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[题目讨论] 6G冲刺模考讨论(八) [复制链接]

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荣誉版主 GRE斩浪之魂 Golden Apple

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发表于 2005-6-6 09:50:02 |只看该作者 |倒序浏览
6G冲刺模考讨论(八)4 p" A6 R; _2 p
; X4 j5 _) L; L) J- H3 f+ Q
SECTION 1
/ {- \2 Z% n* o8 I; G7 STime –30 minutes, l; k8 d/ O% z. d9 A6 ]# o
18 Questions
1 D+ ~/ c0 i1 k4 e! C( y* a- T0 M
1. While many Russian composers of the * K6 W! @( c5 a) l$ B- d4 V4 `4 ?- Y
  nineteenth century contributed to an emerging
4 o9 |0 J9 H0 l: e  national style, other composers did not----
! I% W- m, h" S, Q1 ?4 ]  idiomatic Russian musical elements, ---- instead   
. g. i) ?: D; M$ T0 T  the traditional musical vocabulary of Western
: r- H" t/ e2 W9 e1 N  European Romanticism., L5 m, S/ J6 Q9 T3 ?7 m
  (A) utilize ..rejecting
; I; F2 U/ {. L7 d  (B) incorporate.. preferring
% \# s9 y* f. v  O; g, B0 d) q  (C) exclude.. avoiding+ B" F( ^3 a- V% g0 i0 k$ d
  (D) repudiate.. expanding
& C1 {2 E  q1 O8 t- j  (E) esteem.. disdaining
$ o2 J0 W3 W2 m* c) i: h" j: ^+ s, z& |7 e5 y: T0 w. h5 c
2. Because the painter Albert Pinkham Ryder was
0 D  Q& J' r% x) j4 m' X  obsessed with his ----perfection, he was rarely 4 ^- r: j' `9 ]9 V5 b- K! Y
  ----a painting, creating endless variations of a
8 O; I. d# |: N% H$ u1 ]- ^  scene on one canvas, one on top of another.
9 E, D9 j$ Z2 x; b  (A) quest for.. satisfied with   d3 }9 S+ t" {( d4 W" L
  (B) insistence on .. displeased with
. p/ a$ j. O; G/ z) n" y8 n  (C) contempt for.. disconcerted by
4 G6 L9 |1 H5 Z( g( }" p  (D) alienation from.. immersed in1 V) e$ |7 O' F) z" ]% P
  (E) need for.. concerned with$ R: {) m, a9 G9 a: i, r
- V' ~# b& D2 w9 o4 L4 `
3. Objectively set standards can serve as a ----for " k8 U) a' r" V+ s% C
  physicians, providing them ----unjustified
! F/ @$ Q- d" h: [9 ~  ]  malpractice claims.$ L* G; l, H, C( i: _
  (A) trial.. evidence of
) e# Y  R3 ^) y4 _6 J  (B) model.. experience with
, s/ h' ~3 g& f' T  (C) criterion.. reasons for4 w) z1 N, s) q7 [! ^
  (D) test.. questions about
: r3 p& Y) U  ~4 e, }  (E) safeguard.. protection from
% T$ v/ I" s. ^& Q/ x: z) G# }2 N  V/ a8 k1 P8 m4 I0 b4 |! G) M; Y
4. In spite of ----reviews in the press, the 6 T7 M9 u$ u" T5 X- \1 q; `
  production of her play was ----almost certain
" N5 c3 u! B7 \/ h3 T# t, Y  oblivion by enthusiastic audiences whose   / x1 K' t' V) ^7 ]3 q+ R
  acumen was greater than that of the critics.
  D1 |6 A2 w: g- C' q8 Y$ R  (A) lukewarm.. condemned to4 w8 C1 v& n, Y/ E7 l; H  I
  (B) scathing.. exposed to
- Q; B2 \( [" t  (C) lackluster.. rescued from& ?9 k3 }  [7 z9 T. C* I8 U& F# r7 e
  (D) sensitive.. reduced to
5 V# P; Y  ~  F6 {: w$ c* y  (E) admiring.. insured against+ z# W5 L& m$ g( B, Q4 P

