (B) burlesque
0 j4 k+ q7 \2 M. _ t (C) epilogue
6 u3 J# _) d$ Q: H/ R4 R' E$ ^* @. f% r (D) tangent
7 @6 h1 L& [ v4 O' p8 O, n5 { (E) backdrop
/ C7 `% m% H3 r0 h" O) m3 I' r$ ~2 l7 z$ V
29. DEBILITATE: * E3 ^/ H' R# U) M
(A) implicate/ a; T0 |% q8 F8 r% q( o
(B) invigorate
5 P5 F p/ k# V0 n+ i (C) obfuscate
) H. h9 }" ~6 c$ l$ R! [ (D) realign
: u! |0 H3 {% H3 p (E) encumber
' c( U' T5 p9 U( W$ n' [
" y6 i+ r' d( `, H" K& S30. TASTY: , W. F" ~+ K' `' `; `7 _! T/ s
(A) uninteresting
8 e( g. j" g! J" Q6 J (B) unfamiliar 3 R* g) k# @% H. C
(C) unexpected
- ~0 X% w' b \1 ~5 t (D) understated
5 y% x9 W( C0 a (E) undervalued
. n; W+ a/ y! @
- ~+ q) S% J' C8 p: m) F31. ABNEGATE:
, b% s* |! N5 W5 r (A) refresh
# O' e& w8 r( d7 M8 t5 h (B) reaffirm . L4 _- b) d7 {" P
(C) relieve
4 `6 B6 V& I/ I1 G (D) react w- U. k$ O, U" w5 x+ g5 v0 C
(E) reform
6 K$ K& I9 O4 e4 O& e; V, E1 H8 |
- N/ o: d1 P2 h: a/ }7 Y% i32. SERRIED:
) n7 A7 e! e! p& C5 j; }# g2 q( T (A) partially formed 1 {0 O8 A! p' Q
(B) widely separated
% p1 q; }! r* h# [' g2 o8 ]' ]1 F1 G (C) narrowly missed
& r' b, M( H2 R$ z+ Z. j8 ` (D) extremely grateful + L9 z5 q2 l' x" d8 Y# t
(E) reasonably clean
4 w: d! w3 Y5 i! o
8 U+ ^: u1 y' G- m( D* e33. BOMBASTIC: 5 V7 v! f' `) V/ x" W1 Y8 E* b
(A) unflappable ! r3 [6 ^7 y; x
(B) uninspired 4 i6 J9 a3 _! G+ S0 {% i- m6 C: s
(C) unpretentious % Y4 `! w) X6 W# E C, |
(D) inscrutable , _7 ~- ]3 p, ?) r
(E) incisive
3 }, B3 e# \/ `0 U8 S2 ~) R" q6 `! o( Q& m* F2 v5 q9 U" @
34. BANAL: 8 x7 j& O* X7 S3 Q+ ?0 g* H
(A) comfortable - N0 b( E1 L& C6 U/ c* e+ F
(B) novel
* O5 O- E% r+ E' T: x8 R- p (C) equal
. p7 E8 \8 E4 e; _1 o0 s (D) fatal * B" M) J2 E+ R& _. x2 |
(E) competent
' s1 h5 z4 |! ~4 y4 F+ d7 F! k35. LANGUISH:
7 h, d. ~" O4 K* d& r$ Y (A) agitate
9 t$ G3 t- N% t. P( i (B) wander : }5 i5 H1 c) c$ c/ |" C7 Y, W* P
(C) relieve z, C- I9 r9 z$ X$ O
(D) discomfit
# D) W8 p8 Z4 Q (E) thrive
! b* \* n9 z& a8 r6 Y; ?+ Q
7 M& G# Z# l& j* t j36. ENNUI:
" i9 ?2 `# x* x3 X1 J9 L (A) intimidation
7 K. x9 F. M) v# P& e (B) sleaze
& L( K' E9 T/ n/ q. M/ P (C) faint recollection ) z' ~) L2 \$ d6 r0 \
(D) keen interest # ?. T# u8 n* ^6 n' t! g; ?# D1 v
(E) deep reservation
, q0 R# B n- W+ M7 g9 e, `1 ]& w4 s6 s* k
37.DAUNTLESS:# e2 y; Y i+ x7 M" q+ C8 H
(A) sophomoric O, u/ I; j g) A
