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[题目讨论] 0706G冲刺模考第四辑 [复制链接]

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发表于 2007-5-30 06:34:21 |只看该作者 |倒序浏览
6G冲刺模考讨论(四)' d2 l# S, L* N$ U; F- T7 X
0 z- h6 h0 c# g  D
现在模考应该限时. 同时也要练习涂答题卡.% U( C$ J  |% M1 q; i  @
其他规则同前。; o1 |' Z. O9 M% c, {9 B' j
6 n8 u- H! }, @* I  h8 S$ ?
! v1 S% {) A% `5 I% n4 i  O9 F
SECTION 14 ~0 Q" T* o9 R' ^
Time –30 minutes& M$ K: j, [' |& E
38 Questions0 |  }# I! u# ?% W0 e9 `1 O! G

# W* i4 H; p" Q# y1. Because the monkeys under study are ---- the
; @: h6 E$ O1 N0 {2 \$ F- Z( L  presence of human beings, they typically ----
8 P) R, `, {; H* X1 l1 b  human observers and go about their business
) F0 q% z' `& b. K: Z: j  (A) ambivalent about .. welcome * k  s6 o. C2 I) c# R6 S/ }
  (B) habituated to .. disregard
7 h( M, W1 R/ n1 d: X  (C) pleased with .. snub
% J6 F+ e; I4 l  j  (D) inhibited by .. seek
& u8 J' E9 U$ K  (E) unaware of .. avoid
0 e1 D. @. b; b4 p) m8 h; R+ R7 @5 L2 N  o
2. Give he previously expressed interest and the * ~8 v  U; F% c$ Q( G5 y
ambitious tone of her recent speeches, the senator's 9 G3 T0 l  h* a% y% I! P0 w& W
attempt to convince the public that she is not inter-
! h4 E  g% V" E2 f' Y4 E. A9 hested in running for a second term is ----.( s2 m; J: n& \; M9 i
  (A) laudable . _. X0 N1 }, p3 u8 Z2 O
  (B) likely : q! |3 s0 v: f" R  |6 X- k- l
  (C) authentic 2 E# O0 |8 _# F
  (D) futile & o/ P  o  h; |& n6 o. K
  (E) sincere
- ~9 t# n5 z3 d1 |. }# `$ V4 z" a8 O4 M7 t
3. Many of her followers remain ---- to her, and
+ r2 u% }( _8 e2 U, X( w# v  even those who have rejected her leadership are
3 p" P$ h# g0 x0 s  unconvinced of the ---- of replacing her during . ~8 R) a& [8 _6 H3 r
  the current turmoil.   q$ v' F6 j2 J* x0 D- Z6 P: {
  (A) opposed.. urgency : F6 M& h% K+ }& G9 M
  (B) friendly.. harm
6 t$ o) M5 c& S; ~  (C) loyal.. wisdom , V: u" P8 k3 [, j1 f/ B
  (D) cool.. usefulness + e. w5 S0 A! q* A0 P
  (E) sympathetic.. disadvantage
8 R) \" V9 \6 E; N! o, [# H, a" U- Q& J% w3 K/ b3 n) Z3 Y( @8 }
4. Unlike many recent interpretations of Beethoven's $ L# m6 K+ b6 j, G; S+ k# t
piano sonatas, the recitalist's performance was a 8 B! _. u3 v' ?/ W1 A0 u, \& r
delightfully free and introspective one; nevertheless, ; m9 D$ O4 v) ^- }5 a- k
it was also, seemingly paradoxically, quite ----.
/ I8 q$ q8 p' _" [# M9 M  (A) appealing - Z: L! U$ S+ s" x, T
  (B) exuberant $ b: s" j* q$ q$ I; q
  (C) idiosyncratic
0 [  ?* I! N( b9 j, N  (D) unskilled
5 g+ ?1 o, N  n) S! N8 g4 s4 q  (E) controlled 2 ]! q2 {0 s; A2 z, X2 \2 H, D