9 h4 \) I! Q# N' P8 r3 n6 z5. The passions of love and pride are often found * Z/ u4 H+ V5 @* l  K
  in the same individual, but having little in ; v% I  f2 W4 K0 ?. O
  common, they mutually ----, not to say destroy, 7 v6 Y0 f. D& S$ I8 m2 B
  each other.
5 ^: N* o* M4 d% N4 l, z  (A) reinforce
' d+ X( }! P7 j4 Y  (B) annihilate( b7 v# H" ^: p* j
  (C) enhance
" y- x* ^3 B, Z2 n; N4 U* U5 ~: X  (D) weaken
9 J# [1 P7 r9 k) T: ^. G; k  (E) embrace
/ H9 w- S# ~% `" ^' @5 o& \. v
: a7 Q- A+ s$ w9 V8 o6. The necessity of establishing discrete categories 2 R" ^' v; ]# \3 X; i8 a
  for observations frequently leads to attempts to
, O! k4 X  q5 _$ t+ r  make absolute ----when there are in reality 4 y9 a0 j( C% {
  only----.
; T# r3 Y6 \8 B- Z. x  (A) analyses.. hypotheses
* E  K# o% N, `9 \$ _* R* E  (B) correlations.. digressions( V4 Q- B6 ^  `6 x. G" J# k6 ^* K8 T
  (C) distinctions.. gradations3 j6 R: K. u6 K# J
  (D) complications.. ambiguities2 ~  K# s% u  H9 n. Q8 y/ h
  (E) conjectures.. approximations
) b( [! L' i% q  A- G
' X/ R% x" z: H8 g" ]1 t" I7. A unique clay disk found at the Minoan site of 5 p% d* l6 b/ M7 a0 X# y" A
  Phaistos is often ----as the earliest example of 7 K" R; n. s, x
  printing by scholars who have defended its claim
% y7 v% p4 X  E* j  to this status despite equivalent claims put
5 E: @* u" G0 I6 k( Z2 m$ B! Q  forward for other printing artifacts.
7 T: v/ @6 W& ^" k1 `8 N5 Z8 L! O  (A) questioned0 ?8 n; C& K/ ?, _1 t; R
  (B) overlooked, u3 {: _% }' r' C8 H" `
  (C) adduced. a2 ~; J9 n* E* Y/ q" l
  (D) conceded# ?- |: V  j+ Z  j4 {0 |
  (E) dismissed5 p. v+ ]$ E% C/ `1 s5 O
% S0 ^8 O8 R( @  f: Z" W
8. EXEMPT: LIABILITY::, F$ e" K5 o) Y6 e1 c. O
  (A) flout: authority
2 a8 j* N# S6 x. r5 O  (B) bestow: reward& p5 |7 Y' T  e! a; U4 M! l
  (C) permit: request3 g& f9 {, w/ K
  (D) restrain: disorder% a" V9 r5 ?3 i) T& b/ G+ [+ _
  (E) pardon: penalty
$ y4 }& s+ ?% s* X) X 9. FULL-BODIED: FLAVOR::7 ~- n# n" d" f
   (A) penetrating: vision
  c: R4 o* J* R- b% u! g9 l4 l" I   (B) humorous: character
& k" {0 M5 q" _8 Q, G4 q   (C) salacious: language/ a2 I7 h" n- c6 E& U/ ~3 |
   (D) nostalgic: feeling
! V3 n! @) R) g: R0 T   (E) resonant: sound" I0 k% o; ?0 w. I, p# s/ e$ T- d
- \. ^+ W; Z0 B. |3 J

0 a, n8 W9 b% m/ C3 M10. LEGACY: PREDECESSOR::
1 g3 S4 |; v- u9 R) Q" y   (A) gift: donor9 I3 [4 O3 G# v- w4 E* r# y
   (B) gratuity: service! Z. S" [8 ^; Y* d
   (C) contribution: charity
/ O; c7 R1 l+ x, {# G7 A% _7 h   (D) receipt: customer/ I; `$ c! Y- Y# m
   (E) loan: collector, k1 ?4 c- }5 a$ }

& K' |% w: ~. I* E% ~3 e11. HERO: ADMIRABLE::$ i- G1 l7 H3 `3 T4 t- \( V
   (A) critic: capricious
/ O4 J# r! ^- C% I5 W   (B) braggart: surly6 c9 y$ a  D3 o- ?) F
   (C) eccentric: unconventional2 U) U1 g" o& e4 X; k- Z
   (D) anarchist: powerful. c/ P. E4 d& r, J5 q+ q0 K
   (E) enemy: immoral
+ M/ F" X2 v  A% d
5 Z; Q, S1 {3 r12. GALVANIZE: STIMULATE::
9 \9 ]/ v+ N5 i# K3 f2 p; X   (A) agitate: occlude
5 t8 Q8 S0 ~# C8 ~3 B   (B) incubate: humidify
7 p) H: u. K' ]9 T1 m   (C) sterilize: separate
% i+ P  Q) f2 G   (D) irrigate: flush
# |2 T% V+ R- e5 P9 H# X, E% Y3 k- A" q9 O   (E) purify: amalgamate
: \* s0 I9 F! l3 r3 W0 o2 H7 F7 X( Y' s; p1 ~
13. MANIFEST: PERCEIVE::# K& b4 |+ O; S. S
   (A) porous: tear/ V( s4 v0 m$ u* i
   (B) renovated: improve3 f& e: u: a; q5 G6 Y
   (C) doubtful: assess7 j2 w# ?( Y8 s: u
   (D) brittle: break
1 o' k( l' \, }$ N) F6 F9 p   (E) elite: qualify6 Y: L+ ]8 R/ d' o, ~

