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发表于 2007-5-30 06:34:21
|显示全部楼层
6G冲刺模考讨论(四)
0 A- D5 p- }: @' V- S3 P
8 c6 ~1 C0 q" m" F, d5 T; y3 U5 g$ ^) N; n现在模考应该限时. 同时也要练习涂答题卡.
1 a4 D& x8 Y, y3 a& D其他规则同前。$ n; @# z( N* u0 H
& M% l M- V$ f, @
. l% R1 v2 j: w6 F. [SECTION 1( @: n1 ]% Q/ e6 P1 ^$ H) ^( j
Time –30 minutes7 K, S/ K3 U6 Z3 f$ e* Q
38 Questions
) M9 t9 `7 g: h) F( U0 f# t9 u) p# }! Z% N1 t
1. Because the monkeys under study are ---- the 3 v( d: T. y' q: f9 C0 ]- A
presence of human beings, they typically ----
8 V" _# Y- q; D Y human observers and go about their business
9 u. i& d; X4 w) y( T9 ? (A) ambivalent about .. welcome
4 V i6 a) {" d0 q0 T8 D/ B) n" Y2 \ (B) habituated to .. disregard : _9 w, W; d7 d6 I4 J3 Q
(C) pleased with .. snub
3 O1 V' o- y4 ]+ p$ \ f (D) inhibited by .. seek + b5 j! ^1 l3 Z, F& C
(E) unaware of .. avoid 3 \3 O9 t" \. ^& E/ l' c4 q$ |5 y& [
' q" O3 l' h9 K9 P: _. E- y1 z
2. Give he previously expressed interest and the & ?* b' m. `3 q3 M0 `* }% A2 L" }
ambitious tone of her recent speeches, the senator's * j# r8 r5 Z1 _* [( u3 l
attempt to convince the public that she is not inter-8 m. X2 f. e1 w. |" D
ested in running for a second term is ----.! T- j8 [ @. I! I
(A) laudable & y; B5 `2 U9 b5 h2 ^5 O5 c. J
(B) likely
X5 K6 u, x8 }% x7 G' O (C) authentic
, v" K5 |" f8 E+ \ (D) futile . @3 x, m/ N: z1 S: j
(E) sincere
8 R9 B. z3 U& n1 Y0 O$ y6 o4 s
3. Many of her followers remain ---- to her, and ' o; \' m8 z2 V$ O
even those who have rejected her leadership are 1 G, w( |: {; L4 j
unconvinced of the ---- of replacing her during
0 M+ [) C4 r& ^3 n6 X. z/ w' L' i the current turmoil. 2 _, ]6 \# N! i C# B- Q- P
(A) opposed.. urgency
! y& w( w! \0 g) d# a6 C: i0 B" o (B) friendly.. harm 2 x+ U; t0 m' ]8 b+ P9 n S" c
(C) loyal.. wisdom 5 ]3 ]4 e& k7 x3 M; j7 u
(D) cool.. usefulness , ]2 V9 I; o0 w" J* K4 k9 h8 K
(E) sympathetic.. disadvantage
% c5 `; A+ v0 Q+ F) V3 }! n6 m# j0 D$ k/ b* \1 ]
4. Unlike many recent interpretations of Beethoven's 2 R* j- R1 W! [
piano sonatas, the recitalist's performance was a
. o$ p3 U! z8 Edelightfully free and introspective one; nevertheless,
. k5 _1 X" g4 o5 z6 ait was also, seemingly paradoxically, quite ----.
. K& n) s5 C+ U9 i (A) appealing 4 y" V9 q& ~1 A- z+ Y* R
(B) exuberant
- W: g" z( t8 D' T0 E (C) idiosyncratic
( T; U5 b% z! r* f (D) unskilled - i. C$ N' @" L7 b8 J- J
(E) controlled
" y4 x$ H7 j' o& E- H! k
* a4 v, O) o1 [5 j h. l5. Species with relatively ---- metabolic rates, including 4 P! d6 u, u+ x1 M) B5 ?, N
hibernators, generally live longer than those whose
* A/ a0 Z& C9 S0 m# F8 z: Ometabolic rates are more rapid.
