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6G冲刺模考讨论(四)& C7 @' T+ L) u
2 B/ _6 ~! g \; |" d% H% U# A现在模考应该限时. 同时也要练习涂答题卡." Y# y j7 Z# t" ~! u) L' L5 u/ Q
其他规则同前。9 X4 u* L3 v1 C0 j7 G: s
# S) k* I: {6 g8 V2 i0 U0 W) _6 P$ \+ F
SECTION 10 `0 D o$ e2 ^
Time –30 minutes
J, C5 q O$ b% X a38 Questions
3 M% {$ Z5 @) S$ D/ a1 v5 W3 T2 P* k3 l( W$ p1 ?( j) s
1. Because the monkeys under study are ---- the & l g, C& a5 x4 {' T" n
presence of human beings, they typically ----
3 l" S1 r# ?) d# w) ?/ Q human observers and go about their business
. b0 }8 d6 S) E1 T4 J% M (A) ambivalent about .. welcome
' [) p1 d) N! z+ d/ h (B) habituated to .. disregard $ R7 y8 |+ }+ P/ P7 F- |$ k" n
(C) pleased with .. snub
! M( @7 E' o& H+ D4 T. A (D) inhibited by .. seek
. ~* R) v( Z8 ]) }% o! f0 r (E) unaware of .. avoid
. {) A4 q* [6 k: b
: X% ^; z. k+ k2. Give he previously expressed interest and the 5 D7 [7 I7 W0 L3 M
ambitious tone of her recent speeches, the senator's
4 x2 o5 x# B) x. \attempt to convince the public that she is not inter-2 P: C0 I( M% j1 b# n" c2 q) `
ested in running for a second term is ----.# s' @# `5 c5 d Z
(A) laudable
) y' h/ I* x3 i4 [! n" J4 g; s (B) likely
/ t" o3 l! f6 s0 _9 {7 @* C (C) authentic
+ q* l' ?8 [+ x+ i6 B" _- w (D) futile 6 ^2 s7 P* R: U1 R! L; ?3 h8 `+ m
(E) sincere 9 t: O" T: z) q+ H) z
S) Q- e9 a, y& i" Y( m
3. Many of her followers remain ---- to her, and
/ t3 x4 u3 c8 p even those who have rejected her leadership are
8 h# [7 ]/ S8 x unconvinced of the ---- of replacing her during
, }3 N2 V; ^# R' J8 n; { the current turmoil.
# T9 ~, k+ [$ h' t+ o7 l( a( F (A) opposed.. urgency
, T8 M: ~+ ]; f& Q& G (B) friendly.. harm
' p. p. a- L9 @0 j5 D* {7 s (C) loyal.. wisdom
6 y% ]! H( K. @7 b. P4 [$ s (D) cool.. usefulness 8 @2 }0 T* `* i/ B0 @! _
(E) sympathetic.. disadvantage
: F3 Z0 {) H2 O* }5 o3 b" B
! m; _! \- A8 H H" b4. Unlike many recent interpretations of Beethoven's
. A2 m. k% v$ ^' n7 \5 J$ k" Tpiano sonatas, the recitalist's performance was a
n( C2 U! k( Y8 ^- r ]delightfully free and introspective one; nevertheless, 0 e: l1 g+ {8 ^: f
it was also, seemingly paradoxically, quite ----.
$ E( T9 v. H8 r% I3 r (A) appealing 7 P# [) [' z& p9 L
(B) exuberant : X$ n: M: Q* |
(C) idiosyncratic 0 k7 j, Y$ E' Z
(D) unskilled . {; Z5 @; K @7 j6 f' B7 k. P" J
(E) controlled
( r! e8 q# o/ M
1 P" T4 x( q! v5. Species with relatively ---- metabolic rates, including
" g$ G: S; J$ @# R2 s# T( R6 ?hibernators, generally live longer than those whose
4 g' C7 k4 i4 g7 ^metabolic rates are more rapid. 3 B* k9 Z/ `3 c! @* L, b* `$ a$ A- D
(A) prolific ' M* j! U! i+ a
(B) sedentary % a: f' B1 q# u) m6 |* J
(C) sluggish
* f1 G0 }+ l" d9 t* X( @: q (D) measured
5 _) G/ i! l, O: e (E) restive : X( ?8 U, S$ f" m/ Y
5 s% p p8 s1 }3 r v: Q6. Belying his earlier reputation for ---- as a negotiator, 0 b! Q# L! [; n- [2 Y# X" D+ \
Morgan had recently assumed a more ---- stance 4 F; J, k; f" r8 e+ t
for which many of his erstwhile critics praised him.