" U2 a# M3 L6 ^8 \' H5 L% C: o  t- Q5 L14. LOOSE: CONFINEMENT::
: N; F$ ?! j& `8 [0 B   (A) forgive: injury
6 o) ?) d5 l* y: p   (B) promulgate: rule
$ d5 C9 G' t$ S/ T, p1 f- C. d   (C) disabuse: misconception6 B- O$ i; u) K/ Z6 j) s; p, O2 A# r
   (D) redress: allegation: A' l9 ~7 @( R( x& L
   (E) disengage: independence
; G( _2 M, p9 {1 q$ ]: J) I7 S
2 ]/ _2 e, S7 w* |. m15. BLANDISHMENT: COAX::% k0 d5 @* l. r5 z
   (A) prevarication: deceive
$ v, k; Q' {/ d; ~" m   (B) reverie: dream) ?+ |1 M, ?% _& I4 f- W- F$ j
   (C) persuasion: coerce
# a4 P& s! U$ Q6 W   (D) enticement: impoverish
# D/ C+ k, ]! `2 H; D. ?/ l/ R6 l   (E) explanation: mislead. T: o" K. {8 e7 s7 j% X
2 ~  J1 u3 r6 u" I$ T" w. t; P# n6 I/ d
16. CONVULSION: CONTRACTION::
! \6 u8 s9 m+ H+ W   (A) aggression: attack! J9 b; J+ t6 V! [/ o" O. {
   (B) sulkiness: punishment
2 r9 w1 [0 \, q! C: g2 \; v   (C) persistence: acquiescence# S5 ?& N% L1 a6 b
   (D) frenzy: emotion  S3 ?3 y; [2 P% n$ C
   (E) indifference: greeting5 l: b0 o+ B. G- W2 {* Z
; x: p' `4 H8 `
28. GROUNDED:) [# }: J" i1 v7 D
   (A) attendant* f& R) T2 ~: q9 ^/ o$ _
   (B) flawless5 l9 a; y" B5 z
   (C) effective
+ E3 v1 O, U2 J5 O3 X- a   (D) aloft
! u% ^  X+ R; o5 [; j, D   (E) noteworthy" }" h7 t( S. W# w. z

1 e$ _5 L! f2 d) C4 Z29. DISCHARGE:
' V2 N' S2 E" v& |6 B( M& V  N& j/ G5 a8 N   (A) retreat; O* _2 @! ~, S
   (B) hire
" v  E. w/ U$ {! ?; H* ?   (C) insist
, i  H# |4 _; a2 n% h( t   (D) circulate
4 t* G9 j% l* M5 r   (E) pause
! v) D' A4 c( B; s+ V
2 E% y" ?& [5 D1 b30. INTERMITTENT:
' w9 N& N2 [  d   (A) compatible6 A% q+ ]4 o" Y/ A! ~; V# `
   (B) constant
' C6 G# u. [1 X% d& K   (C) neutral0 [, w3 t5 \  J' R" c
   (D) unadulterated8 n( T8 i, e- s. \& G4 B: t
   (E) indispensable) k5 p& Q' d, t# N4 k- S
9 }# e0 S) C" a: F% [
31. APT:" {2 N) K2 s; X1 e) s  ~% P
   (A) exceptionally ornate' `! G- W  F* z  U; I6 K
   (B) patently absurd
2 v7 f, K/ S7 G' d/ w2 H   (C) singularly destructive. }4 q% z* X: m6 e7 U' r2 o5 ]0 ~
   (D) extremely inappropriate0 g# `' D6 @# f: p% f) V) f
   (E) fundamentally insensitive" S, V( x' I+ ^. O

1 p* F. ]2 Z, k& r8 j8 u1 I. H/ m/ R32. JUSTIFY:8 `9 j- N3 H) ?  |- V
   (A) misjudge, n: ?7 U+ @* t) V! j3 x  F2 C
   (B) ponder; I  {  D* c. n6 c
   (C) terminate
/ x7 g0 R/ }* x   (D) argue against
+ M" F3 h% S0 ~! s% }7 e   (E) select from
( w# M% P/ u% i( `. ]33. TEDIOUS: : B' N% Q, E3 }3 X4 G8 n0 Y* m
   (A) intricate
) `: q* B# T( A; X9 q0 @" ^3 ]   (B) straightforward
+ Y0 f/ |' [1 p) a$ F   (C) conspicuous- ^  V1 U- v/ ~2 e% L
   (D) entertaining
  o) Z# y8 |5 j% z+ `' J: h; H/ H   (E) prominent" z- @. E# c0 u) @5 X! B3 p

