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[题目讨论] 6G冲刺模考讨论(八) [复制链接]

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荣誉版主 GRE斩浪之魂 Golden Apple

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发表于 2005-6-6 09:50:02 |只看该作者 |倒序浏览
6G冲刺模考讨论(八)$ X  ^2 }: V+ {. e1 O. h3 y

* ?) _+ e6 s7 B' Z5 H$ FSECTION 1% ~+ K+ `; o2 B% j5 ?
Time –30 minutes
+ j- j- z) T) H: {. F& @18 Questions. D6 n! k2 A4 n- G$ U

* d* x4 k* |3 q! X5 s1. While many Russian composers of the
' g, O* H5 s9 r) ~6 c" K  nineteenth century contributed to an emerging
6 r5 i- E: E; K) K( i# p  national style, other composers did not----
6 E, v# \% s$ W0 n+ d8 R: O. s. K4 k  idiomatic Russian musical elements, ---- instead    * U9 C7 h% c) N' Y. M+ N
  the traditional musical vocabulary of Western 7 ~' V# M* s: t3 H5 Z! K
  European Romanticism.1 u$ f- g/ f, b9 [
  (A) utilize ..rejecting( c( C. s( b; D( M9 k. ?( b) E
  (B) incorporate.. preferring' W. n# y% R- q( @9 x; j2 s$ y6 u
  (C) exclude.. avoiding
) _% X" l/ \- f3 \7 R" o/ Z+ J0 _  (D) repudiate.. expanding
5 ?  V! d- ]  Z  (E) esteem.. disdaining) N$ K6 w4 ]4 Y& U

3 W, w' d5 u" Y/ ]! H8 W. |2. Because the painter Albert Pinkham Ryder was 6 B' T+ R, a, S- B2 P# @2 C
  obsessed with his ----perfection, he was rarely ; i) f1 M( M- c3 M
  ----a painting, creating endless variations of a
9 I2 f, O* N  J/ r5 C5 T  scene on one canvas, one on top of another.2 [: T: Y2 X. }9 Y" j4 A4 Y2 N! d) s
  (A) quest for.. satisfied with
* z0 l5 x) E  r; Q) h2 H  (B) insistence on .. displeased with
  ]. h( F# O* P+ L5 r; b* E& }, r  (C) contempt for.. disconcerted by
/ q1 M& t! T! A: a% ~  (D) alienation from.. immersed in
- S  N" c* q4 ]  (E) need for.. concerned with
2 m: v+ d0 ]1 r! _3 ], g3 a/ n$ M8 v; Q$ v% Y" h
3. Objectively set standards can serve as a ----for 1 c& G% T  B$ O& b! j; R1 Q
  physicians, providing them ----unjustified
; F( I4 q- r) k, j! B  malpractice claims.
* y( ~6 F& ~! }5 w* `  (A) trial.. evidence of* }- O+ G, s7 w: _9 n) U
  (B) model.. experience with
8 g6 G+ O7 ]$ a' X0 b  (C) criterion.. reasons for
5 H; V; b" }1 ?0 \7 M- G! z- x  (D) test.. questions about
; W- ?. v; B: a' r( y  (E) safeguard.. protection from
. A9 f/ J# T4 H0 @, R* B2 D
2 [4 a9 m, _; B0 u4. In spite of ----reviews in the press, the : s$ e* n* ]3 B. Y, n6 K- J2 R, w
  production of her play was ----almost certain
: v5 }/ R, @- w6 t  oblivion by enthusiastic audiences whose   3 H: t8 i6 H/ ?+ x) z
  acumen was greater than that of the critics.
1 C) Z8 M! V- b) ^. V! [  (A) lukewarm.. condemned to
5 v8 {  @( s7 q  (B) scathing.. exposed to
1 n* E! n1 u: s0 @% ?8 g  (C) lackluster.. rescued from* w# h) g& k+ |" V7 A
  (D) sensitive.. reduced to 9 z+ ?/ i" d2 Y3 @9 [  f: s' U
  (E) admiring.. insured against
! L& r4 L  W; \
) [$ D; Y1 g% J5. The passions of love and pride are often found   c* ]& p& O. z; s9 p: e( D
  in the same individual, but having little in 5 D3 K$ K2 j) r
  common, they mutually ----, not to say destroy, , A6 b0 D1 a% W
  each other./ I! i+ u! R3 z$ B, V6 w
  (A) reinforce4 Z' T7 _  \; a/ \; U3 z
  (B) annihilate
. ]/ x4 v" `3 a* d, n. s; E  (C) enhance) r& N- q9 L$ T
  (D) weaken
, F1 O: E( k/ b  (E) embrace- P6 ~0 f5 ]+ l! @

