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[题目讨论] 0706G冲刺第一辑:95.04 [复制链接]

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发表于 2007-5-28 00:17:18 |只看该作者 |倒序浏览
原贴来自lingli_xiaoai 斑竹的帖子https://bbs.gter.net/forum.php?mod=viewthread&tid=469297&highlight=
! v: ^& B" g$ a0 a6 ?9 Q复制过来给错过上次讨论的gter参与,提前祝福大家在六月的考试中取得满意的成绩。最后几天,坚持一下,胜利就在不远处。
3 N0 A+ z9 W) f/ \! Y2 [) j  t大家加油!
' C$ Y! L% x/ q# f  ]3 ]- Q3 L1 l; Z/ h5 t. g! X7 U! B7 f; M
-------------------------------------------------------------------分割线,开始模考吧----------------------------------------------------------------------------------
: _) W/ W$ L5 K- `4 I* [为了方便讨论, 我把2个SEC的填空,类反贴出来, 阅读由于太长,就不贴了. 做过的看看有什么问题, 欢迎跟贴讨论! 阅读的问题可以说下是哪个SEC的哪一题.
9 Y4 j; [  C7 T0 g; k" q$ `4 y2 B2 O6 \/ t" u- I) B7 I
Sec1
& a! W# k% x0 x0 L9 T! P8 r
1 u1 b) ?. y  g* u( B# Y1.A computer program can provide information in ways ) S8 t# X4 p4 {* K/ s  G% _
that force students to --- learning instead of being
7 |/ J+ g% n4 u; d3 S: @+ i$ _merely ---- of knowledge.
- {/ _% y/ N+ M6 }/ m4 b(A) shore up .. reservoirs 1 Q3 M3 g5 A5 x7 n! i
(B) accede to .. consumers , S2 [2 r! ^( l9 G# \8 i
(C) participate in .. recipients
9 i, Z! C; A9 i2 {: i$ Z(D) compensate for.. custodians 3 `4 C% Q  c: Z" X
(E) profit from .. beneficiaries
; b( X: @# q$ t. E4 U' Z$ a% o
/ V  V" ]4 r2 i* }; T2. The form and physiology of leaves vary according to
+ w; I. C7 x. V3 f* V' o2 Ythe ---- in which they develop: for example, leaves 8 ?- Q  ^7 O. l' P- |: q
display a wide range of adaptations to different
6 j- g0 x+ A/ R% ~2 Odegrees of light and moisture.
2 o* G- Y" |3 s+ {(A) relationship6 {! @. Y7 z( i9 y* M+ M
(B) species
" ?3 U, `5 v" h' M4 g! M(C) sequence
# j  L6 [( J7 E* d: w(D) patterns
/ J. @' z$ |6 J0 T1 R(E) environment / g  p$ M4 W9 j2 e

" b4 Q% p4 `; f5 j7 K# ~1 x3. One theory about intelligence sees ---- as the - }; p/ N, D  s/ G$ i! D$ e$ E
logical structure underlying thinking and insists that
  g( q6 \6 \, g' \; Nsince animals are mute, they must be ---- as well.
3 N  H8 `$ ]5 f* z(A) behavior.. inactive % V; @( Y; P! V* m
(B) instinct.. cooperative
3 E& N4 e: ]' `(C) heredity.. thoughtful
+ _7 \" F' a! p* `- S0 O  J(D) adaptation.. brutal
8 t6 {* B% M: H: n6 p/ }) I& b(E) language.. mindless
7 Z* Y7 ?& b5 o; ~
- x- Q0 X( `! ^) x4. Though ---- in her personal life, Edna St. Vincent 8 F, P% w2 d! B- E. _5 j
Millay was nonetheless ---- about her work, usually ) e. B; M' w. x! e& X* Y; S
producing several pages of complicated rhyme in a
- X/ w: O% h) n4 N4 _1 |4 zday.7 y! j5 ~1 y' N) w
(A) jaded.. feckless " J) K: O3 t3 R
(B) verbose.. ascetic1 u) t" X1 [! `( U: x& s" G' A0 r
(C) vain.. humble ' P7 I( h9 t2 J" r. x0 z, F
(D) impulsive.. disciplined # Z' u. P4 o/ S0 J* ~/ [% r' x3 |* c
(E) self-assured.. sanguine
0 H* A. B& \3 N& ~0 V$ K+ ]0 J% c0 k" E! J
5. The children's ---- natures were in sharp contrast ! J3 _* X/ S2 ]7 c6 x2 M
to the even-tempered dispositions of their parents.
( \6 z# Q3 ?# z3 \: w9 _(A) mercurial6 }* q- v% v* J& H
(B) blithe. q$ m7 W9 T+ T( a2 u( B
(C) phlegmatic+ P: O/ T; n- a3 l% U* G+ {0 S* U
(D) introverted
/ T3 U3 [" f1 {$ b4 G( G(E) artless ! \* E2 A; }4 Q+ {" @
8 n. ^0 ]2 O7 U- r0 S
6. By ---- scientific rigor with a quantitative approach,
, O* }8 |9 c6 x& L1 }3 Yresearchers in the social sciences may often have ---
. }2 g+ \4 `: U: J; A' j+ _their scope to those narrowly circumscribed topics that 0 y) A# W7 m- \
are well suited to quantitative methods.) `" w' V( Y- L! Q
(A) undermining.. diminished
8 U& D. Q6 B) ?1 X0 J( Y# E(B) equating.. enlarged
. f' j4 k% e& D3 m(C) vitiating.. expanded 8 E: g5 G$ a, ?+ A9 P9 m
(D) identifying.. limited ) w) L4 ]& r$ U! a0 O
(E) imbuing.. broadened
( B9 o6 w6 J! e$ j( X' t) u. q! d4 |. z* C* w+ T( L
7. As early as the seventeenth century, philosophers 5 @+ O- Y9 J  d/ P  G0 y& N
called attention to the ---- character of the issue,
: d+ e: H% r: `+ ]2 i+ r) W" `) Oand their twentieth-century counterparts still approach + I1 I; |1 w; e+ `: f9 [
it with ----.# u' e- |6 C, n' B
(A) absorbing.. indifference( R/ E5 V3 [+ [$ r% R
(B) unusual.. composure
3 J* h) y! k& |9 k  s(C) complex.. antipathy
: L; C* V, {3 c1 N" U, ~(D) auspicious.. caution( f6 Z7 q' G+ q7 z3 E1 k0 g
(E) problematic.. uneasiness 2 j( e, `4 N, i

