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原贴来自lingli_xiaoai 斑竹的帖子https://bbs.gter.net/forum.php?mod=viewthread&tid=469297&highlight=4 E: d& I! {: K# Z. l) u+ o
复制过来给错过上次讨论的gter参与,提前祝福大家在六月的考试中取得满意的成绩。最后几天,坚持一下,胜利就在不远处。3 j2 ~. W7 s8 R2 w R
大家加油!
. ?" k( m" A8 n& u
7 X2 {% X9 k& b/ |1 n. ^2 h-------------------------------------------------------------------分割线,开始模考吧----------------------------------------------------------------------------------
' P4 ~+ ^# D7 o: n为了方便讨论, 我把2个SEC的填空,类反贴出来, 阅读由于太长,就不贴了. 做过的看看有什么问题, 欢迎跟贴讨论! 阅读的问题可以说下是哪个SEC的哪一题. ! C8 E/ h# J1 \2 w9 S
( ~* ]* c3 `4 D" P7 z% ~! U Sec1
; m: r- x, J! `' H A/ S) c! { t. L3 K( c B
1.A computer program can provide information in ways
, Q( E' [/ g5 D1 |% N% ?! Jthat force students to --- learning instead of being ' O# C, \+ o: J$ L
merely ---- of knowledge.
9 R& J( w% `* G, e% r, a(A) shore up .. reservoirs + a P- u) K+ z$ ?8 i; i
(B) accede to .. consumers & _. j7 ~0 J$ d' b6 h* H* F
(C) participate in .. recipients7 R: T" m- C( ?; D$ X+ w
(D) compensate for.. custodians % o/ s; z) ^5 q+ I3 ~
(E) profit from .. beneficiaries
# V, A+ a' n/ b4 t$ v% w! G
3 o- M1 X ?8 H( D3 N5 U, S/ ]2. The form and physiology of leaves vary according to. j* g% X# |+ I! {
the ---- in which they develop: for example, leaves # ~+ t0 J- d6 e& X e0 h1 Q' w4 h: T
display a wide range of adaptations to different
S* e# E$ @9 w6 M$ y6 Ndegrees of light and moisture.& L. w; H# c; \- e: G& Q. _
(A) relationship# S4 r' Y% V, I1 V9 g2 w2 a3 z l0 |
(B) species
7 s& y0 F/ z, m1 P: u(C) sequence
5 }* R* t7 }8 d9 j: H* g(D) patterns
0 C4 i$ L0 o4 ~# a: x- C; r! w3 o(E) environment - g/ {, `" M3 P1 [$ V6 v
- B! k4 ^; x5 k. x, a- h3. One theory about intelligence sees ---- as the 4 `! H0 h- {, e
logical structure underlying thinking and insists that , \9 ?& Y" V# Z( I
since animals are mute, they must be ---- as well.
8 _/ E2 h8 B, }(A) behavior.. inactive , z8 \- Y, ^$ j6 S X3 B
(B) instinct.. cooperative B# c, x5 e- M1 ~
(C) heredity.. thoughtful
8 n% H) c; `2 e: l! i0 V( t(D) adaptation.. brutal 6 p5 c: G6 u+ _; t9 J
(E) language.. mindless / ?- z( ?: [& m" S
p5 Z& I+ j. E3 N, j
4. Though ---- in her personal life, Edna St. Vincent
5 w! t! `1 _: q( J6 ?; V ~1 @Millay was nonetheless ---- about her work, usually * N9 J4 m6 `/ \" o4 ~4 y. [
producing several pages of complicated rhyme in a
- {& C/ Z2 d% b9 aday.; j' H& k, n8 w
(A) jaded.. feckless
9 b3 g6 c* q2 U2 L' q( {% [& ?' L(B) verbose.. ascetic
b9 N2 d9 p2 x1 V( a" e) h(C) vain.. humble
j- s5 ^ e% r* F6 ^% O' l; R(D) impulsive.. disciplined & i) T; e: M/ c$ y+ o$ g
(E) self-assured.. sanguine
* z! y, e# l' F( }* s
$ i& Y1 L |% T) F: Y5. The children's ---- natures were in sharp contrast
1 v1 w6 f, v( J+ f- o$ Ito the even-tempered dispositions of their parents.