! H# I, Y3 O3 g. p( L G, O (A) intransigence.. conciliatory # }. p* K) X( t" d, l- K
(B) impropriety.. intolerant
b7 S6 n( K! p; a: J (C) inflexibility.. unreasonable 7 D; g# K& P; \2 u1 n H
(D) success.. authoritative
* R& S1 n$ u- n9 z# O* Y (E) incompetence.. combative + m3 b9 E2 Y$ X; x3 Z8 G
2 D% `* s& t& }9 @% A4 ]) r
7. Although Irish literature continued to flourish after 4 G4 U/ l3 g% j) f. I6 H
the sixteenth century, a ---- tradition is ---- & K; I; k# T }( X) _
in the visual arts: we think about Irish culture in terms of # F& F/ _$ j; d4 Q/ [
the word, not in terms of pictorial images. 4 l( v! s6 k3 v0 @2 j8 y! F% m/ {- z
(A) rich.. superfluous
" b) p; S, O( N* {+ E (B) lively.. found ' {; z$ j' G( K+ Q9 y/ R
(C) comparable.. absent
0 r" v0 J/ W( r) ^ (D) forgotten.. apparent
) N& j! I9 o& y' k (E) lost.. extant
7 \/ i1 t. r4 P' @. L/ X1 R) |3 F3 D2 s/ |" \. O
8. SILVER: TARNISH::# ^! Q7 A% {7 l8 Q% u. q, G! P% B
(A) gold: burnish 0 v9 I. `3 Z. @; o
(B) steel: forge " @0 b7 H% y# J/ Q$ L. u
(C) iron: rust x1 L" \" ]+ L- s* r* l( n
(D) lead: cast 4 a/ ]. _4 j8 b5 Z3 v T! [
(E) tin: shear
# K9 t9 G) ?+ [: V! X6 i& q- e& ]- `# m4 O
9. DISLIKE: LOATHING::
$ H9 C6 i# T8 @8 h+ U7 [ (A) appreciation: gratification
" j" ?" Z3 L+ L# w (B) hunger: appetite # z7 z) s- \4 E- U# d% D( Z+ r
(C) void: dearth
2 \: M5 Y/ s4 t/ P( }* u, _7 ^0 } (D) pleasure: bliss 7 y3 V8 \7 H% N- G4 H5 K
(E) pain: ache
, L1 D* ^: ?, m" L% l* A+ k8 H8 L: n/ X7 Q) V* \$ G# z' H4 d
10. CRAVEN: HEROIC:: $ O# Q3 @6 Y9 K) _ a
(A) unruly: energetic + }* k1 X0 I Q, m5 `$ A& u
(B) listless: attractive
2 H7 O) V3 t' L9 g! _- o (C) volatile: constant
& _0 _9 r7 \1 B! M, U5 | (D) deft: trifling
% N6 `0 q/ W9 U" A! e; T6 r (E) awkward: amusing ' p; w' k9 b6 s3 u
3 R* T5 ?) A n11. FILLY: HORSE::
- M1 G, ]& r5 U0 W9 |! \ (A) antennae: butterfly
: ]" O1 r3 l6 N% ]8 l (B) pullet: chicken 3 u& k' C: t2 i: f% R( x5 `2 V& u
(C) gaggle: goose 1 j H9 j, `. z+ ?: R8 d7 V' H/ {6 D
(D) duck: drake 1 K b: M2 N8 E$ G4 i% C0 M
(E) wasp: bee 3 Z, l8 I4 {- a- Z3 E! u
. d& ~2 r0 C$ Q, N12. PITHINESS: APHORISM::
# h' @+ P. b, ? (A) craft: art
8 H! A0 q) k0 u, ]3 n! K (B) detail: sketch
! u- ]( D8 q: { (C) illusion: story
$ T% t8 b2 i- P+ ]# l (D) exaggeration: caricature