  n! ]" d" L* v5 r4 Z4 T, S8 ?8. TRIPOD: CAMERA::
; k6 _0 z. Q! E, b; {(A) scaffolding: ceiling! Q/ Z6 X+ [2 H) Z1 K2 i
(B) prop: set
% i* B  z6 X5 ^& D(C) easel: canvas
. A# k, c! v( D+ ^0 r7 H% d(D) projector: film
; D/ s7 P9 h6 q+ s(E) frame: photograph4 z3 i2 n# v! i4 E" c

! ~% ^" v% b6 Q2 g9. AQUATIC: WATER::
8 a, G: I* P" T& A0 \- K) i(A) cumulus: clouds ) |/ @) g" {4 a
(B) inorganic: elements
: ~. c; P0 K) p' \(C) variegated: leaves
" H. m; h) c" W! C. N+ K# h(D) rural: soil8 w; P, i& d- U4 N/ m% n
(E) arboreal: trees ( l. U$ m9 W: C+ h3 D( L, b3 F, z4 j
2 |( I' j3 U( u2 ]& F/ ]. F8 H
10. EMOLLIENT: SUPPLENESS::
, s0 |6 w" I. `# `0 r! \1 n! ?(A) unguent: elasticity
! B+ H8 l4 y8 e(B) precipitant: absorption
. \# |+ |. K6 ?5 E9 }% B7 w0 i(C) additive: fusion 9 P$ v) W" ?4 \. f' W  u& q. W
(D) desiccant: dryness
' X4 q7 w% m2 W. d  c(E) retardant: permeability 7 X9 J9 w, |8 p# z

$ r7 B% Q# Q* ]11. DRAW: DOODLE::
, ]+ q# C3 V8 I6 E(A) talk: whisper; a/ F/ g! s# X! J
(B) travel: ramble 5 l, A- m/ S# ^, t
(C) run: walk
; k/ ~( O# f, O! v6 r: }(D) calculate: add
! N2 m3 z- x% T(E) eat: gobble   n# ~0 r+ R7 ~  |. Z
! _! s; l: o8 n/ O
12. CONSPICUOUS: SEE:6 f# p1 Q5 P4 g. b2 H
(A) repulsive: forget
/ B9 n! b" T; A' n! O(B) prohibited: discount
  X/ N$ ~+ t; I* {% b, z5 A" A(C) deceptive: delude
. E) G& @) T8 ^. Q8 a(D) impetuous: disregard
  y5 x9 t- V6 Z" e. Q(E) transparent: understand # N. ~! U2 q+ m- o0 N0 E
3 \6 \7 C7 _' z' Z6 G3 r! k# O
13. IMMATURE: DEVELOPED::3 R' [' P& q# d) U
(A) accessible: exposed " h% ~! b, e' K; \# A+ P8 N) ]
(B) theoretical: conceived # ^: c1 h' U/ A5 V
(C) tangible: identified # z$ m6 W2 X+ X# e% Z
(D) irregular: classified
( }- b8 G  L* P(E) incipient: realized
! K* ]# D9 d* a7 x
. G6 n1 T, {- D8 H4 |14. PERSPICACITY: ACUTE::# k# d) c5 M& }) `/ ^
(A) adaptability: prescient& T# i+ u/ }' L7 T/ l2 A9 C" h" I
(B) decorum: complacent2 j2 S( W" S( v# q& `
(C) caprice: whimsical
1 D1 R4 z8 U6 B. y(D) discretion: literal4 u/ l4 d2 c% D7 Y7 w  H+ D
(E) ignorance: pedantic
2 s3 C0 M  M* e2 o7 c. O$ N0 B) M" A1 C& v! j
15. PLAYFUL: BANTER::& _0 e0 [( @! \# x9 }
(A) animated: originality
/ Z, a1 F2 }0 m6 A(B) exaggerated: hyperbole9 D% [$ j# x' }' P; m
(C) insidious: effrontery
7 [/ P8 ~1 ]' e(D) pompous: irrationality
" E0 z6 G' B: F(E) taciturn: solemnity   U4 G# P( P6 J