3 G! K5 J$ C# j6. The necessity of establishing discrete categories 6 |4 a$ f$ P5 r) ^  Y! k7 t$ H
  for observations frequently leads to attempts to 7 C" C2 ^7 d3 Q8 E3 {+ E7 E
  make absolute ----when there are in reality / ]9 Z# I; f" _! _7 v1 k( R9 w- C1 _
  only----.4 l  M1 ~4 {3 y) w. T  N, y
  (A) analyses.. hypotheses" r  @, V6 M2 {* e' D) w
  (B) correlations.. digressions9 q- r9 b' r3 I' ^
  (C) distinctions.. gradations
/ e  D  J6 K- O9 N  (D) complications.. ambiguities( I3 \: D; I8 D1 g2 }
  (E) conjectures.. approximations1 B) `/ u* J2 o2 G
* }9 `' q+ X: G) @$ I
7. A unique clay disk found at the Minoan site of : A1 z" c/ P# I+ {. b  ~
  Phaistos is often ----as the earliest example of
: D/ \! Q* _# u: b7 J  printing by scholars who have defended its claim 2 Y3 y, ^! L, l) _# t" _0 j; {
  to this status despite equivalent claims put
/ U: ^9 T) p' r4 p  F1 e) F  forward for other printing artifacts.
) A$ {, e$ k8 o$ Q; ^' T  (A) questioned: x$ @/ `+ o$ d' U6 n5 z' E
  (B) overlooked
4 Q2 [1 R2 r, f7 h! V: a  (C) adduced
' \: \) L: J" P+ y0 Z8 v- d  (D) conceded; r+ ?4 e: n) i8 G1 w8 Z
  (E) dismissed
# {/ b- l9 S- e( h" X+ }! N# q7 c) n4 A3 B
8. EXEMPT: LIABILITY::2 i$ J. u6 Z  q- A. \8 ~$ [
  (A) flout: authority
& o1 `( H/ p; [% r, J  (B) bestow: reward. o& Y( z- s; h! u
  (C) permit: request: T5 @- c( A( C1 o$ U
  (D) restrain: disorder: W. w9 a: e! H+ ~1 x
  (E) pardon: penalty. N: |; L3 ]# L# k0 q& Q; N9 O! \
9. FULL-BODIED: FLAVOR::
; i6 Q" i: ?  {7 Y   (A) penetrating: vision8 S5 ~2 z& G2 a+ z5 s3 r: _0 k3 A
   (B) humorous: character- }+ M  |9 l. o+ v" U8 w
   (C) salacious: language. t9 j' e! \6 P- b4 n/ s+ w
   (D) nostalgic: feeling
- N: s9 M4 {) s. D   (E) resonant: sound
' R2 L, i0 w* H
8 ?! Y: Y2 \0 l% R* w# ~9 g6 _1 g1 h7 t6 x1 j) p* E$ i# d$ t  Q
10. LEGACY: PREDECESSOR::
% R# _) z. ]4 R- U: A   (A) gift: donor2 m% f% }4 `7 H: N4 H. `
   (B) gratuity: service
: I5 p$ ^# \3 j  @0 u   (C) contribution: charity
7 \6 }* N' a1 u- z2 J3 s   (D) receipt: customer- F' b8 s- K1 G) S
   (E) loan: collector
) J3 I! `2 D0 f7 d+ C5 z; O+ U6 b- a' ~' b4 ^
11. HERO: ADMIRABLE::2 P3 w. |# z% k+ o' g" F7 s3 q
   (A) critic: capricious
& ]: x. w8 i1 K( t  I# v- @7 |6 _8 b. g   (B) braggart: surly4 \3 x" `* t( P+ K& y
   (C) eccentric: unconventional( s6 v& f( J% z8 n# ]3 Q; j
   (D) anarchist: powerful6 s3 K/ _" |9 V
   (E) enemy: immoral( D  v: N: W6 w# |
' U" T5 |$ I8 _8 S7 c% w$ Q* w* E
12. GALVANIZE: STIMULATE::
) T. }, F3 ~% o; L; s/ i) C, i   (A) agitate: occlude
1 }3 ~% Z( s6 f) W   (B) incubate: humidify
7 t/ {* Q) ]. f; a   (C) sterilize: separate+ E$ n& r$ K- F/ F
   (D) irrigate: flush: \8 k4 i+ u/ e- c
   (E) purify: amalgamate* m$ u# K5 r3 U

7 y/ }. m5 b" s5 c3 n5 Q13. MANIFEST: PERCEIVE::
. C! F2 a# @* I+ ]  o% X8 B* J   (A) porous: tear; S* r: t5 g# S; I/ x8 b0 R" G
   (B) renovated: improve+ ?% w/ S( l' a2 x! @
   (C) doubtful: assess1 X3 s7 G$ C3 n& r1 N5 M3 F1 ^
   (D) brittle: break
6 |( l; e2 q; e0 Y: p9 W2 s* d   (E) elite: qualify! ^! @" r* j( j; \

