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欢迎大家把不懂的问题提出来,在后面跟贴讨论. 也欢迎做对答案的网友分享你的经验.
V* t' L P" j. ]1 }已经模考了两天，不知道大家的成绩的成绩是不是有提高，对于时间的掌握能力是不是有增强呢。提醒大家一个问题，就是模考的时候一定要严格限制时间，老是超时到时候考场上做不完会影响你的心态，平时严格限时的好处是，你知道自己做不完，但是出来成绩还不错，会比你每次都超时，不确切知道自己做不完，考场上会造成更大的心里压力。/ }" ]7 M* i+ }" Z- L0 X1 q9 |
- p5 `4 M) x3 x$ t
其实有很多同学在考场上是做不完，或者猜了几题的，但是结果并不差。所以做不完的同学也不要太着急。
8 U9 g/ Z8 d9 `
------------------by 小哀
" a/ |# F' w( |0 ~9 s- Q; d1 I' H" ?* g* ]4 q; ]% Z% x
SECTION 3* S7 R% }. ?* Z
Time –30 minutes
# g, i/ [% ]1 b3 M4 w$ q38 Questions
& e5 `) P9 d/ p& ?+ O$ A; @. N K7 u* j
1. It is assumed that scientists will avoid making ----
0 ?) h1 m4 x9 J1 ]$ v7 Dclaims about the results of their experiments because
3 ]" U& d% b9 ]: q6 g4 }3 eof the likelihood that they will be exposed when - U3 r% u/ v, Q
other researchers cannot ---- their findings. % D( w, V6 U: f
(A) hypothetical.. evaluate ( g1 h) q. Z3 @2 u6 K1 i7 {0 f
(B) fraudulent.. duplicate
; z! L7 \3 C+ d* H# W u1 l/ F. _(C) verifiable.. contradict 6 C% W$ y4 e* z* A V! h
(D) radical.. contest * Q* s+ M D8 o& K m$ i
(E) extravagant.. dispute
6 H) E; Z7 | e! v; Q# ~; X5 k/ c$ D3 j2 X# y2 g
2. As long as the nuclear family is ---- a larger kinship 1 n8 [: O0 I# r. x( h9 @
group through contiguous residence on undivided
- T1 _7 _, ~* n: F) f; s& Jland, the pressure to ---- and thus to get along with ' R. q7 }. S2 B" x/ _( H. i
relatives is strong.
, V" k4 K# o7 f5 o: L: l(A) nurtured among.. abstain
3 Q) v0 c# v/ K(B) excluded from.. compromise ) `' L3 o$ _5 o) `$ q8 K8 v" N' K3 |( `
(C) embedded in .. share " L/ g3 F9 n u* z
(D) scattered throughout.. reject 1 t" B2 [' B6 f6 l/ u, l' R
(E) accepted by .. lead
, k' a- G1 R+ j4 w- e8 a
. f% B: b. F' q* |* u3. In contrast to the substantial muscular activity 0 ^; _7 a0 C; Z! R7 ^& W
required for inhalation, exhalation is usually a ----
& x6 Y- H: o* x6 lprocess. . s3 @7 l$ A) g
(A) slow
' u; Q9 t2 k; X! m(B) passive
! l" @+ ?1 Q7 M(C) precise
9 J( J( ` H6 t, O; x6 `(D) complex
0 L- Q, f3 G, [1 j% k2 q+ v' s& J(E) conscious ( l. f( X) ?' G" L5 W0 C
9 C7 e: N! _6 n8 T; B1 R4. The documentary film about high school life was so
, ?9 [1 l2 _, I( g, B8 {* krealistic and ---- that feelings of nostalgia flooded
+ m0 m* Y: D+ jover the college-age audience.