w4 d" M& h A7 q, ]$ V; F (E) sophistication: farce - M( i7 s: D: Y1 m9 g9 F+ K
3 c# l: ]1 J& }5 \; J+ i6 h13. EPHEMERAL: ENDURING::
6 s9 y7 F% s6 C- j, v; ~* {8 G' P (A) infirm: healing
0 T7 L; W; C2 i9 q1 K (B) insensitive: cooperating s C4 \7 q `7 i0 d+ U
(C) inanimate: living - v, s# I* W8 }
(D) interminable: continuing ) Q7 w/ u/ P, h9 `
(E) ineffectual: proceeding ( g( c' ^& b0 ]9 F$ j
* W, A7 |1 J9 q, J2 d14. POSTURER: UNAFFECTED:: 3 G2 O. ~. k" q) G+ W# `0 u
(A) brat: insolent 6 t( a$ Z5 r6 E* k3 o
(B) hypocrite: perceptive - C6 C" ~' }5 o6 R" I8 \2 E
(C) grouch: respected ! @. u8 U) y# [
(D) bigot: tolerant & b4 x. K% R, }: @% w0 A
(E) rogue: empathetic 3 q; X# S2 T: W- G: h) g
6 W* h# `4 N3 \15. FACETIOUS: SPEECH::* ]3 t2 r/ y: t
(A) precocious: learning + L9 z E' i. B
(B) unbecoming: color
, C& D9 x5 X& B' w (C) exemplary: conduct
; x9 ?8 G6 d5 P) W' o" G (D) craven: timidity 5 m- H+ `' _8 P
(E) antic: behavior
- C0 s5 A/ f9 I* I
' o$ S) _0 e1 a4 x16. VAGARY: PREDICT::
0 ^5 E. X* J. \4 L9 Q: N3 _ (A) quotation: misdirect 3 C; B |, a# u% G! w. G
(B) investigation: confirm % P# n+ x* s6 {" V o
(C) stamina: deplete
U ]4 Y# _& Y (D) turbulence: upset
/ w* V. w5 c. A5 X (E) impossibility: execute / `7 S: G" v, e& J3 x
R$ Z: j# K. z, \28. PREFACE:
8 D7 s7 ^% K ?9 D: @(A) improvisation / _. y D9 t5 R* a3 r& g; }( b
(B) burlesque
. i6 G" K5 n, r: q/ ]" M& s6 B0 d, M(C) epilogue
: _: B- X @0 c: L+ q! I: ^% d(D) tangent
" r7 g6 p' B+ t7 Z9 B* k9 [7 h(E) backdrop ; I+ w% L6 c% t$ J% m
. J# b! p4 J9 |) d P _* A
29. DEBILITATE: + p5 S! N n: ?' q, {9 d& F ? [
(A) implicate+ q& m' R, f* N. r
(B) invigorate
5 R3 H0 n% Q3 Y r- y(C) obfuscate
$ S! u/ i8 ^$ h(D) realign : t1 ^2 {+ A5 j/ C' G0 J
(E) encumber $ }1 v. y! a( a5 k( f+ l6 \
/ m3 L; f5 ~3 J% c% b
30. TASTY: {; o+ v7 H4 }& L1 t( M7 e: S
(A) uninteresting : Q+ r: b$ l) {9 I9 [
(B) unfamiliar ! s& H( z0 R- x6 w; v; l. X
(C) unexpected : Q, K! C/ E# ~( s/ F
(D) understated
8 N; m9 R5 @" h(E) undervalued - Y% K- j/ d( d3 z& L3 a# Z
2 t4 |- o2 [7 Z, ^0 ^31. ABNEGATE:
9 `6 ^! G. b) x8 y- O(A) refresh
4 d6 L# x$ n9 z o(B) reaffirm
F7 y% J: v$ x; R) `! P(C) relieve * n* |2 e- Z$ ?8 l T% L2 b6 [
(D) react
7 d3 B: W; o5 N(E) reform
% T, K" G* L& R9 {% q" l, E# z- K% p, [/ |
32. SERRIED:
) ] ^2 V/ X; }! {(A) partially formed