1 C7 G; W2 K  J( p) f5 Y14. LOOSE: CONFINEMENT::
' W$ s: V6 ~4 M- J   (A) forgive: injury, t0 C- A- P+ L9 f
   (B) promulgate: rule& M* k+ T, a! D/ C3 k
   (C) disabuse: misconception4 s' E2 \3 R$ [5 Q$ z7 Q
   (D) redress: allegation
4 F& W/ o/ z' c! k8 Z9 Z   (E) disengage: independence
! y) u% ?* S$ \- p& R2 v$ M3 J. |9 T
15. BLANDISHMENT: COAX::2 S$ ^  o9 ^  R! L
   (A) prevarication: deceive. C, _" N8 Y7 B$ g; T' u" s
   (B) reverie: dream
$ K0 n  v8 A" Z, r( {) X   (C) persuasion: coerce
4 O% F+ r4 G4 v5 z- M, w   (D) enticement: impoverish0 S  C: u/ _$ h+ S5 D, Y% s" F1 i
   (E) explanation: mislead* T6 {, m. O, H7 y9 A; l4 n
( ^( s0 x/ ^9 o3 J4 I5 y
16. CONVULSION: CONTRACTION::" F2 A6 K/ o4 {1 w8 G( M% I
   (A) aggression: attack
1 ~& k0 o* t: U( H  H! s; s; A0 u   (B) sulkiness: punishment
2 r( z/ G1 h: k1 Q   (C) persistence: acquiescence6 ^1 T. C4 j# i  H" r) N( j
   (D) frenzy: emotion7 l7 O# U3 L9 r3 @
   (E) indifference: greeting
* I8 i1 t5 I; ?! h5 k+ l. c8 b1 N4 v" N3 H
28. GROUNDED:$ f' w2 F* t, r) z( s
   (A) attendant
7 a- Z' g7 \! @9 J   (B) flawless2 J, \6 T5 z# _' @, i. P) c2 D
   (C) effective
5 G% J* {" N0 l8 o9 P& e; G   (D) aloft9 Q4 U3 C3 K9 q. v
   (E) noteworthy
5 O/ n9 x" d/ q' `; J8 |% q& I9 B" H! `  H5 p
29. DISCHARGE:
/ `; l' m) V# K1 u   (A) retreat
8 m: z, O) m& X1 e+ `. A+ O. }   (B) hire: D3 b; H. @- z" Y
   (C) insist
: `1 @% B6 Z$ A9 K# B+ ^6 W   (D) circulate7 u& d+ {! Q7 X
   (E) pause
4 I& v5 J& y2 p) d; ^% F) v4 w+ h" w$ o
30. INTERMITTENT:7 q/ ~9 t0 j' j; m) E0 a! s' G0 S
   (A) compatible
1 q7 }# j- S* _1 `8 `2 T; Y   (B) constant
# r& J  D0 r2 F7 I+ ^2 C9 p1 U+ z   (C) neutral
+ w: Y$ [) i* J) E1 N   (D) unadulterated0 F( p/ ?2 s9 h4 h7 w
   (E) indispensable
4 d7 ~3 g8 _5 |9 T4 x* t. @+ \+ s* p% i) E5 l0 I
31. APT:% A6 F, y0 Z- E# A% H* U
   (A) exceptionally ornate0 ~2 e+ o" v- G4 @/ h8 d
   (B) patently absurd
* T: ^2 J0 B$ y. w: k/ I' F2 T/ U   (C) singularly destructive" E" ]3 F4 x* Z7 ]) p
   (D) extremely inappropriate7 w% a; n# S2 N+ [
   (E) fundamentally insensitive. T$ {3 r( q  Y' j; Z! g! k/ K