) o0 I& l* C+ `(A) prolific
3 t3 [/ C3 C9 F& \/ F% F" \(B) sedentary
8 K& w4 U6 f8 s' p (C) sluggish 6 @- I4 I# j' v$ J
(D) measured " _' p( n. P. X+ l8 W: O
(E) restive
3 Q' h( t+ @3 V1 f8 n2 K$ N9 s t: ^' Y: G2 W. ]
6. Belying his earlier reputation for ---- as a negotiator, + D" k1 _# K$ b
Morgan had recently assumed a more ---- stance $ N* Y- I# s! M( X
for which many of his erstwhile critics praised him.
& M2 X/ Z8 ]4 S6 t7 f i (A) intransigence.. conciliatory
2 w( C- t5 X4 E) @ (B) impropriety.. intolerant
# R3 ~8 L8 n! y, Y$ @' o+ `' G (C) inflexibility.. unreasonable # \2 o! T* {" M4 u$ ], H% J; v
(D) success.. authoritative $ e$ x& n: \1 _( ^. r
(E) incompetence.. combative
. G% \2 L" c4 k n; t3 Y0 M7 q
. p' e2 q( y; w) R a7. Although Irish literature continued to flourish after ; w9 P$ A0 ]0 s
the sixteenth century, a ---- tradition is ----
( I; Y1 C: V) I: K" f9 ]: Bin the visual arts: we think about Irish culture in terms of & A5 J6 s9 x5 A* h; k8 u. V
the word, not in terms of pictorial images.
7 v# \3 A4 B+ T* k' x(A) rich.. superfluous
{$ w$ t c/ {3 O+ S, O (B) lively.. found
- A& b; i8 S& b4 L A" w (C) comparable.. absent
& m2 U# f) m% @ (D) forgotten.. apparent
$ N0 Z& s' n ^2 u& ~ (E) lost.. extant
! f5 X! Z6 x+ a' P, \/ K9 y- f" v' \2 ?7 g& j! C. M1 `, C
8. SILVER: TARNISH::! Y8 i9 g! x, b; ]! V* s# I
(A) gold: burnish
) M2 K0 F8 `5 O3 g& b" G0 E (B) steel: forge 5 L; q2 F( H$ D$ g" \9 Q4 J
(C) iron: rust 0 C. M2 C- j# \& r7 Q
(D) lead: cast 2 c5 l3 |+ X" J% c. g
(E) tin: shear $ J" ?; Z) u" N$ }
* I$ O7 ~+ I" ]- @ z4 O4 Z. p9. DISLIKE: LOATHING::
1 z" g& L! N( U! z: M! p (A) appreciation: gratification
& Y7 [. S; S# U" A (B) hunger: appetite
0 e4 ]1 B! s( z) F; t$ Z# ~1 h (C) void: dearth 6 C& o3 u1 X7 Z7 x( l! y B* i
(D) pleasure: bliss
5 ~: F& |: d6 N) | V S5 r (E) pain: ache
6 ~3 g0 j0 T7 a/ J1 {
n; z9 Z y1 ^10. CRAVEN: HEROIC:: 1 K4 y. p+ e( e+ a1 K
(A) unruly: energetic
& o5 G+ A; P7 Q$ S5 a W5 s' \ (B) listless: attractive * u. u6 ~2 R& y5 d/ ?