( L( |" p6 Y) {# T/ {(B) widely separated
2 a/ x0 b% u! K) A; T(C) narrowly missed 5 R: f( F6 G# r
(D) extremely grateful
0 O. E8 A! _) ?! }5 A(E) reasonably clean % }1 g' L! C6 Q' o# N
) T4 F$ G; W4 z0 E; C
33. BOMBASTIC:
3 x1 H8 f9 W& l2 M; }- D4 D(A) unflappable
* y7 A7 X0 O0 W8 {+ f$ U(B) uninspired / z) H% m, R J
(C) unpretentious 8 B* t+ c' c% Z- z3 H6 S- _% f
(D) inscrutable 8 B# v6 e1 c6 w- K
(E) incisive
: \% d5 ?5 B; U9 \! x5 I s
! n( c" }/ t! Q& ]2 u34. BANAL: V, d# B5 I9 S9 b2 `
(A) comfortable % u4 W$ N2 w7 d, O
(B) novel - ^6 T5 p2 ^+ h7 a7 \
(C) equal 7 I* k/ H' \/ d( r3 ]4 u
(D) fatal
7 [6 s. `$ ]$ x( p(E) competent
+ A: G0 h6 W# e- e/ [35. LANGUISH:
# C3 f( I; W; Z' ?% P(A) agitate
& {4 R- o \( S(B) wander # e- {0 l" z- l- @4 o
(C) relieve & Z- \5 S' M" w* r9 _
(D) discomfit
Z8 L! |9 G b) y2 P( Y1 L' @, {(E) thrive 4 x+ |2 ]3 ^1 P# y5 L% }
% N- B4 R+ T* D9 H v; x36. ENNUI: / w% T( r) d6 Y/ m/ i3 M
(A) intimidation ) G6 G+ B( m! }
(B) sleaze
. A$ [( e* I: ^: H7 V(C) faint recollection # u! d& z/ r! @* _
(D) keen interest - Q/ X; r3 V' j) w7 B' E0 ^
(E) deep reservation , c& u2 \. f# P3 Q: c
7 L. i! {: |0 w" \! Z% _37.DAUNTLESS:2 }4 Y: |" A! K2 I/ Q9 n- m
(A) sophomoric
2 T( T( q2 w9 f: | N(B) trifling
& [8 S" ^. f6 }) b/ d" m/ T(C) pusillanimous
, b3 t4 Y, |* G" @" y5 x(D) specious# d/ V/ S- z* W8 a/ c
(E) parsimonious
9 {4 z& j; M3 V1 \7 q: [# a
. J& H! n1 L) H8 l0 I; }38.TEMERITY:
6 z* @6 D1 C8 I" ]/ F X N(A) credibility
4 A0 E$ n- \) w; o3 t- v3 j(B) authority
: ^% p5 y$ \2 y% {(C) celebrity8 |5 ^& z* C1 C' p# Q, u
(D) acrimony
& M& b* f2 S) G(E) circumspection- J0 j: [& S+ V- N7 |
+ z6 W v+ g9 m2 A1 \) W) S& v5 e: K7 _1 i- p" k2 J& i
; V; y6 P, s5 w; w7 ~" U0 |
SECTION 4
C; q. L0 ]0 y# B( i# i8 i" `Time-30 minutes7 N `) Y. v& M* G) ?6 `
38 Questions: m7 f: L' r" n' y5 E
) k9 b3 W! C6 r! \0 e1. Although sales have continued to increase since last
/ x5 k# K' Y4 z4 VApril, unfortunately the rate of increase has ----.% D: @8 I3 H/ L: E! n* E& s. g7 {
(A) resurged 8 K* I; S# v( q# Z D
(B) capitulated # G1 D& {# n# R& G/ G
(C) retaliated 8 u( W& w; N5 D4 j% G( ~
(D) persevered
- z2 L3 n7 o9 v3 b- X(E) decelerated
9 P5 o9 c, y+ U" x$ e2 V- R3 i/ E2 L
2. Although the mental process that creates a fresh and 8 H3 V$ G9 b' l' r. n* P' C