5 t0 t' ^( Y  q* N' G# R32. JUSTIFY:9 f* r. B. R0 g2 s4 ^6 w3 h
   (A) misjudge$ \. N1 ?  Z; V% L1 B( @
   (B) ponder: Z6 j( A) F2 c0 j
   (C) terminate) |$ V9 ]- V# A5 x" a6 }) e
   (D) argue against
4 H/ L9 ?; q9 e$ V1 Q   (E) select from6 e1 a% _8 i" l6 L. K
33. TEDIOUS: ( l9 P! P  K6 |
   (A) intricate. \0 m- ^& |5 r1 t- Q' @+ f1 E' D
   (B) straightforward
7 c$ E& f" L- ^( q6 v# M/ H+ ^7 a   (C) conspicuous1 h4 ~( e1 K8 G9 P. K( ^
   (D) entertaining
: Y& ]: c4 e* e& O& g5 m   (E) prominent
' i1 [$ t! K0 [+ ?2 q. _6 o/ c
34. INTEGRAL:" f8 p8 z" a3 i2 ^% Y# W
   (A) profuse 9 ~1 I8 e$ q2 [) {
   (B) superfluous6 T. C/ a, v5 d" p4 u8 k; z- }2 `
   (C) meritorious* x* o9 O2 y9 ^' ^8 g: a; a7 j
   (D) neutral
8 _3 V) w! H6 l9 H5 Q6 F   (E) displaced" l9 r, }9 P/ g! V; P  t
6 H2 T: H- w9 C/ T: E" o
35. COWED:
$ t) E1 ]. Z$ k* f7 J   (A) unencumbered
, O3 N7 J+ R5 u5 g* L3 v4 V   (B) untired
$ e4 x* p" h" Y! x) N   (C) unversed% p+ D& a3 h: u  F' i& H' t
   (D) unworried& T! s4 \) I5 G/ o
   (E) undaunted
: I0 X2 W/ T- ^
4 ~* ~% ]2 D4 `& E9 H, A, c# x. V' N36. CONCORD:- Q0 X2 _9 l* G, b2 i* E- N
   (A) continuance/ x# Z4 L% y! V; I. E
   (B) severance
1 W; L) f7 z% i% U   (C) dissension; s, \5 k9 y' j+ d- j2 h" ^( a/ ^
   (D) complex relationship, q) v% q8 b# K2 v% L
   (E) unrealistic hypothesis
8 ^: e" X% a& W4 P# Z9 @
8 h% j, C5 A# r2 u6 k5 a: V8 q37. FRIABLE:
2 X9 X+ K; @. ~6 Z   (A) substantial$ N+ P+ j9 R1 X& l
   (B) inflexible5 S8 D: d; X" H* g& X' g/ G# N
   (C) easily contained
  s# b) P3 z! s$ p5 E6 f   (D) slow to accelerate
$ W6 |3 ]; N+ h* h+ V7 [4 o   (E) not easily crumbled
; Y: g+ N; e6 W+ \
2 E, w, i& |9 U8 u6 e2 ?/ D& E0 }38. DERACINATE:4 J0 @9 `5 I' D+ E8 [7 s' Y( s
   (A) illuminate4 v( X' |8 J- a' i+ o
   (B) quench; Z2 `% S8 l. B  d
   (C) amplify+ P5 p2 j- [/ x+ s& [% E7 H
   (D) polish
- c5 o: b; \# _: c" U   (E) plant
/ c* H% x* q0 C" t6 B% d2 x( n5 Z) @. c, c. G3 V: x: l
1 ]! `6 d" ]; |5 \! g
SECTION 47 X! g0 n% f- j5 _4 V
Time – 30 minutes
- j6 r3 D3 ^0 m. {38 Questions9 x  \5 i; S/ T8 O/ _  d$ a; h

2 f5 ]+ v$ }4 }; U6 b1. Punishment for violating moral rules is much 5 t1 B7 _9 j. J( z) \7 g" i
  more common than reward for following them;
: J/ j  ]8 h7 a% w6 o  thus, ----- the rules goes almost ---- in society." R6 G9 C$ Z8 h6 x4 O5 ]
  (A) association with .. undefended: F+ w# w7 ~  G7 ^
  (B) adherence to .. unnoticed% x4 g1 m( Y, N: U
  (C) affiliation of .. uncorrected
* K# \9 F/ H3 ~. J4 A% k. _' Y+ {! t/ S2 c  (D) opposition to .. unchecked/ p/ g9 D) m5 ~& C
  (E) ignorance of .. unresolved4 g+ F" h  d6 A4 F

8 a3 ^8 w7 ^" i8 F/ p" J2. Compassion is a great respecter of justice: we
6 N" c0 ~2 G8 j; U7 D) V  pity those who suffer ----.
) l( Q7 W! e* r# w% I$ k  (A) shamelessly
2 h" l* ]" e, P7 q+ U  (B) unwittingly3 I! ]/ ~) M5 e9 c$ T: ], i
  (C) vicariously" V( O! ]1 x$ @
  (D) intensively& }& k- J. l6 {1 S; j! p" i
  (E) undeservedly# _$ V7 v7 t$ k3 [0 f+ d; P

- [* x8 B+ y- G: Q3 h6 e2 ~3. No work illustrated his disdain for a systematic  q/ H9 J2 }: w# v) _
  approach to research better than his
$ i) d8 M; d. \  dissertation, which was rejected primarily $ v/ E/ n% A2 |
  because his bibliography constituted, at best,$ g3 d& J; `( W: w3 ]; G
  ----- survey of the major texts in his field.
- T$ q# {. H1 U1 y% W$ c, Q% V/ Q7 S  (A) an unimaginative
/ K6 g( v# @+ ~$ R. @  B+ v/ `  (B) an orthodox. C: j% P( n# A# z6 y- v
  (C) a meticulous + A4 |# {. v: {. M0 v' F4 K* g3 B$ Z# `
  (D) a comprehensive5 s& z$ ~5 `8 N/ N$ k  o
  (E) a haphazard& `  X6 C: v$ j# c5 u