8 V2 H8 {$ N- k, r4 Z, ], w, a34. INTEGRAL:3 x- w: J% x+ t: h3 ]$ N/ [2 \
   (A) profuse
% z! g  ?9 d% R   (B) superfluous* n: x6 M5 V4 `
   (C) meritorious  l7 ~/ p! y8 Y8 k
   (D) neutral% K1 `7 P# v: I) Q
   (E) displaced
6 K3 x0 [  R% J# D
3 y6 }( i6 N) I) N5 Q35. COWED:
+ J( F8 \" }$ g, n$ c' _6 y   (A) unencumbered
  o5 H" c2 \, ]- |  e  C: `: L   (B) untired! M, _7 {1 b! x) W- F
   (C) unversed
4 i* x9 Z/ ]2 L   (D) unworried
7 }& V# \2 w" C' C$ y2 M2 c: p1 T   (E) undaunted
7 r1 e) \4 g3 f5 J+ l& U- y/ O; D- `: k# s
36. CONCORD:0 l! A$ A% u# |  F# U# b6 G4 j
   (A) continuance3 t0 X' Z; m( q* ]; J% g6 h
   (B) severance
/ H. F/ s+ @( ?   (C) dissension
  f- G, b% |  M5 f0 y2 x1 L9 p: x   (D) complex relationship5 c+ X. X- ]6 }# C
   (E) unrealistic hypothesis0 ]9 \/ }  ^/ T! g2 M" P
% d% w% e% E% m* _
37. FRIABLE:
; g, V2 }, `) g7 X   (A) substantial
3 F- P2 y, g& t/ ^6 B9 y   (B) inflexible  f' Q% L/ a' V4 T% I
   (C) easily contained
5 N4 I3 P0 x6 R- s   (D) slow to accelerate* c. z* I5 K* L+ L! a
   (E) not easily crumbled
4 d( b* c& K) n9 T9 z0 J% z' E
$ I* N0 _; M2 \! S6 Q38. DERACINATE:
5 K- w# t7 P" G4 ]8 ~/ F$ e- l1 `   (A) illuminate
1 a2 P1 \8 T1 e- j' V2 h   (B) quench
- a2 G5 E7 P$ N* c; Q2 C8 r   (C) amplify
5 \. _8 o$ h0 p) i) ~   (D) polish
6 [! v7 i7 @, I! h! l, H9 _   (E) plant
8 R5 W/ x" |) Y4 I" w( s, t$ P( ^1 j" M8 l6 d' \
& i5 j" Y/ U0 }3 v
SECTION 4
" h* V. k5 D0 r8 v( }4 ~Time – 30 minutes% S/ @9 `; Y0 V
38 Questions
& O' Y& T" Y1 }8 e, X; d/ z' t- a5 {2 h% X- Z6 z
1. Punishment for violating moral rules is much
  W2 w- X; F2 j1 w& v3 h  more common than reward for following them;  E7 U3 G" \7 A- ]2 t
  thus, ----- the rules goes almost ---- in society.
  |5 q* g5 |4 w( T  (A) association with .. undefended
& t0 N5 P! |0 y0 I* r  (B) adherence to .. unnoticed
" F- S; A* F# {: T& O( Z9 Q2 ?/ [9 v  (C) affiliation of .. uncorrected; A, M9 _8 a3 {, {7 ?) ]( T
  (D) opposition to .. unchecked
/ v# }6 j, F2 v  H: M# L  (E) ignorance of .. unresolved9 M0 h* d" x  _/ H8 n* r( r

