- 最后登录
- 2016-7-3
- 在线时间
- 1645 小时
- 寄托币
- 42412
- 声望
- 795
- 注册时间
- 2005-3-2
- 阅读权限
- 175
- 帖子
- 2081
- 精华
- 21
- 积分
- 73047
- UID
- 198389
   
- 声望
- 795
- 寄托币
- 42412
- 注册时间
- 2005-3-2
- 精华
- 21
- 帖子
- 2081
|
原贴来自lingli_xiaoai 斑竹的帖子https://bbs.gter.net/forum.php?mod=viewthread&tid=469297&highlight=
0 [! R. {5 W* D l& i1 ^复制过来给错过上次讨论的gter参与,提前祝福大家在六月的考试中取得满意的成绩。最后几天,坚持一下,胜利就在不远处。, c) W3 g1 H$ @6 a9 t* G$ A0 Q
大家加油!- }# y5 s1 j g- a% Y
; h2 y, b$ s6 ?. ^& o
-------------------------------------------------------------------分割线,开始模考吧----------------------------------------------------------------------------------
( l0 v* l& n, ?! {! O为了方便讨论, 我把2个SEC的填空,类反贴出来, 阅读由于太长,就不贴了. 做过的看看有什么问题, 欢迎跟贴讨论! 阅读的问题可以说下是哪个SEC的哪一题. ; r& o& a$ I% S- [
, v8 b8 Y- }' F8 K) Y: V Sec1
# x# s$ T0 F( z+ i; M' g: Y
3 O; b+ H7 e1 x+ ^9 u' y1.A computer program can provide information in ways : t9 r" s$ N K2 A+ V
that force students to --- learning instead of being
P' S" V4 B1 jmerely ---- of knowledge.& F/ U1 |- P% I4 @. A @; J+ V) x
(A) shore up .. reservoirs
# q+ B- M7 `* `- o5 z(B) accede to .. consumers + U4 ?: v, }, y0 J9 L. m6 X: [
(C) participate in .. recipients
3 B1 B# z/ d: C* Z4 G(D) compensate for.. custodians
Y4 x' x; ^4 f# p. k' Q(E) profit from .. beneficiaries
% h' `: x7 P8 |; k: I, b
+ b: L# A9 n" F9 n, a2. The form and physiology of leaves vary according to2 G5 q9 x/ o: \/ `
the ---- in which they develop: for example, leaves
, r$ d! z3 D `display a wide range of adaptations to different
' w1 X% s& ^+ }8 ?/ Adegrees of light and moisture.
- }7 U7 X/ a$ r' }# B(A) relationship$ M m& R1 q0 T z* h0 o0 X
(B) species 3 W: L5 O8 |4 x1 B& F* E
(C) sequence - t: r* U& ^& U' k8 K
(D) patterns 7 `8 I1 }8 U# I& Q; s* L
(E) environment ( j: ~ v0 o7 Z
* N6 y- E6 ?9 w' K: U9 a: |
3. One theory about intelligence sees ---- as the . e4 L4 }+ j$ S. T/ b! A) |) ]
logical structure underlying thinking and insists that
& e/ p S2 p; ^4 n8 G; i9 ?. n+ asince animals are mute, they must be ---- as well. }: S* [5 {+ ?4 l