1 W" m/ s; I5 y) g  P5 Q# R4. In contrast to the----- with which the
! v* q6 s2 I% x6 r- ?3 u' D6 T  acquisition of language by young children was
. u6 Z+ y9 I9 T3 a4 Y  once regarded, the process by which such
& X  [. _8 y* A3 W/ d, x0 k  learning occurs has now become the object
) h7 O3 G0 Q; ]. u# ^  of ----- .
& l; T3 ~1 W4 E: Z: F6 V, P! M3 l# j  (A) intensity .. fascination; w' P+ X7 v# h7 m
  (B) incuriosity .. scrutiny. O3 U3 I1 L  V' `* ]" R
  (C) anxiety .. criticism# X. \' p. @# Q7 Y1 L
  (D) reverence .. admiration
" @$ [, e" V+ K- m6 ]9 S3 N3 ^  (E) impatience .. training
4 T+ {, ^0 K1 J
* b* s$ e& h& q- Y: w6 f5. The senator’s remark that she is ambivalent ; n: M: b% f& j
  about running for a second term is -----given 1 R9 S& X9 i; _, a
  the extremely ----- fund-raising activities of * T( m# u, l7 ~+ o3 w8 g7 `
  her campaign committee.
* g. I/ V" |2 u& r# l; j, Y1 f" y9 ?7 `  (A) disingenuous .. reluctant7 m3 E. F* K8 H$ I2 O
  (B) futile .. clandestine: A1 t& C4 A) C- L: M( n
  (C) sincere .. visible/ x" m& M0 A  \3 V" a  a" F& v  j$ \
  (D) persuasive .. apathetic7 Q+ j5 y* G" v; N4 k
  (E) straightforward .. energetic0 n: K8 z# y3 J3 [5 {) b5 i

' @- c! }7 a( M; X- R. Z9 y1 R6. Until quite recently research on diabetes had, as & [0 W" t4 E! f6 {+ F
  a kind of holding action, attempted to refine 0 N$ t2 h: z6 q$ U
  the -----of the disease, primarily because no
- ?) p2 y4 C5 t" E8 a- K  preventive strategy seemed at all likely to # t: B" J/ u$ p; `4 t. X
  be ----- .* q) _8 a0 r; I2 Z- z0 \
  (A) definition .. necessary
) z( r8 w/ \- \  (B) anticipation .. acceptable" k& K( l7 j+ a! U
  (C) understanding .. costly
, ^) Q$ @7 e. X& \7 F  (D) treatment .. practicable
/ y9 @3 g' x2 D$ V  (E) symptoms .. feasible
  _& J# j( ^1 Y' R& d
+ s  M) o0 j/ O  P' M& P! L+ X7. Most plant species exhibit ----- in their - E9 E: E& A- p) j
  geographical distribution: often, a given species
0 h* b- ?* Y; K( ~, T- v( w3 N6 A  is found over a large geographical area, but
7 l6 S" i8 |/ {+ L( D. M, l( O! m0 }  individual populations within that range are $ K% |6 b/ t! z( ~5 n8 \9 S
  widely ----- .$ w& K2 ^: s& O; e! y8 D+ M, N
  (A) discontinuity .. separated5 I$ r+ v; H& e$ v
  (B) density .. dispersed
1 k) a+ D4 ]+ |  S2 Y7 P- {% R  (C) symmetry .. observed
. v& N; @: _1 @+ V* o* t  (D) uniformity .. scattered
: n, i* W; o4 ^( O2 t1 t  (E) concentration .. adaptable5 |* w, o+ ]: E) }7 i

3 A  a  M0 i+ ^
- _* l5 i9 D$ z7 p$ O  Y/ s# ~Directions: In each of the following questions, a' X6 W( K4 K9 v( R1 i
related pair of words or phrases is followed by five lettered pairs of words or phrases. Select the lettered pair that best expresses a relationship similar to that expressed in the original pair.. _6 X1 D3 J; \+ v9 }) ^) D
! G$ E( y- T0 I7 x& \/ l
8. FATIGUE: REST::
) Q4 \( f! y. A1 H: m7 u  Q  (A) gravity: weight
/ c: a; {( n9 B0 S; I, w  (B) friction: heat: Q5 I1 S4 t. R8 g7 v3 l# [( E
  (C) dehydration: water! z0 r) h. b, d5 M6 N
  (D) dizziness: vertigo
0 x  G( O8 m8 ?% A$ A1 D9 T- T. @  (E) radiation: light8 o  B+ v! ~# o5 |: w" a
5 m/ A8 n* Z9 M+ m; d) `& g' f
9. RECYCLE: DISPOSAL::
* d; b( z4 s; P7 b7 k' m  (A) recommend: insistence
# D) q  i2 M) _- @' f& V8 F: Y( U  (B) reciprocate: treatment$ @5 @  I+ j" G/ V: H  k5 b7 r: [2 l% `
  (C) rehabilitate: demolition( |) A! Z- f( y7 g4 ^+ Q
  (D) attach: conquest7 S  \0 J4 B& |5 m. `
  (E) offer: sale
0 t% I$ j1 v9 }& z4 s1 F2 Q, @# [7 S; U  w6 W$ l5 J6 Z
10. DICTIONARY: ALPHABETICAL::
2 E- G$ S9 d- Z  S   (A) map: contoured* s8 G& L- d4 g6 A9 Z+ G
   (B) diary: anecdotal! v) ^2 S: I: U5 M# k
   (C) outline: detailed" I# ~2 R! t* e' x0 |/ U2 r8 C
   (D) narrative: prosaic: g: B+ |4 W2 n) |
   (E) annals: chronological
* F8 T+ [4 o2 [" K* d7 ~' d% x6 o- Q; _0 F
11. ATTENUATE: THICKNESS::
1 x  \, I: U% ?$ E   (A) separate: substance5 k! @- P1 v2 i% D9 q
   (B) ventilate: circulation6 K- c, A: p8 |2 O; V
   (C) vaccinate: immunity
/ w' _! j4 {# K) x: E2 f   (D) relocate: site
3 t$ a5 S0 R' h. c   (E) debilitate: strength
+ i8 w+ X7 D" G. @* @/ b& @& W5 [; p0 C
12. SATIRE: RIDICULE::
, c, \! L0 \8 [( X   (A) oration: enmity
7 j5 Y/ d* N$ [8 e   (B) lullaby: dream
# ]9 Q  D9 P0 N& K. K4 j   (C) parody: praise$ p/ k3 ~( s  [# b! m' t2 M$ l
   (D) elegy: sorrow# m0 K" S& A. s  W
   (E) sonnet: remembrance
& n* k5 s$ |6 D/ H6 W4 o& X2 o
; q5 O2 Y# \7 H; k' Q+ D* J13. STOIC: PERTURB::
/ Z7 N6 w8 @: |& T) U   (A) perplexed: enlighten
0 [6 G0 b, _1 a4 u7 [9 W   (B) nondescript: neglect
* n& g  W+ v2 z7 J4 \& i7 {  N. `   (C) tranquil: pacify
. Q, H  ]( Y* F5 k5 f5 w   (D) avaricious: satisfy7 f& o) H% q+ f, A0 }
   (E) daunting: bewilder
+ y- E: f8 h, Q! V8 l4 R: z4 ~% I* Q2 F6 p' c  d, G) Y
14. EXCULPATORY: ABSOLVE::& M( P$ w2 `# ~. Q0 u# ?! `5 s
   (A) motivational: stir5 c4 O* D* Y3 a! M% o4 w1 y' \' i! a$ B
   (B) conventional: resist: z' g; n1 L7 J0 d
   (C) rhetorical: speak1 w* H% D  l7 |0 H, ?. w; q+ t
   (D) pedantic: learn
9 T& g" y, P# B   (E) ponderous: choose# D# A' B/ i# r; n, S