- k; m) J' ]0 c4 B4 {& c0 k" X2. Compassion is a great respecter of justice: we
' H' k$ {+ ~" S/ s) Y$ V  A; s* k  pity those who suffer ----.. ?8 R% x3 }3 Z" ~
  (A) shamelessly
* q3 F9 [5 y% }8 i! c& R6 h  (B) unwittingly
( T4 p+ g. H$ Z0 p  (C) vicariously( B+ x# A/ Y9 S- \6 z
  (D) intensively: [% @8 a1 C( W
  (E) undeservedly
9 [7 ^, X! x; l
, S- z6 F0 Y9 z2 k3. No work illustrated his disdain for a systematic: U7 R; d% h- o) G+ f
  approach to research better than his ) Z& x3 h1 G$ t
  dissertation, which was rejected primarily 1 ^% H* O8 [) C/ O1 G6 ]
  because his bibliography constituted, at best,
+ z0 Z, F3 G/ C  B, q8 o  ----- survey of the major texts in his field.
1 S. {* d9 x# ]5 X  (A) an unimaginative
% {8 W6 m# Q9 L- H4 e/ c. W& u  (B) an orthodox, Q6 n7 B0 F$ m/ p/ C% O  o4 D
  (C) a meticulous + Z" m" M8 p3 u
  (D) a comprehensive
2 K# _, u. x; G3 n0 s  (E) a haphazard
. A  K3 ~9 `' o% g( `
/ ]# c' Y8 f. b. i) b2 j4. In contrast to the----- with which the
0 ~- d- U6 a! M, t) X  acquisition of language by young children was : n, d% ?, e. ?) u8 _) l
  once regarded, the process by which such 7 ^8 _/ ^9 {4 \4 J$ |- Y) _1 v) W2 Y
  learning occurs has now become the object & |, a) i8 ^0 s1 u: H. ]
  of ----- .3 _/ Y$ J+ L: X" x+ Z8 N3 U
  (A) intensity .. fascination( }- W! l: Q# @1 b
  (B) incuriosity .. scrutiny
1 J0 W; m( D: R- u- y) L  (C) anxiety .. criticism
5 w% K' G% ?. F7 l4 C- K0 _  (D) reverence .. admiration# v) Y; l7 @2 X; o, P7 u) G
  (E) impatience .. training- e$ A; ]3 Y. k+ M3 J% I2 U" J8 X
! M& h, m- p1 C2 g
5. The senator’s remark that she is ambivalent ) z4 J# o5 \6 E) b; X4 ~3 L
  about running for a second term is -----given
, q* @" J* D% z! }2 |' ?% r  the extremely ----- fund-raising activities of - Y( z" ^6 O% H) B: F' O7 O
  her campaign committee.
0 F' h8 @; F2 B2 z) [: g, E  g  (A) disingenuous .. reluctant
  M# ^: ]3 K" Z  (B) futile .. clandestine% r6 s0 G6 ^- A* C
  (C) sincere .. visible+ t3 i  J( G( j# V# v9 A  v4 S6 _' X
  (D) persuasive .. apathetic8 X( o5 w+ U) s. x* d1 b$ F
  (E) straightforward .. energetic
3 b, M# k0 I5 W- z
) M2 e  }7 E: S: ?$ o2 e6. Until quite recently research on diabetes had, as
% B9 [1 T6 ~3 O# e& m8 C+ V: A9 m2 \  a kind of holding action, attempted to refine 8 z) t( J7 h: J! Q$ i
  the -----of the disease, primarily because no 6 ^& J0 g/ U: r3 C: C" v
  preventive strategy seemed at all likely to
; u, t# Z* v6 F: {4 R  be ----- .
( j' m: d+ J# }& Q1 Y1 O  (A) definition .. necessary
  W4 r5 a! ?! V$ p8 L" P. m: k  (B) anticipation .. acceptable* O1 O6 L: A* S4 }7 m' S2 p
  (C) understanding .. costly
; s. V+ P. w: g  (D) treatment .. practicable9 J! o. @+ H2 o( s$ f0 z( u) f
  (E) symptoms .. feasible* f8 z$ n( D9 }* m! j/ I" k
' I  C- }( A, u1 C8 G
7. Most plant species exhibit ----- in their + H. i. R' y, ?; |
  geographical distribution: often, a given species + v2 }9 b, L# ]. M* B4 C6 |
  is found over a large geographical area, but " P" R, o0 p5 h! a  b
  individual populations within that range are
+ R7 l9 Z' d5 A: R$ {. r. |  widely ----- .; M" j9 |$ I5 x
  (A) discontinuity .. separated5 o/ x; b3 ]  W* w7 u1 k) R5 `2 b
  (B) density .. dispersed
4 ]! u1 f6 @' ~9 m- \, S, v  (C) symmetry .. observed
4 r( g- }& F* ~. Q( ?0 ]" b  (D) uniformity .. scattered
. ~5 z' N$ x5 m- }* J  (E) concentration .. adaptable
- a/ a6 y; H5 H, G! s" B) N" q# O2 E3 ^

  |2 w& f6 v$ v7 j- _( FDirections: In each of the following questions, a6 R& g; F+ b# M0 l: y" Z1 }2 d
related pair of words or phrases is followed by five lettered pairs of words or phrases. Select the lettered pair that best expresses a relationship similar to that expressed in the original pair.
9 i8 w$ O9 ]# q/ A1 m' ]5 j' \* h" {* Q
8. FATIGUE: REST::" x; l  m) W& N- L/ i
  (A) gravity: weight   Z, p# x8 R8 N+ P
  (B) friction: heat0 o5 D4 d7 t( Q  z3 E2 w
  (C) dehydration: water# `; o9 N$ ]3 K* A' I
  (D) dizziness: vertigo& n9 M+ J+ k5 ~' E( }7 j' x; {
  (E) radiation: light& a2 f1 ?% T- F) X3 M% Q

4 v. J" I0 O$ d; q  @  z' }5 a9. RECYCLE: DISPOSAL::  c3 B+ N2 L3 K4 Y1 F* Q- P5 n2 z
  (A) recommend: insistence: k4 q  B% B: [8 ]& d
  (B) reciprocate: treatment
  N  O" z9 u% e* u* ?1 d4 d  (C) rehabilitate: demolition0 E2 T) I4 J4 R: H
  (D) attach: conquest% Q& a0 I$ W) n; X1 y8 F' u' O0 Q
  (E) offer: sale+ [4 _' N! U+ ~6 y5 ?: h3 o9 }4 U
( B2 F4 `+ f  C# `5 z% ^
10. DICTIONARY: ALPHABETICAL::
  \5 D" r5 N/ r. S' s, u/ B   (A) map: contoured
1 t: z0 O$ g3 y; h8 X  M+ |   (B) diary: anecdotal) o0 Q  S! E# Z7 m2 Y4 V' ?( `
   (C) outline: detailed2 u( {- E+ T* j9 D
   (D) narrative: prosaic$ v9 \2 N1 @; x; N! m7 N4 j* ^
   (E) annals: chronological/ B- w' `- p/ d6 V% {8 `2 _% T; Z