(A) behavior.. inactive
V" F% h: g- x: C0 x# F; U/ C(B) instinct.. cooperative
% }5 |& T9 ~0 n3 f! d( J(C) heredity.. thoughtful
* d4 I) [8 B. _9 p7 R6 q% j4 M(D) adaptation.. brutal
! q4 A7 T& E: k: U(E) language.. mindless 3 _0 E ~. _2 o) u. U3 h0 P
, ^, c8 P2 M5 U+ k+ B4. Though ---- in her personal life, Edna St. Vincent
# ]( j! ^, Z& w9 L4 {Millay was nonetheless ---- about her work, usually
) w% r& r1 Q% C) s6 Gproducing several pages of complicated rhyme in a
1 H% R5 [0 l4 w2 @) \2 ]& h% @' Kday.
$ ^( G7 W1 [. B e8 ?(A) jaded.. feckless . F0 L+ H* d" Q* d# B# O2 u
(B) verbose.. ascetic
4 G7 R; U7 E& f& E( ?6 j(C) vain.. humble ' Q: H/ R+ D5 G/ }( i$ d
(D) impulsive.. disciplined 7 g6 ]2 y/ U7 ]' I, K2 H& S4 ]
(E) self-assured.. sanguine) [( u( M. \2 q$ D/ @! [
1 ^, s% X8 t. H, e$ w
5. The children's ---- natures were in sharp contrast S& s1 h( e. ~
to the even-tempered dispositions of their parents. 4 e6 O3 [0 t0 \0 C5 y" a0 d7 s& Y0 M
(A) mercurial, S% S3 F; @9 p) y% l. j
(B) blithe o/ e" [2 B& A/ F) U
(C) phlegmatic- m+ b% L1 F5 K4 ~
(D) introverted ! `/ G; ~* s6 t- T0 \% u9 ^. x3 d
(E) artless
5 d$ q+ _; i9 z0 A! @; N% D d" F! F
6. By ---- scientific rigor with a quantitative approach, 1 E) i2 ]( f5 c- A* q3 H# r
researchers in the social sciences may often have ---
* |4 E h# z& l8 y" O8 }their scope to those narrowly circumscribed topics that 3 u0 I- T, p2 b7 X' t6 Z% V8 z
are well suited to quantitative methods.
, k3 ~" m _5 ^, d; c: ~(A) undermining.. diminished
* S6 n/ G. \- t: F* D6 X(B) equating.. enlarged
# C, R. H7 l$ k/ i1 L# C, T(C) vitiating.. expanded
0 O+ z$ A( Z& S9 m0 z$ j d" n- t(D) identifying.. limited
' Z. v( R- m) J(E) imbuing.. broadened " Z' q- q; N; t% S' w; N
3 x% n% v( }! V$ w% @7. As early as the seventeenth century, philosophers
/ b R+ z) u$ A. S" ~. Bcalled attention to the ---- character of the issue,
7 F; e2 I) X9 U9 j$ t/ i- {and their twentieth-century counterparts still approach
! ~: I8 v7 v$ @, n( Oit with ----.' z6 j. U' r0 A! ?( C$ H. F
(A) absorbing.. indifference+ r+ q2 M: Y t0 P2 [& F: n* ]
(B) unusual.. composure
$ c4 D F3 ^$ A(C) complex.. antipathy
$ {9 c. o$ `4 T! `7 C7 @(D) auspicious.. caution
! t. r7 j. J8 W, M(E) problematic.. uneasiness z) \$ g& C3 @+ V& f2 E: m+ h
' C$ x/ P7 D5 e5 z ~
8. TRIPOD: CAMERA::
" m/ S- P" M8 b% b(A) scaffolding: ceiling* m9 l3 |! N+ `& P$ u' s' m v
(B) prop: set
0 ?1 i% y4 F3 q(C) easel: canvas
1 d' v# m9 X9 K(D) projector: film
2 X, L8 E! r, o3 |# [' H0 m& B(E) frame: photograph( S. b1 k* z r9 S
" ?' I) ?4 G+ F; k$ g4 e6 Y
9. AQUATIC: WATER::, W+ r- Q4 b/ x) a, s' Z
(A) cumulus: clouds / b. L2 m# o+ [
(B) inorganic: elements
4 j3 t4 B; R- f& I6 g: H(C) variegated: leaves
% R# |- b. ~+ i- C1 ?/ V(D) rural: soil
% K5 v1 N: P0 Z: g& Q(E) arboreal: trees
' I- B9 U; n/ I# K% c: U) G6 A
( E: m5 c7 W3 B# R8 l; r% ^/ O4 M10. EMOLLIENT: SUPPLENESS::
3 ?/ T I6 r9 i(A) unguent: elasticity
@7 r8 I. ~5 u. j(B) precipitant: absorption4 E: K1 j- C7 e& A. V% n
(C) additive: fusion
- ^, C; S- [6 F7 r+ w F5 j6 g: W(D) desiccant: dryness # `: w0 Q) W7 o! j
(E) retardant: permeability ( m. B r3 G# H& z5 O! d
0 v! x' P% o% c" b6 T
11. DRAW: DOODLE:: + U- W& q3 x; |# q2 N
(A) talk: whisper0 M! O/ z1 e; I1 k$ I, J, D
(B) travel: ramble 8 }2 A3 `8 H) l0 n+ H% q
(C) run: walk5 a! g/ z# z& R% p
(D) calculate: add
& }& F$ t$ t" C. o8 |7 ~(E) eat: gobble
4 G$ D9 @. I; n4 u! o) q+ g8 n8 q( w8 d5 s/ d; C
12. CONSPICUOUS: SEE:
" V4 f9 R) C4 Y$ {( j% ^4 Z(A) repulsive: forget
, I: M9 ~$ j; p2 d/ D(B) prohibited: discount $ S8 U7 H) U8 M5 v5 t' C0 B
(C) deceptive: delude ) @: F/ Z/ J9 O# i6 W( v
(D) impetuous: disregard
0 l: N8 L/ ]0 Q, f1 b O(E) transparent: understand 5 c, l# J, X3 p h
0 m" X! {2 N, ]7 ?