% L8 g3 ]0 i8 J3 w  ~3 E16. QUARANTINE: CONTAGION::" ?; l* A) e+ ^6 S
(A) blockage: obstacle
, }, j' W1 Y4 N5 s! u(B) strike: concession  W$ I, z8 \2 M( m& A- y4 M, ^
(C) embargo: commerce1 ?3 h8 K% ~6 m7 N
(D) vaccination: inoculation & ]4 P7 D7 q# q7 n1 |' D5 `
(E) prison: reform
+ L! B7 C6 K+ Q, e8 ]
& S( X( ~5 E' ?9 }) j5 j) w. I8 U. v% ^0 v0 u! w" j. j
28.IGNITE: % ?8 O: ]$ b4 Q1 A- i( W& x
(A) amplify
" _# x# m% R5 u) g(B) douse
7 u% }' j, H% q/ P& g. C* @7 {(C) obscure
. F1 @- J6 S6 l: k2 G' Y  n(D) blemish
. z; T6 D1 r* ]! y: k(E) replicate
6 ?% u7 Y# |* O$ a* a; d7 ^) u$ N7 d
29.MUTATE: ' F. `3 Y. c8 g
(A) recede - Y! P8 R  z  Q) @  L: S- V
(B) grow larger0 C7 \$ r/ \  m2 h
(C) link together
8 p3 g* i" ]/ Z(D) remain the same
$ x. i* D& R0 N1 E9 L2 \(E) decrease in speed 8 |% m: L' D2 {7 ~: P" t
# L4 t3 |) A. i/ h# h
30.FRAGMENT:
: G5 ^5 h' D" M# X: `3 ^(A) ensue + ?1 ^* ^' |6 y& J
(B) revive ) [# R. J* t9 o1 V
(C) coalesce
+ B* u( i6 ?' u  Z6 x(D) balance 0 H" d$ Z4 v* C* M: i
(E) accommodate
  L! u* K* u, c: D  Z4 C0 S( Y8 ]0 X1 v$ f9 r, W; x( S
31.OSTENSIBLE: 8 m) J3 ~% b4 F
(A) gargantuan 5 b  R* W/ k; Y0 N# Z9 l/ g* Y5 o% \
(B) inauspicious 7 x3 w2 k3 z; C/ v. e
(C) intermittent
" b4 d5 r. b& i8 D(D) perpetual
% L9 V7 r* n! T+ k  o1 |* x(E) inapparent
( p9 C, }1 U7 W( i& s  b" |6 m
" H% @, T) A' S32.PROLIXITY: ' M2 Q) k6 v2 n+ L" B
(A) ceremoniousness 4 H9 v  o4 t: w2 K- E; U- [
(B) flamboyance ! q  ]9 @  I* }8 [
(C) succinctness
& ]4 f3 W/ D) I# H0 a% v+ T  N. I(D) inventiveness 2 S* h" n2 P$ s8 E" \. e: T
(E) lamentation
5 m' g5 u  W6 e% O
* g0 O4 l+ `3 L$ `; q5 g33.CONCERTED:
( y& A  U8 Y9 L# d(A) meant to obstruct8 s4 G- u) x7 C
(B) not intended to last
  r: q0 a3 N$ d(C) enthusiastically supported $ |( h; O2 w5 r& Z9 r& \7 l
(D) run by volunteers
3 a, f. \8 |6 D5 ^(E) individually devised * N% ]* i; T/ K% e- k+ z

% Z% E5 U. s% M34.FORBEARANCE:
9 m* {) a, E9 ?1 G# l* }1 Q(A) fragility
- S8 A) m4 d/ G+ G/ K(B) impatience 6 ?1 r; ~' J4 L; s
(C) freedom % o1 E: m- C7 c# y4 O0 c2 s  Y; h0 i
(D) nervousness
( ^4 s* G/ g7 z0 x# p$ P* D(E) tactlessness
9 d1 m2 n% K! H! ]* g0 b
7 w3 V% I, M8 T35.COSSETED:# C. ?- V% D9 g7 J- h
(A) unspoiled
! S5 C% K6 f- M  Q" u- L6 u+ T(B) irrepressible 5 c9 ^0 t* }; r2 u- V
(C) serviceable # [3 _8 X# ~2 f8 N8 o  m4 t9 m( H/ t
(D) prone to change
/ @( ?* Z  c0 V1 {2 k(E) free from prejudice
' M' g2 f; x0 o. N# Y" o$ h
9 p! g( J7 e2 L! m, l36.PROBITY: ' A3 D9 u( f: @
(A) timidity * f9 a8 ?+ R/ ^7 m/ F, u( g0 _- ~. D
(B) sagacity
0 o) @5 a; j' W- A6 h(C) impertinence
1 _3 S# t3 n7 _, @( K(D) uncertainty
1 c+ |6 v! k$ `+ z, }(E) unscrupulousness . O8 |4 \# l4 m3 f