; K3 j  k8 m; S15. MODERATE: INTENSITY::- P; x3 {1 A+ n# n, R. y
   (A) extenuate: seriousness. j' r" P  P$ I8 Q' U9 c
   (B) separate: distance
4 p7 k, c1 G# D, S& t* I   (C) indulge: chaos
0 n: w9 x2 Q4 G8 e4 m( J5 r9 h   (D) commemorate: memorial8 _/ ]0 Q# q- P) e3 Q
   (E) disparage: animosity
: ?7 ]: Z" D' Z9 F, M' a( i3 f/ Q2 e6 T% t
16. JOLT: MOVE::
1 L( m( x( k2 f2 {' d+ r5 Q   (A) possess: acquire
+ [1 w! S* t) w5 H6 [  f   (B) arrive: remain1 n* Y3 m; ?9 L0 G, q
   (C) check: stop4 F% U  t1 l( n. s" Y
   (D) spiral: turn. y1 i3 m! _1 b3 H
   (E) rattle: hear
/ }6 K; u# p  }- A& r  
/ @  ?& N2 C9 r) h
1 [' J7 x# _: @, ~) Q+ N4 O
- ^' W1 \  t! B& o/ l7 x  J% o& `28. CELEBRITY:0 t2 q% L6 w2 G2 n: y
   (A) eccentricity
# m" }, e# q5 |6 f* K  N   (B) informality+ @# m) E* ?# F; j( P. h
   (C) obscurity. V3 E0 q0 ~, A5 F; G
   (D) aloofness: a% I' k( T( c
   (E) nonchalance: L4 q! K  w' u7 N& {- m3 z/ `4 {
- m. p; m6 F, }; F! E/ l# u5 j
29. CHRONIC:- ~4 f4 L/ t* S: n# r, E" W1 A
   (A) imminent
9 {5 _! i( m, I   (B) asynchronous+ q7 d( `2 {. J
   (C) sequential2 h2 F7 X  A, f" E
   (D) sporadic
# l4 }( \  K! ]   (E) spontaneous
$ ?& V/ q8 i+ x9 G6 n+ ~2 g; Y
' P; R1 ]0 L+ {: T30. ACCUMULATION:
% g  R: _" w/ c9 L  q+ d+ d" h   (A) severance
1 e& d0 _  X1 p" I   (B) dissipation* ~" L" K" _+ l" G
   (C) reciprocity
: \) ~% o8 r4 h   (D) absolution# s+ B( T  M, e
   (E) remuneration
/ Z5 {: G) V" K: O+ A+ }% q
$ T9 ]$ A6 b8 y31. CALCIFICATION:2 N) V. f; `1 r5 M0 z% Y
   (A) forgetfulness4 ?1 `9 Z4 F6 a+ x
   (B) abundance
$ w7 l4 ?3 |1 |% n/ E3 P( R2 e   (C) streamlining4 M5 P, y0 }# ]1 j
   (D) clairvoyance8 c9 I6 F9 |: h  l
   (E) flexibility2 X, k: Y2 k$ `! j) E$ o' C

