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原贴来自lingli_xiaoai 斑竹的帖子https://bbs.gter.net/forum.php?mod=viewthread&tid=469297&highlight=
8 q. v. ?4 Q- J复制过来给错过上次讨论的gter参与,提前祝福大家在六月的考试中取得满意的成绩。最后几天,坚持一下,胜利就在不远处。, Y( y1 S- e! F# D7 @( N
大家加油!
4 e, z. i( k& V" u3 n8 Y
4 n3 s! W% F! v$ x) n$ S-------------------------------------------------------------------分割线,开始模考吧----------------------------------------------------------------------------------, Y0 \' r, m& ~7 o6 o
为了方便讨论, 我把2个SEC的填空,类反贴出来, 阅读由于太长,就不贴了. 做过的看看有什么问题, 欢迎跟贴讨论! 阅读的问题可以说下是哪个SEC的哪一题.
" G L) e2 B; I- y u! @% m/ `: R5 d& U6 C& a/ F& a
Sec1 ) ]2 ?- ^2 A* J8 j+ j1 ~
+ a" X* |1 U4 O# U' s8 c
1.A computer program can provide information in ways
, ^4 ]9 M8 v4 H% B9 uthat force students to --- learning instead of being 4 X2 D* ?0 I8 Q! k5 @/ X$ {- n
merely ---- of knowledge.% C/ I% U, |" R
(A) shore up .. reservoirs ' ]6 @: A6 Z" Z: ~! T
(B) accede to .. consumers ( m m( t- S& D; _6 E2 X
(C) participate in .. recipients& u$ x, ?% u8 E, g4 x
(D) compensate for.. custodians * C- v# [1 G1 W5 c& f
(E) profit from .. beneficiaries
* o7 ?" T/ @5 v1 l- @
: j- u# ~: p$ F! l7 C$ ]- T2. The form and physiology of leaves vary according to* _" J; b% v0 G5 W, v1 Z' r% T
the ---- in which they develop: for example, leaves 1 f) ~( H8 Q, G
display a wide range of adaptations to different " z( x$ F8 }+ V2 p7 ]: _
degrees of light and moisture.1 b8 b/ M! g' N) x# H) e
(A) relationship2 `( T* h' R$ t1 k3 {
(B) species 7 z5 `3 I: | o. s$ ]/ U4 P9 @
(C) sequence
) j6 g4 ^1 b+ j7 j \5 L R% \(D) patterns 1 a$ ~1 z% M, X& y" C% @3 G, ?
(E) environment
+ A3 ?% p+ h2 M7 R# E u$ d- Z- k5 g7 P' p) L$ i2 j) f% [' |
3. One theory about intelligence sees ---- as the 8 i1 f" g. X/ c" w! q8 _, a
logical structure underlying thinking and insists that
& D; [$ X2 |9 m8 jsince animals are mute, they must be ---- as well.