4 l) V" H1 N5 s1 h(A) logical & y! p1 ]- f! I
(B) pitiful - @( k0 g! d0 }; \/ a
(C) evocative
g9 F3 }# F1 V7 f, b(D) critical # H( H- Q, \3 t4 Y2 G \2 K
(E) clinical 1 C3 P0 u9 w# n
* D) b- a' |7 R% k2 F3 z
5. Although Georgia O'Keeffe is best known for her 4 ]# [4 e# Q9 m2 ^2 H
affinity with the desert landscape, her paintings of 5 _* C% c7 t! z8 ?' z8 c6 C) J
urban subjects ---- her longtime residency in New
6 w5 J6 P2 e+ y# I9 I& @York City. 8 x$ k t5 z T. v# M, P! w( C9 ~
(A) condemn " l' F2 l K* H5 u% m" |
(B) obfuscate 8 `3 k* O6 X# A* b
(C) attest to $ t. y/ g/ {5 _ b; _
(D) conflict with
: u1 _: w5 ~+ m6 X, ?6 R& Z* Z+ ~" C(E) contend with
# ]0 @6 b5 |4 t5 j8 h* m# e. Y* f9 @! z6 D/ V
$ l0 L4 Z* h8 B/ |/ n6. Even though the survey was designated as an inter-9 S; |- N, o! f$ m6 \0 ^" ]1 J! ?
disciplinary course, it involved no real ---- of
1 H4 T# u9 w% z1 {# Hsubject matter. , y* v3 B0 x4 B3 F# }# ?7 K
(A) encapsulation . `& X$ r, Q7 D6 K
(B) organization # h& w3 [) H) Q# h# W9 a
(C) synthesis
' A2 J# E! {2 w& v" ^' k, R(D) discussion
, B5 q- C) H n7 v) T: e(E) verification
; b% e/ e5 k$ q% y8 \# W8 i- L. u& |9 m5 q O0 j6 L: n
7. The failure of many psychotherapists to ---- the
, I0 T7 Y5 Z# T+ |results of pioneering research could be due in part to 0 a( H$ _8 ^( G. [
the specialized nature of such findings: even ---- ( j% {, b5 E; J$ X, i
findings may not be useful.
( v2 R1 c; R0 R9 s) E(A) understand.. baffling
' w# i* K1 Z2 B6 e+ V(B) envision.. accessible
8 S( @: r4 h" ]5 _: |(C) utilize.. momentous
7 v) p5 w0 H1 T1 W(D) reproduce.. duplicated * H: W* n, s% Q
(E) affirm.. controversial
" e0 K. j! [, [: P2 Q
, H+ M' \9 x3 A% j/ j8. EARPLUG: NOISE::; t& L' a5 _. O0 _9 e4 m
(A) saw: wood / w& F: Z: @4 P; } Q t
(B) detonation: explosion u, z* x+ h7 `
(C) clothes: covering
2 N( f' h, Y- f1 K1 g4 _(D) liquid: flask
( D. f& E! v7 }8 J. O$ J* c: P(E) shield: impact 6 D, n* G& Q4 y8 B
, g4 g, X8 ^8 L( D9. REVISE: MANUSCRIPT::, |% h. u$ n1 x& l
(A) retouch: picture
. s& Q. k+ u% |8 u0 Y9 t(B) replicate: experiment 5 z. ?8 g# e4 W( T
(C) repair: hammer
( [$ e! f* X# M$ c! Z" M(D) replace: book # o0 H# ?: i3 t/ J
(E) restore: masterpiece
0 f7 x) S; F# Z6 t# }8 _0 Z5 B7 r3 x$ e- `1 Y# u7 Z P* {
10. DAREDEVIL: AUDACITY::$ t% P( f+ b7 e+ p
(A) malcontent: dissatisfaction " E! t3 F: T; j' M2 |( H
(B) perfectionist: patience / {. q, m* p( T- X4 u1 ]) X. z
(C) cynic: indiscretion ) N" j+ f6 |" x* z, u% }9 j
(D) melancholic: bitterness
" y( r7 p5 v* V$ V+ E& ~7 r$ o(E) hedonist: ambition 0 _9 f! U) k, a$ ]& m
* D; q2 g$ v' J4 \% V: @' o- \
11. CALCIUM: MINERAL::; o; Z0 H% }" f* @1 Y) i; Z8 j
(A) sugar: carbohydrate
* c% E( `5 S1 d(B) salt: solution