" R0 c  z. W% e. S9 l% X) y11. ATTENUATE: THICKNESS::6 V! h3 I& I3 [, `2 L6 `: O& L) F
   (A) separate: substance% q1 r2 t2 t+ N) ?
   (B) ventilate: circulation
/ j. }8 _5 O0 \% o1 F& I   (C) vaccinate: immunity
6 Y1 I3 {4 S) G/ ]   (D) relocate: site) `6 ]8 Z$ Y. Y1 r9 ]
   (E) debilitate: strength
  I* }: O0 \6 v  b! J' f
$ B5 J, O  W# i; q12. SATIRE: RIDICULE::
8 S/ N0 y( s+ }; X   (A) oration: enmity
! X8 q+ f5 {$ E' B& C9 {   (B) lullaby: dream
8 l9 V  M. V# v8 S: F' I- V   (C) parody: praise- e; d3 d$ k5 c& o
   (D) elegy: sorrow0 z. v6 T5 t7 ?2 P+ t$ ~
   (E) sonnet: remembrance
# S& t9 }+ j1 }) c
$ q" M- R: X0 ]# U% N13. STOIC: PERTURB::$ V: a) z- ~5 k. m% g3 s, i% ?7 v
   (A) perplexed: enlighten
0 G8 H( j% r  h   (B) nondescript: neglect, u4 i8 B+ Q8 h: I# Y4 N
   (C) tranquil: pacify
- I8 o' s* U9 ?9 G* X9 I   (D) avaricious: satisfy7 o' p+ t0 V$ c7 w5 l0 U
   (E) daunting: bewilder
% i9 p( f. n) W5 ^4 C* v( b) Y6 Q& X, M( a- ^& r
14. EXCULPATORY: ABSOLVE::$ M, t. t% c* V# i6 |. o5 E( r
   (A) motivational: stir8 ~4 Y! I! d* O3 q4 M: O+ @8 B2 g( f! k
   (B) conventional: resist  \/ z+ {2 r1 d) ?
   (C) rhetorical: speak
  H. x' j7 H9 Z  F8 x# x: E   (D) pedantic: learn. C: w0 G1 o4 ~0 A: r
   (E) ponderous: choose
" T* `& C9 w2 t& @& \+ V0 \4 b- T+ D( u7 m
15. MODERATE: INTENSITY::- J& C0 Z1 h3 [) {
   (A) extenuate: seriousness
- D3 E% R! K' g( b   (B) separate: distance. K; a8 K  O. P4 W$ p3 }3 A
   (C) indulge: chaos& y* P. D: _" Q3 j1 W% k  g/ g' J
   (D) commemorate: memorial. `. X( V4 U, t8 O. f
   (E) disparage: animosity' }- Y8 W8 N- Q2 Q* _1 k
: a- ^1 q6 k2 g/ G2 ~
16. JOLT: MOVE::
7 h, X( \( I4 t2 H   (A) possess: acquire1 {, a% `" U( R$ U# V, c
   (B) arrive: remain
* V- G2 W; k( e9 x   (C) check: stop
. v# n* }( l( X; C, E   (D) spiral: turn; k- t* z" C$ d+ T0 c1 j
   (E) rattle: hear 3 C8 r+ `- }% _7 ], W
  
- [( I. o1 {5 F$ B6 N! i
; o1 u- s) d/ v8 G1 c
  n5 Z+ [; a% H28. CELEBRITY:! ]1 f6 D' k0 d  t
   (A) eccentricity$ q( d) l6 m% W# b
   (B) informality1 k2 S- C# [2 |6 _: v% ~4 b
   (C) obscurity
% B5 Y' Z8 n+ h( J$ {: z& o7 a   (D) aloofness6 z" B5 t3 z* M2 L, X% S/ ?
   (E) nonchalance; P( b/ Q& a  N4 O- g! c2 }
5 C( J1 C0 Z6 E5 [  v; A
29. CHRONIC:
2 o( L0 L8 a% m  |7 T   (A) imminent
3 N: c: E: Y: {* U2 Q   (B) asynchronous( H4 o1 E/ U' M) |# Q2 o
   (C) sequential+ a3 ^& h4 H8 m8 I; z2 D
   (D) sporadic
( h3 I9 y& A3 x, z   (E) spontaneous' S6 T* s: ~+ y1 J/ f- p' X