(B) trifling
" r j, ]" q! E( u2 H1 ](C) pusillanimous
% g$ [' M! W+ Z; i4 c(D) specious
. R6 s. k1 a* W3 X( A(E) parsimonious+ z2 B0 Z6 w& O* \" e$ T' B3 N/ `3 n
0 `6 C- G8 @: h! C7 r0 {9 {
38.TEMERITY:
6 f0 @3 ^8 m0 O6 J1 J(A) credibility
& Q! @3 a4 X j& o(B) authority5 @! Y" \. E0 Y4 m" ]' `3 }
(C) celebrity" b0 i4 ? e+ |2 f g- G
(D) acrimony
& ]- M9 _/ s& V. D. @& X9 a% c( c(E) circumspection; @2 l$ g; X# m4 ]
% f7 R$ N: {7 r; s! I( G- k& g1 D
) \7 ]# Q5 a: Z, C; Y% K: {5 \: {. D6 R
SECTION 4
W V( K( H1 B& ^Time-30 minutes, t( z" p$ i1 `4 o. q8 Y
38 Questions
# L" c7 r" r( ]# [4 U# t! y& i" z' A3 _5 ]1 a6 x3 q
1. Although sales have continued to increase since last
! u. {$ X' q- M: B2 kApril, unfortunately the rate of increase has ----.9 ^0 d: e: M. s9 z2 K' [4 K
(A) resurged 5 {( u* Q2 X9 W% ]4 F$ }8 x
(B) capitulated $ U( L9 [9 i- z' y8 }1 V6 {" Z
(C) retaliated
+ V6 N! D0 @2 A* _) ]1 X(D) persevered
# D7 a8 ~; A+ M' J9 B; e+ _% K(E) decelerated
- |4 O# _* G1 W8 k1 d5 u T! p5 W- f$ k8 [, E
2. Although the mental process that creates a fresh and - f4 F4 m P) C! V! [
original poem or drama is doubtless ---- that which / I* ?% C1 O5 \! F4 M. F
originates and elaborates scientific discoveries, there
7 b$ i- l% d/ @6 p6 qis clearly a discernible difference between the crea-- q6 K; Q) K1 Y+ s( C
tors 0 s$ _7 q- m$ j2 L7 Q; s
(A) peripheral to 5 k1 D3 v O6 A& {; C2 w" q
(B) contiguous with ' p# u# F8 Z- O3 Y0 M
(C) opposed to 0 C7 s6 l: Q& P1 M9 F; c
(D) analogous to
5 T. I# B8 T# B(E) inconsistent with
1 Y7 E' `1 S! a: D+ \1 ]8 [* i5 f9 X X. Y, e7 U
3. It is disappointing to note that the latest edition of 6 ]8 D- K- I! y8 ?
the bibliography belies its long-standing reputation : x" i1 y2 p; L
for ---- by ---- some significant references to - @6 K8 U) A" Q9 S1 t
recent publications.
5 K8 \ T6 B9 [(A) imprecision.. appropriating
) a/ C* a) e9 W5 C4 z(B) relevance.. adding
4 Y" o& m" y) ?: h; d(C) timeliness.. updating - X. w. i6 R. y7 i) V8 `
(D) meticulousness.. revising / B9 U$ b- S. n- `
(E) exhaustiveness.. omitting
! M7 y4 L2 n4 ?$ V' U: O/ E4. Although Simpson was ingenious at ---- to appear
/ g$ T+ z! C l( r3 qinnovative and spontaneous, beneath the ruse he
2 Z+ _4 H" N; g2 Vremained uninspired and rigid in his approach to " A; t3 k& F: e' _ D5 K, M
problem-solving.