! @9 e$ R& a; S32. MIGRATORY:
/ S) W; W2 @  o2 G$ T1 O1 ]2 v. o   (A) speculative
5 P+ G" [% |1 d. s6 X7 a0 u   (B) transitory  P$ D5 S4 t0 R/ `* }  q3 O
   (C) sedentary& J! y% P- j4 K$ O. m
   (D) kinetic
# l+ f- E2 A# d- w7 n5 K4 H   (E) convergent" T- n" Q. Z' x0 \

) N) S4 C% ?; A- X2 K1 u& s- ?$ S: i33. CIVILITY:5 Q0 W1 I5 R3 s8 v5 Z7 j6 D$ B  o7 I
   (A) impassivity
! d) B7 l6 _- S+ B: j: J# G- a   (B) rudeness# `% [9 B: m0 F
   (C) indiscretion6 t$ i+ h( {* u. b  p- W
   (D) dubiety! @* p% r7 H  `9 k$ \  L
   (E) indolence
& R5 j2 ?  b0 {6 D# i0 L
- d5 Z# i* |+ i. g* i% A34. VARIANCE:( ?) I' ?/ J. ]) z4 `
   (A) contingency! }4 i+ \; J( f$ f( i
   (B) congruity
3 B3 j- M; W  ?  c9 r0 n   (C) encumbrance4 h2 m: K$ Q8 f1 c; C5 A
   (D) usefulness
' @9 m! X' F* d2 K/ p  `   (E) distinctness
7 w) r- \% |5 S: j: l4 S- l  c/ ?+ J/ B; R/ Y8 s
35. GENIAL:
5 j5 k& n. X. K, V8 n2 `   (A) dyspeptic
+ n0 K- s. L+ C" y( ]# H8 Q   (B) ceremonious) C# n& ~) W$ Z5 m
   (C) wistful
1 w/ N$ |( o7 E0 ]3 `8 \1 j   (D) ravishing# x: K; L* M3 P
   (E) variable0 R/ K. T, S. {! J4 E

( G$ j% F& T; n36. DIURNAL:" ?6 W: K  u; `2 W
   (A) predictable
4 {) F2 K% r) l4 o  ?   (B) ephemeral
2 P8 a* G  J) M6 d6 o6 [( V   (C) primitive
9 x9 d& E$ l% A, o8 b- k) L   (D) nocturnal
8 o4 w; A0 E* V0 U% \# g   (E) vestigial
8 v* @' I. }4 r! Z, f1 a
9 g. m+ b$ n" W$ o37. APOLOGIST:& g/ W" B5 R, z) h  O
   (A) accompanist  x- q; e; J& C# B
   (B) protagonist+ R2 F6 r5 w$ g9 w" i3 p
   (C) supplicant
6 Q& J6 ~" E" K7 [. l5 S   (D) critic* b6 d- ]; K+ |) B( i
   (E) conspirator
- ?( ]: N  O+ O( h* B! I
6 b, ]7 l* Z$ }8 B1 D7 c38. VIRULENT:
/ ?4 D- p; `& U  b; n* g' J& K   (A) auspicious
7 ~; D9 W7 c  D- Z6 k7 [; \' K   (B) polite: `  B* v& |6 m6 B. Y
   (C) salubrious
2 f) {3 e3 |$ C   (D) vanquished
/ n# S' `/ l2 ]8 N9 H8 ?$ y4 H   (E) intermittent0 C/ j! p! y* ^$ B; j8 p+ B3 f

! E2 t4 x- x$ S5 N- G0 L% L- Z  T6 T9 {* }+ m- ~8 N8 h

. v0 }2 v1 U# |1 u( v$ J6 C0 A5 X
6 e! s) V; ?2 P
5 c0 c  G% ^1 o, ^5 e0 ^, O- r* ~2 j5 A7 N- ~7 E0 k7 z
答案:
' T" B: I1 P, [7 O$ w% ?% W/ U1 q
Section 1:        BAECD CCEEA CDDCA DBCCCAEBEC ADDBB DDDBE CEE3 Z3 C3 }8 L9 c8 c, Y" B9 U
Section 3:        CCDBB ACBAD CCABC CBEAB BDBEC EEACE8 ?" O) V) W& b' Q1 B
Section 4:         BEEBD DACCE EDDAA CCBED CBBCE ADCDB ECBBA DDC
: U, \; D! j% d9 H3 Z: p: `Section 6:        BAADC ADCDC DBCDB ABEDE CBABD EAEBE
0 0

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沙发
发表于 2005-6-6 11:14:44 |只看该作者
9. FULL-BODIED: FLAVOR::题干什么关系???6 G. e  ~* M: F& L4 y! R& R3 z
   (A) penetrating: vision
' {5 z+ D4 Y; r: s  (B) humorous: character
# Z! N$ U. M4 R, m) _   (C) salacious: language( b0 N/ c! n  u0 n: F
   (D) nostalgic: feeling  I. V5 W. M8 `) o/ V$ m! _
(E) resonant: sound

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板凳
发表于 2005-6-6 11:35:34 |只看该作者
前者修饰后者,而且强调后者强烈

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地板
发表于 2005-6-6 11:36:56 |只看该作者
section6 的第15题是不是有问题,题目里没有提到W,但是后面怎么出来了?