" ~5 g- n) b& D% l" ]3 T3 W(A) behavior.. inactive - h' Z9 z! D( x9 H) w
(B) instinct.. cooperative ; j1 v: T: K! C2 o, K- l
(C) heredity.. thoughtful & w' L# x; K4 o8 x5 w) {
(D) adaptation.. brutal
/ K8 T) }6 D/ Z l2 h# T, i6 ?5 y- l(E) language.. mindless
. K; J6 P3 k' ~5 ]/ [( b4 C: P1 G5 B; U. |# g
4. Though ---- in her personal life, Edna St. Vincent * [: O f \+ U8 ?. Z6 H
Millay was nonetheless ---- about her work, usually
3 J' M. n. e) f2 \7 |producing several pages of complicated rhyme in a
2 `1 J& u9 u! z) s) c+ uday.$ x" Z' Q! ]* Q! S
(A) jaded.. feckless
. Y% m9 [7 P ?! I, ?- }; Z(B) verbose.. ascetic
d/ _; x) q4 _7 K) y9 d(C) vain.. humble
Y0 u# A! }: q; x/ D(D) impulsive.. disciplined 6 \) s' \% u7 ^3 g
(E) self-assured.. sanguine
X; y: h& p2 \0 H4 p( o
9 `* o- t% F0 p9 E5. The children's ---- natures were in sharp contrast
4 N5 X" [3 ]8 O; |! p4 lto the even-tempered dispositions of their parents.
& O7 S3 {; U s8 f( S) u: l(A) mercurial% X8 c1 `$ \3 J2 c7 U. q
(B) blithe7 S) U7 j3 D( I7 U& O* n. j0 h9 ~
(C) phlegmatic/ Y" Z9 z l/ u6 j: ? M
(D) introverted . l: n' G9 c- G% C2 D
(E) artless & x2 L$ C5 B0 c/ ^: [
4 \" f' Q3 y, ^; ^ A9 w6 R6. By ---- scientific rigor with a quantitative approach,
0 T# V( o i1 ~7 bresearchers in the social sciences may often have ---
1 F( S, ~- u- ?their scope to those narrowly circumscribed topics that
, {4 b& u% P' {are well suited to quantitative methods.
- m: q G. P. P3 B" U7 y/ q(A) undermining.. diminished
; \2 v' | L6 z/ Q) S7 o! b(B) equating.. enlarged - |% ]2 f. A, e3 K5 F5 N
(C) vitiating.. expanded $ l) v* o- H$ m5 R. [% K, p
(D) identifying.. limited 4 e6 e! s/ E0 r0 {# t6 a9 o f
(E) imbuing.. broadened / { h$ q0 p* f n" O1 C
( U) |: `: e5 w' r7 l8 V7. As early as the seventeenth century, philosophers
- k7 k' l5 B+ ocalled attention to the ---- character of the issue, ' Q3 [0 l5 _( g4 k
and their twentieth-century counterparts still approach
* y5 [4 z* v( X5 p/ i; F+ eit with ----.+ F/ w1 E. D6 ~5 p& w4 W' l
(A) absorbing.. indifference
. S2 f$ F9 z C; ~4 x' J5 q( w5 [(B) unusual.. composure
, |0 u0 x1 I; B4 S9 u- v(C) complex.. antipathy0 P7 K6 l5 y3 x" l0 ^3 H
(D) auspicious.. caution
0 `8 q& {8 ~' |0 i& a6 ^3 C(E) problematic.. uneasiness
8 J# V1 a+ ?2 s+ J! |( _$ }6 b, y* h- e! P* p# e
8. TRIPOD: CAMERA::8 |0 P# }2 ^- u+ b% R: H
(A) scaffolding: ceiling
% w2 [) E8 x) ^' l' f(B) prop: set
. S4 D$ R& \6 P& b(C) easel: canvas 7 |7 \2 ~. R% S# v( T# Y% ?
(D) projector: film - m4 X @: I- P
(E) frame: photograph
" z$ o$ D1 k0 I0 L, T0 E
( T! [7 }. J8 e# W1 J& E$ ?9. AQUATIC: WATER::
/ N- x" c0 b* @+ m(A) cumulus: clouds 2 Q) }; b% L2 L" q
(B) inorganic: elements* p: ~' I+ E8 d+ ?' I* o
(C) variegated: leaves
. F z' c4 s7 y8 F& Y3 J5 w# O: y(D) rural: soil7 o3 E7 D3 c2 s6 a9 k5 x5 |
(E) arboreal: trees
, I+ A; h3 r- z0 E
; L! B$ [: E" N5 c s/ ^5 ^) g10. EMOLLIENT: SUPPLENESS::* v0 H/ n( Y, l! Z. H