. x; X' i6 h3 R) U, W% M6 L37.ESCHEW:
% W! m# f) W- E% O+ ^9 ~(A) habitually indulge in
5 V" ?2 i. e9 H, ^( C. F(B) take without authorization
) c: t, V" D" B, p1 c$ c0 A7 p(C) leave unsaid * n. p% [' Y" K- g( S
(D) boast about 4 o" u7 r& k  v# V  ]
(E) handle carefully
- i$ C7 A$ y, ^3 R3 d+ {( C  H! K& L* E; u2 J
38.REDOUBTABLE:
& J" V: f* _( d  s) Z6 p- [(A) trustworthy+ ]: m( l- y0 ~4 k2 M/ `
(B) unschooled
: v( |% n1 o. \5 g1 j! f/ q- B(C) credulous 8 H) j) Z; L: c+ ]- E
(D) not formidable 2 @/ J% H9 ~  q9 }" x
(E) not certain
; u* k$ z6 A* `5 y% P# K0 {
9 X8 P4 }3 B: n Sec2
% N& l! }$ _0 N; P/ M9 B8 ]0 c8 H0 G4 c4 n/ W; i
1. Since most if not all learning occurs through----, 3 U- K+ e7 X6 {% O# \( P+ Z' v
relating one observation to another, it would be : G+ \3 }5 N4 x! d3 K
strange indeed if the study of other cultures did not
: N( S. k1 G8 J* p* V( S) ?( valso illuminate the study of our own. , T  B# w) a* u) h8 j! d3 z
(A) assumptions
; I7 Q* N$ h" x(B) experiments ) |- W  \- M, i( S: {; f  J
(C) comparisons # R+ X( Y7 C- u
(D) repetitions
& P) ~: a' ]7 Y$ K$ p: `(E) impressions 3 Y# i; A5 \$ }2 ?
# b8 }* Q7 Z0 x! X
2. The new ---- of knowledge has created ----
! V/ v: L+ q$ A: R$ Y3 Kpeople: everyone believes that his or her subject
: S8 j, ]6 ?/ I0 c+ R2 ucannot and possibly should not be understood by * x2 F" X! Y9 o# N4 I% \
others.
& j4 R8 q" j- s2 T( n' J& i1 n+ Q. j1 G(A) specialization.. barriers between 4 O! b8 B8 x# w
(B) decline.. associations among
( ?7 y0 k& Z: v5 z3 Q0 s" G6 T(C) redundancy.. complacency in 0 k& I  i9 S5 b/ Q
(D) disrepute.. concern for
1 n& z  O( @' l6 G' c6 m6 H& z/ E(E) promulgation.. ignorance among
; m* q# F6 J1 z; X1 K" {) o2 E: C4 M: p& U. R& `6 G
3. If a species of parasite is to survive, the host organ-
  i* h: J+ Y* `) V. d2 D: Xisms must live long enough for the parasite to ' o1 g, R3 S! I% ]; \7 T
---- ; if the host species becomes----, so do its
0 P* d( Q4 r+ z9 tparasites.
/ b! }, a% \6 N2 e' f% E* _(A) atrophy.. healthy
0 V5 R8 |4 P3 S+ e2 K$ B" @(B) reproduce.. extinct 4 o: ~3 ^: v0 j. g  Q
(C) disappear.. widespread 8 [* H9 T: q6 m4 |
(D) succumb.. nonviable : V5 n* @, I% t& q
(E) mate.. infertile ! I3 ]! Y: Q8 s
$ |$ F7 K2 R. d3 Y2 S1 F
4. The author argues for serious treatment of such arts 0 X" K( R; ]- M1 a- y
as crochet and needlework, finding in too many art 3 `' s3 w5 U$ F1 e1 n) [
historians a cultural blindness --- to their ---- 0 B% l- e3 \3 m: O( o- _
textiles as a medium in which women artists pre-
( F* d5 i( k  K" sdominate.
" c! L; a( ^( x1 w' ?8 K(A) traceable.. prejudice against , k6 J/ \3 z7 a
(B) opposed.. distrust of " I2 P1 E) {, [5 `
(C) referring.. need for
* V5 ]7 s+ }" k/ m(D) reduced.. respect for
/ j' s3 r2 l4 k" N5 V6 n(E) corresponding.. expertise in 6 H. d* I, Z; v1 M) H) x
: M% W# ]  {; u
5. Those who fear the influence of television deliberately/ O5 s1 S$ G; U5 I  c9 J
------ its persuasive power, hoping that they
2 W! E5 U- c) p* @might keep knowledge of its potential to effect social % _' z( x8 n3 ]3 b$ [" \
change from being widely disseminated. % ?' L8 r6 b9 ~
(A) promote * d" T. x0 m% ^' I! a
(B) underplay; z' x& G9 h: K$ z3 W0 X* }
(C) excuse
. q5 G: I& q  s- L$ p(D) laud
! L. q" K2 O& |: A7 ^(E) suspect 6 S3 }$ V" b! O: V8 z  O