/ F1 V' u( H4 K4 d) U: S) ](A) mercurial
: t* X& ` y/ W' M6 ?# I(B) blithe
2 z/ ?. M( p* @+ b- D7 l(C) phlegmatic- z5 Q/ H8 S. N( ]! h
(D) introverted % v* [% ]" s4 ]/ |7 ^7 j
(E) artless
+ c8 P4 `1 z k! O) }& `, Z. N% t2 W7 M: g8 W7 e
6. By ---- scientific rigor with a quantitative approach, 7 |( ^ O) K! E) l4 ? Z% |
researchers in the social sciences may often have ---0 v7 I+ V) c) I \8 n% S+ v6 e
their scope to those narrowly circumscribed topics that - g: @: N- {6 e, v5 l# g
are well suited to quantitative methods.9 X6 ]" n' Y( A8 k4 F9 O9 {0 O
(A) undermining.. diminished . w: ^4 s ` w5 B6 m! E) b( h
(B) equating.. enlarged , ?7 p- c; H- A3 G! V6 P+ L- ?
(C) vitiating.. expanded
! p' s) ^! m1 B( A' O) \+ n+ t(D) identifying.. limited
$ C2 q$ @+ Y S- f$ m3 I2 L( \(E) imbuing.. broadened 6 o( Y2 i: {" K
/ E' S( |4 y' p+ Z) _$ r$ O+ v E" y7. As early as the seventeenth century, philosophers
+ v$ H9 R) ?9 kcalled attention to the ---- character of the issue, 3 `9 u: o# N G8 X9 j" H
and their twentieth-century counterparts still approach 0 `. I/ ~# j% W6 F$ H
it with ----.
b; ?) M& ?) j(A) absorbing.. indifference
4 D# Q( W- F" _! K(B) unusual.. composure
3 i7 a- V. w0 D(C) complex.. antipathy9 ~ v& p4 v; U/ _6 \9 U: s
(D) auspicious.. caution# E/ Y1 H( s a/ _
(E) problematic.. uneasiness + ]9 j1 \% Y" i# u3 g4 t' I/ h
Q( P8 Y6 j8 {) }& y9 Y
8. TRIPOD: CAMERA::' H" ?0 q9 r5 [* k/ r- a
(A) scaffolding: ceiling
" V( k; J" `* r3 ]- P(B) prop: set
/ j, P: c7 V* e0 h(C) easel: canvas 2 }( I' |1 w# {+ N) p8 V1 a
(D) projector: film
6 m1 _' d2 S: O& E" u$ c(E) frame: photograph
3 J* t. Y$ d7 [/ I1 p# j7 y1 z/ u/ E# ?2 x0 G8 q
9. AQUATIC: WATER::& i; c( Y4 }3 B# U
(A) cumulus: clouds 4 \/ R) r+ s8 t
(B) inorganic: elements& `7 Z6 Y n" R3 B
(C) variegated: leaves
5 G- ~" O$ ]( |(D) rural: soil
* e8 F% }3 Q$ H% `8 L(E) arboreal: trees
% V- J$ }6 P/ k7 o
2 d# n7 }$ m+ {10. EMOLLIENT: SUPPLENESS::3 p/ E, i! W# [* u' P4 q* g
(A) unguent: elasticity& I o) x$ b* Z6 q1 Q
(B) precipitant: absorption! P) d1 L, w9 P( V# I
(C) additive: fusion # F( x5 n9 k4 X% k
(D) desiccant: dryness B* o% I. t+ G0 N0 e$ t- _
(E) retardant: permeability . g+ J3 c9 ] j7 Q$ A
1 \) ~- S1 O5 F0 T1 S
11. DRAW: DOODLE::
7 u: M5 Z3 w% |" D( U( A. a(A) talk: whisper
9 ^* t! ~7 g ^% Z3 c/ [1 v" c(B) travel: ramble 4 Z8 k8 \- w2 g8 E9 W: R
(C) run: walk3 K6 S+ o& T1 I& X7 ]: U; ^1 j) A
(D) calculate: add ' w; {( ?3 f T3 T5 Z, ^+ V2 ~& t
(E) eat: gobble 6 V! ^5 ^* t" _( A3 V2 P' T% H
) V6 d# j) N: p1 W