(A) unguent: elasticity
0 F5 [, ?7 N# A5 i0 q+ i) R(B) precipitant: absorption. X. w$ g7 h% U: G. e
(C) additive: fusion
2 v' P7 N$ q0 t6 u4 R+ X) e* }# o(D) desiccant: dryness 5 W) ~/ Q$ B9 g* r
(E) retardant: permeability & P- `( Q% c* a. p
. z" k. O; \) X! M- l7 t- w
11. DRAW: DOODLE:: # A+ \ H* [5 @% v
(A) talk: whisper0 h% H0 v. x7 f+ t* O
(B) travel: ramble ) F5 C4 C! s- ~2 ^
(C) run: walk
7 {% t. f1 h% k$ V$ {4 |. e(D) calculate: add ( H X/ v+ B" r9 f' C/ b
(E) eat: gobble 1 E+ K# O& y% l# J& I# n
* L7 E( ~) m. e: e3 B
12. CONSPICUOUS: SEE:) X' w8 m; X N3 J
(A) repulsive: forget
5 V5 D; F4 t% j) N8 ] n5 a/ \(B) prohibited: discount
0 D1 f. U6 ^2 D9 s% Z- h(C) deceptive: delude
3 g- J% D/ V/ p& W+ E(D) impetuous: disregard ! j3 X0 m) G+ _0 H
(E) transparent: understand
( ~& B4 s' O1 Y% h8 H7 c
8 P+ F5 S1 D) J: F" {7 \, |13. IMMATURE: DEVELOPED::- H/ r1 _5 V, w2 t# f/ y
(A) accessible: exposed
6 q. S! T, P7 Q- E* {(B) theoretical: conceived
) H0 ?( y# A! |/ i' a* L5 f2 l8 F$ l3 X8 H(C) tangible: identified " s: F* e# _( E/ u% q: w" c
(D) irregular: classified
5 q8 v; _5 i1 B(E) incipient: realized
" ]" n! I# A* q4 r& b! Z4 Q) @$ c! V! r2 L8 \0 b/ l! k* l
14. PERSPICACITY: ACUTE::
+ d* ~$ r" c, @2 z(A) adaptability: prescient+ z( t9 s$ V: r5 @* U
(B) decorum: complacent c7 X- l+ w+ `( x7 V
(C) caprice: whimsical; f. T( p9 f; {
(D) discretion: literal% N T: E0 u( l' w; K2 N" X
(E) ignorance: pedantic- c0 l! \ ~; T ^+ c
' e$ c/ K( t' D$ Y
15. PLAYFUL: BANTER::( n+ r5 O( Q4 O7 Q' [
(A) animated: originality
/ J7 U1 `: }1 u( a* m(B) exaggerated: hyperbole1 \2 q: {0 i; X7 h) S2 ^% i
(C) insidious: effrontery
+ u0 T+ T# b- M6 K! Y(D) pompous: irrationality ( o1 P& K; _, g3 ]$ {
(E) taciturn: solemnity
+ O" h$ G7 ]0 G& C& j0 M/ f# Y( |+ d7 w) S; C
16. QUARANTINE: CONTAGION::+ J1 Z! @1 y5 K" @+ f9 m$ t* Z8 q* p
(A) blockage: obstacle
# b! `0 X- g6 A; n(B) strike: concession7 M |: Z0 q7 ~' n6 i- b
(C) embargo: commerce$ `5 P! ?3 j! O+ |" j
(D) vaccination: inoculation 6 ^* L- q' m2 v0 C# ]4 P3 _ f
(E) prison: reform
3 X$ p4 I7 M3 v5 a7 j) e) H# [! o4 k* Q9 E- s3 F ]0 C* q
; s" F7 e" @$ G8 h
28.IGNITE:
* I( A3 {6 @4 y7 k: U, i: D(A) amplify
5 ~% f1 U ?( T0 b& E$ R, x, m, m(B) douse 6 c% P; g) B, X& G
(C) obscure
]# p% b- G2 F) g(D) blemish
4 c- b$ Z$ A h2 }, i) E0 o(E) replicate 0 d7 D0 |6 c; W2 K$ n0 y
7 f6 W- [: ~1 g1 e29.MUTATE: 0 x, ? G" f/ {6 a) Z- A
(A) recede / p7 a4 \# j5 |! z# _
(B) grow larger+ ^& a6 \; V" r( I7 r# ^
(C) link together
- f% L8 `2 E; e(D) remain the same e7 M1 C9 `* L6 K" `% V
(E) decrease in speed
: }1 c( q# \+ p+ o+ B( @1 a7 s' ~% B* L7 l7 O4 ~
30.FRAGMENT:8 k8 i8 \, T0 G) f' J
(A) ensue
. F6 b& I7 p8 E(B) revive # }9 B, n; m/ i0 y R
(C) coalesce - n4 F" W' e/ b9 G9 O \
(D) balance ( V3 b* o; @8 |: K5 a
(E) accommodate 9 i$ v5 F5 ^' n% t" N f2 {$ @
8 M& T3 f% l4 \- }
31.OSTENSIBLE: " D+ Z- s$ w$ f; \
(A) gargantuan