- ^3 V) B% x' ?# Z1 V. G6 {(C) enzyme: food & y# J/ U p, o# s: y& p
(D) milk: cheese $ [+ g, a# q% v/ K: u! r
(E) calorie: diet
! v" T+ K6 r' j$ N# r1 t# I2 a' x9 M0 m) K# l! W: C8 J2 B3 y/ `
12. DIRGE: GRIEF::% Y0 H2 }; @7 R9 R; k8 G
(A) diatribe: uneasiness 9 C2 _! m5 D* X6 N
(B) parody: cruelty
& o3 s* M7 v; E2 L2 T7 p! p(C) paean: praise 3 ? ]7 f! v) R4 `8 P
(D) testimonial: veracity / x/ c7 y% v- N* r7 F6 _8 H
(E) anthem: seriousness $ ? n& b' h% F8 P- ^& `
9 Y" g/ m; P* f13. ABANDON: INHIBITION::7 J7 Z, [( Z" o' T+ |9 S6 k
(A) ascendancy: effort
' q; d: Q1 h$ f0 N( L(B) prickliness: sensation / R* d( n4 C8 ~7 c- f
(C) surrender: resignation / }7 ]: x0 C6 _0 k3 R7 } h
(D) reversal: instigation
! V: u7 W7 x8 i4 z) p(E) tranquillity: agitation
- M* D \- ~8 \+ \, V8 Z: f. {# b' Y+ _3 y: y
14. INAUGURATION: OFFICIAL::+ Q0 f" v3 m: P
(A) instruction: lecturer 7 _3 l: I. L2 J% W
(B) election: politician
0 ?2 m3 E2 D# b# c(C) pilgrimage: devotee " b$ f( Z$ F5 Z( Y3 Q: a
(D) dispute: arbitrator
4 \' x2 E0 A" C! P1 F(E) matriculation: student . ? ~/ k" F8 X2 y4 ~
' {' G8 y; g r6 ]8 s* _! `2 w) z15. SCORN: REJECT::! M$ [# `" Q/ h, i
(A) adulate: flatter t% q* U* E) s) _- E" k; O, c1 l" v
(B) conjecture: forecast
6 G8 t& h( b+ h. b& j5 i(C) pledge: renege
" ~0 n# d+ {; |8 ~3 f* g0 r( V(D) allege: declare * U9 T3 q( M- n) e0 }
(E) disparage: ignore : F1 l% {2 l) k2 C! x+ |# W5 ?, a2 a2 G
8 k3 W0 J, e8 N8 k! v
16. PROFLIGATE: SOLVENT::+ _. o3 b# w9 G% R' W
(A) mercurial: committed e8 D. k. U' _5 r- |
(B) caustic: rational
6 } m i* | |. f& J(C) indecisive: confused
0 ^2 g$ n0 h% V7 v3 w(D) cautious: uncertain ) B d8 F, J- Y+ T) z
(E) practical: seemly& Z& u# {% w k/ K- [2 Z
1 P0 v! {/ G5 Q4 F9 \: w0 ]+ ^* _4 i5 K2 f1 ?+ u" T! ~. V- A' W. s
28. DRONE: ! N) \7 W! O3 o' V9 g
(A) behave bestially 8 l7 ]& W' E( V2 w. E
(B) decide deliberately
# W7 H4 A% b6 h(C) err intentionally
9 R0 V* ]1 C( \% G$ f& D(D) speak animatedly 4 x0 \. x9 j0 }0 }
(E) plan inefficiently # k% V+ E. K0 r2 S, w4 M3 M
& x/ M1 f! m+ K0 u3 L/ p3 Y0 M* _29.CERTAINTY: " I2 Q( P5 {" P* H9 ~1 d) e
(A) obstinacy
1 v) ^/ [! ~4 }(B) impetuosity " X' F% {4 r9 |
(C) recklessness 6 X8 p% P T4 O2 N4 _. ^
(D) indecision 7 L4 N' k' e! P g1 B
(E) indifference 9 c$ Q8 g1 Q! i* W0 N m2 I; c
) t! L' L/ i( w! O$ r5 |, M
30. MORIBUND: 3 z3 d( c& r/ S: u! v
(A) fully extended - ]% M6 F3 @+ Q4 R
(B) automatically controlled
. F4 Z8 B5 B" _. p- z(C) loosely connected , |9 J5 V2 d" O: R; i
(D) completely dispersed
4 m5 j4 ~4 m- s1 s/ ]0 J(E) increasingly vital 0 w4 H% u& U# x
4 o' h) \! I" D( |6 w31. PROFANE: # K# O: n) X" H4 I5 I3 ?: y0 a: i
(A) approach expectantly
4 L A& }; V* t+ s6 _$ K(B) punish mildly
' x8 i+ s7 ?+ N5 R% _: D, q3 C(C) appease fully