(C) volatile: constant
" C2 T, _ h; ` (D) deft: trifling
) j( e# C8 E: [$ M3 D, e a. ` (E) awkward: amusing $ K! G" O8 l2 K
. @3 Q- q' e# S) ^6 g- f$ [
11. FILLY: HORSE::
2 l1 q) j9 C4 R' u, \' c* R (A) antennae: butterfly
5 Q5 G9 O1 \5 N: l) J" ~ (B) pullet: chicken
- M1 z; ?; m5 X) m: t (C) gaggle: goose % F! H9 v; `5 b2 z* P w- E% g1 c
(D) duck: drake " }6 s; |( `, ~, a6 Q+ W* T4 x
(E) wasp: bee
% i; _/ d8 ~7 o8 K" U) A* h
9 M8 v+ F0 C: Y% f @& q( M* }) K12. PITHINESS: APHORISM::
& s: A- \$ @4 X& g- \, }* @ (A) craft: art
/ \$ X/ l3 _, m& x7 T" l# _. Y (B) detail: sketch
5 u1 b4 I3 r& T( M8 Z0 a/ ]+ | (C) illusion: story
) z* e1 T7 o7 C7 x1 T (D) exaggeration: caricature
+ X8 \! S+ Z+ z$ X; r+ s& x5 Q (E) sophistication: farce
5 e8 h; S# o& n* `" ]
. n9 z# T% Y0 Q8 E0 A7 B% T2 A X6 I7 u13. EPHEMERAL: ENDURING::
. c' ?# v2 O; ?2 y7 H (A) infirm: healing
, t9 o7 }* M. l# e: b (B) insensitive: cooperating / ~3 I1 B A) _
(C) inanimate: living 9 [. U, `1 K3 d3 I& m" r$ p
(D) interminable: continuing 3 k$ Y2 ]% z2 S) L4 b: I3 e
(E) ineffectual: proceeding
/ S p5 E X$ z: @; Z+ [6 @" Y; y' d: n* W9 E
14. POSTURER: UNAFFECTED:: & J$ {0 j& k8 W* X! T
(A) brat: insolent 4 F+ D& v- D: a3 D
(B) hypocrite: perceptive
5 T& [2 H2 L) ~& F0 M. V (C) grouch: respected
( l/ U" z) X) L# u (D) bigot: tolerant
" Q) j3 Z+ W2 ?/ x( P* A) y3 y# n, X (E) rogue: empathetic - d4 Y9 R& _+ A8 M: k
. ~9 H) ?7 l0 y. |7 c15. FACETIOUS: SPEECH::
' q% k" W7 q4 s, G/ e* U (A) precocious: learning
) J) _ k3 S9 x: u3 j( f (B) unbecoming: color $ @: k' j* u) L* @
(C) exemplary: conduct
' t* W& b- D* ]) X# Q! M/ M (D) craven: timidity
, V, ^5 j; k# \ (E) antic: behavior
% e. v( L r- N l1 j2 Z5 O+ I9 s8 G5 Z; L0 i; K2 _9 E) B
16. VAGARY: PREDICT::
% w# r8 K9 o2 S, _4 c& p5 U (A) quotation: misdirect
# [. [" |" \5 K" p4 M9 { (B) investigation: confirm
* U, `# W/ z, q (C) stamina: deplete
$ t+ b9 W& N z5 q$ ^ (D) turbulence: upset
# l! o# g: E3 I# Z. R2 C C (E) impossibility: execute $ V' f" v7 W% e2 }' H
1 ^/ s; } V9 S; Q3 M8 ?