12. CONSPICUOUS: SEE:1 V( p. ~3 V" h
(A) repulsive: forget
a3 ~' ~; S" ~( s; m+ i1 K6 y(B) prohibited: discount
" W# y& ?. R0 C' B* i) E0 N v0 Z(C) deceptive: delude
/ N Q# g7 [$ @5 I8 @/ e(D) impetuous: disregard 4 |) C K9 T7 Q4 G/ {
(E) transparent: understand
" e- M/ A7 \/ d, y4 i+ S
3 B4 {# O, ~* Z7 b2 n% e/ E- i13. IMMATURE: DEVELOPED::
O# h5 d" w7 Y) X$ G$ ]' y(A) accessible: exposed
' n( j; I$ y9 f(B) theoretical: conceived
$ b! W& ~( ^( Y+ T(C) tangible: identified & h8 k) o8 j8 c: {" `0 S
(D) irregular: classified
7 _% K5 Z" j3 r% [, Y4 k(E) incipient: realized
+ w* j1 ?- e2 y
' q2 c. h0 C. r2 G7 a7 `# a14. PERSPICACITY: ACUTE::
- Y" o! {7 {6 O2 c: B(A) adaptability: prescient
) V; R7 P4 n) @' |(B) decorum: complacent
6 x) u6 F' V) }0 V# L* S(C) caprice: whimsical
9 u* I, H& ?* R( _5 X7 p(D) discretion: literal
7 |/ z$ ^2 i9 T7 s(E) ignorance: pedantic
5 R5 J( t* h" A
& {/ N* w9 V/ O3 @" d# q) b15. PLAYFUL: BANTER::
+ F- P& J, g3 T! U(A) animated: originality ! n- q; T7 p4 z- B0 x, t% t' l3 V
(B) exaggerated: hyperbole
3 U& @: ^. i) q5 C* s. |( q1 P(C) insidious: effrontery, t& s! [. B- e* N6 K
(D) pompous: irrationality 2 F# e7 I' p8 V
(E) taciturn: solemnity
4 b' w: W' B" L' b5 \) l' G) ~
. N0 G6 t6 u/ v16. QUARANTINE: CONTAGION::
" V' x7 ^& W0 n; I8 ^0 u7 s+ b(A) blockage: obstacle
) K2 P( D. r' O(B) strike: concession( ?! i* \8 }( q9 _1 D
(C) embargo: commerce2 Z6 _( r7 \1 |0 Z
(D) vaccination: inoculation
. t+ Z$ s1 u) W" |. }0 B, H r(E) prison: reform
' G- [# Z3 M/ h# O) t6 D: d
0 G& X$ u$ v% x( W, @5 q) o1 `
2 N8 \! A' `8 ~28.IGNITE: ' F/ j; ^. j. Q) k) r4 f5 }
(A) amplify" V3 x. v9 _& o# W8 @: V e
(B) douse
" s4 h) @/ f* G- K+ E4 `4 t1 x(C) obscure
8 |: k. {$ L; n7 g(D) blemish / R3 P: k5 y% ^* {
(E) replicate
' Q h o, p7 v6 J/ s7 P" d% j# y) J+ K, z5 R
29.MUTATE: 1 V; G( r' n& j* z4 W
(A) recede
& C$ Z3 [- e& L8 b(B) grow larger( K0 |! W" p) _/ U0 T6 k
(C) link together
9 p% a: p+ | K(D) remain the same
% ?- \. ^/ f# e- l, E6 |(E) decrease in speed ) `1 _; ~/ z' W& m5 v
3 ?. t0 I, w. ]+ {. g3 C8 d30.FRAGMENT:- M( Z/ K' u) E# v# C
(A) ensue 1 E/ ~5 H, }' {+ b9 o
(B) revive
8 E' E1 W+ a+ O% u: I4 w% T; e(C) coalesce
/ F8 ^/ f8 S! Y# L(D) balance 0 S0 H0 D1 Y- U i
(E) accommodate
$ n8 a, o% ?: d+ y$ G# F N0 Y; A4 S/ B" }$ \
31.OSTENSIBLE:
- [+ c6 k7 C: W(A) gargantuan - w$ ^4 r5 E& n
(B) inauspicious . l# M* c$ s0 n' {' M& M) }
(C) intermittent
- C7 a% H7 I: w4 ]5 ^% b* v' t# B(D) perpetual
2 S5 {; u" Z: s% ^" g! j(E) inapparent 4 [/ h5 \; i/ u/ M- M7 i