0 W9 y: G Q. d( W7 ?(D) treat reverently 1 C# Q' p; _5 i6 ~ ^
(E) admonish sternly . K7 b& i7 [2 I2 V8 R5 u
, x4 r' l5 M" A3 W! O. H
32. PERSONABLE: 5 T8 R$ {, J, U5 j: k+ ~
(A) unrefined
4 [8 k8 w5 u$ P7 J& ]* Z3 m5 [(B) unselfish & R; ?1 b! |& t* h t+ [) }* R
(C) unattractive - C% z0 f* }, P$ F- j+ [0 e
(D) uncommitted
6 K2 y E+ ~7 C- q" x, R! N(E) undistinguished % \3 i' s9 K# C0 v R. I
+ p3 O* o* Y- P3 { F3 }
33. MIRE:
2 l) f% l9 i% u! K3 E9 F(A) straighten 1 P) f2 B) v$ y
(B) fracture
6 z' F; r/ f4 o! _(C) extricate
- d+ G# X7 D9 d, ]& w- k6 G) _(D) elevate
\2 k" j/ f6 o8 R+ |; d(E) augment
0 C1 c: N% N, Q) b3 j) `) @2 Z3 C/ o$ l' [% l" Y, w
34. CONCEPTUAL:
6 X" c8 A; _, g/ z(A) proven
3 B/ @8 U$ D- Y# v, \(B) effective
/ b( x) y6 z9 S! \4 T" o(C) manageable
- ^$ P1 `+ b/ }) f( }6 M(D) concrete
9 C) |/ V8 {8 Z3 d( n' j/ x(E) punctilious 2 i% ], |9 Y7 I8 M0 y2 M2 V0 a
" Q9 l9 k. F( q. l6 T0 `35. SURFEIT: ! R% _2 _- F9 E2 F
(A) precise length
) j, j9 ~* ^: Z& |3 S& [(B) delayed increment " I. M& i4 n# X
(C) obtainable quantity
( R$ q9 }$ @' Z9 B(D) unascertained limit7 ~4 g" g( D6 m+ x+ \9 S! g
(E) insufficient supply 9 u: P& p) K: [
( `6 r8 m- T& n6 f& M" x4 S/ [6 t
36. TENACITY: 7 m# d( j% o* y% P$ e
(A) vacillation 3 h* o" G1 Y. [
(B) servility
4 N1 F) d; k1 \4 l7 J(C) temerity
7 l7 T0 }4 Q* c! z5 d. I) y# R" Z(D) perversity
3 t8 h9 o0 A, d2 k(E) diversity 8 m$ x% @, G9 @9 `9 O
& m# B* i+ h8 K3 L ^' G' Q2 p( ^
37. APPOSITE:
% X w4 N& X) n8 S(A) irrelevant 6 n. A& R$ O/ F5 l g/ L( b+ y
(B) nameless
* `, ~$ f1 N) _! e(C) tentative
/ i( }; N% b; j+ ^7 W& T. c(D) disfavored ) K7 y' \9 d0 B# Q
(E) lavish - H ]3 V' ?# P7 G0 C- s/ |
3 j! g2 K. S5 B. b38. STYMIE: 2 R+ s4 m! H0 W) s1 p4 u& t
(A) ponder 8 \3 t. H0 W8 c# W, ~6 Q
(B) predict 9 B; K0 o8 [. t! L; x
(C) divulge
0 m; u4 w+ R6 r) I, y(D) abet
* A, Y" h+ E' Y z7 }. R(E) explain
3 ?% c% T. x, `4 }5 Q0 b5 O( D |/ N4 \% v# U$ g
" ] d' T5 U. i! H, M/ ySECTION 7
- J7 ~, A: D$ e, w1 v4 I3 TTime –30 minutes& l4 b# U, y- \3 |% m
38 Questions
: h& p: @) @/ b4 R# {7 A( |( s& T
2 R( Z9 o0 H0 t M4 |# \2 Y1. In the nineteenth century, novelists and unsympathetic # k4 V2 h6 u" S, H) E* _, ~
travelers portrayed the American West as a land of7 P. j, f" q0 b, y, O
---- adversity, whereas promoters and idealists
2 m, \1 J# m9 R+ _1 `created ---- image of a land of infinite promise. ; E2 ~8 A% L2 L6 D5 l F
(A) lurid.. a mundane 0 i) Y4 E }( a
(B) incredible.. an underplayed2 u2 F8 ]! l% J+ `9 y7 `
(C) dispiriting.. an identical ( T2 H" E# P1 N
(D) intriguing.. a luxuriant
+ P9 x) I) Z6 [! e4 ~+ X$ ?% i(E) unremitting.. a compelling
7 x) _1 {+ y/ t9 |; n8 Z: [" `# x
! c8 W" Y/ v. B5 x1 s3 f% I2. Honeybees tend to be more ---- than earth bees:
( y4 m/ ~1 d( W6 _# f+ T1 uthe former, unlike the latter, search for food together
! n C6 d) X5 w! g& X. U- rand signal their individual findings to one another.
0 M* j# H! ^5 J(A) insular
+ N9 v8 c, H& v8 w. E(B) aggressive
$ J( n f* m- x: [2 j8 p( l1 r(C) differentiated
7 q& {& x/ c+ E, ](D) mobile
7 p5 o7 q; I9 A( i9 b(E) social
& K. n d3 t3 P: T% y1 b) f) K! R
* q/ N; J( G& `% E3. Joe spoke of superfluous and ---- matters with 2 ^. z+ O% d7 p7 n4 L
exactly the same degree of intensity, as though for ( `% [% J- z1 `5 y+ V
him serious issues mattered neither more nor less 6 _5 M$ e u' l" S6 {: R$ |- q
than did ----.
2 ]: h0 z+ r0 n(A) vital.. trivialities
9 h5 V# p1 n, i6 j- o( g(B) redundant.. superficialities 9 F* S1 R3 @- e' \& H
(C) important.. necessities
& y" g) X1 [: i2 t2 g l(D) impractical.. outcomes & Q: l+ Y) ?& O) {. o+ v2 z w
(E) humdrum.. essentials
# Z$ u( \! H# c" R+ T; F0 y+ c" f7 g9 H0 |7 w1 V6 c
4. The value of Davis' sociological research is com-7 B+ d+ p) A u* s7 P
promised by his unscrupulous tendency to use
* l7 G! e, N0 c) Mmaterials---- in order to substantiate his own
- ]& V1 a9 C, D- F% j3 _$ pclaims, while ---- information that points to other
* ?" z1 E$ B& a1 h+ m7 \possible conclusions. + }: V- }# l( z3 C, i
(A) haphazardly.. deploying
: y8 x# `( I3 T6 _" q5 u* l& ?(B) selectively.. disregarding
4 w2 f j8 d" L" j6 e( @: e(C) cleverly.. weighing
3 |3 b" r0 r% ]+ o(D) modestly.. refuting
+ m) Q. u; E4 E9 b(E) arbitrarily.. emphasizing
* I6 {) W! V$ ^$ d: L" L4 y
) f' L$ T, g1 T5. Once Renaissance painters discovered how to ----
' g; Q% }8 A1 g7 Xvolume and depth, they were able to replace the , K6 j/ ] P7 D5 E; _
medieval convention of symbolic, two-dimensional
& X) w3 X B& _: U4 Rspace with the more ---- illusion of actual space. ; R9 D0 A' E) P
(A) reverse.. conventional
& y7 K& r) G0 @; K. P1 U8 {(B) portray.. abstract
% T, W) ^* q# D+ |(C) deny.. concrete * q4 H+ U( w& X2 {! `. b/ M v, T
(D) adumbrate.. fragmented ) ^, |; `) D+ a) A+ v. o- D6 a3 |
(E) render.. realistic
4 `" S X, A# K( @" A: `3 s7 h& N9 f
6. He had expected gratitude for his disclosure, but
8 o; ?8 H* O- S3 T7 Ainstead he encountered ---- bordering on hostility. ! S( P( o4 C0 g0 a9 }. L
(A) patience
1 _" E* r( q" T" q(B) discretion 4 U) `, |+ ^& i+ m7 W. {1 j
(C) openness % P( V; \( \" S* c1 F& q
(D) ineptitude 1 R9 Z. S3 I3 w1 J5 d
(E) indifference
) {$ L/ X7 t" H3 H; n* h% [
% Y& ^0 q7 `2 ~' c9 ?7. The diplomat, selected for her demonstrated patience
/ g( p% Q# p e* T, D. sand skill in conducting such delicate negotiations, % |# K6 Y! U! p. a& q. {7 k1 f
---- to make a decision during the talks because any$ Y9 I v$ X( m) O6 o
sudden commitment at that time would have been ----.