original poem or drama is doubtless ---- that which ! K7 ^% I5 S; ?+ R: i, V6 Q! a
originates and elaborates scientific discoveries, there
7 S/ H- t; b R$ m/ q) Gis clearly a discernible difference between the crea-$ P) y% g) t$ Z9 g
tors 3 w+ ]* m0 f9 J3 \
(A) peripheral to
( ^' Y1 d3 N: P. B(B) contiguous with
3 p: }$ _3 Q- P1 R/ @" H* C1 \(C) opposed to ' z* ^, r* s6 p
(D) analogous to 7 P. b) l' b0 ]7 z
(E) inconsistent with
/ Y% ^# `% C* p0 O6 [9 y, v2 q+ U* K7 W1 O# ^( l9 g
3. It is disappointing to note that the latest edition of
7 U+ s7 y' u# Q/ V. n% C& _3 Gthe bibliography belies its long-standing reputation 0 }3 _3 z& s; p# X% y! i7 f
for ---- by ---- some significant references to 1 Y' s2 ^2 s+ g9 y6 v
recent publications.
6 W# L, }1 s r- N' f3 q! c$ |(A) imprecision.. appropriating
+ E* q8 X1 p' q(B) relevance.. adding
4 K% @4 M1 C! C8 O Z4 Z" l(C) timeliness.. updating * |! x9 r* i5 [% W7 \: K! p# c7 {
(D) meticulousness.. revising 5 |0 ^ J* u. E# ^4 T3 U9 _
(E) exhaustiveness.. omitting 3 e* q9 H! L, ~% m
4. Although Simpson was ingenious at ---- to appear
; I* r$ ?! W% Q2 F# L) ?2 w$ r2 winnovative and spontaneous, beneath the ruse he
% q, f0 y9 D/ K. @8 n7 n* d% a& Gremained uninspired and rigid in his approach to " _/ u1 k7 D! `: d- b% X
problem-solving.
$ M9 T) V/ f# C& M+ _ ?(A) intending
! t+ U; o! K, u Z8 c0 e' z(B) contriving 4 i2 ]2 j0 S6 `5 t& T9 V# m. x
(C) forbearing
b2 b3 P) m9 E2 L(D) declining
W& p% Z4 ^0 ~(E) deserving 1 t; r0 n- H. Z& N
2 p3 T5 d* E% p8 p2 H, L+ I5. She was criticized by her fellow lawyers not because
3 x. z* w0 @, W! r. Pshe was not ----, but because she so ---- pre-( x! a' N7 B& F( j+ d3 {
pared her cases that she failed to bring the expected
3 M, ^8 K+ ~: u5 R/ \number to trial.
, z2 _6 ]) V2 L& a. Z( ^(A) well versed.. knowledgeably
1 H `, R3 Y' r- G) S4 {- r(B) well trained.. enthusiastically 5 F1 A2 h% o8 l9 {/ M; ]5 A
(C) congenial.. rapidly " `9 r$ o3 `4 S* d& K5 v1 f
(D) hardworking.. minutely
6 f& S! I' Z" N ?(E) astute.. efficiently
5 x% H' r& J2 C- C7 `3 I5 y7 K% c9 h( g- n; j; S* O
6. Schlesinger has recently assumed a conciliatory atti-
) k: x: F# |4 V2 G8 T. [8 Btude that is not ---- by his colleagues, who con-
A }, J( u& ?' T4 x% T2 }tinue to ---- compromise.