13. IMMATURE: DEVELOPED:: [# n% g: ~8 q" _( `
(A) accessible: exposed - W/ x7 T/ _9 c" }$ w+ {
(B) theoretical: conceived
* o* {# X j5 {(C) tangible: identified
1 u) w6 a) K- n& B2 U: P(D) irregular: classified
8 m2 [, G& o @2 j6 k(E) incipient: realized % w/ [" q7 c( K* Q8 z5 w* `
2 D ?2 v0 T( v, [0 F% W) ^14. PERSPICACITY: ACUTE::; F2 H1 E/ n* ?
(A) adaptability: prescient% C% q7 ^. ^- I* N
(B) decorum: complacent
- E' h% V/ \. I; l(C) caprice: whimsical
8 t( _: N, @0 q7 y(D) discretion: literal
L9 i& l/ y( W. q7 p(E) ignorance: pedantic
6 R) Z3 X7 l# g5 P+ {" c) n8 i4 `6 `$ t4 H: r
15. PLAYFUL: BANTER::
1 I1 i a( ]# H- B( @9 [9 J(A) animated: originality
2 n) H: f* C6 X# B5 S: O# d(B) exaggerated: hyperbole
: T1 N1 J9 S) M(C) insidious: effrontery3 s0 @/ _8 b5 {4 B
(D) pompous: irrationality , h3 h n" ]. d% ~" `
(E) taciturn: solemnity
! k& E, V# Q/ W {3 A( z T7 |2 f( |. }1 x2 F" X
16. QUARANTINE: CONTAGION::
6 V. _# m- Z- v* a9 m8 d$ f, `4 v(A) blockage: obstacle
$ G4 G4 e, ` [1 |3 |(B) strike: concession% R: A" f. X# B* t; U9 ~+ K1 n
(C) embargo: commerce
- |4 k% b4 I% H0 n! k8 Y(D) vaccination: inoculation
! t+ u" o9 O* u2 Y4 w- b(E) prison: reform
6 `6 Y% ? B1 t. U0 S( G7 p6 o" z/ R, \8 V. P
. R3 r# f0 E& y& ?28.IGNITE:
1 c# {7 U0 P9 w% y(A) amplify
! Q' C3 r5 l; a(B) douse
1 t( ?: T. Z; V2 Q) B Z5 M(C) obscure5 A5 C" @) Y4 b5 m! o
(D) blemish % x; V' l% \/ [ E
(E) replicate ( m: m. }" _: ^- v) {3 ~
2 p: ]: E- I9 C- T29.MUTATE:
6 s- _2 p9 [! E) O. b" `(A) recede
/ F, c8 d- Q4 v# @7 Y6 D(B) grow larger
* K. C3 @9 n, ]0 V(C) link together ) `: X4 D' P, B% R5 |" _% y& G! ^& M
(D) remain the same $ T# Q; E( a. Z8 E, C- q3 d5 @
(E) decrease in speed
5 \4 p+ L a8 v/ I5 S7 R5 ^: o! q7 s7 L. n$ d
30.FRAGMENT:
$ Q$ F' ~4 C( T# `(A) ensue / M( v; ]# N2 ]' H& ^6 d+ B
(B) revive ( J% H- g9 }! I2 \
(C) coalesce
& J5 K6 ~1 j! X+ `' A6 r0 x! }(D) balance 7 |+ o/ L' S5 o& F8 Z( Z- [
(E) accommodate / V- N4 e1 M( e* G
) v( G3 I# {$ x" a$ j
31.OSTENSIBLE: ' n8 S% a) x. G" V$ Q
(A) gargantuan