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5
发表于 2005-6-6 11:40:08 |只看该作者
section5 的9:3 x; n6 m0 U- w' p
recycle 和disposal 是种属还是反意?

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6
发表于 2005-6-6 11:42:07 |只看该作者
又是填空!!' q$ b; Y6 U4 g

. s* _8 e7 j' b' E# ^大家觉得填空怎么样啊?真的是越来越难了,我是越做越找不到感觉!!
$ }+ ?/ k3 _; y& Y怎么办啊??SIGH。。。。。
最是闲,忙里偷闲
最是甜,先苦后甜

welcome to yumiao's blog

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7
发表于 2005-6-6 11:46:38 |只看该作者
Originally posted by xry1148 at 2005-6-6 11:36
7 a3 d: A6 A, psection6 的第15题是不是有问题,题目里没有提到W,但是后面怎么出来了?
& O& V5 H# o( @0 a% M5 |" ^
同问这个题

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8
发表于 2005-6-6 11:48:12 |只看该作者
Originally posted by xry1148 at 2005-6-6 11:400 O$ e3 |" K% |; F7 r! ]5 a
section5 的9:
4 q# _* ~  F& {3 Urecycle 和disposal 是种属还是反意?
3 m6 U$ V: z, A, N
反义,disposal是清除垃圾的意思

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发表于 2005-6-6 12:30:30 |只看该作者
Originally posted by xry1148 at 2005-6-6 11:36
9 y9 }! R% m9 osection6 的第15题是不是有问题,题目里没有提到W,但是后面怎么出来了?
; ~/ J( ?  w% T$ y5 d
这道题即使没有提到w,但也可以解,因为event T的概率是0.38,所以两个事件出现肯定是小于0.38的,因为另外一个事件出现的概率肯定是小于1
everyone has his own dream,
for this we are flying all the time,
no matter where we go,
constant craving proves your young power!

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发表于 2005-6-6 13:30:14 |只看该作者
Originally posted by will_forever at 2005-6-6 12:30$ G% u, B. N3 O7 v( u- ?- y5 ~
. K6 g+ D" Q& i( V
这道题即使没有提到w,但也可以解,因为event T的概率是0.38,所以两个事件出现肯定是小于0.38的,因为另外一个事件出现的概率肯定是小于1
5 s. r' j6 x; U' T0 {9 ~
啊,又给绕进去了!谢谢

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发表于 2005-6-6 15:12:34 |只看该作者
section3的23~8 H1 n4 h; t/ f  ~" U! L/ ~
又是问中数的~~5555
未来也许飘渺,我的力量也许很渺小,只有执着是我唯一的骄傲~~~

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发表于 2005-6-6 17:15:20 |只看该作者
Originally posted by rainie993 at 2005-6-6 15:12
( x3 A) O- G* A3 xsection3的23~3 ~8 ~0 E9 O! K: ?/ C3 {
又是问中数的~~5555
4 o, Z5 H# @5 V6 C: g5 {
5 r/ w4 v3 S% g$ m6 L
同问,觉得答案应该是E(80)
everyone has his own dream,
for this we are flying all the time,
no matter where we go,
constant craving proves your young power!

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发表于 2005-6-6 18:03:42 |只看该作者

几个数学的问题

1,section3 2 是不是我的书上印错了?题目:1/(22.03-1.03)   1/2
, j3 y5 a& z  _2,23 我选了E
) B& G7 D' y! O) l3,section6 20 我的题目是A,B,C share a prize of $400,B receives 1/2 1/2(觉得这又错了)as much as C, how if A receives twice as much as B, and if much does C receive? 说实话,题目没看懂。$ O$ P4 |' T# b/ A  C0 R% S
4, 26觉得图又画错了,x和z本来就是相等的啊?怎么会z=x+60.

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Golden Apple

14
发表于 2005-6-6 18:50:49 |只看该作者

section4 填空3

这套填空都做的不好 每个Section都错不少
痛快去爱痛快去痛
痛快去悲伤痛快去感动
生命给了什么我就享受什么
每颗人间烟火全都美丽了我

笑与哭都值得用力气
吻和泪都是该裱框纪念的痕迹
很乐意每段路都有陌生人同行
爱或伤害都欢呼都是活过的证据

每一天都是一个节庆


offer快来吧!

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发表于 2005-6-6 18:58:15 |只看该作者
23题7 y; E: V5 o7 l9 w: ^. S
分数已排序则median为第10和11个成绩的均值(76+78)/2=77
' S. x% b# p" w9 U2 ?3 @2 V2 ?4 o- Kto 13楼,我的书和你的印的一样,应该是有误吧

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RE: 6G冲刺模考讨论(八) [修改]

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