/ C$ C" W7 |3 N(A) eschewed.. dread
( k H. b2 Q j6 {" k( `# x* E(B) shared.. defend - ^* R8 e3 h( \( ~& J* d- h
(C) questioned.. reject 8 L/ Y8 m% j* t
(D) understood.. advocate 6 h% t4 ^) {! W4 G( z
(E) commended.. disparage 2 J6 {% T" d6 S% Y9 I
/ i% n8 k) {0 n$ P+ O* j* n3 g0 J& Q
7. The National Archives contain information so ---- - S( k8 B0 W0 ?# k. Z
that researchers have been known never to publish ; s3 _& t/ r V$ D9 r/ U9 l( z
because they cannot bear to bring their studies to an
3 C! E: Q3 Z9 o) Fend.
, b) Y" Y7 ~1 T6 Q& L0 q(A) divisive ) y3 ~" \; r0 ?
(B) seductive , f* a! ]4 M9 B3 Y5 @0 ?( g, _5 u
(C) selective 5 K& ^4 L* n! z/ g, n
(D) repetitive
6 W" g6 r- B1 d A(E) resourceful / U" I2 q" Q) S4 a
$ s9 L. S# C4 F, w$ I
8. HILL: MOUNTAIN::
- O1 x& T& ]9 ~(A) grass: rocks - H( ?" Y+ Q0 v, p
(B) autumn: winter 0 W1 f7 f% t. L4 [( Q+ T0 h# h4 F2 s
(C) creek: river
+ l, |7 h0 J* z9 s2 v) b(D) star: sun
: O9 o) }& D. `2 {- s(E) cliff: slope B# I/ f$ ]$ R- q3 A8 v: e
+ N, r6 [" Y2 K1 z I v8 h9. AERATE: OXYGEN::$ @; g4 W. `3 \
(A) eclipse: light & h% i `' q2 I2 {( k
(B) desiccate: moisture 9 d0 O0 A' e% e7 B: b: H% q
(C) precipitate: additive
' y& U1 j0 ?( |+ h* ~- p(D) hydrate: water ! n3 ?. L( W( z5 ^0 f
(E) striate: texture
/ k' w# b$ x& y) u5 K1 m7 e4 U$ x2 b( L
10. ORCHESTRA: MUSICIAN: ) l0 p/ Z; X% H1 ^% ~+ r; R
(A) cube: side : R* T v9 ~% ^. {8 Y, |1 c7 z* H
(B) kilometer: meter0 F( G& D+ l+ R, t
(C) sonnet: poem
) x( i( e. Z2 h8 N: B, H* Y(D) biped: foot# _! o$ T8 ]8 D1 s. V) z/ W! H
(E) pack: wolf
+ q3 \7 E0 {- N4 `/ W5 c. B" y4 A5 [
11. EQUIVOCATION: MISLEADING::& M+ Z1 o$ Z; k6 Y/ |! d
(A) mitigation: severe $ M! J7 O: n) z' z0 `& \ b. E
(B) advice: peremptory ! m% |& t' o/ j* v) ?' \
(C) bromide: hackneyed
! W8 K3 U# b1 ?(D) precept: obedient
" C' i5 c9 w, K8 ]$ x(E) explanation: unintelligible
5 n$ _0 G; a2 J' a/ |2 J9 J7 I
: ]$ b5 N) E9 V; i ~12. CENSORSHIP: COMMUNICATION::
) d& M- S1 @6 u/ G0 D(A) propaganda: ideology $ }5 H+ i7 d- b9 d3 f* j& M
(B) preservative: decay
+ x$ @/ s8 M& d% x; ^; I# W(C) revision: accuracy/ Z3 G, Y( I# Q3 y
(D) rest: atrophy. @+ G2 }0 J; N; M
(E) exercise: fitness ) u7 R ]( Y, b' a
9 i0 r4 X: Q% r( d) x0 Y- {! z! b* Z
13. BUS: PASSENGERS: / h' A! A# R1 ^ g" P
(A) flock: birds