5 L1 i# x: G: q& o(A) intending T" ~: r) a/ |' S- |( x8 H; b
(B) contriving
; r8 N$ F l3 J" k. s0 g" _(C) forbearing
1 ^2 ^6 k- V0 B) ^0 Z: x+ j4 t* a(D) declining
* b' g9 \( @7 B: t& F3 _(E) deserving
% Z" Y. s+ L- ?1 I* o
$ P$ e7 k0 x/ S, L3 F; B5. She was criticized by her fellow lawyers not because
+ e/ R q, p7 y! P. I7 g( Vshe was not ----, but because she so ---- pre-
# j( w( L6 {" {+ P0 apared her cases that she failed to bring the expected . t4 g# H O! K/ w% F
number to trial. 9 Q1 ?" i9 j0 J' O" S: Y4 @
(A) well versed.. knowledgeably ) _! p* E. F" _- r) c+ Y2 I
(B) well trained.. enthusiastically
2 i1 \3 L$ t7 ?(C) congenial.. rapidly ! f1 T- Y, J% h- i1 T
(D) hardworking.. minutely
}! v1 }/ N( x* g(E) astute.. efficiently
x* D, L5 x3 d$ C$ v1 G
( A8 R9 u! _/ |, j6. Schlesinger has recently assumed a conciliatory atti-
$ m2 Q& G j8 H1 ]; l5 C3 D! Ytude that is not ---- by his colleagues, who con-
" a/ j6 \6 N g1 v4 ytinue to ---- compromise. ' N* q+ c- i0 H) g8 F
(A) eschewed.. dread K3 {) J: k" ^% E2 b8 Z7 p' Y
(B) shared.. defend
) I6 B$ `( f! Y1 ?(C) questioned.. reject
0 {) M% d+ p7 ~- i! @$ d5 `(D) understood.. advocate
8 a+ k( |9 h* I( I$ I(E) commended.. disparage ; e" U# X. V+ m7 y# V4 l) j
& Z' G8 H3 H$ @' F n7. The National Archives contain information so ---- I R2 ~( |9 s3 A' j/ t
that researchers have been known never to publish t, X) s: A0 P& ?) n1 e
because they cannot bear to bring their studies to an
& W: Y4 B; b+ [0 Cend.
; ?1 ~) P6 f3 w+ @(A) divisive / } {: z# d* T! c3 k4 \/ f
(B) seductive
) O7 G& I! L% T* o7 I* {(C) selective
8 l$ n' i5 e) _; m6 \9 B(D) repetitive
% J6 t2 `' L. T) L0 B i/ v6 [(E) resourceful
; }, E9 A, l, b! t% D( |4 W
|0 t Q. W+ _6 v$ e* S; b8. HILL: MOUNTAIN::
3 e2 Q4 l2 J1 B9 ? (A) grass: rocks ! L, `8 m+ O, o& G. n/ e6 O
(B) autumn: winter : \' X4 \' u( R/ T/ V% P
(C) creek: river
$ Y$ j. @* H" L% [7 W( R (D) star: sun
/ o* V( E) I! G6 c (E) cliff: slope / G0 p" g) c/ q5 u
/ K; d& N! V2 P
9. AERATE: OXYGEN::
6 O& V* l* ]: p( W- }: E* c (A) eclipse: light 5 q7 v! }: W& B. O1 e. S4 _& c% x
(B) desiccate: moisture
1 A, M4 c# M9 w# Z (C) precipitate: additive 1 z5 l8 j: I$ e$ P B' ^
(D) hydrate: water
5 m% ^ }- _5 h. _; g* Q (E) striate: texture $ v: B+ v0 a- j6 g4 I
" E2 H, S2 H( a10. ORCHESTRA: MUSICIAN:
4 Y2 ~0 `2 k4 ~2 h (A) cube: side 2 b5 [% O; U2 x. b4 H4 m5 b
(B) kilometer: meter
4 g4 V! F! V3 u0 J) R% p (C) sonnet: poem, E6 m6 v% Y% n& \4 f
(D) biped: foot# u" G0 p! L1 a5 @& o( D& ]
(E) pack: wolf
" Q4 {+ F" E3 n8 r1 g/ Z3 [8 C) g/ j
11. EQUIVOCATION: MISLEADING::3 D7 C) Y+ j! Y6 t
(A) mitigation: severe ! N i& \* u$ e( ]7 s! O
(B) advice: peremptory
( w3 \& d- L+ y1 h0 t% E) q (C) bromide: hackneyed D8 V; F1 _, I8 n+ w3 D& p$ I3 M
(D) precept: obedient * t7 H2 l8 Q7 H6 h3 D0 p& z" v8 Q
(E) explanation: unintelligible
) O! b) n) y" {4 u7 X5 a+ i1 `' k% u