4 {- s: z* Q- t( W. L+ s" s32.PROLIXITY: ' d5 B Z, M9 q. _4 D
(A) ceremoniousness
3 d* c" r4 z5 ^: n+ [(B) flamboyance ' d5 y$ F z" ?: D/ J- r5 p% W( b! X
(C) succinctness
0 K0 P9 W0 J5 L' F5 n' z(D) inventiveness
4 D% s% W h6 J0 u S: ^: P9 N(E) lamentation
! B ], j$ v5 V3 Z- b5 e2 ^5 b! p2 z% {& }6 e4 f1 U& c
33.CONCERTED:/ d! }' b p: Y/ D- }0 \
(A) meant to obstruct
! N" q# G* C3 Y- p, T; O# v0 w(B) not intended to last
. {. |0 ^3 x( Z @1 V* z# u, g2 `(C) enthusiastically supported
8 I2 g/ S6 Z- T5 O2 ](D) run by volunteers
7 b, q% Q+ v8 E2 X% h4 k5 V& R( i(E) individually devised : R6 W, @* V+ ^: z
! A8 |5 C% V- P" v
34.FORBEARANCE:
?9 H$ Z1 i, s$ j! t0 W(A) fragility
) K8 \$ {% d. F(B) impatience % p! Q5 e$ P6 H& L
(C) freedom : K& C8 v; F) K% n0 f9 H
(D) nervousness 0 ?: J! F, X j5 S! n+ ~4 R
(E) tactlessness ) x2 U y1 P: Z! Y
( R1 M8 r' B0 Q2 U+ G
35.COSSETED:) @( ~; s9 S8 `& S2 M& _& ~
(A) unspoiled
! ?9 ^; U2 N) [* h( x4 m+ N(B) irrepressible * C$ t, y$ u3 o% ]' m8 o
(C) serviceable
- m/ r9 U0 B- Z& P* c( X(D) prone to change ) k5 Y5 [2 I8 d8 q9 ^1 H
(E) free from prejudice 9 w+ z2 F5 m+ k7 c
. I$ e: q/ j9 {7 u: @36.PROBITY: * c9 q9 O: f8 n- |/ y
(A) timidity $ o1 ]. D; f: \+ P O, X) x
(B) sagacity : s7 q) e/ b: L3 A
(C) impertinence
' o% j7 x4 N2 b1 S3 A! k(D) uncertainty
! w. S3 b( e. Z Y$ g(E) unscrupulousness
/ g' n& ~* C/ Q% W
& {/ v2 t% d+ t/ G' B37.ESCHEW:
" I0 L# M/ u: s; F( _(A) habitually indulge in 6 O7 Q7 y* W; U* V3 m7 i: s
(B) take without authorization - |7 g6 d$ ~4 t n$ k a- q6 {" o( E8 |
(C) leave unsaid 0 _+ a8 r' t% F- S: H& }3 X
(D) boast about , G/ V" p& s0 X0 f
(E) handle carefully 0 \9 c9 D, o! }$ i; @; n- @
( w, ]& Z' o4 E# P0 D& D38.REDOUBTABLE: + L# E! P& F( C6 {$ |+ X9 t. n/ G
(A) trustworthy1 Y2 }+ {) W4 U+ a; `* \( P
(B) unschooled
' g# [6 W5 G5 J: N(C) credulous $ F9 h/ |- ?8 b; V% v
(D) not formidable 5 L% V* }/ I7 R( k* _# d: t) A
(E) not certain 6 e8 r7 O' u, c5 m
8 X" z+ K, G1 M( H4 \9 G2 } Sec2
, i- f9 A$ S, s. ~8 F9 k3 k: g2 b; q+ a3 M2 n, m3 ]9 `
1. Since most if not all learning occurs through----,
1 S- h% W9 Y1 A2 M3 W" crelating one observation to another, it would be
& j: u5 w$ |! W8 B) O) d1 {1 i: [strange indeed if the study of other cultures did not 6 T& E, H3 d% P9 i$ \
also illuminate the study of our own. & F- v% H7 {/ z2 J/ V" \3 |2 k. N
(A) assumptions
+ G5 C. k! x1 l(B) experiments 0 u: E3 z* a: y+ s6 Q
(C) comparisons
, S4 I% X2 W/ `' w' V(D) repetitions
9 L$ I) J; ~& {8 {: V(E) impressions