- d+ Z# U  f5 o& y# @) s8 G6. Because the high seriousness of their narratives
! |% K6 F3 a6 w, h' i4 P* G% k! qresulted in part from their metaphysics, Southern
9 c7 N! X' t* j# n0 h0 |! c1 @writers were praised for their ---- bent.; f& b$ [9 N' w6 U0 W. ]
(A) technical
( W: J7 D3 p3 {(B) discursive 4 D: K! E9 Z# M9 K
(C) hedonistic 1 t  Z) D9 o5 x
(D) philosophical
+ C; c5 O. b2 R; e(E) scientific 5 D9 E7 R0 E" T0 M

2 e& l& d/ H, y, e8 a% u2 c) C7. Far from being ----, Pat was always ---- to 2 I% S$ M( S! V: }/ }% T7 M% F
appear acquiescent. 9 E& h2 |1 |. u( c+ F: P+ b' S
(A) unctuous.. loath
; |8 D7 q# X4 a- H0 P/ S; x(B) brazen.. reluctant ) a5 x  e) u8 Y. n
(C) ignoble.. concerned " d/ J5 D! A3 E8 c* z
(D) obsequious.. eager * i/ C+ O& ]5 k1 g3 d) x) n
(E) gregarious.. willing
0 ~4 [  j& g% {7 m& M0 y! i% C; o5 p& I9 P: ]# `% H
8. CHUCKLE: LAUGHING::0 @# ^. D3 y0 G, o7 u+ _
(A) uproar: shouting 5 H1 j: M1 ]" d- {0 m! g
(B) whisper: speaking 1 y$ d% a6 r7 y/ H% P0 v& f; l- B
(C) hum: whistling
3 K" N7 B/ K7 [; O; L(D) lecture: conversing
6 d% m, J% _0 S(E) murmur: mimicking
8 B1 N4 A3 x% u7 B9 h! W  j# p0 e2 n; v$ _* W% {
9. PARAGRAPH: ESSAY::5 I- x; z' M% V1 {  X& g* j) a6 T5 F7 r5 z
(A) object: verb $ K7 u# G  x0 V" U; Q: Y" t2 C
(B) phrase: preposition - V0 J# L: ^" I
(C) interjection: parenthesis 4 n& @# B" y  H
(D) clause: sentence
' H* s* s1 o4 D, i$ c/ T(E) colloquialism: expression : f7 \  L7 \& P2 I! n' ^" y. o+ s& E: T

4 A1 W1 q" U6 z) V$ E10. STUPOR: ALERT::
- l$ z$ q3 K: H; g(A) rebellion: defiant 9 a' v, V, y5 O/ v4 |$ {
(B) despair: hopeful( @, j: O! R# _( R
(C) expectation: unfulfilled . E9 }: V5 C8 ~3 T& O) l
(D) circumspection: careful 7 U: }1 a$ Q8 b4 ^7 O1 l
(E) ennui: listless 6 A5 j5 m6 m* D) l

4 ?- Y8 f8 x6 p% A7 Q" ]11. PAEAN: JOY::
, n/ L! F+ x9 N7 m7 `/ S9 Y(A) dirge: grief . J- F# ?/ _: l$ t, _8 a# Q4 x
(B) oratory: persuasion
2 P+ I' S) [3 C( Q(C) aria: opera + k) J8 F( k- C- ^
(D) chant: choir
' ?. \1 |1 C; _* n(E) lecture: instruction
, k, F( I7 u% `4 A! d/ v5 {- I& r3 W0 j& w
12. RENEGADE: ALLEGIANCE:: 0 V( E. x0 T( v4 }% u2 Z5 D
(A) revolutionary: reform
) L  G2 |  G4 i% T# H2 \, z$ j(B) aesthete: discernment 7 N$ ~4 z8 ~: k6 c; J
(C) apostate: faith * {& b  {$ u3 I& |7 {" ?8 m
(D) politician: challenge
0 c9 l4 m: |/ ]: }! _/ d(E) criminal: imprisonment
; ~, D' `. ^" g9 ~# H' t
1 ~: k5 }$ j; o" R, }13. DEVOTED: ZEALOUS::
% g+ V  _! c" Q2 t8 z  x1 z(A) affectionate: demonstrative
& l+ G5 Y/ a5 h# Z7 L2 P(B) animated: lively
0 K% a# w6 l& z(C) rabid: extreme
6 j% f5 o/ e. |! B; d7 r(D) objective: indifferent . Q0 i0 E! l6 I* }2 `+ P4 H4 U! S' q
(E) careful: fastidious , g# e# l' S# Q- e6 b
2 p( S; d  Z% o
14. VESTIGE: REMAINDER:: 1 f# X1 ]/ @2 g. ]) ]* u1 k5 Q
(A) figurine: statue 0 a$ e1 i& k' I& S7 |( r
(B) knife: cutlery
" E4 T0 Q: j% L5 b' T  I(C) hub: wheel 0 Q. v1 Q( Y3 K4 S5 ]3 S/ n
(D) angle: slope
% `, i" [  L, U! G0 z  O: b(E) inventory: goods
. _7 M) e. J4 D$ f% W+ T1 l$ Q. A$ f' Q4 `
15. EPHEMERAL: ENDURE::
5 Q5 `( g! |% u(A) insensitive: cooperate
* k3 K" H  b5 ^: C(B) infirm: react 9 G/ w" U( l/ A7 r0 \- e
(C) ineffectual: proceed
5 U1 F0 `& _: t$ H, U(D) inelastic: stretch
/ J" p  g9 \' w8 V- P, |(E) inflammable: ignite % w5 Q+ F5 ?' P9 B