9 L9 \, u2 `2 X' w, H(B) tanker: liquid
( u! j& Y0 a7 x# J# g4 ^(C) envelope: letter + o9 U U6 E9 i. _, y
(D) bin: coal
) {& h2 V& S" x( M7 ?9 @4 c5 @: l(E) automobile: gasoline " N. S9 K$ T* s
e& J! ]4 {9 i- z2 j7 }14. BALLAD: STANZA::
5 M' C* D: z2 {/ r2 ](A) novel: chapter
$ Q# t$ `% V9 b8 `+ F7 ~(B) poem: meter
' f/ t U* j8 D; E3 \8 _( e9 k(C) play: dialogue ; X% N# Z% q7 k+ q6 S
(D) movie: script 6 S. B K0 A: ? `
(E) photograph: caption
* w+ k8 ]6 `- l( B/ x2 e! R6 C6 K7 ^( F
15. DISABUSE: FALLACY::& N. E: ?" ?* y& L7 c- c4 T
(A) cure: disease
( y2 w( }3 _3 X, B% A(B) persevere: dereliction
h4 C% _4 t* [(C) belittle: imperfection
+ X: X( F9 Y0 n8 W2 \(D) discredit: reputation
( D, |2 t, L) u" S" N$ s(E) discern: discrimination
* y2 G5 o/ j4 ]4 o! `: e" C8 g( q3 h1 }: {
16. BLANDISHMENT: CAJOLE::
+ Z4 b8 ]! G$ I; X, m2 [! o(A) prediction: convince ; u; v4 q) e, |- z" M
(B) obstacle: impede
6 q4 L* q0 E( c) a(C) embellishment: praise
: ~0 U3 h' b" m, n! _4 A(D) deficiency: compensate
; X6 Q4 k! C' p" }4 L$ \: d(E) compliment: exaggerate
; f4 p4 v9 ~! Y$ \" x/ R
( ~. }7 j! N. x* q0 J
6 t, X$ P2 d- O! _+ S" c+ N28. DEBUT:- u' `3 D$ o. v" f2 {+ W Z
(A) collaboration
6 _: X i$ P' A/ K2 t! l! Y2 R(B) monologue ( D) g: Q: ?2 P8 P& s) M9 P
(C) farewell performance
M+ A2 r; n q4 q+ C Y(D) repertoire standard
8 c4 U6 @9 j1 y6 `* S) w9 b(E) starring role
, h: N. H8 I3 z0 b8 o+ b# |: ^
" P% y3 q2 e' p! T+ r4 F( p29. WITHER:
4 u: \7 l1 }# z( v) ?; r( K; M(A) disagree
; W: x$ g6 i3 N5 f: d: M(B) shine
( t$ B# H( X+ c! L& w a(C) plant 7 v1 I& k- [7 R+ F9 j7 m$ |1 b
(D) adhere
- ~6 ?+ ~; m% n(E) revive
6 h( O5 _ m P/ L" n: B
9 C7 w/ H6 f g6 g" M30. BUCK: ; Y5 z" G! |- l9 r0 p- F, E+ R8 V
(A) cover over 9 y2 Z* w+ T z* @5 z' p" f
(B) assent to % g, V1 M# x7 l+ x6 f" e9 J8 U
(C) brag about
$ [2 k$ |: o% @$ w; k(D) improve h7 M+ O0 C0 w& f$ u" V" r& Q/ i
(E) repair
0 ]% S& Y2 G. d$ D" K5 ^$ [1 O: j' \% A9 q* [* w3 ^: M7 s
31. MEAN:
0 n9 q$ r6 A# H; ~' f M2 T: o" P# m(A) trusting
+ T1 p5 _0 L) j( T/ Z(B) ardent % N" J" y' G' l; p$ B4 F. a
(C) clever
/ f; \+ K; D! Z( O5 W$ D. G(D) incautious ; @" g: @% K1 ^ o+ F
(E) noble
$ I0 k: l2 H& F# @* [- e' W: d$ ]; t& i4 `! ]9 u# g
32. ADJUNCT:
, P# ^, {, n5 k(A) expert appraisal / w. W/ Y1 M: m, ]
(B) generous donation * x) }$ R& r* [ }3 i+ t