9 S& u1 p' i- \' j. |% @(B) inauspicious " R) `9 P% d6 z5 Z1 _
(C) intermittent
! Y+ c& }0 X: }; H( f# y# H(D) perpetual
' b% N& u7 k; z7 g6 P, A( L$ ]1 v(E) inapparent
8 a, I8 N2 ]# c% g3 w/ V) `7 I! r5 f
{8 f6 ~4 \! O) v6 n! Z$ ?9 ]+ y32.PROLIXITY: # T# r- u" d6 G8 O) n& J4 C$ o
(A) ceremoniousness
" ^% a# h3 I2 e/ U2 ~8 o(B) flamboyance
- I4 F5 i& U2 n9 j4 v: W; Z(C) succinctness
- i0 d) c6 M: N' R1 N4 [(D) inventiveness
9 d6 A! g: d, Z. k(E) lamentation
7 E4 @( ^, Z% C' s8 V( n! H3 u( V- ^/ _- e, q7 ?- _% Y
33.CONCERTED:
. N: E& _8 l: B* _) ?(A) meant to obstruct3 H4 @5 r, M9 X$ w# m0 p/ H' f& ^& S5 s
(B) not intended to last
& g' @( H- R E( T: C. s& T(C) enthusiastically supported
4 ]7 A2 _9 e! {9 h! g- ]; E(D) run by volunteers
; Z5 d, d& y- R; M& C/ \(E) individually devised # G* d( X$ I/ o
1 r6 o& t+ M4 G7 \$ s1 j34.FORBEARANCE:; z& A* z8 S; @# C6 X
(A) fragility
5 q, k! L5 H; r' m: m(B) impatience ! n3 T6 m8 {$ M2 ~
(C) freedom
0 R( `# k+ m# D- R9 P4 K4 a(D) nervousness : P6 |" \7 [: [
(E) tactlessness " D! H0 x0 Q8 C) K8 ~6 P
, [1 F; Y5 E: Q: ]9 R c35.COSSETED:. N! k* E! h" O/ r3 |1 F
(A) unspoiled
" f. M0 O" k9 z& w* Y(B) irrepressible
3 }! u) L2 |3 n' |# _(C) serviceable
* O/ {+ A4 O3 p5 p8 |- t: K( @1 j(D) prone to change # D: u. [& ?3 d; Q/ a: v
(E) free from prejudice
" j7 ~8 H/ l- e( b8 I
6 n4 G. p& i2 ]% O$ F t36.PROBITY:
4 A( E/ h& V* D4 o(A) timidity & ^8 \- e) L; C! u) A
(B) sagacity
0 k8 _% o4 |0 H2 I i2 B( U3 ?(C) impertinence : U4 y/ t* l# F2 Z- d
(D) uncertainty 5 n. K; \) o' V& Y
(E) unscrupulousness
, v/ {1 J0 m. L1 C
$ p5 X/ g( H- x$ n& `5 w37.ESCHEW:
) H! M1 |9 B r$ L& ](A) habitually indulge in
+ D+ M+ W+ y0 ?6 j# K+ B(B) take without authorization
+ j& y5 c1 e2 e+ y" K(C) leave unsaid 5 X/ Q- |9 s2 ]! O5 |4 u
(D) boast about % T5 K5 C% e) W# ?- f0 R/ C P; ~
(E) handle carefully
2 h. s; s# A/ N+ p$ }. O( {: P7 Y/ N; p( _" a
38.REDOUBTABLE:
' P# n6 s" H4 Y4 e0 e U: P( O: H(A) trustworthy6 Q' C$ q- V( q/ `6 o
(B) unschooled
( S- O" ~: m7 H6 c(C) credulous
. }/ ] i" ]. G) f( i7 ](D) not formidable ; W L3 N$ E$ z# l
(E) not certain 6 ?4 d$ {! a& ]5 I
2 ?2 D2 k m" z2 ?* F) Y7 P Sec2 ! z0 ~# F N5 h+ X( u
# ~2 t' j+ f: V3 c7 s \8 y1. Since most if not all learning occurs through----, % g! D5 V! g$ F" C1 b
relating one observation to another, it would be
) O6 y. L1 a' a7 |) q, K$ ?1 m% v% hstrange indeed if the study of other cultures did not
- R- O6 C+ }# ]% \$ calso illuminate the study of our own. / M* {" `3 R K
(A) assumptions : ]* }# _& e4 Q5 M9 k
(B) experiments
7 h% C4 o6 u1 I, H/ V* d(C) comparisons 1 t Z" T0 C; S7 [
(D) repetitions
+ z" U ?; Z3 Y8 {6 n. y+ @(E) impressions
2 ~- c$ F+ `3 U5 ~ d0 X% R" C& b, l
2. The new ---- of knowledge has created ---- ; ~2 X9 F) n6 |4 s
people: everyone believes that his or her subject & m7 P R* F/ k. }, }+ q
cannot and possibly should not be understood by
" W& B5 P! C2 M+ V6 N' M/ [% gothers.