1 I2 G4 r3 V3 V: D j. n(B) inauspicious $ H6 {: s) n8 M% o9 m" P
(C) intermittent
* C ~4 Y/ L1 E(D) perpetual ' N$ W* n* N" T5 o+ i8 m% C3 o
(E) inapparent
1 u) @" a- K, ^3 o, e6 l8 q# A; ]" u$ h
32.PROLIXITY: ; d" u: M7 u. M8 e3 ]* Y4 F* H
(A) ceremoniousness
( G6 y0 f, D' i O( p7 ?(B) flamboyance $ g& ~$ s0 M" w' T
(C) succinctness
5 K f" L8 s/ x+ z0 l4 `(D) inventiveness 8 W9 ]: e% i+ U0 x( O& X, J; @9 ?2 W
(E) lamentation
$ j% b' \* W* f, _4 @
( K% [' c, ~* o% i& E1 S33.CONCERTED:/ t+ C$ h2 o3 k: A1 d2 n
(A) meant to obstruct
7 k- f6 d4 W5 W, i* j: Z7 p(B) not intended to last' a" q6 `, o; j+ G* O" s1 b% Y$ ~
(C) enthusiastically supported * b% z& n6 u4 @
(D) run by volunteers * [7 Q9 F p1 n
(E) individually devised # \0 n7 `% x1 a! N
% G2 R# S" p' }34.FORBEARANCE:
/ E5 I- o' {! @(A) fragility ) e* R, g1 j, Z9 }
(B) impatience 2 P$ J4 n& U+ O- K% p
(C) freedom
3 {! _6 T5 e* r/ w- e5 L' A* B0 \3 _+ t(D) nervousness
' R1 o7 ~7 n! W" l(E) tactlessness . I h2 X0 v/ S# c5 {) T g( t
- G5 {& v' @( n8 E& K7 k
35.COSSETED:
& ~" t7 A$ j; L* t7 [( H8 y$ i& ~/ V4 g(A) unspoiled : n8 ?8 \2 R8 f |
(B) irrepressible
$ G# b S5 o K& m: `- i(C) serviceable ) r8 E9 R) @7 v8 k
(D) prone to change ' m" t( S+ l9 W0 g7 M, M
(E) free from prejudice * e1 Z. Z, A( ]5 i2 h! n V
# A A8 i+ C, `; W36.PROBITY:
1 y* K0 J6 B) G(A) timidity * \' G0 X( @. [& O/ g
(B) sagacity - A+ {9 H1 ?& T' z) L1 d
(C) impertinence
5 ]1 N1 s1 Z ^, t% E(D) uncertainty
, u" E4 \9 o- h% v M$ r; ^(E) unscrupulousness
$ y6 f9 h4 i; P+ L0 F T, O
! K8 _ ^2 R2 [& K37.ESCHEW:
) P( z \% C, }: e0 f(A) habitually indulge in 7 O% R) h* f+ K: v7 @3 Z5 l0 ~
(B) take without authorization
1 K% ~ b/ H4 i(C) leave unsaid
1 D- n }0 d+ i(D) boast about 6 P4 U8 H- t" c) d. D& ~7 a
(E) handle carefully & A h+ }' V6 q; A" ^0 \
7 C+ _% {- a6 Y4 T1 H7 u& Z38.REDOUBTABLE: ' }5 Q% @7 C; M% a2 X' H) q
(A) trustworthy* K9 L( ~' {8 A2 c
(B) unschooled 1 z# D" O% t2 \
(C) credulous
- y$ c8 i8 ^7 Y! S3 Y* [(D) not formidable
: A% J Y. u/ n) k(E) not certain
* S# s/ v6 y4 J" R0 ?