28. PREFACE:
/ I) g& N0 V# Z: G# T: `(A) improvisation + q- J7 `. x. A# V
(B) burlesque * Q& T7 F4 J% U; v' J- |
(C) epilogue
/ s: f) i* M) U. n. _(D) tangent $ l l9 a4 {8 Q& d' O2 v# O1 G
(E) backdrop
0 W2 S# G9 F( y" u
3 s% c" Q7 z' ^0 t2 R29. DEBILITATE:
. g$ u) N2 p9 m. H5 e& z4 ]3 q(A) implicate# p6 d) D& C) C
(B) invigorate
0 E! }) k8 H( u; m(C) obfuscate
! Q- p. |6 |; S9 W2 W8 ]# x5 j(D) realign , V; _$ {1 I6 p5 `
(E) encumber , d- t7 W* |6 Y( t
* V8 ~" c0 h1 V; S& I30. TASTY: 2 y1 l) a4 X. r) T& U9 V
(A) uninteresting
0 ?6 w* _ l* t(B) unfamiliar
! f/ y8 L- F% t/ N(C) unexpected 1 }, c! V* A$ n# V" j* B
(D) understated
6 \; a5 A& g( j8 L( v& z(E) undervalued 6 {8 L7 u+ b% i/ m1 Q5 R! a' n
( f d7 M% J9 I
31. ABNEGATE:
+ P: \+ U: s, h7 H6 N3 d(A) refresh , c; Z' }/ c5 n1 w5 [
(B) reaffirm 5 x5 I' T4 ?$ t2 |: M
(C) relieve
- J: x& {: Y, K2 @# n5 {- f \(D) react
/ ?% U+ J% W7 k% E6 W5 @' g! `(E) reform
+ e# o- N# [, M5 V; y; X% Z" `: R3 y$ V
32. SERRIED:
7 z. g9 B9 v# y4 i9 G(A) partially formed
6 q% `# X5 E& U/ }2 u2 x; N(B) widely separated ' n7 \) h% Y7 ^5 m+ H* D8 ]" E7 f
(C) narrowly missed
4 h4 p- T, a6 j w3 S4 g(D) extremely grateful
! G; ~. q. I, V6 J& @8 ](E) reasonably clean
# J) k$ R" R0 ~. Q5 J. q
" u0 ? P8 w& @& f6 l) U1 `33. BOMBASTIC: 5 U' d" h, X' w$ u3 F
(A) unflappable " \% p0 ~/ Q( ^2 x
(B) uninspired : A i- I0 Y9 n" ~% J3 S
(C) unpretentious " n+ K8 u( }' X$ J
(D) inscrutable ! a$ Q- ?4 }. I. S( y) V' |
(E) incisive
+ P* z c! d/ h- u: z4 A
. ^7 Y7 f; W& I- Z0 M" K34. BANAL:
) {5 {3 G i8 e(A) comfortable
1 A" m o6 h3 H0 [4 m; R(B) novel 3 e, e0 I! Y1 y3 Z
(C) equal # [7 v$ G. X6 I6 [$ Y( e+ K/ l
(D) fatal 7 J9 B( |# ?) o# h( L+ z2 Q) S
(E) competent
: H. h7 \1 g- [& a+ J. g35. LANGUISH: % t0 V5 O6 R- m. \3 S) x
(A) agitate
' A: O% s; \$ N$ o(B) wander `( }; ]1 |* a- ?. D
(C) relieve
; A3 T: c6 X T(D) discomfit ! j, v6 |% A; A- e
(E) thrive
! L. _4 s% L$ p- |! i% P# D
" n9 U9 V' i8 ?, j8 A+ d36. ENNUI: , P2 T9 B' n- ? P- Z: ^
(A) intimidation
: s+ n/ ]' N* K1 N4 `(B) sleaze
# `7 o& c T8 ^: `5 B; `" S(C) faint recollection 8 T2 {: t; N- D1 E' V2 w. L
(D) keen interest
' |+ V# b! L, ` [' a(E) deep reservation % Q6 n1 W4 U5 e% {
+ d. w2 c; B8 w/ e7 T8 x/ S37.DAUNTLESS:1 ~6 ^! l; I1 X* i d& V
(A) sophomoric6 F7 X$ D9 M0 m' O) i
(B) trifling9 \7 k. F3 I/ M, [9 X: i
(C) pusillanimous, ?+ v; Y# \! ?& G& c+ X' }
(D) specious
" ?! H K5 F% P8 N" e# K4 o(E) parsimonious. {/ i; w' y" P/ J V
5 h- r8 Z* o+ U5 H2 b
38.TEMERITY:2 z$ r( l3 ` z8 F
(A) credibility. z* G8 X; Y; c- V4 x, F
(B) authority5 U& z. U) w6 e
(C) celebrity. b j7 Z; t Q' w$ g
(D) acrimony9 U$ d9 i% H8 ?/ P$ Z
(E) circumspection
0 c. J/ G! N" ^ k5 ?' `9 `9 U M( T5 W* V- t+ [5 ~& X4 l! H
+ w7 U' A% T" Y; x( I) w( T. h& a9 [1 l
SECTION 45 v9 t0 M- Z' g
Time-30 minutes" ~$ {: A( x8 n5 O
38 Questions
: M3 }& V& Z4 C T9 s8 K; b% ~1 G
1. Although sales have continued to increase since last % r+ O* N) Z T, X
April, unfortunately the rate of increase has ----.0 ^5 @* A- W! k/ y7 `& q