+ ^' f! g5 U) C6 ]7 p" _6 C5 \$ _(A) specialization.. barriers between 2 D& Z( `8 C0 k
(B) decline.. associations among
. F2 ]. D' l7 B! w(C) redundancy.. complacency in
4 n& }% E8 [" e' p: E(D) disrepute.. concern for % f" ]" w+ _ E+ I# N
(E) promulgation.. ignorance among 7 T* T2 X0 b, U+ B
8 s% |. `6 D ^! v
3. If a species of parasite is to survive, the host organ-
6 K% C5 \ _- K% j+ j. K& S; Disms must live long enough for the parasite to # t( N9 x" w! Z
---- ; if the host species becomes----, so do its
} r, U$ s( f" {2 Z2 vparasites. ) v h& @5 W0 X# e4 a0 |- |4 C" V
(A) atrophy.. healthy " F: q+ }5 H7 `; `# J; n4 {
(B) reproduce.. extinct 9 J% \7 n9 r( W W( J
(C) disappear.. widespread
6 P3 i+ C R' a% |! S& B* k(D) succumb.. nonviable
2 U' v' @$ @8 C+ v6 N9 x$ A(E) mate.. infertile
6 }1 d6 C8 l% y Z2 f& w. c7 O' H# r% W) g
4. The author argues for serious treatment of such arts / e9 j; y/ }# t# l8 h' ^
as crochet and needlework, finding in too many art 0 C5 a0 S0 z/ z2 B' U2 A6 e
historians a cultural blindness --- to their ----
. T# T! k- G. H2 K7 z. N. ztextiles as a medium in which women artists pre-
! u$ k& G! [) A; \dominate.
. i8 f# ?9 r5 s5 C/ S) A(A) traceable.. prejudice against
) u1 `$ K1 p: }# W+ \# u( k3 D5 q(B) opposed.. distrust of ) O. ?5 Q- y/ U
(C) referring.. need for
! X V) r# N6 V(D) reduced.. respect for 5 j3 L @# }7 f' ]
(E) corresponding.. expertise in * Z, Y0 a& T; M- ^& x" L
% M4 Q! M1 B* n5 x& D! T
5. Those who fear the influence of television deliberately
0 s% t( u8 {; R# ^% n" L------ its persuasive power, hoping that they 9 r2 l0 M2 Q" a7 S8 G" v0 `/ q
might keep knowledge of its potential to effect social
/ X$ p- q- ~4 n: u: w* Ochange from being widely disseminated.
6 p/ r+ m( C9 ](A) promote
" a7 |6 `8 G; ?(B) underplay5 E1 i* [# S- G! e* i: {
(C) excuse E$ F4 G! }: }/ M: m
(D) laud
C/ r" F1 {, I$ A- v(E) suspect + B1 F+ d' T M8 b4 E5 H' B
! F% I& L! c, f0 h' w; L
6. Because the high seriousness of their narratives
# ~ L. |6 i/ e; @) p0 g8 Y/ F6 ?resulted in part from their metaphysics, Southern
" z( M; m* E ]0 h! P! n) n) swriters were praised for their ---- bent.. q% K6 }- l: v
(A) technical
( K5 f. t! O( a& I(B) discursive
5 k+ z& Q7 y K1 N: }(C) hedonistic
4 j2 w& g" E* P. T+ I(D) philosophical
3 N6 t0 S9 g# S- \$ k U1 T3 G8 Y, a(E) scientific
% |4 T8 r! Z7 X( J$ b% ]/ t4 i) X3 S' ]