# n+ z) S& y/ P6 w16. MISDEMEANOR: CRIME::2 _) v- _" a$ k% f. Z
(A) interview: conversation
- u2 l5 k9 x- o(B) lapse: error ; v4 H; {8 M  m  U2 \
(C) oath: promise 6 K1 g% G' Z* x
(D) rebuke: criticism
8 e, k1 f9 R' h6 Q, v(E) vendetta: feud
7 [$ [" Z' c* d9 G, ]; h
0 }" ]; p/ B" o9 _* U  w+ a
1 p- m# S; d# h# R4 k! A2 Z4 A6 M28.PREOCCUPATION:/ B+ `6 G; d6 \, A  }6 p) Z
(A) finality + c5 w( i# L1 E/ `$ i! s. o
(B) innocence 1 Q; J. z  g: I+ ~( D; v
(C) liberality 2 J- M5 Z0 w$ ~$ |( v0 A
(D) unconcern
! T1 W1 q* U$ ~. w$ @(E) tolerance
- Z# @$ ]2 K  n3 @/ f: T) I1 M
* Q% m3 ^  C" d/ ~2 k7 }1 s29.CHROMATIC:9 U( O( s  _. V& r+ x
(A) opaque 5 [( ?9 x5 V- i, z+ A: O3 v' L( j
(B) colorless
4 Q* ~" ?1 t/ _+ W/ p8 u(C) lengthy
* b4 H5 o$ H6 e; U5 U0 O(D) profound 6 ~/ `2 u6 d( `2 W! x; f/ y% D
(E) diffuse 5 G& L6 V$ W+ i7 i7 K; g8 X2 X

/ d" Q- S, V. |# y' e30.PEDESTRIAN:
( `# h, D5 r/ K; K6 P(A) widely known : Q2 u: l  I+ T2 Y
(B) strongly motivated 6 a) [4 S7 }& [" D9 j# V
(C) discernible
3 g; a+ j& Y/ V7 E(D) uncommon . M9 C4 {! [# i+ ?3 X: ?7 C; n3 N
(E) productive + U" _. d% W2 x' y

) ]! F' S* Q" F+ G! Q' e4 M31.EQUIVOCATE:
' K4 e4 z# x/ o& J2 \* }. Q/ G(A) communicate straightforwardly
% B0 w/ |+ D) g  }1 r6 {(B) articulate persuasively
0 M3 U9 W# g' o+ t0 f- J7 R(C) instruct exhaustively ! ~% A! ?1 \, B0 k6 P' u5 p" }
(D) study painstakingly
- z/ \6 a( B% K# x(E) reproach sternly
- _% G, }" f; @) }, `" n; C/ k2 H5 u( I% k9 A: P
32.DENUDE:
# @; n2 a: ~! I. b(A) crowd out ! \* E6 {" P7 T9 H
(B) skim over
0 h" W0 x: B) c& l5 l: M% e(C) change color 2 U/ b- M2 P+ F, k. Q+ U  `4 v
(D) cover
! p, u, a- e1 ?0 e(E) sustain 6 D6 y) P# E4 f; }
2 q1 k/ `- S) I3 k
33.RANCOR:+ B& }- M7 F6 l% l2 O
(A) deference
: m. q1 a; @& \- ?' t3 c, H(B) optimism
3 b4 j" Q/ l! M9 P  J(C) courage
9 `* ]3 E; \3 p' \" _' f7 F(D) superiority ) }* P9 u3 L, ?2 t% x# u9 P+ w
(E) goodwill
6 D! }+ ]+ ?: u* G/ h0 N) n. Q. s6 z* b
34. OSSIFIED:
7 B6 D1 P0 x2 g! O(A) vulnerable to destruction
9 |3 V: K3 n% q. O' y(B) subject to illusion
/ _' J; H# T) P- K1 ]3 L* z7 Z" u(C) worthy of consideration : R& x' S& {1 C
(D) capable of repetition
) q7 y4 c: p. @: G& [(E) amenable to change $ k7 v  j3 e# d2 g  l