8 C+ ^2 K1 L9 E" z) [ Sec2 * P! P5 k5 m; k u* K
7 {% ~- H h! f* D+ s
1. Since most if not all learning occurs through----, 4 `) {; }$ H5 Z$ B! ^: I
relating one observation to another, it would be : m. S' n/ g) S# s* h, F9 {- Y
strange indeed if the study of other cultures did not
5 j3 t% ~; I. T/ d% w4 G; qalso illuminate the study of our own. 4 ], I! T ?) i! Z
(A) assumptions
( h3 a% \5 l g5 i% _( [(B) experiments . M q- N9 \0 N d4 }" ?9 T
(C) comparisons
5 [# e; f/ B' d. V(D) repetitions : F2 n7 c! c4 \
(E) impressions 1 }' L) a' @. P. R* r
8 ]6 c2 z+ I, j/ ~) k& o
2. The new ---- of knowledge has created ---- 6 f. }! a+ v- E: j
people: everyone believes that his or her subject 9 v2 E3 m. s! e6 J! L8 D5 A
cannot and possibly should not be understood by
+ \! T( H# W0 {7 |2 z Zothers. " R Q2 s& j! o; T1 O1 |6 }
(A) specialization.. barriers between e2 h/ ?. F: Q
(B) decline.. associations among ) x5 X" e& W3 K
(C) redundancy.. complacency in ( b" `0 X+ h7 `/ V. ^9 h
(D) disrepute.. concern for
* i& J1 E! U, W% M, Z& }(E) promulgation.. ignorance among $ J0 t$ l, W$ V# x
( k# W* @5 `9 [" b. P6 @- U
3. If a species of parasite is to survive, the host organ-
0 G0 U3 v- G* K8 S4 hisms must live long enough for the parasite to * K' q$ x& _+ z& U+ ~# A, k1 J
---- ; if the host species becomes----, so do its & |, i9 Y' S9 Q; l; [7 n
parasites. $ j8 m$ f: r: T
(A) atrophy.. healthy / F7 P+ N, R+ n& }. Z1 M
(B) reproduce.. extinct
$ i& q& N) d; N" F9 f! n(C) disappear.. widespread
4 D# h5 F5 v0 q- a |+ ]7 _(D) succumb.. nonviable
) A# r$ U; x+ I7 A/ m. e(E) mate.. infertile - p1 ?0 K( i4 J \8 w8 H
! D& d. F: |6 I) x
4. The author argues for serious treatment of such arts ' D# A6 B# a( s# Y- H
as crochet and needlework, finding in too many art
' H; [. c* O' e2 J+ thistorians a cultural blindness --- to their ----
5 b* n) U# c8 V9 x2 p) {& ttextiles as a medium in which women artists pre-
3 F+ o4 \7 {5 J8 T' k" Ddominate. , E5 M7 K" I k q+ E7 a
(A) traceable.. prejudice against . ?- n2 ~" a5 H/ u
(B) opposed.. distrust of 7 o L7 B F, O: p
(C) referring.. need for 3 G1 F0 {- |4 y( M# p2 g
(D) reduced.. respect for
1 z" f N. M$ d6 `(E) corresponding.. expertise in # r& a8 D# m! R: |2 ]; t
& d0 z% N8 q5 @. g2 d8 N
5. Those who fear the influence of television deliberately
! S: R" K9 H: v7 g6 x------ its persuasive power, hoping that they
( Z) l: i1 W) l* k1 mmight keep knowledge of its potential to effect social 5 E/ Q$ Q O' ?3 C1 D" S, N# P0 G
change from being widely disseminated. 4 x5 h4 _ L$ ]5 b( z( l
(A) promote 9 c# J4 n) K$ W, P
(B) underplay$ q g. q# Z% K6 R) z. q8 M
(C) excuse
! ?8 z. ~$ l/ k8 `! g2 [. F(D) laud
: c7 Q$ q/ z* h* R# Q- U+ p(E) suspect
, [' m) x, y+ L9 i" R* x, J
/ N: M) L) e5 o4 ^* v7 ]; e7 W( X* ]6. Because the high seriousness of their narratives