$ _7 s4 d+ i& |: W
# B) ^+ f$ d: E) A- [, U* w, D) w2. The new ---- of knowledge has created ---- ; M. ]! L; p, W: Y w1 l2 x
people: everyone believes that his or her subject
& {" w+ s, H8 u5 u+ X7 ~cannot and possibly should not be understood by
$ h. q/ ~* H* m4 l8 B- Bothers. 4 _7 P! Q* W- H* T& D
(A) specialization.. barriers between
+ n) m; ~* Q$ o(B) decline.. associations among
9 Z, v' F% L' C6 ]3 `2 d) A+ D(C) redundancy.. complacency in
0 m- {* x) j* a3 |(D) disrepute.. concern for ; @2 [* f- y, `/ w3 p' Y& x
(E) promulgation.. ignorance among
$ T& R. O( `! D2 E( u6 C
# G) s) l% R7 W( g3. If a species of parasite is to survive, the host organ-/ x/ Q; x( g7 A
isms must live long enough for the parasite to 8 v7 R3 L5 J6 V" |; U0 t
---- ; if the host species becomes----, so do its
5 r3 p2 ?4 d+ U: {5 e7 qparasites. * l+ _% [( Z, o, H; a4 R. D p
(A) atrophy.. healthy
) e3 d# I8 `3 e4 O9 N9 ~' G(B) reproduce.. extinct ) D# o6 h3 F0 E, t+ i* i" K3 r3 @
(C) disappear.. widespread
2 W% b/ S" O8 _0 u, k$ I(D) succumb.. nonviable
5 S9 Q7 G& @7 Q8 B- S! H5 G$ ^(E) mate.. infertile
2 G& u H- `! w
; I2 X4 R' Z7 {+ w5 I& U( Q4. The author argues for serious treatment of such arts ; t4 X1 z+ ]; _4 A9 ]' R1 h6 D% W
as crochet and needlework, finding in too many art
/ y+ `% ^# `, E8 Y. vhistorians a cultural blindness --- to their ---- 2 s/ l: k0 e$ h5 x/ s
textiles as a medium in which women artists pre-
5 ^- A1 q! R2 D8 ^# R9 _, y, Sdominate.
. p: G+ |! _( N. i(A) traceable.. prejudice against 6 h3 n# C& D! P9 A$ w
(B) opposed.. distrust of 6 M8 y: L f( K! t9 K
(C) referring.. need for ) {9 s4 e4 h# q! A; G+ L
(D) reduced.. respect for + T1 v: ]" d* [ R: `; b8 {
(E) corresponding.. expertise in # P: V4 c! x8 a/ f: i
. Y3 ^2 S* N8 }8 f% h/ V
5. Those who fear the influence of television deliberately+ L' ?8 z$ D: N2 r$ a$ s& n: x
------ its persuasive power, hoping that they 5 m5 Z& m* f& H) B$ o
might keep knowledge of its potential to effect social
; L# s' ]" i3 c, p, X1 e1 Lchange from being widely disseminated.
; |" `. `/ N4 E" |! \(A) promote
- x: u3 r0 b6 r( {3 H, E: S(B) underplay
. z. v3 ~; `, l( Q6 X" k$ u- b% F(C) excuse
* j/ J8 ^6 i. h+ L7 h; V" L+ G6 m(D) laud
& B4 [- v. g7 [5 g/ H* s" \5 I(E) suspect 2 _8 N z- @8 p- c
( s: n0 y+ ^2 I% j2 y+ d6. Because the high seriousness of their narratives
- R! S$ i6 Z8 I7 S. \; N+ |resulted in part from their metaphysics, Southern
% F2 V* s, F. l0 H; xwriters were praised for their ---- bent.