x( p" Z I7 y7 }(A) resolved.. detrimental # ?4 {; e2 `. k! F+ i/ g$ g; p
(B) refused.. apropos ( t/ J# l1 e m0 _7 |
(C) declined.. inopportune # [! r( H5 l# u, l0 ~, B* J3 j
(D) struggled.. unconscionable * ^- f. {( c, |" [8 R' m+ H4 P. [
(E) hesitated.. warranted 0 @. t# m& E( s! k8 F# \; g
4 R% i8 u6 [$ _! r$ Z+ o8. CONDUCTOR: INSTRUMENTALIST::
! B5 `1 X W7 `3 H4 J B6 G2 e(A) director: actor
/ J: w3 Y+ L9 u! x1 O/ |: H(B) sculptor: painter
" u/ H7 z- T4 A* R+ J i" z# \, A(C) choreographer: composer - z/ d# X' K0 X$ T# q5 S3 X7 i# A
(D) virtuoso: amateur
0 ? X' O; g8 f% q. N6 F% w(E) poet: listener
, p* M d0 q$ t: y3 l* }0 n: j9 ]# k( ^6 P
9. QUARRY: ROCK 1 v4 i( n: p/ ?2 N
(A) silt: gravel ' s' Y% p* _, ~" D+ `4 C" I
(B) sky: rain
6 K6 [3 I3 @" _( ?4 k(C) cold: ice
) ~6 w$ O4 L$ ?& `% i(D) mine: ore * U- w% H* x& |
(E) jewel: diamond ; y% i" ]) B8 D" H% \0 Y- U
: D- d- Q. K! ]0 w9 D% ]10. STICKLER: EXACTING::
/ H$ L- @' ~* p% M) Z' I b(A) charlatan: forthright
* p, t: E! T4 ^: F# R" j0 y(B) malcontent: solicitous
t5 {( Q* Y4 j' M& E. K% X(C) misanthrope: expressive 8 h2 Y' Z5 A' R5 z* F/ }. g6 C
(D) defeatist: resigned + B0 ~$ P& _+ L
(E) braggart: unassuming
3 e7 E! I+ l% `. c1 n+ W. g: B+ r11. WALK: AMBLE::) t g2 V8 J3 ^; Z
(A) dream: imagine ' n9 I7 w+ D+ \1 R0 a' a
(B) talk: chat 7 w n* _3 v& B
(C) swim: float 8 K+ c- `3 u9 w
(D) look: stare
' x7 `5 \; L& A( J9 o9 x(E) speak: whisper ( V+ T$ c' K A$ w8 v6 v1 ~
1 @1 f7 `. S/ ^" ?1 f: P12. JAZZ: MUSIC::
3 H& _6 S' ?& O& N) m(A) act: play
, ?' ? w2 x. M, A7 c(B) variety: vaudeville
" l4 p0 L3 ` { b# _(C) portraiture: painting 8 k+ F: ^ G/ H7 A& s
(D) menu: restaurant
! w1 \# Q. J# `6 O(E) species: biology
4 b+ t. U, g- }+ B, y7 V% E: f( f2 s, ]7 X
13. REPATRIATE: EMIGRATION::
0 Q" {% s, ~& r6 ]$ h5 @(A) reinstate: election
# @8 f# D* [$ R# [$ O- o(B) recall: impeachment " A/ s% o! F7 O7 J9 t$ A! Y
(C) appropriate: taxation - b; p7 Y% p5 Q6 U
(D) repeal: ratification
+ R4 \, }# B( E0 ?(E) appeal: adjudication
( C5 \0 ?9 c. a6 U' a: w/ a% [
: {0 V s4 o0 Z0 d: K6 _& g/ ^! z14. PLACEBO: INNOCUOUS:: [& u' M* ^& ~" \& }* F, V/ g