(C) essential element
0 B# b/ x5 c" |- O7 }(D) mild reproof
1 `& w" ~; T6 H) W(E) impartial judgment 0 A( p( b( `1 C b0 N
& a0 {! t+ A2 M8 M7 B5 M33. CANONICAL:
) E( T) q9 I: O4 }4 C(A) imprecise
3 T! N& a. D) {; L; M/ \(B) ubiquitous
% c" ~+ {" G$ Z9 ^- a(C) superfluous 1 V3 n8 R6 c u' L: m' Q
(D) nontraditional
[% Y' @" [7 L R) d(E) divisive
d" X) j" H. E6 p- w5 j9 m+ g; l, I+ R% B! Y0 ^
34. TICKLISH:
. l/ D! d5 X# E/ q(A) heavy-handed 3 l# F m: {1 [! c
(B) significant
. \3 e9 E: W: f7 y(C) tolerant 7 @. k; A# L. [# |! c4 ^) f' C7 {
(D) impartial
; _. M8 f8 @/ a% v ~3 H(E) imperturbable . n+ ?7 O! C! H- s7 h; L# q: V: `
3 m; p7 U2 L# c* `
35. PREVALENT: * s& n- z0 C5 K7 I ~
(A) invasive 4 f9 ]6 M0 c% Q' h F8 n9 h
(B) inconsistent 0 ^+ u) I+ y% s" T3 u
(C) indistinct . X2 L; y& R s- R
(D) unpalatable
. x/ u4 N0 J) A- r(E) unusual
; Z' c. X/ v) n! a* E0 B! v- d9 ~% y/ @! B
36. PENURY: / K$ q+ m$ }0 u) m6 c* H1 w
(A) approbation 6 X# Y- O5 _/ s6 s% H: ~) M
(B) affluence 2 G: `( I7 t8 Y7 D! x% }" z
(C) objectivity ! X8 h: I0 m+ O* D7 a D+ S4 E% u- @' K1 ]
(D) compensation
3 L, S# E. v% H. K9 h0 j* q(E) grandiosity
3 P: ^( O; H* R9 P" i+ g6 l* }: ~0 @
! g( W' Y E. `) M/ F37. MINATORY: h0 G4 M7 P! o9 e- T' t- s
(A) convenient
" _* f" F) G! J, ?" {; d- P8 G) ~(B) nonthreatening ) j' d9 ~! I! W" Q3 X4 ?) P: f/ e
(C) straightforward " X) m3 P0 X8 Z4 t9 b
(D) fastidious
( S5 \4 c3 B% S5 J6 {(E) rational 0 k2 E0 b- D" l% K) n; N
/ C; c. \* F: n) Y6 h0 X5 @
38. CALUMNIOUS: & d8 P/ |* o% Z+ m7 c( V9 |
(A) adept 0 `- R/ e0 z" _. X
(B) aloof ( g4 n/ B8 W* b( b
(C) quaint
, d) p( R4 q2 Q( W, n6 k0 ]: A(D) decorous " u0 ]5 L$ d" R0 @( N. u) t
(E) flattering 0 I( l2 i# M, w, n
# |& Y1 \; X" Q7 J- @
+ k- G3 L4 k( G" ?( r8 lSECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE
/ d$ f# i6 v( T BSECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE# J0 O9 w0 I2 g! H; f
SECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE& \4 }# x2 M$ O, r# v2 t; Q
SECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE 7 b7 @$ O8 h9 u% i ^
' z8 U' l, \4 [1 P% n6 O2 k继续努力！ |
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发表于 2007-5-30 06:34:21
发表于 2007-5-30 23:55:22
发表于 2007-5-31 01:19:54
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