S A. |4 P7 o) B(A) technical 4 D; ?% q* K- }3 m% e/ G
(B) discursive : M \+ C8 R6 F9 j, P
(C) hedonistic
, N/ q5 x# p; D(D) philosophical
- D! \; \9 W% P K) j9 Q0 m(E) scientific / u3 q" v- t9 J) M3 h
# ~! R/ P" q/ I1 u7 l7. Far from being ----, Pat was always ---- to 5 B: I3 S: z* Y5 g$ x
appear acquiescent. % o' R, N) F7 b% ~, t% t
(A) unctuous.. loath 9 j5 Q% s) s8 M
(B) brazen.. reluctant
7 c; Q* k$ G7 K5 D M(C) ignoble.. concerned
8 T# ?0 W) J; t$ r6 m8 l# V(D) obsequious.. eager , t- S, X& b# W. ^. |
(E) gregarious.. willing
" d0 m; T& S* ~) d, t; Y! b/ \. m, Q5 T
8. CHUCKLE: LAUGHING::
& G; C/ Y/ z2 g6 K. Y* p, F(A) uproar: shouting 9 l( M# Y; u, y% f% V: a
(B) whisper: speaking % e9 Z! m$ G* e
(C) hum: whistling
& f( l* n% w9 ?& D: [(D) lecture: conversing
4 U) w" C8 N7 N/ k. }(E) murmur: mimicking - j1 R4 Q6 p/ M/ t6 k1 D
0 K5 S. a( \4 i/ f9 k# O) K% A
9. PARAGRAPH: ESSAY::
^( y3 m$ ^. A4 D2 V! X(A) object: verb
8 j% V2 g$ B+ H7 i) Y, ^3 V(B) phrase: preposition
, b8 G" |# [1 s(C) interjection: parenthesis
$ r9 ]8 d1 m- x2 W$ @) f(D) clause: sentence : j% ]/ b& O+ e; x. s9 H
(E) colloquialism: expression
" \+ Q N( r e8 O
% m* l( @ P# c5 k D& p3 m# s10. STUPOR: ALERT::1 r- W: K' E4 Q4 P; F. T
(A) rebellion: defiant
2 ~+ ~/ P# {1 V" }3 G(B) despair: hopeful
, G$ _8 \( H5 o# u(C) expectation: unfulfilled
* u+ }+ O7 p! S M(D) circumspection: careful ! v0 y' M* c; D, I
(E) ennui: listless
( ^+ P* [2 c- r3 b) D8 L
: Z0 [) q# U( v0 w9 B11. PAEAN: JOY::
/ g4 i, j- D# o8 x7 U(A) dirge: grief
2 C6 j2 ~+ T* v* ]5 P( F& x(B) oratory: persuasion 2 @. F( y! }6 Y% J) E! {; c8 l+ M/ Y
(C) aria: opera / f# z F8 g' v3 x' _
(D) chant: choir o; r( L5 ?# k! @! |
(E) lecture: instruction 0 @" W7 a4 \, h' l
' P- X3 D" M$ M+ x3 |& {12. RENEGADE: ALLEGIANCE::
9 ? j- x7 G# {. n(A) revolutionary: reform2 Z7 K! \4 M: |8 l1 W$ }4 n. ~3 e0 Z
(B) aesthete: discernment
& i. c/ b4 @+ @ `. E- k(C) apostate: faith
3 S9 K! U7 d O& J* j0 a" h(D) politician: challenge ) c8 W6 X( p1 D o5 Y
(E) criminal: imprisonment
3 J% P5 a' a& `: _$ e& E6 ]. o0 l; T! w$ e' O0 s& c/ |
13. DEVOTED: ZEALOUS::1 i3 j: d$ ?! R0 ^$ s8 E
(A) affectionate: demonstrative 9 b2 [: l1 W T- B0 E
(B) animated: lively
( k' F" f3 e9 C(C) rabid: extreme
5 q' \" U" E$ ` O(D) objective: indifferent
- O3 T b3 ?" X( v(E) careful: fastidious
; F6 D- m6 x5 Q+ r