(A) antibiotic: viral
) | C/ h' M2 f6 D* M(B) vapor: opaque 3 P5 y5 a5 u# ]
(C) salve: unctuous
" h0 {" D* H5 M; i- z4 n(D) anesthetic: astringent
8 L7 J" u3 c% V- X(E) vitamin: synthetic
! Y# [' y9 R+ [( L, N, S4 ~4 y( G, _2 |: a
15. DISSEMINATE: INFORMATION::
, Z! W+ U5 p" Y/ \$ e v5 I& T(A) amend: testimony: _7 W9 q0 x* h8 I0 p/ N c
(B) analyze: evidence * j/ M3 H" b3 e" p N( ~1 s
(C) investigate: crime
; t& E8 _) M: r(D) prevaricate: confirmation
6 Z0 W" Y/ i- ~(E) foment: discontentment . U& Z3 e( m* t# ]8 T$ h
, f1 M9 o5 f( U+ ]+ F* y
16. VOICE: QUAVER:: ! j5 t0 o* e, m& _, L8 x6 T
(A) pace: quicken
/ I# H3 c h7 V(B) cheeks: dimple - Y( N0 B5 S) E& Q L) `
(C) concentration: focus
* y# G0 `& N" I(D) hand: tremble 4 S) f; i$ m5 O* d
(E) eye: blink 8 M' t( u( R) P4 t
! f0 H0 [& w( y6 C6 w) {28. SUSPEND: 8 j9 k6 m7 E( x( m! S+ R
(A) force
' U) r8 A4 S1 C. ?6 F3 R9 G+ d1 C(B) split 1 |( h( B0 K: O3 {9 n
(C) tilt 9 d6 k6 ] `2 d) a2 e7 Z
(D) slide down 7 l f$ H" V4 h0 k' |5 {% b% z$ e
(E) let fall
; s" b- w8 @ d; |
. v$ I( ]9 E- C29. CREDULITY:
: s4 o5 f# {/ c9 J$ ^(A) originality
: e8 i$ a4 Z5 l) R5 w(B) skepticism - J& H, R, T" A" c5 l2 O" D
(C) diligence
+ A; c0 i0 e* K8 z(D) animation 3 D$ l1 V8 u- L8 y8 s" r- C
(E) stoicism 7 m5 Z# {' d0 M A( m
5 t5 z E. S2 u' k4 C6 d
30. MILD: ! R0 d/ Z5 n6 q/ G+ C S
(A) toxic : v3 z; | B$ g- Y* p% x8 C6 J) n
(B) uniform 2 \0 Z# N% y1 \0 [
(C) maximal
4 g$ Q# Q$ Z$ @1 C- b(D) asymptomatic ( c, B+ [$ Q6 `, }' N# ?* D2 u6 q
(E) acute
9 ]" u4 `5 N! R2 Y$ o/ Z+ a: d
! _: ^- d7 Q4 w- }4 q0 {/ U) U31. IMPLEMENT: 2 a2 f1 F4 O+ ~. I3 p8 k4 l* i
(A) distort
' i4 F: n3 E3 ](B) foil 0 _" R V' S- f4 z; e6 I: [' P
(C) overlook
! k9 T! `# o, ^6 J" g2 g* W5 {- f(D) aggravate
+ c# d& \. }* A2 z/ `1 ?5 D(E) misinterpret 5 j8 e3 s/ w9 D; u& D0 {
% X' H7 B C+ W
32. DIFFIDENCE:: - g& l7 n( ]' M5 C+ Z
(A) trustworthiness
Y* x/ Q1 D2 t7 Z( H(B) assertiveness / }2 f e8 h, \* |$ ^1 S# x& {
(C) lack of preparation 4 d' y7 ?) i4 l
(D) resistance to change
# N$ _0 L! F1 j, C# x2 W' n(E) willingness to blame
. g9 i( I. H& V) q4 [- f0 P9 ~: i) c6 @& `