6 @) g6 h. v/ q. t, i" E35. CONTROVERT:
. I; }2 }( X3 J& O(A) substantiate
7 N% `& c( v7 Y+ G5 `6 L(B) transform
, P% G; r1 w5 Y' {, P+ `(C) ameliorate
& B; X- X. P# ^% @(D) simplify . [5 ]2 E, D4 s7 o$ l- z" V
(E) differentiate
1 f* U+ M6 C5 j9 x% b" h3 c# r* N8 X# Z2 p- R7 N
36. PROTRACT: ; T$ D) p0 \2 T+ D. p" L( E
(A) thrust $ S; ~( G7 R1 }4 Y8 t& a
(B) reverse
% b8 H- N- @: f8 `* h9 A(C) curtail 7 G& k7 J9 u, F5 M
(D) disperse
$ a  U! w. e( I# h1 b(E) forestall
1 B+ k  y5 |* x2 f2 |
2 T! r  s& P" {$ B6 m37. ABRADE:5 `% r3 D3 k, E
(A) unfasten
' m9 a  t1 p2 V& T9 B; H4 r5 V(B) prolong 7 w9 e! s# U( y& `: V4 {4 R$ t. l
(C) augment
% P9 A, q1 I6 d! J(D) extinguish
6 D8 W, e" W0 G(E) transmit ; m. `# U# `2 v
8 x: L* ^9 _$ p5 m9 }" r8 q$ K
38.APOLOGIST: 8 f: T( X3 R! ^: b$ z
(A) egotist
1 ]- K( ~( U% c& k! E4 k* G(B) wrongdoer 0 D2 m6 e7 u9 `3 D" C% r! [
(C) freethinker 3 e1 @! c, a. Z
(D) detractor
7 r& o. j$ M6 _% V# i9 F/ y(E) spendthrift 1 f- F( }' X. ~- k' T4 i

- G( N$ N4 \, f1 n8 F8 `9 Z7 ]  ~2 c4 w  ^- g
! F+ \1 B+ q6 L
/ }$ s; K" ]% {/ E9 ~1 J
# @. {# ^! a+ O+ k+ Y* N# c) V3 |

3 k. X3 w8 m) _5 \3 Z* x3 [5 r8 t; p6 @3 A' I0 D
, R( c, [5 b) f1 E% V
V答案:- [( X# k( n- [7 I
SEC1: CEEDA DECED BEECB  C(EACD BAEAE BD)BDC  ECEBA EAD6 y0 U, ?( t2 v4 b
SEC2: CABAB DABDB ACEAD B(BDDE CEADD BD)DBD ADEEA CCD. G& U1 }: k  O  Q" l6 c5 E+ _
3 }- s* {4 _& [; y/ o8 O9 C/ m
Q:
8 G( J% T4 q6 i! n. q3.        BBDCA BAAAC DBDBC DACEC CDEBD ACAEA; o" D! Z" W8 C- B7 T# [
5.        CACCD DBCBA CDCAD DDDBD AECEE DABBE
8 D  R) J# `5 r4 w$ J% i; T
" z9 F- T+ a/ r" D注: 括号中间是阅读的答案.5 t% N0 Y: {7 d7 @: ~0 n0 f
. b0 D  N4 b8 y! x/ ~) O4 `8 j
模考情况不好的同学不要太重视模考的成绩本身,要注意总结.这个分数和最后的考试结果没有什么直接的关系.总结才是最重要的.) n; m# u( @! N3 x  G$ U) o" X

* d6 E0 f( W' O. t加油~~:victory:
* q; a  a+ O) k  [3 M
1 w' \+ k2 ]1 [+ z, p8 j$ g[ 本帖最后由 yogurt4 于 2007-5-28 00:21 编辑 ]
色不迷人人自迷。
天佑中华!!Bless bless bless
0 0

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Sagittarius射手座 荣誉版主

沙发
发表于 2007-5-28 00:23:41 |只看该作者
老大真让我佩服;d:

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板凳
发表于 2007-5-28 00:24:31 |只看该作者
没抢到沙发~
Demon Lord is unstoppable!