3 o3 C* s4 {; `+ k6 O, k14. VESTIGE: REMAINDER::
3 u/ R! c( x$ r3 N @/ k! U" s+ o% b(A) figurine: statue , s9 _: H$ F6 |% J1 j8 C$ `: d
(B) knife: cutlery " U7 u( w% J& r8 V! s9 f
(C) hub: wheel
9 C* Y! B6 s* s0 A3 c5 R(D) angle: slope - g5 l& H9 q6 B0 p9 e. N
(E) inventory: goods 7 ^, A+ k4 y& i1 @
& j6 l; |4 x* ~8 U9 q* v; A* L/ _( g
15. EPHEMERAL: ENDURE:: 0 O( W0 t, d" T4 j% a ^: }
(A) insensitive: cooperate
6 Y2 M; W5 u8 p(B) infirm: react 7 { ?( M3 r- i" H& Z7 m
(C) ineffectual: proceed / ?3 s4 C9 H$ u7 q: z
(D) inelastic: stretch3 g3 C, l% Q$ E/ r4 G! x1 C. F
(E) inflammable: ignite 1 @8 k* n8 U& J7 _5 Z8 ^, U
+ J9 l# I6 \/ ^
16. MISDEMEANOR: CRIME::4 p1 J1 }9 j: x0 L" a" m! g4 f
(A) interview: conversation 8 v* N6 ~8 ?1 f/ Q
(B) lapse: error 7 `' \ O7 a0 {4 g
(C) oath: promise ; \# `6 o$ C- k: p/ V- i
(D) rebuke: criticism
& }8 D9 b. e+ I( u(E) vendetta: feud # q0 ]2 h5 s# D
+ d" s4 B" w: ~4 j2 W6 r
( y7 c1 H& L* y; K3 @0 i, d28.PREOCCUPATION:
/ c: i: u6 K6 b1 w(A) finality . U; h" B. N, Z- ^# W0 L, ~* h
(B) innocence
4 [2 f. i$ ~3 W( c4 z+ s(C) liberality
1 D; R2 z. k9 {(D) unconcern
/ a8 F7 g) K' h% W7 j(E) tolerance
' o- X# B. s! e! n
- s/ F$ e# K, U0 ]29.CHROMATIC:, f: H0 u8 C+ F. W- S& s+ H
(A) opaque 9 m" o9 O% L6 f* c+ Y
(B) colorless
9 x# j) r% {% {4 _(C) lengthy
" R, z f( m( i- u(D) profound
5 U4 q2 i# i; E8 y! i(E) diffuse
1 F0 a' P' ?9 u3 ?; s$ F: G" H3 }; D
30.PEDESTRIAN:
# K4 b' e) k4 t% Y(A) widely known
+ t; R" `. ~/ P/ [$ e8 P(B) strongly motivated
% P! F4 Z& A: b- D% b0 Q/ }; {(C) discernible
, B, |: b. r, P& n1 H2 C- N(D) uncommon ( M ~5 Y8 b+ A, z9 }
(E) productive ?! j+ o. M* h7 f2 v
$ _4 P1 n8 p$ f$ Z" k9 ^! ]31.EQUIVOCATE:2 b8 o4 l3 P. J( k8 G4 V6 g) D
(A) communicate straightforwardly
0 z; n0 B. U4 @(B) articulate persuasively
+ Y$ j( S, S" `. A" `8 [- ], K+ s+ n) E(C) instruct exhaustively 8 K0 ~. X% ?$ Q; p' _7 P
(D) study painstakingly % X+ F9 S. q' i4 ~$ Z
(E) reproach sternly
' ]( {+ S0 g+ ]5 c3 n2 g8 F0 u+ R" f& W. j/ q# |% q
32.DENUDE:
6 ~' }, N3 w$ L- r6 E(A) crowd out
' l$ d# h7 t N0 s9 J* q o(B) skim over
; `6 N5 P$ Z( p% d+ s- y(C) change color ! H l+ s; ]5 ]" o
(D) cover 1 q; P, k+ H3 r
(E) sustain 7 A( z' n5 l' Q/ D$ E4 S/ Y
4 G" i) N. D$ r8 e/ M' c% C4 z
33.RANCOR:
4 K% x# Q2 b: [+ [+ Y(A) deference
$ ^* Q2 i, x5 G/ \(B) optimism