12. CENSORSHIP: COMMUNICATION::/ S& z# \6 p+ X* s, h. H/ X2 S% \
(A) propaganda: ideology
9 V3 t4 b; u7 O! Y- S" z (B) preservative: decay B' v/ i& w( P& n
(C) revision: accuracy
% b0 ]( n0 v- ^9 i, N0 @( n3 r (D) rest: atrophy
* m4 z& n+ W/ a) L/ i) R1 w (E) exercise: fitness
' h) e/ C- W j' e4 R8 A" [; x# o1 N7 t
13. BUS: PASSENGERS:
1 m) X/ A0 C; i1 C/ L* K (A) flock: birds
! e h& ^6 g# }) ~7 I' ^, N (B) tanker: liquid % ?0 I; ?: B! r) u. o7 \
(C) envelope: letter % s. b/ ]% ^ R0 k
(D) bin: coal ' G: U! h2 J* w& @! u& D
(E) automobile: gasoline
' s2 }2 o* T& u M5 f( f, r5 s9 E2 e$ g$ H0 V2 p
14. BALLAD: STANZA::
5 S/ S" U# P* I- C- f. r (A) novel: chapter
& N' t& G( q# R2 B* D (B) poem: meter 2 O# l* d5 I( {9 P/ c
(C) play: dialogue ) m2 R/ B- Z' U6 T$ ]+ _+ i3 x
(D) movie: script # h4 Q* _5 V, q, ~6 H3 Z
(E) photograph: caption ! S6 o& K" z6 G
Z3 H5 J5 b0 F3 i, M# X% V& z
15. DISABUSE: FALLACY::$ e3 W- ]2 C1 e
(A) cure: disease 6 l9 } ^1 @! d+ ?" |
(B) persevere: dereliction
+ X% Q% e2 @( f$ b5 l. O (C) belittle: imperfection
4 G* A8 @0 F7 |# L6 B9 L- i (D) discredit: reputation " P+ ~' L$ y* g8 S8 X5 C# Z2 x
(E) discern: discrimination
; E/ d( K) R5 u& X; U r/ ^! o
0 U! U: }' }: e$ H16. BLANDISHMENT: CAJOLE::( Z& ?2 s- ?5 r1 N1 z
(A) prediction: convince ) h- R% J0 \7 {1 y T' G9 B$ Y/ w
(B) obstacle: impede
( y6 q. ?. {6 _: q (C) embellishment: praise p f7 J/ D8 q2 q& J) b- {
(D) deficiency: compensate 0 G9 G; k0 q3 T
(E) compliment: exaggerate
/ v/ H; E! _1 B. `1 I" A: w) N9 I& r1 [. o$ |
% `* }) n6 ^( K3 B$ J28. DEBUT:
! s5 W6 ?) c4 I* \5 `" o (A) collaboration
+ `( z) S( k, b+ {2 [( O. [: `6 {' m (B) monologue
. R% a+ k; B6 a& G (C) farewell performance 8 k. |9 j& h5 m C$ L ^
(D) repertoire standard ' m7 V* @9 G. B
(E) starring role
w# [$ V2 R' i* \( O! ?, f% a' N( U1 @/ M5 V5 H
29. WITHER:0 Z3 F* O- C k: w* y" Q" ?
(A) disagree
2 }+ ]5 Q* j/ l. W) Q (B) shine & n6 B& I. L9 i) f% S4 l6 ^' v- W
(C) plant # L" F. `. H* D. M4 x* [8 f. a
(D) adhere
+ ]6 k8 A) Y, q, W5 e9 a" u- s* Y8 m/ Y) a (E) revive * d1 A7 R# B$ z
6 S7 G- Q0 X! k3 I30. BUCK:
3 W3 U& z' c: ^' v (A) cover over
* S6 N$ X5 K4 W# W* B0 { (B) assent to
/ s9 x8 p- e2 _1 l9 t3 G (C) brag about
2 ~6 S' h% y1 ?9 Y! _* v. F/ W (D) improve + m" w& `% B) r, v: O- Y4 q
(E) repair # z2 S' J3 _6 {9 @, Q; |! e; h3 Q
4 p2 @, H& E; i1 Q4 z2 g
31. MEAN: / w" R0 W$ `; q$ d% {
(A) trusting - @" n& X: J8 n) u# Y' W+ U
(B) ardent
9 l N! A* h0 d6 K7 _ (C) clever y* O- t1 k* ~8 x, f$ W1 }
(D) incautious
& W; N, N3 J r% U2 ?* O* W (E) noble
2 v4 }) C3 @8 C6 q( {; C
+ ~6 D+ t4 m7 I n7 v" F% ?2 a. ^32. ADJUNCT:
# b; j0 N& X8 n9 W (A) expert appraisal / \; L8 C O5 Z1 G @
(B) generous donation 9 g! F- H! h D6 O
(C) essential element 0 W3 O$ k/ Y! Z3 V
(D) mild reproof
& ~7 ^+ t6 j. ?0 G' W, G. T (E) impartial judgment
- [% w( f& R4 W' ?