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Scorpio天蝎座 荣誉版主 US Advisor

地板
发表于 2007-5-28 00:30:00 |只看该作者
按爪

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5
发表于 2007-5-28 02:58:11 |只看该作者
酸奶首发,这次模考嘉宾阵容貌似很强大。

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6
发表于 2007-5-28 07:11:17 |只看该作者
不是吧?G版怎么这么多狠人了?
IT'S OVER

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Capricorn摩羯座 荣誉版主 QQ联合登录

7
发表于 2007-5-28 07:51:07 |只看该作者
晕, 这套还没做过
: U, @& J2 ]5 l1 Z来不及参加讨论了 ~><~& d: |% J$ ~& i0 Y
...
& S5 a6 n& r4 i8 s. y" B5 h! m顺便拜一下LZ一大群水人.. 第1页就这样被水过去了 = =||

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Scorpio天蝎座 荣誉版主

8
发表于 2007-5-28 08:35:42 |只看该作者
Re~~~- X/ O$ A  v1 J" D" y

' V2 I& t- W+ @* I, V! p第一个原来是酸奶出场~~
6 p& b1 X0 }. O" c- O. b0 Z4 B: B" A4 L
Orz

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中秋勋章 荣誉版主 Cancer巨蟹座

9
发表于 2007-5-28 09:35:04 |只看该作者
这套做过了,等待第4期出炉^_^

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发表于 2007-5-28 09:40:53 |只看该作者
酸奶,:loveliness:
. G* L8 S9 S( Y5 l6 y偶最喜欢的斑斑,
) N3 G0 R/ Z* U( Z; G7 d1 }很好的mm哦,记得给我们加油哦

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发表于 2007-5-28 10:10:32 |只看该作者
我先说
, d; v* h* s* y' J  R1 W1 p  v数学因为做过了,所以没有模考: H( N5 j1 Y- C, q7 Z+ p3 P1 t" x% I
Verbal部分模考情况如下:
5 I9 h, U, ~. r% |5 lV1:填空1个,类比1个,短阅读1个,长阅读5个,反义0个6 l9 G7 }& L8 d0 M, c- Q; }
V2:填空1个,类比2个,短阅读2个,长阅读4个,反义2个
7 D1 A# M# Q6 K共错19个,600分
- i6 |. I" e) _! I9 {
3 {- G( O* C1 f" c" \: IV1放弃了最后两道长阅读,猜的答案,结果都错了
' b# J# Q6 x2 d1 T# N4 BV2放弃了5道长阅读,也是猜的答案,猜对了两个
# V2 I7 P* I" z3 B( p2 e
6 q, V$ z! W6 D0 @3 J总结:阅读始终是一块心病,只能留14分钟给阅读包括涂阅读的答题卡,根据平时的模考,要是容易的可以做完;正常情况下就想V1一样大概会有2道题没时间;要是状态不好,或是比较难,就会像V2一样,长阅读只能够勉强读完,再做一两道题.. f3 \6 Q2 Z9 f/ {6 V3 w- D, U
看了一下,类反错的都是对单词的准确意思把握不好,还得继续背单词.
, z% v' j1 D3 w- \+ E填空发挥比较好,可能今天的比较容易,平时要错2-3个.
  A* w$ e& }) _- N" f+ l) \# H+ C' j
7 r; l* {" @* l5 ?: ~' O) Z4 i模了几次都大概这个分数,希望还能再提高,请高人指点9 B' |4 s  q% v9 H

3 }8 V% o0 J  V( j, n( ^另外,第一次模95年以后的,以前模的都是90-94的,请问95年以后的是不是比90-94的难?
已有 1 人评分寄托币 收起 理由
huster + 5 谢谢分享

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发表于 2007-5-28 10:29:15 |只看该作者
我摸考95以后的题就这一套分数最高,差不多620,以后就开始迅猛递减。。。
' X& c- a: U$ O0 j" y感觉90-94的填空和类反比较简单,阅读感觉不出来。。
谁也不是谁的谁

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发表于 2007-5-28 10:34:27 |只看该作者
还有就是我摸考的时候大概能留20分钟给阅读,但是类比心里总是很没底,而做完阅读会剩3分钟左右,所以我老忍不住回头改类比,结果一改一个错。。郁闷啊。。。4 B. \# l$ ~: I/ Q7 D( ~) I( f+ L+ ^
v: sec 1
9 T; V" g+ {; O, \" c) B填空:1 类比2 长阅读 2, 短阅读1 反义3
- D  ]6 Z1 |. k7 e0 rsec 2
4 G) x3 x; R( e5 D+ o/ Z填空 1 类比1 长阅读3, 短阅读0 反义0
谁也不是谁的谁

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发表于 2007-5-28 12:14:52 |只看该作者
今天第一次模考,成绩很差,很是打击7 y9 K" R% S# v+ j
弱问:模考是不是要做完2个小时阿

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发表于 2007-5-28 12:19:09 |只看该作者
ls的几个都好强啊
0 J3 ]( F- c5 w+ j. }/ {! a才错了这么几个5 Z& i+ ]; U/ G# Y" ~# g
你们贴的是我对的个数9 {) g. ]# F$ t- D1 _
不知道怎么回事,我以前单项模考的时候都是只错几个,放在一起怎么就错了这么多6 L2 L2 e: W8 z) P
好郁闷阿
' L+ l6 x2 V3 M4 p* p不知道是什么原因
3 }9 k- r# _! \sigh~~~~~~~~

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RE: 0706G冲刺第一辑:95.04 [修改]

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