(A) resurged
* c: M4 m& }) {) a( Q ~$ W(B) capitulated
3 g2 y1 `6 q5 Q(C) retaliated
# d1 [3 Y' G& T; P% U* x$ B6 z(D) persevered
- c0 S0 N/ t$ p3 g' S(E) decelerated
! k1 a5 J0 X1 l3 x$ \0 Z/ Z
3 V/ X* R) i: k; y% @2. Although the mental process that creates a fresh and $ D4 p; \4 b" k- M1 U
original poem or drama is doubtless ---- that which
/ J% H7 m$ h- ]originates and elaborates scientific discoveries, there
7 H, |" s1 u7 c( Vis clearly a discernible difference between the crea-
: d3 C3 I) t; m( q7 d& htors 7 k L$ l9 t, M1 T/ O
(A) peripheral to - y& A0 O: h# U
(B) contiguous with . s* b* w4 U' a" a: [) x# ]
(C) opposed to
2 `+ I; L; {2 N" L' ~. z(D) analogous to
# b$ ~( L8 g3 l: @4 J(E) inconsistent with 6 j$ Q! g; L9 p6 z B" i3 f6 ~
G/ n& x* @6 o1 q
3. It is disappointing to note that the latest edition of
: V. v3 X3 b5 B4 Rthe bibliography belies its long-standing reputation
5 j. t6 q9 z( y% U4 f- nfor ---- by ---- some significant references to 1 z5 F8 S5 x/ g; w6 _. w6 I/ m
recent publications.
: H, z1 g1 y3 s! M8 ]6 D(A) imprecision.. appropriating
# r+ p9 ?5 _7 @* r1 R(B) relevance.. adding
' q/ M8 H/ V! `. M(C) timeliness.. updating
1 Z. v& E6 c* ~' o! l2 M(D) meticulousness.. revising
6 o- {4 f) W3 e. S(E) exhaustiveness.. omitting - y+ S* R8 p; _& X
4. Although Simpson was ingenious at ---- to appear
! G6 [5 m. `: Y( I6 hinnovative and spontaneous, beneath the ruse he
' C6 K; X- k; q xremained uninspired and rigid in his approach to
3 r U( h8 a- s' b% Y; ?problem-solving. 3 p9 }9 ^0 P+ p/ [7 l. u! n9 e
(A) intending
5 l" i3 @4 |7 a9 S# S/ X8 _(B) contriving
( A+ F% {2 W$ j. A(C) forbearing
% R) ~7 v; v o- V(D) declining 5 o1 U2 n% U. I$ K
(E) deserving
9 I# R- R& |9 | `0 Y& A1 O5 D- I1 b3 m7 {( @$ _9 u
5. She was criticized by her fellow lawyers not because
- u" c0 V# N2 p( lshe was not ----, but because she so ---- pre-
w" ~# C) X; C5 n6 Q& n7 Qpared her cases that she failed to bring the expected " m) E' c" I% U
number to trial. ( U" m% y! F. @, u
(A) well versed.. knowledgeably
7 ]/ }4 A. m$ U: B$ j/ i" i" ?) d4 H(B) well trained.. enthusiastically ( V# T, F. p: Y. q
(C) congenial.. rapidly - e2 I6 r( ~# L0 B
(D) hardworking.. minutely 7 z* x+ a g" F8 i
(E) astute.. efficiently
7 c* j; a( K( H6 X! C) X/ J
/ U" n3 Q+ k9 k6. Schlesinger has recently assumed a conciliatory atti-
1 W9 {5 `( K/ L) ?2 ]1 [tude that is not ---- by his colleagues, who con-
1 W }0 E x+ Qtinue to ---- compromise. 7 J; t/ N6 m9 F& _% O& z
(A) eschewed.. dread
l5 _( M4 e- O6 A- u& V(B) shared.. defend ! h# }3 L2 `, K6 A' H6 l
(C) questioned.. reject ( R6 w! E7 q) {! W, N
(D) understood.. advocate
) S9 [, g F! N5 S. k4 V(E) commended.. disparage
; U- s. {% ^ m" O! L7 b# e, ?8 p2 B1 @7 J2 T$ k( {
7. The National Archives contain information so ---- , u2 ~, o* O" M5 B8 H( s* N/ [/ F
that researchers have been known never to publish D- Y! c! B% B; a
because they cannot bear to bring their studies to an
' l, H8 F' c6 q( Z1 f( ~) D9 Dend.