33. BYZANTINE:
' {+ V0 a7 N9 C* S: r# I(A) symmetrical
. v) h# @1 @( V" d7 Q(B) variegated 1 U" a- D4 ]- \( B1 y1 q6 O/ N
(C) discordant
# ?. }% r$ [8 T6 N+ u2 c/ B$ L(D) straightforward
" q, ^" h3 u* j0 b4 B8 t! f1 H(E) unblemished
3 c# f- m' \' O* D' q( K
9 h* }1 K$ k( ?0 z$ _1 r34. PROCLIVITY: / n$ ]( i* r9 l" F4 A
(A) confusion 1 B" m# d$ Y+ h$ g# _
(B) deprivation . ^' o7 {5 t# a" W% o
(C) obstruction
. B: c. d3 n4 K; Z/ _8 \(D) aversion 7 i) Y) N4 P/ S
(E) hardship
8 o1 s: ? R# u. B& @. c
/ U- l' L+ T g0 M" X* f35. PROTRACT:
4 U& E: I* W* f3 \5 G! l& M(A) treat fairly i) d4 L0 J" L8 T& X5 n j
(B) request hesitantly
1 Z* O. |7 q" r. ~( A3 p, C+ M(C) take back
. Q% V6 f/ C6 e/ P, l(D) cut short ) J, J# d0 ~" ?2 M1 m
(E) make accurate - l( s3 I. ^0 \& ^1 ~
# E, D. l. B, L r
36. VAUNTING: 6 Q3 [$ @3 t* z, p; H8 K# U
(A) plucky , ]+ G; M0 s1 n0 R3 x
(B) meek
- L6 k, c- z% u! ~(C) chaste $ w9 G5 [( S! \/ H" n( W, r
(D) cowardly
& ^( W/ I0 _; ?* X; J7 h" n(E) ardent
7 V# f3 i! u& n `' _6 R. k
1 r( A) w0 g2 B8 Q" X) ^8 d7 C37. HALE: / e3 o, n+ Y1 g* h7 g
(A) unenthusiastic
/ [/ p7 f# Y) G(B) staid
1 x0 w& F W+ A1 t# C2 q7 p2 [8 [" f(C) odious
9 L' m( z0 t; h7 v7 m(D) infirm
; k! y& S v) K) p(E) uncharacteristic
7 w/ y1 `/ z" m+ W5 f
1 F+ J' x& A+ g" l' R/ C38. SEMINAL:
. \% `' p0 ]* j# _$ Q: P$ j) ~+ u7 V(A) derivative
7 [) r5 r* ^8 F(B) substantiated
% S/ R6 h; `& k# Z- d% S1 y8 R(C) reductive
, b+ X2 X: E- A. I& y5 Y(D) ambiguous : k$ g& m! {2 Z5 K5 Z9 ~
(E) extremist
# X; I' V, U7 K, A: ]# x. t; J3 K; \8 P* _* k3 W% k8 f' S
答案:" u6 f5 N$ Q& s& W- {0 \
SECTION 2. CDAAB BBABD AACCA DDBCC CAEBE AADAE (数学)
' y: N: S3 V. B9 a, H2 s2 PSECTION 3. BCBCC CCEAA ACEEA AECDD EDDAC BDDDE DCCDE AAD (语文)9 y" u) `- ]) R
SECTION 5. BADBA DDACA BCBDD CACDA BBDEA CEEDE (数学)
) o+ f0 F6 y: ^SECTION 7. EEABE ECADD BCDCE DCADB EEEBC AAEBE BBDDD BDA (语文)+ M8 u2 v m& O5 ?. l+ [$ a' D
! I+ q% x' L/ x
继续加油吧。。。。:victory: |
|
GO
发表于 2007-5-29 23:59:23
发表于 2007-5-30 09:44:41
发表于 2007-5-30 12:18:39
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