6 J3 h7 P; s4 M) ]% B$ y(C) courage ( x! z, a- t% s- R
(D) superiority
( r" [4 m1 j0 @' J' g9 H W( P(E) goodwill & C2 k7 `; ^# `
9 |/ G! `: f+ f( Y% a8 i; g; N1 {34. OSSIFIED:8 X, ?( {% k1 O5 }5 Z2 L3 K
(A) vulnerable to destruction
+ r# ~7 x# E" \7 [" S(B) subject to illusion
, h1 r( r1 I3 q8 i* n5 Y6 G; y(C) worthy of consideration
8 f d0 p9 a t/ O(D) capable of repetition
2 K) j1 ^/ s7 R(E) amenable to change
$ |6 w- g% `1 Z; u' b6 B3 S s% t! w. V9 u8 K. v. Z% X, p
35. CONTROVERT: 0 I1 y2 H' R5 `6 e( {
(A) substantiate 8 [' R7 g9 A' D3 S# s, M
(B) transform
) }, ]: z k& t1 r(C) ameliorate 2 X/ { ^7 i+ J6 A
(D) simplify
$ T/ x! U- Z, G6 D1 k$ |(E) differentiate
3 y. b; J+ ^# I9 e
2 \* z8 W' V9 K; {! D9 @$ b36. PROTRACT: ; P% ^1 S; ^7 K/ M0 u
(A) thrust
/ ?/ [/ S2 ?* l/ }8 r% q! Z(B) reverse
' L- A' |. K& Y5 R' l(C) curtail 1 l# }8 H" K8 A( G& a- G. n; C9 `$ k
(D) disperse / g+ O6 e7 k# p' w
(E) forestall 8 i" b8 u# b. w: ]7 L/ I3 E
) c2 k7 l' O! n, s37. ABRADE:% `3 r/ T' E# w: g9 ~! s
(A) unfasten
) w7 z* P2 {' x) J! j1 t1 a5 N(B) prolong ) _) |+ n, \; I1 h2 D* d2 S
(C) augment 8 F, M) B/ [* S
(D) extinguish
, L+ d2 t/ `& ?! G, A(E) transmit
" g& `7 P5 h5 d& ]8 A, J4 {4 R+ Z/ K5 }/ Z
38.APOLOGIST:
, i) z6 Z1 n |. F0 x(A) egotist
9 @* X) Z" i( g/ _# Y(B) wrongdoer : [4 s1 e/ @! W1 L" P0 R
(C) freethinker 5 B' {; d, E8 |4 l5 T: N
(D) detractor 9 r: g- J3 F! @/ P
(E) spendthrift 8 [: N5 o6 D: v6 ? Z+ }" A
4 Z; p& t6 Y4 \2 d+ h# S g
1 D: m2 J6 O; j3 k$ v
, I8 A; V4 A/ f( [: M& y b% W n/ d6 s+ c6 u6 ?+ y& b+ \
' H2 L# X$ n# R5 B% w, O' W2 h$ [: [$ h' s
$ w$ d ~, v6 U: W& l6 \
2 u2 E* V) [2 T
9 l; y# D' I5 {! r+ W: `: ^V答案:
+ U0 `- I8 ~8 i0 L* K$ j/ _% tSEC1: CEEDA DECED BEECB C(EACD BAEAE BD)BDC ECEBA EAD
1 r8 e6 F+ V, {( Y+ ESEC2: CABAB DABDB ACEAD B(BDDE CEADD BD)DBD ADEEA CCD
, k" d& P3 |! v: ]0 X, @( ^
( x" i: Q- M4 {* M; Q- ~: I8 {, DQ:
1 R' X6 u1 f9 d3 K3. BBDCA BAAAC DBDBC DACEC CDEBD ACAEA/ `$ w* G! L9 Z+ x$ X* K; t# f$ X& R
5. CACCD DBCBA CDCAD DDDBD AECEE DABBE# ^9 _* _( C! F
" S7 l& [8 v0 V6 f2 H% H1 i
注: 括号中间是阅读的答案./ h4 o! b: A5 L6 D, A7 |, u8 T
) ]" D* g I$ V) [7 l6 r模考情况不好的同学不要太重视模考的成绩本身,要注意总结.这个分数和最后的考试结果没有什么直接的关系.总结才是最重要的.; {" @, x$ }& p+ b( c
7 @ u( M- G5 c; n加油~~:victory:* z3 B7 _4 @1 M4 F
# Y7 U+ d/ l# U( u1 J[ 本帖最后由 yogurt4 于 2007-5-28 00:21 编辑 ] |
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