/ ?0 }' J) ^+ g6 H6 z Z(A) divisive
% }8 C& C* \7 i5 d4 y(B) seductive
( R y6 P$ w7 T" |: L/ g(C) selective 3 h6 c3 G t8 r* M7 X- j
(D) repetitive
0 J, P- N+ W/ O' X) y; Z3 ^(E) resourceful
& `# Z4 x: }) o( }) |; r ?& a% R$ l7 O8 U8 J5 ~
8. HILL: MOUNTAIN::1 a4 u: T/ q# i4 g+ R0 Q
(A) grass: rocks
; i8 l# y6 A7 I' k(B) autumn: winter ! P: H* D* a2 t$ ?. E) Q( z
(C) creek: river * W; V& y7 a: }; k* J0 j
(D) star: sun # X- Y! x2 Q+ O0 R& b+ Y
(E) cliff: slope , S2 K! e: ^/ J5 G: Z- ~
# O' y0 M, U- a+ U; E5 r0 \( ]
9. AERATE: OXYGEN::4 _- x, r! P7 y& J
(A) eclipse: light 1 i" C) ^. W% t; p2 q
(B) desiccate: moisture
, h. O7 h$ F% N6 J, S(C) precipitate: additive
& g: Z0 p& U; I3 E7 Y(D) hydrate: water
% j( K% s* _7 s _(E) striate: texture
3 n* B. R1 u: f2 X7 S9 ]; A
; a8 R( }) \( u4 L* U( {10. ORCHESTRA: MUSICIAN:
3 n! s4 P% o3 k! U2 h6 T(A) cube: side
" r+ M1 _5 H8 r5 n1 W2 Y(B) kilometer: meter! Y4 h" x7 A! \0 a$ i1 ^
(C) sonnet: poem3 J5 j, d- [8 [$ y
(D) biped: foot
$ h S5 W3 ]# y(E) pack: wolf o% J5 F2 R. ~
/ q% V& g5 |; G! w
11. EQUIVOCATION: MISLEADING::: |$ H& [, J1 P9 T1 Y3 b
(A) mitigation: severe * |3 c( i3 u* R" h
(B) advice: peremptory
' U/ k5 o O4 a& R% x) u(C) bromide: hackneyed , K1 X9 ?/ | Z) o' W& g
(D) precept: obedient
% x: Y; Z' w1 a& T+ I5 h: K(E) explanation: unintelligible
, m2 p) }: y' y: m! v; Z z. P# J& N/ j5 q" x! a
12. CENSORSHIP: COMMUNICATION::
- W1 O% o" }. K* Y. ^/ y! Y(A) propaganda: ideology
+ T ]4 F3 x( t6 G p6 Q(B) preservative: decay 0 s4 u( ~9 w3 ]& h3 p& G# A R/ W) H
(C) revision: accuracy
, H* b2 X* w# a. Z2 v$ } l* ~(D) rest: atrophy
0 w$ H) j; J% B/ }, Y' `9 B9 B(E) exercise: fitness
$ e! Z1 M; f6 r4 J! m4 o. _/ R! r; l. Y4 C n: {6 z: p; S
13. BUS: PASSENGERS:
. v/ z9 @$ e1 h) n i8 }(A) flock: birds
- b, S! {( L; B& v2 G(B) tanker: liquid
& w8 U7 Y8 |6 ~. J( n& b# P( f(C) envelope: letter , G% g7 m* b8 ]" g1 _
(D) bin: coal ) y# {. R. t2 A" [( j( X0 C5 R! I9 U
(E) automobile: gasoline
/ y9 \8 a$ V/ f; M0 ^
1 N2 L4 K! P, X14. BALLAD: STANZA::
4 U# q5 y U$ h; W/ `2 ^$ e(A) novel: chapter
0 G9 ~- _" ^% A(B) poem: meter