) K& C1 ?9 Q3 F1 p33. CANONICAL: ( U5 r m6 m7 t( b) `
(A) imprecise
- H& ?9 q! g( |% s% z3 f8 | (B) ubiquitous % q- L. r5 b$ s7 L9 M8 t* I
(C) superfluous
( A, q! @: e0 d( w" q, f (D) nontraditional 2 _3 | o/ w' m. s2 J) c
(E) divisive
x( W* s5 U8 ^: {9 R9 P. }/ ~1 M3 D' u; p
34. TICKLISH: ( Z0 E* W& q g( H4 a3 K' H* {: g9 o
(A) heavy-handed : K: a1 {, j/ o) p
(B) significant
& r0 Q9 @5 M( w% [ (C) tolerant
# w( b; e' x; i; T (D) impartial 9 B2 a8 j! W0 }
(E) imperturbable
& m( q2 h% O5 t( M; d& ~! w, o j
$ K" g6 e2 t: c- e: R% n35. PREVALENT:
: u8 ]3 Y3 @2 s (A) invasive , E- k2 J3 j; P$ u7 @, Z9 c
(B) inconsistent : S% O& X6 Q' b! ~
(C) indistinct
) L S; X1 w* w1 S (D) unpalatable , W( ~/ I- E/ @ {$ W, ?1 R3 S* i
(E) unusual 3 \. l" b$ t5 N* X8 B
4 k- w2 i- y( @6 N
36. PENURY: 2 J& {+ G) k5 M
(A) approbation 9 l' f3 }- m& y/ D; ~+ D
(B) affluence + b0 }+ Z0 t% r$ Z3 B _6 f
(C) objectivity
, u9 g0 O$ y" j a (D) compensation
, H7 ~7 t! T: {7 w! B; c (E) grandiosity
+ g' `) _4 ^" i" F5 H; @6 {2 }# M) z8 T; D$ O9 _7 @
37. MINATORY:
9 ?( v# z" W. C (A) convenient 0 b9 @' n6 e# q4 X
(B) nonthreatening . z v5 d# M, F f" `
(C) straightforward ' e4 q7 ]4 s; n1 ` R9 `
(D) fastidious / h( v5 V( V. I2 _# J; l
(E) rational
. z: V, w4 r) |: C: G- u' N7 u
" {' ~2 T5 R6 ]6 T8 H38. CALUMNIOUS:
1 Q c8 {) S; L- V (A) adept + G( |: I/ M' f: J
(B) aloof ?6 S' }4 F! y) z# y; Q" C" p4 o2 [
(C) quaint # a4 ], B h+ m5 m' H& I4 j
(D) decorous ( u4 h4 s: k6 _9 o* w- ^0 N( B# [
(E) flattering
# Y6 `4 G/ `9 Z9 e& e3 s
; A' R. y; g' y1 N9 y0 ]) a% A. s
1 h' Z5 a7 G+ b3 F2 ?. j* C& [4 w3 g4 P8 O1 M5 }5 h. S
4 U; p- S' r' L& c2 e
[) B5 [% z# q6 B F5 M/ @SECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE
# p# k/ ^' O5 I% P! ]. G: ZSECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE7 X: g; A$ \* x
SECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE+ a$ o0 K8 j q q1 v- M
SECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE |
|
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发表于 2005-6-2 10:06:39
发表于 2005-6-2 11:20:54
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