7. Far from being ----, Pat was always ---- to
9 G' B: V- S' }- P2 }0 l3 D) M9 ]appear acquiescent.
5 o- r5 H: h8 O+ ?3 l) b(A) unctuous.. loath % _* @- m5 x4 A$ }% I6 ^: y1 K
(B) brazen.. reluctant , q! }" G8 ]. M2 S
(C) ignoble.. concerned
P, H) _/ c: H9 u(D) obsequious.. eager
9 X9 V* u0 [7 `; I1 ~" G(E) gregarious.. willing
4 O. E1 g+ p8 H+ w5 U: g; f1 }) B2 i% z2 u, m/ v$ U! [- l
8. CHUCKLE: LAUGHING::
3 G; ?! z. S8 ]* o7 q/ `(A) uproar: shouting
0 i4 [6 K J8 ]& V. z(B) whisper: speaking / l( s* [0 X, L4 z' B4 I
(C) hum: whistling
. }6 k! q( j; u' |. a+ h(D) lecture: conversing 2 b6 }3 W" Y! E* ]' ]2 y; {
(E) murmur: mimicking 0 a& ]: |* I9 s1 q7 i% h
" e. I1 ]. u( c I9. PARAGRAPH: ESSAY::
! ^/ ~9 R) v! Y(A) object: verb
5 @; e# ?' Z4 F3 s$ @; I! M(B) phrase: preposition
5 ]3 c: c. B& o' y(C) interjection: parenthesis
/ \- x+ R0 x/ b& X) v1 ~(D) clause: sentence 0 U9 H2 W) i9 h7 n
(E) colloquialism: expression # R; W. O1 t& z0 ]+ Y
2 n) Q2 _- B' Q6 n" m10. STUPOR: ALERT::/ @* N% J1 f: h& i
(A) rebellion: defiant
5 e8 P' v: d ~/ v0 F/ E6 T) ^! V; D(B) despair: hopeful# w( Y" {" d; h8 V/ l! l
(C) expectation: unfulfilled ) r" @) b. }. j8 R0 x+ L8 e! ?2 V9 l
(D) circumspection: careful " S% p3 I% \3 |3 T( a
(E) ennui: listless C1 V- M& D3 s; X7 ` v2 Q# n
7 v2 W$ @6 C3 @6 I% I
11. PAEAN: JOY::
9 l4 k( b& l" x2 X [8 s- r& p( [' c(A) dirge: grief " t' S" C: |/ m- G0 ]. T
(B) oratory: persuasion 9 @* s1 F0 v+ u2 y/ i) i( q. |
(C) aria: opera
7 R7 p% `5 i7 R5 s) s(D) chant: choir
1 P2 | O5 E1 k( C1 g) K: F(E) lecture: instruction
: A" G# u' v7 ~& I0 Q6 W9 ^( [$ p P) ?5 @0 ]( W
12. RENEGADE: ALLEGIANCE:: $ @. H( z+ L/ r3 I
(A) revolutionary: reform
7 G" @4 u$ O9 i5 K(B) aesthete: discernment - F$ R5 `1 _9 z# p; h5 I! |( `1 l" w
(C) apostate: faith 4 r4 e4 w4 I& \
(D) politician: challenge
' h' ]3 A* M3 K' C(E) criminal: imprisonment
$ \; K. Y4 O5 V
$ b6 ^& q R2 @13. DEVOTED: ZEALOUS::
' o; x$ z0 {& R& e' V7 ](A) affectionate: demonstrative X' z1 x/ f5 v; R% ]& N" C
(B) animated: lively
4 b! p& v, @7 U1 O. Z0 X3 {(C) rabid: extreme" T$ f1 F0 s1 w, X; Y# `1 E
(D) objective: indifferent