! j0 R& A9 z8 |0 b30. ACCUMULATION:5 U2 ]+ j6 M5 z; z& q# C2 I, y, }1 [6 p
   (A) severance4 ?$ z9 j6 |6 i- T9 e$ Q5 s5 o
   (B) dissipation
1 G/ U9 {+ p% r   (C) reciprocity! c. h$ u( s! h* R+ ?7 X  S
   (D) absolution
7 K" T1 F& L  Q   (E) remuneration
9 `1 [2 I0 N$ b& n( u: a) |) a' }8 k! }: R+ i6 q+ n$ ]
31. CALCIFICATION:
1 [) `% N- `: f& |9 D$ Y   (A) forgetfulness
5 x* L: [2 ~7 N8 V   (B) abundance
* E% B" d/ r& t   (C) streamlining3 O- H4 l& r. O7 A* ]1 e
   (D) clairvoyance
, ~) N  W& J' L6 w! H9 C   (E) flexibility
( p( w6 y, P- M" H$ h' S% }
4 ~8 A! M1 W, z. t' l32. MIGRATORY:
# [& X: n0 \- M% y   (A) speculative
, G) |- `3 _+ E5 h# Y/ L2 g   (B) transitory9 Q4 i; `" g, \  }
   (C) sedentary
/ {+ c8 f- K. n   (D) kinetic& }5 g' l! F. I1 b/ ^  C
   (E) convergent
. V7 m$ \0 ^9 |  Y9 N$ w
2 o! P+ }, S+ P: D33. CIVILITY:
( a5 Y) R/ |8 Y/ v   (A) impassivity0 X! N! _0 j6 L  K
   (B) rudeness# [7 k% O) W3 L! |2 q% v& R1 K
   (C) indiscretion
& F% \/ D( h9 E5 n   (D) dubiety" r& m, h, e" X; H7 U
   (E) indolence
5 s1 x- g9 ?( a' i# ^
1 F4 R7 N7 s# C3 g4 C; s34. VARIANCE:
% s5 w; A7 X$ |0 M* _   (A) contingency
/ z; p. F6 Q( }  ?9 a4 M9 Q( B" s   (B) congruity" t7 K4 A+ Y# X% }
   (C) encumbrance
$ M5 ?- F& f0 W8 _; ]. j* r4 K   (D) usefulness
. N2 n# c! j' u# L* T   (E) distinctness
8 g3 Y5 Z) a/ l5 X
& J+ i1 ~# R# L9 A+ x( t35. GENIAL:
( H0 z! }2 a$ u) f, d   (A) dyspeptic
( ^6 K! O+ \) N1 Q" l$ {/ v   (B) ceremonious# X4 m' j* y( @
   (C) wistful) G0 {0 X# x" E0 c9 |9 w
   (D) ravishing
  e+ U# o/ V+ X* U* m   (E) variable0 X- S% v. ]+ m6 t3 p
" P; g# |  C4 V$ `  [8 D
36. DIURNAL:. L/ k, E7 X1 ]) B8 y5 a
   (A) predictable7 ~0 g/ D% r7 y( k! u" x$ p
   (B) ephemeral# h2 [7 ?2 p/ ?+ H+ e" D
   (C) primitive
" W  O1 o+ r. {/ l' v0 F: ^' L6 s  e3 E   (D) nocturnal; t- K5 K1 O) k9 a0 A; i5 y8 z
   (E) vestigial
7 h1 e2 O; k. i) V) g/ h! K3 \; u5 a0 u) b
37. APOLOGIST:; G+ p( @3 Z0 v) h* M! g9 U
   (A) accompanist
/ z+ D7 H( X  i# C   (B) protagonist" `. O/ z' f4 [+ J/ m3 `" F& Q: l
   (C) supplicant1 q; f0 ]' R& S% |. H
   (D) critic
: c: m1 [2 m! U$ g8 T* z( T   (E) conspirator4 P  D1 K: ?1 g1 S

; u5 D: U- g% P3 s3 _% L# j! \38. VIRULENT:
4 E; H& F" P6 T7 v9 }  Q1 m   (A) auspicious
1 w$ A9 r# _$ V+ {9 U1 N. K   (B) polite- ~. ~, m' p# ^6 O+ k7 N6 Q  v2 {
   (C) salubrious
8 t+ F" O5 ~3 Y1 S" [' s) c, J   (D) vanquished. `; ?' u' q- z% G3 B2 u8 R' v  N4 q
   (E) intermittent4 ]0 F% U0 G& m+ V$ x- C
4 k3 ?: |" i' Y1 h) J% ?; I6 k

+ r! `# a8 \# v3 U2 u$ x8 ~# H" a# S: y7 y& W/ f% j
1 S" F8 h0 a! a0 f; j- I3 q

% X: a' m, F, b' s3 E# P3 r& |! w; n( [3 |
答案:$ d4 s! w# v7 c! _
2 g- A# H# e0 i
Section 1:        BAECD CCEEA CDDCA DBCCCAEBEC ADDBB DDDBE CEE
+ p( s3 w/ F- xSection 3:        CCDBB ACBAD CCABC CBEAB BDBEC EEACE5 F" l. ~: w- [
Section 4:         BEEBD DACCE EDDAA CCBED CBBCE ADCDB ECBBA DDC
' |, d% k1 t* U! hSection 6:        BAADC ADCDC DBCDB ABEDE CBABD EAEBE
0 0

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沙发
发表于 2005-6-6 11:14:44 |只看该作者
9. FULL-BODIED: FLAVOR::题干什么关系???
; x6 D9 ?% ?8 V1 w   (A) penetrating: vision: A" [) A3 c  w: Z! F
  (B) humorous: character
2 T' @7 v, U0 |' j- b* ?) s   (C) salacious: language/ D/ h8 O4 E1 U* j
   (D) nostalgic: feeling
- M+ ~5 s3 B1 M" w' `, g8 C* ] (E) resonant: sound

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板凳
发表于 2005-6-6 11:35:34 |只看该作者
前者修饰后者,而且强调后者强烈

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地板
发表于 2005-6-6 11:36:56 |只看该作者
section6 的第15题是不是有问题,题目里没有提到W,但是后面怎么出来了?