- V2 P) [3 C2 L' W, Q, uresulted in part from their metaphysics, Southern
x6 r4 x& p& vwriters were praised for their ---- bent.5 O2 l( F! D! j- t3 M# }
(A) technical * @. Q6 |/ b; h4 \3 r- \5 N
(B) discursive * F9 }+ z2 s. \3 I
(C) hedonistic , R1 \' U4 {: l- F2 _% c/ j, T1 X
(D) philosophical
$ r* f. w, a) }8 W% ?(E) scientific
' d- e- A. e4 F, N) W1 R! z2 f. Z8 ^ @
7. Far from being ----, Pat was always ---- to 8 m# K, `' r8 H" Y$ _; ~9 M
appear acquiescent. 9 s4 `' S. o' ]
(A) unctuous.. loath 2 r# ]# c: B; a# Y: a
(B) brazen.. reluctant
# A& o- E0 K |" i(C) ignoble.. concerned ! {8 T, P- r- Z0 q- h- l( ?5 N$ Y
(D) obsequious.. eager
9 s8 G+ ?# g' ?) ](E) gregarious.. willing
A, ^ O; Z- }) F4 i5 B0 h9 F8 h
% |. h7 ~& [, e7 Z6 ~* @+ U% n+ H8. CHUCKLE: LAUGHING::
5 A3 ~4 @% V/ ~ V(A) uproar: shouting
3 W2 r0 s( O1 S) S0 D5 }8 O, d(B) whisper: speaking
- \7 u6 x7 ?* R(C) hum: whistling
! Q5 g+ M) J5 S(D) lecture: conversing
: V, Z/ D. p2 B+ L/ D h(E) murmur: mimicking 1 H# l6 t# h4 M; R y( n0 ]* N
6 V0 R2 ` I( R8 S- D3 Y
9. PARAGRAPH: ESSAY::
5 [" G& Z, ~+ R J/ x) b2 @$ h(A) object: verb
; B e/ q z) o, l9 t* @(B) phrase: preposition ( n' @. v q, }" j. A V" G
(C) interjection: parenthesis
% m d8 D: v: n* [2 o' h(D) clause: sentence
D# \5 s/ a; B, r(E) colloquialism: expression
( g: w' y$ u, {5 G" j7 x# y
! Z3 D1 T k- \9 i: q/ }10. STUPOR: ALERT::% ^! i2 ~$ n% V& B) V5 z* N
(A) rebellion: defiant
# P; G _% Z$ C. h7 G(B) despair: hopeful
& n$ g/ \$ l2 [- Y2 H4 I6 A% K(C) expectation: unfulfilled ; M8 [+ q- s+ Z- r Z& c8 K
(D) circumspection: careful ( O1 I$ j" |. @+ r
(E) ennui: listless
7 h8 D0 U9 q. ~ _
( F9 O* \8 G% D9 `) r+ Y11. PAEAN: JOY::
% i; t2 m$ d* X, X3 \(A) dirge: grief
6 L9 T0 y* z) Y2 R q(B) oratory: persuasion
% t- v1 R8 C V: S(C) aria: opera
& M% k% G9 d2 _5 I" P7 Z7 T(D) chant: choir ; r5 f- @3 \; j9 ^* S
(E) lecture: instruction : `7 Y# c3 e n$ e2 { H7 V
# u" }: T9 p) O12. RENEGADE: ALLEGIANCE:: $ O! F% F4 ~; B% L! \" U+ Y* a
(A) revolutionary: reform
2 P6 A) I8 t5 O$ m(B) aesthete: discernment
; w G# y+ l5 p6 h, k% [/ B4 a9 a(C) apostate: faith
2 g! \/ g3 e5 m$ U6 h(D) politician: challenge 2 L, D) U! ^' z, x5 o) X% K
(E) criminal: imprisonment
6 D3 l5 Y8 Y* m/ m* U2 m# A& n
+ U5 v& A* D# ~5 M13. DEVOTED: ZEALOUS::0 C6 J( L1 c! K& l* l1 n, A
(A) affectionate: demonstrative
+ S5 ^) v7 }2 t(B) animated: lively
7 i5 {9 f& b- C8 [* T(C) rabid: extreme
8 M: S$ S) D0 \. s, _% X# g(D) objective: indifferent $ _5 I- F @( [9 _* c$ G$ v" a
(E) careful: fastidious
, `2 s3 f3 V4 P% @
d8 k0 c \2 f5 x! q- @# b3 E( V% \! L14. VESTIGE: REMAINDER:: $ [0 j; d7 D4 n6 h3 Z5 F* Q1 v! V
(A) figurine: statue
) U# r3 \0 b# ^5 m( t2 [(B) knife: cutlery
( ` Q# y4 ?/ W2 A. ~- {(C) hub: wheel & J6 C$ q/ y: J! p+ [" [
(D) angle: slope , \5 g! |% ~! c+ q
(E) inventory: goods
5 i- L3 ~( v1 w! S& Y0 i, m4 T9 `4 m' @. O' _/ o2 P' ?