! l% G7 `7 B+ J1 r(E) careful: fastidious
, R3 F: ^; w/ {: S7 U# f2 w" |# f
14. VESTIGE: REMAINDER:: 8 P( m4 U" G& e
(A) figurine: statue
# E' P; V4 Q* v! |& n: a8 {(B) knife: cutlery 5 J, K+ R( F) s" u7 z
(C) hub: wheel X. L5 ~ ^% U% g+ [
(D) angle: slope
/ p% }( p+ C0 M* J(E) inventory: goods
0 A% Z5 R8 `. l
2 S E7 t ^3 p* z) _9 I15. EPHEMERAL: ENDURE::
8 n8 w* @4 X! k+ g8 a/ L* Z(A) insensitive: cooperate
) b A0 U+ e$ I, X- w, P6 n7 i(B) infirm: react
$ F, v8 x: J' e" }(C) ineffectual: proceed , J; r! r% Q- ~" t; ]4 v( @$ K; [: m
(D) inelastic: stretch
# V; m% R: S/ q6 v6 f(E) inflammable: ignite ; n5 b6 @/ `8 F3 V9 d3 G
, d* ?& W$ s- Q0 N+ _8 U7 M
16. MISDEMEANOR: CRIME::3 z+ p1 [: ?5 `% {$ u- C0 e
(A) interview: conversation - ]) \" ^0 f; v7 E9 P
(B) lapse: error
4 _# M- l7 m) [(C) oath: promise $ `) v9 H& V4 o( D: M& J- T3 |
(D) rebuke: criticism
' e& E" L8 E8 m- @ p9 l(E) vendetta: feud
7 k; k8 D9 f8 a/ G. U/ O8 K- P+ h: @* ^: @" r3 J9 s9 D
/ Z g6 G% F- q
28.PREOCCUPATION:
1 j) W+ h, F- z( a2 g(A) finality : f2 b; j# `: x& \ m6 m
(B) innocence
9 _8 A: l+ E5 ^/ t7 w- y2 R(C) liberality : q/ {: H0 I: Q6 w
(D) unconcern
?$ K- n1 `$ S+ G* x J' e(E) tolerance 7 Y0 T! Q5 W, n
4 b- n2 {! s6 n2 P) `% ^
29.CHROMATIC:# F6 X/ j8 f0 A' @9 l
(A) opaque 6 ]' ]* n1 }# I8 W0 X' G
(B) colorless
6 E% m. D% V& `& r7 L& D3 M* {(C) lengthy
9 ^- K/ h* ?+ k(D) profound
4 o0 b G& L* L/ [7 P(E) diffuse : k7 @- P- |) ^/ ` ~; W/ S
, @1 y* \6 Q# W1 q1 k+ C' }/ c30.PEDESTRIAN: ' x3 c w5 b* p7 K5 X0 D
(A) widely known
; m" `7 E9 D' M; E(B) strongly motivated
% L! e& S; L( ?6 T; G) j. G `) S(C) discernible 9 D0 V( Y* U2 ]
(D) uncommon
9 ~# t. P, w. z+ X(E) productive
7 {2 S. ~2 Z$ s* ?% S& z5 ~% c
! l$ y" m3 V ]! X/ H9 ?0 a6 V31.EQUIVOCATE:# w, a: {% h! a' W
(A) communicate straightforwardly
! }/ ~5 l: T0 |% D; ^7 y8 Z+ [ Z2 N(B) articulate persuasively 4 x7 d, m/ x+ N, A, G$ \
(C) instruct exhaustively
( A2 F0 M" X# _6 @(D) study painstakingly 3 E; r" Z; @2 W
(E) reproach sternly
3 j; L# m, X/ k6 o- F4 b
3 g7 E! h: L; ]$ W- u32.DENUDE:
# A9 z3 O4 D/ d* ](A) crowd out
0 r$ S, h, I/ z7 p3 v(B) skim over ) t+ M' p& H3 V/ g# M2 V4 |7 ~! ?