) i: m! y: Y! F0 w+ o(C) play: dialogue 3 C' e# v" |! }/ a
(D) movie: script
! q4 O, [, v* E. |5 @(E) photograph: caption & \4 R2 m* i% ?( u3 h5 S$ a4 w. q
7 r9 |% D5 X& D! }# b) V. z
15. DISABUSE: FALLACY::6 U! B+ j% R" u- w& u
(A) cure: disease
9 h* Y' d6 k8 `1 f(B) persevere: dereliction
) L. u* l2 h6 |! H6 n6 J(C) belittle: imperfection $ h+ n' w/ I& P4 |" ?+ U$ C6 @7 w, w
(D) discredit: reputation ( L0 _5 ^, h3 o4 X
(E) discern: discrimination
% y: p% W- b8 N3 \% l& }3 t/ W
) C, W/ z! N) f16. BLANDISHMENT: CAJOLE::5 P* j" r9 b7 C4 n0 _" W K) [
(A) prediction: convince % Y/ k5 M/ ^$ n0 m5 g) I+ u
(B) obstacle: impede : m8 Q5 T* K$ h
(C) embellishment: praise 2 H0 W4 E! \7 v" v: q9 t0 _# l
(D) deficiency: compensate 9 f& H Z0 E9 \- i$ N- p3 f+ ?
(E) compliment: exaggerate - r8 g } P2 t* `
% Z D/ m0 c6 x: t; m- |
_. q, T/ |& s% K7 p/ _, \28. DEBUT:. v4 {( b0 L" S2 V1 E- q" p
(A) collaboration
3 X7 C8 y* R( D- K(B) monologue
& b2 H$ ^5 [2 b% ]8 k( L(C) farewell performance
- r/ Y. o0 z& L) y; ?$ s6 V+ D' q(D) repertoire standard
6 Q: j5 Z: H1 h1 q(E) starring role
: h5 F' y( ~5 e- _% t( N" q( d+ W) P7 V5 O5 y
29. WITHER:
- q7 c6 ~8 e5 o(A) disagree
+ S' P% u1 \+ L B* @(B) shine
0 W$ ~+ F/ D9 ?% ~2 \(C) plant 6 u4 z( R2 F4 V3 u
(D) adhere % u9 i, e/ A+ E. f! U2 o! ~, c; I, U! h
(E) revive
) x8 B& n# _6 f! A8 H8 e- Z! x/ o6 t4 \, ~
30. BUCK:
2 w& [2 j) c, D0 B$ Z1 T+ v(A) cover over ]. _3 Z7 G* E z! ~; q9 H
(B) assent to
9 S; W1 m8 m6 x% S- X" G/ j(C) brag about " K. }) N6 ^; m/ |8 Z
(D) improve % x$ \) d. [/ U4 ]' K) q
(E) repair ' _* R# C, v4 K6 m$ k+ s' S
7 K% @1 K/ d: s
31. MEAN:
' l1 z' b' s( v& q3 J. K1 z(A) trusting ! I. m/ o- F" N
(B) ardent * f& |/ V! y: ~+ f6 U
(C) clever
4 M+ l1 _1 @6 s(D) incautious ; H7 V; Z8 B) ^6 v8 C% V
(E) noble
- L r* t+ f- t) v; k$ j8 B3 y# u0 w* i+ ~) @3 E/ D
32. ADJUNCT: - N4 W" v! ]5 r, b
(A) expert appraisal 7 m, R& v$ P# `3 P1 s
(B) generous donation
, B/ b4 H+ l5 d7 c0 Q4 s/ P: m* J(C) essential element 0 q* y, x2 P# `5 F1 U; p4 v* @% C
(D) mild reproof ; r1 b6 v% H, p! j- ]
(E) impartial judgment ' W- _# E: R0 H0 o, \