15. EPHEMERAL: ENDURE:: + X% I8 v/ v5 Q. e T! n0 g
(A) insensitive: cooperate
# W M2 \: R" z6 Q(B) infirm: react 8 O* p) j* U% G% `. s9 r
(C) ineffectual: proceed $ k) r: U% X% ~
(D) inelastic: stretch! X* p6 l5 P+ q! r
(E) inflammable: ignite . {) u3 H" O$ e4 r7 N
7 P5 @( h/ i: M; T
16. MISDEMEANOR: CRIME::
6 s3 u p+ l6 P& I( q. ^- U(A) interview: conversation $ q% {! u$ d) K0 B
(B) lapse: error
; N+ U( D. y1 T) m% o* ^7 z: j(C) oath: promise 5 _0 r4 x1 g; T* u$ o
(D) rebuke: criticism
2 j/ p9 {# c- A1 Q(E) vendetta: feud 3 ~! L6 @! ?% W
. }; X8 S7 d) u( `6 L! g
$ j; E/ N, ~2 V9 W" W0 J$ I' i
28.PREOCCUPATION:
; I# W n% g% H' R9 h(A) finality
2 N4 ~; R* X; @( h% \% o(B) innocence 1 h# b; b1 Y/ C2 T) F& |' R& h
(C) liberality ! {5 o; V1 r$ P$ s2 G1 a
(D) unconcern / I' G {& B( {- H) s0 g
(E) tolerance u+ F( n6 k0 x6 a& O) ~5 C
4 b" W/ t/ b* R. _7 r9 v u/ Z
29.CHROMATIC:* C4 m h, S8 V$ `$ l
(A) opaque
' Y2 T e' f5 `8 z3 E/ U' e2 n(B) colorless : K$ T [% f, w+ m7 m0 j
(C) lengthy
) k5 |% G2 o' ~+ k1 t(D) profound
. @- B0 X& A: R) L2 f(E) diffuse ( v B) N+ |: j4 F8 c3 `2 q" S
* k; P5 f. p8 B; G7 X/ N/ p9 D
30.PEDESTRIAN:
3 ?3 R# `1 o" B" Z, L4 M p6 o6 F(A) widely known # ^, W2 g& b9 e- S
(B) strongly motivated
/ R u7 F4 `/ h q7 r: \) t(C) discernible : I4 @3 T! L* f. o5 }
(D) uncommon
& a1 y8 t# n, F+ R$ @) s(E) productive
+ H- F% a9 f% _/ Z0 E2 c* }1 ^
" c, m$ d* ?' _31.EQUIVOCATE:6 x% L V/ z8 j2 K" [
(A) communicate straightforwardly6 z# `3 J- X- y" T; y
(B) articulate persuasively
: L" j) n2 [0 y" M(C) instruct exhaustively
2 h9 r7 [ E+ @ e(D) study painstakingly
r3 T) o' p; T ^( I5 U* ^, b(E) reproach sternly
5 C1 E" k+ d1 z, j [& d/ \0 y9 M
; c( ^+ E* [* |) @ |6 Q32.DENUDE: ; m5 \. e# \; t9 B; M, X
(A) crowd out
1 G4 H- T4 X% _1 p! o# _) }# T(B) skim over
. S; E% b9 p' w+ D g1 P g) }# O(C) change color
4 p( J$ u, U7 o6 a( O(D) cover - a2 A3 S- Q( w: V& b
(E) sustain 6 Q4 y* q2 e5 ^
" X4 |% }+ K1 \; ~; C33.RANCOR:
3 B) n6 C* e$ b! z(A) deference
; A3 C$ c: X2 y8 J" Q3 s2 l(B) optimism
% e9 X$ e M. e8 d% }/ ~(C) courage
, A. R5 J! g5 K+ J' Y(D) superiority
( @( z5 Q/ B9 C# |5 R; z* k(E) goodwill $ `/ N) p1 Y! M* b! T" [- W$ P