(C) change color
, u ]- i) e1 A/ r0 Y(D) cover 0 ~& y$ Z8 G0 O4 r. ^
(E) sustain
6 K0 ~3 k7 z+ o" {# Y8 ]
$ F1 V* W% { b# I, c) P$ A9 y33.RANCOR:
) |$ D* l0 |8 v) H! s6 r(A) deference
5 {( F- @, |8 \ w6 i' b* D8 a(B) optimism
2 C9 V& G% O5 w7 t, F9 K6 B ~(C) courage ) g6 }& f; h6 l/ H& j# h( I
(D) superiority
/ E; h9 B6 ~# r2 n: b1 N5 v(E) goodwill ( n4 v8 B2 J3 B: m
9 r0 v" A* }- ~# K$ t1 n34. OSSIFIED:4 n9 c F% s) p" c* r
(A) vulnerable to destruction % `! }$ z: @ \ |8 N
(B) subject to illusion - j" ?: f/ m9 T4 |
(C) worthy of consideration . r# |+ g) M0 G$ `; z' c
(D) capable of repetition
5 v% R" c, p$ C5 E$ b+ {" ^$ I(E) amenable to change
/ F2 i o9 Z4 u/ Z- p! ^
+ z" w) P0 C1 R$ z4 I+ n+ H# _35. CONTROVERT: % h# q' K, T" |* _0 X2 y( i
(A) substantiate
& C: R, b: ~9 N' n* f(B) transform * i8 _3 j3 F3 S/ O
(C) ameliorate & [; m; i6 L4 Z5 U3 J. S
(D) simplify 1 K4 }( m J" f( m! F
(E) differentiate 4 Y& s/ h4 j. d
m' z' p! W) n2 I+ L: T36. PROTRACT:
6 u1 r7 N" r3 o(A) thrust
- _7 |' u( X( y(B) reverse ! D& b# m, P, F- p
(C) curtail
! L) E8 f, ~5 p7 L. M# e# T(D) disperse
# X! v, f8 F C7 s7 I9 ](E) forestall / B+ {+ `+ O: S" T- F
: j8 I( ^/ X! k% |8 O$ p
37. ABRADE:
# ?2 h8 `, h5 o, l9 `* t(A) unfasten # b# k: ^+ u4 Y& H9 E
(B) prolong
6 r% `+ p! G! `3 i, A3 [, _(C) augment
9 N; [ t4 W- Q: t7 P( q2 W$ L' f; N(D) extinguish 6 |' a" q ^, j- D
(E) transmit " N& c' i9 }9 T
& \1 _ w' d- {4 Z0 {38.APOLOGIST:
# P2 m$ U# x6 ]; g0 H7 ](A) egotist / Z/ m- e6 `( u( l
(B) wrongdoer
* L7 q! J6 v2 s(C) freethinker % Z% x; J2 |: S& r' o
(D) detractor ! k' V' q# a, K& f2 o1 B; r9 [9 o
(E) spendthrift 4 `2 g, f6 p% \5 e7 j+ ^7 w! B
; l1 ?0 D& _6 C0 }& O* o2 Z/ K( R( v' ] N8 x! l( @4 T3 K4 _6 n$ g1 r
# P2 t5 w+ d. f8 r w( w6 ?* y
8 P. { U& S4 R6 G
4 y* }) c- H7 Q+ G4 S
$ e9 A' W" i( k% T" `: l
2 M2 o1 k0 C# F7 ?- [7 e/ H- d5 f* A& {( K* p
V答案:
( c& J) h' Q8 ~0 W* g1 V. a( ?" rSEC1: CEEDA DECED BEECB C(EACD BAEAE BD)BDC ECEBA EAD$ w7 g* x( o! l8 {3 Q; p: k7 t
SEC2: CABAB DABDB ACEAD B(BDDE CEADD BD)DBD ADEEA CCD6 _% U2 U4 F; ~) E3 }% E- q3 V
( t$ u6 N/ O" {6 R, O j9 g( L$ lQ:$ ?0 k7 h, Q7 R. O9 b# |
3. BBDCA BAAAC DBDBC DACEC CDEBD ACAEA1 v$ | Y2 ]0 H) | Y# K0 V# f0 \
5. CACCD DBCBA CDCAD DDDBD AECEE DABBE' r6 B3 p7 D9 K0 J2 F2 N
: i) c( [" c! M( T# w
注: 括号中间是阅读的答案.0 O; i8 A, V0 C1 Q j
% U+ S% @% W- f, z+ o模考情况不好的同学不要太重视模考的成绩本身,要注意总结.这个分数和最后的考试结果没有什么直接的关系.总结才是最重要的.
4 I1 X, x6 e- t
4 I8 O6 y- I, H' f6 X加油~~:victory:3 c9 ^, f8 p+ D( |+ _" C7 L" i
: ?! T/ `: ]" A: L/ z% a1 D% B[ 本帖最后由 yogurt4 于 2007-5-28 00:21 编辑 ] |
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