8 M6 w0 U4 m1 V5 {* j1 E33. CANONICAL:
. |6 w) z- N& ~4 e s(A) imprecise
/ P) ?: w" r+ `, A7 T(B) ubiquitous
: `* G/ {3 K# {& V; |(C) superfluous 7 [: c: w. ]1 M3 J/ \/ V- q* S' ~
(D) nontraditional
1 }# E2 c" \* Y% Y, q(E) divisive ( P9 j6 _; x3 p- @0 W% X( ~ F) L
1 W7 t, ?( G7 ~2 \. z+ Q& v/ z% N( C
34. TICKLISH: 6 l! S2 C( \, r* ~- C
(A) heavy-handed
, Z0 [1 x F8 o* x6 ~! q. E(B) significant
; h: p% Y1 n3 U: G1 d(C) tolerant
, w1 |/ D- c4 ]! G(D) impartial
4 Z* V7 b. g: x# x9 X(E) imperturbable
! X) H0 V# J# J
$ m2 C0 W4 o7 e# E; j8 W35. PREVALENT: 4 U; V9 _, R# g
(A) invasive
+ P5 m5 Z+ s+ o7 ~(B) inconsistent Y& a8 X$ }2 ~+ |- g
(C) indistinct
; C9 d# y I$ d b4 O(D) unpalatable / A \) R3 J* w9 C( Q
(E) unusual
7 U! P: D% F0 F/ O
6 t7 ?! S" }0 q3 t36. PENURY:
0 `4 N$ k' n! m t, ~. s$ z- G( \5 v(A) approbation
6 L5 U) q) h2 W) c9 x5 E+ N9 L* \, x(B) affluence ) P s; o. U% A! j/ e' M) K: k
(C) objectivity
, W9 ~0 W/ v+ w, q& C(D) compensation + B9 P n8 p( H1 }0 H
(E) grandiosity
! H6 n- x' w( G( v5 V, w* L6 `, ?0 X: a( z4 w7 w( u1 D: [
37. MINATORY:
$ \! r, ^6 F& c(A) convenient
( N, ~& D/ \$ E3 N(B) nonthreatening
. B1 Q! R1 g. u# m% Q(C) straightforward
6 D- b' r+ z/ A9 d(D) fastidious 1 n& }2 ?& `( B% h& `7 Y- G9 Q
(E) rational m$ Y0 w( p: L% j1 w) e
; I4 J4 W9 y- B: h/ M G4 S1 f6 d
38. CALUMNIOUS:
6 k T6 H4 I. \ o% [(A) adept % A8 A$ C7 C- O+ A' W( {
(B) aloof
" `: F$ U% ~8 G1 H+ C$ F* k$ q(C) quaint 6 D8 w" F9 s7 ]1 b0 X* q
(D) decorous
5 A8 {$ M. W1 C( @(E) flattering
5 A2 k7 b) O' x! b) M( s8 V7 R- j& N
( t" a2 _% K+ s4 I" `# k8 w( xSECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE
4 `% G5 b- w& J1 |SECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE$ |# k3 m3 Z% X( n9 {5 C( J3 z
SECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE* X' C" i) A; G, l3 }
SECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE
% q( l o/ C4 o* S, O# K
/ M( w) L0 o" ~- n5 p( |7 {继续努力！ |
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发表于 2007-5-30 23:55:22
发表于 2007-5-31 01:19:54
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