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5
发表于 2005-6-6 11:40:08 |只看该作者
section5 的9:3 V% |5 G6 R( w: H
recycle 和disposal 是种属还是反意?

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6
发表于 2005-6-6 11:42:07 |只看该作者
又是填空!!8 O) V& l1 o* N: o5 S. N

9 |4 ^5 w, X4 R" I7 G+ d. p大家觉得填空怎么样啊?真的是越来越难了,我是越做越找不到感觉!!
+ ]. l+ ~/ `) a/ _4 i怎么办啊??SIGH。。。。。
最是闲,忙里偷闲
最是甜,先苦后甜

welcome to yumiao's blog

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7
发表于 2005-6-6 11:46:38 |只看该作者
Originally posted by xry1148 at 2005-6-6 11:36
7 {# F8 h% O  [( Usection6 的第15题是不是有问题,题目里没有提到W,但是后面怎么出来了?
7 d  F! i: i# W7 w& @; |" P
同问这个题

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8
发表于 2005-6-6 11:48:12 |只看该作者
Originally posted by xry1148 at 2005-6-6 11:40: B$ U! x, H0 U' A8 G
section5 的9:0 F5 S" l% H+ }- u$ c  h
recycle 和disposal 是种属还是反意?

! N- E+ i: r4 s" i2 v反义,disposal是清除垃圾的意思

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9
发表于 2005-6-6 12:30:30 |只看该作者
Originally posted by xry1148 at 2005-6-6 11:36, y, P& O2 r2 \) d, A
section6 的第15题是不是有问题,题目里没有提到W,但是后面怎么出来了?

3 A$ ~1 H& s* s! t5 H: }7 p+ j; o. }这道题即使没有提到w,但也可以解,因为event T的概率是0.38,所以两个事件出现肯定是小于0.38的,因为另外一个事件出现的概率肯定是小于1
everyone has his own dream,
for this we are flying all the time,
no matter where we go,
constant craving proves your young power!

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10
发表于 2005-6-6 13:30:14 |只看该作者
Originally posted by will_forever at 2005-6-6 12:30) s4 l( }( ~7 u& i6 r
" u( _0 V* d3 D; V3 P
这道题即使没有提到w,但也可以解,因为event T的概率是0.38,所以两个事件出现肯定是小于0.38的,因为另外一个事件出现的概率肯定是小于1
, B: x7 h6 r$ X
啊,又给绕进去了!谢谢

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11
发表于 2005-6-6 15:12:34 |只看该作者
section3的23~* e5 x+ Y- o6 u  q& c$ j
又是问中数的~~5555
未来也许飘渺,我的力量也许很渺小,只有执着是我唯一的骄傲~~~

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12
发表于 2005-6-6 17:15:20 |只看该作者
Originally posted by rainie993 at 2005-6-6 15:12; I% x6 z( M4 h' P1 u
section3的23~
; n. u6 t. m  H2 z# w( k) z又是问中数的~~5555

( E& O. x/ Y) H, M+ |+ O7 e$ S: ]- Z: ]
同问,觉得答案应该是E(80)
everyone has his own dream,
for this we are flying all the time,
no matter where we go,
constant craving proves your young power!

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发表于 2005-6-6 18:03:42 |只看该作者

几个数学的问题

1,section3 2 是不是我的书上印错了?题目:1/(22.03-1.03)   1/26 @8 o9 G0 I1 y1 e; ]
2,23 我选了E
4 o% M& j( w5 q' _1 W; @6 p/ F3,section6 20 我的题目是A,B,C share a prize of $400,B receives 1/2 1/2(觉得这又错了)as much as C, how if A receives twice as much as B, and if much does C receive? 说实话,题目没看懂。0 F/ n, P" `: A4 u
4, 26觉得图又画错了,x和z本来就是相等的啊?怎么会z=x+60.

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Golden Apple

14
发表于 2005-6-6 18:50:49 |只看该作者

section4 填空3

这套填空都做的不好 每个Section都错不少
痛快去爱痛快去痛
痛快去悲伤痛快去感动
生命给了什么我就享受什么
每颗人间烟火全都美丽了我

笑与哭都值得用力气
吻和泪都是该裱框纪念的痕迹
很乐意每段路都有陌生人同行
爱或伤害都欢呼都是活过的证据

每一天都是一个节庆


offer快来吧!

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发表于 2005-6-6 18:58:15 |只看该作者
23题
+ c& T; I& s* G  @2 B# ^分数已排序则median为第10和11个成绩的均值(76+78)/2=777 |: s  b% c, Y/ ^6 ~$ r0 Z. B
to 13楼,我的书和你的印的一样,应该是有误吧

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RE: 6G冲刺模考讨论(八) [修改]

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