: d2 W, t1 a9 k2 v5 G V34. OSSIFIED:* }$ r- b: Q$ \8 C
(A) vulnerable to destruction 5 W6 Y1 h$ K9 q/ e$ _ k5 U* H6 t: C
(B) subject to illusion
5 Y* W* x4 {' ?$ [% d9 y! H. h( z" V(C) worthy of consideration
' i) f! Q5 K# t' R(D) capable of repetition
7 e. ~1 X3 B6 I( P7 t' M. ^(E) amenable to change - K' ]' Q+ k2 h/ L
; W) Q$ `6 i0 Y( ]1 h2 H3 v8 N% N35. CONTROVERT: 8 U+ E; }5 P( r; r
(A) substantiate # {3 ] c* a/ [) P* ~
(B) transform 6 z4 B/ f& T5 C3 ?4 N4 G
(C) ameliorate 6 Z$ h B* Z& } M* Y a( k4 p3 Y
(D) simplify 5 A$ E( b! S6 H' b% J% P/ u" W
(E) differentiate
3 j; c7 v* L# N; z, h/ h4 w
" |7 H" R9 I, J% S, w2 G36. PROTRACT:
- s, X0 c" T: S* Y1 K `, M- z+ g(A) thrust
5 l& E& Y1 K; P) p(B) reverse ! e$ M _! s- `. j j
(C) curtail & o- ~4 x: v1 J
(D) disperse % s5 b# R) W* f% e L
(E) forestall
2 e* c4 M5 @: D7 K( a* U+ C9 J" n8 {8 T5 {: n6 {9 m; m& U% K# v
37. ABRADE:
" } U* P; t6 j" ]9 F8 a6 G(A) unfasten 0 ?) f e& Q, C- o
(B) prolong h; ~. m4 |: n# M$ _+ X! u8 {1 e
(C) augment ) S4 |2 N$ t; R; ?* S
(D) extinguish
- P# s( s7 |; \! b$ G5 w* P" n(E) transmit / l! `9 W0 p# O. ^
6 H+ o; p* E4 U4 k2 n
38.APOLOGIST: # N+ J% B: H3 U
(A) egotist
6 x" z" N: d. V, K8 m2 {(B) wrongdoer / v6 }. N4 D+ m
(C) freethinker " [5 T2 F+ r9 K1 ?; v
(D) detractor
4 ?- D. O/ L) A; K(E) spendthrift 3 B6 k2 _* P2 J6 o
r% u# x& m+ j& \) b
/ Z5 u. f5 k, u1 r* b
/ ` E& l/ s9 w5 T! l3 L
" n! A2 m( A# u& S: j @& p, A4 p- `) I7 k) t/ f
, ~1 p) _5 M4 w q* M* N
8 {0 `) x: D. _9 i; W
3 |( c4 T4 l" z6 i4 ~% a5 v& EV答案:$ E: x; h4 Y+ s6 C! s
SEC1: CEEDA DECED BEECB C(EACD BAEAE BD)BDC ECEBA EAD
c# V3 J* s+ ?, v/ ]SEC2: CABAB DABDB ACEAD B(BDDE CEADD BD)DBD ADEEA CCD& j0 ?; u) X( X& m, [9 o) G
; y: C' G; J, M
Q:
% A J8 o( _' M* K h& w3. BBDCA BAAAC DBDBC DACEC CDEBD ACAEA, a$ X" r- G- M: p6 u1 I( Z
5. CACCD DBCBA CDCAD DDDBD AECEE DABBE
3 [3 G4 P6 @$ z: c4 _. k5 g
) I, h. Q+ k3 A% C$ k注: 括号中间是阅读的答案.
8 K& o3 i( {# t; R0 n8 l5 p
3 N. J _! }% ?2 g模考情况不好的同学不要太重视模考的成绩本身,要注意总结.这个分数和最后的考试结果没有什么直接的关系.总结才是最重要的.
# U: K4 ?) p& b( y$ `" M- x
0 y' Y: q G- O) C0 E3 M: B# q加油~~:victory:3 \* Y) b j! O' b/ s
. ]; x2 A0 R/ v; _( R9 ^6 i5 w[ 本帖最后由 yogurt4 于 2007-5-28 00:21 编辑 ] |
|