4 X! g; M5 ~# y# U2 _. _( L/ ]5. Species with relatively ---- metabolic rates, including % ~7 ^; w" x. A7 k7 R+ _1 N
hibernators, generally live longer than those whose
7 \2 n, g7 p% F" K/ T* Nmetabolic rates are more rapid. , @9 Y1 s' w  `* t. s# O1 N+ y) G
(A) prolific 6 ^! r5 _3 Z5 A* \
(B) sedentary
* I2 R3 W6 x4 G% D6 s. F: t2 H  (C) sluggish
7 R& J& Y, e/ G; o5 I* g  (D) measured
  w7 k, t+ t  U' l  (E) restive 8 G1 Q7 A2 }6 i8 X7 s0 |  d
) m* Z# ?3 @5 Q& [! s
6. Belying his earlier reputation for ---- as a negotiator, 8 d1 ^' w! e1 Z# M! N# H
Morgan had recently assumed a more ---- stance . \9 ?9 h. n" ~1 S+ R* e0 a
for which many of his erstwhile critics praised him. - P) ^& G$ n! T+ E6 }7 B2 b* \
  (A) intransigence.. conciliatory
. O* L& \6 [" s! k1 \, Y' f8 C  (B) impropriety.. intolerant - f! c3 E" X& |- ]
  (C) inflexibility.. unreasonable ) D/ w3 r$ b+ U, l$ I1 L
  (D) success.. authoritative 8 e% U. O: Z& w! W8 }
  (E) incompetence.. combative ; W% G1 G* J. E4 |: G- Q' Q

* K  e# O% c. s7. Although Irish literature continued to flourish after
8 Y9 @: V1 I  _: w$ }the sixteenth century, a ---- tradition is ----
  n5 m) L9 E, H" z7 ~, M. Min the visual arts: we think about Irish culture in terms of
9 P$ O! [1 e/ [1 M( O) lthe word, not in terms of pictorial images.
3 O* T. c0 {2 z: T, h0 `  F(A) rich.. superfluous
$ g' o- Z9 o3 l$ {2 r( [2 C  (B) lively.. found / k$ M5 r! t4 A+ H5 f
  (C) comparable.. absent
+ y- Z7 N/ m: C  (D) forgotten.. apparent - k7 i% u- F$ d  b
  (E) lost.. extant
% r& i( {9 l' P# d* u' ?2 x
7 ]. D2 i* [8 t+ r! b$ z+ g8. SILVER: TARNISH::$ b8 E% [7 x+ X. G1 B. ?: a/ [& j* j
  (A) gold: burnish 6 h# r$ A" t7 V& s2 L1 n
  (B) steel: forge $ ^4 Z: ]9 d& b
  (C) iron: rust
1 L7 V" P) `# A% h+ v( m  k  (D) lead: cast
( V! Q; w: \7 o( e( r( p' u  (E) tin: shear 6 O* L* `( e- a" f1 |4 Q& K5 B7 s- K

- \; z, H$ ~, W' R0 f9. DISLIKE: LOATHING::
# G+ p" ]. z2 B% c" U* K  (A) appreciation: gratification
0 j4 t2 j2 M6 S  (B) hunger: appetite 2 w6 r1 n0 ^) D( v* r5 B( c
  (C) void: dearth
4 B# ?9 V) _2 B. @/ I  (D) pleasure: bliss & I/ _  h1 ~9 D
  (E) pain: ache 7 g* b) `" I7 p4 j$ ?; \0 X
; X7 L" O. t  I% [* {' A* W; y
10. CRAVEN: HEROIC:: + T8 `' d) x8 b5 V* n, t1 E1 |
  (A) unruly: energetic 7 y8 E4 X  v* @
  (B) listless: attractive 8 x- r9 X3 d* z' I, |  Y; r3 J" q
  (C) volatile: constant
4 L9 f" u' g1 W( p* m/ C  (D) deft: trifling . S2 b3 h5 o& T! G1 S$ I- n$ `
  (E) awkward: amusing 6 ~+ U, b& [/ X: G. j; {' J9 ]
  P% d. n! I* s  J
11. FILLY: HORSE::
0 a" v6 J+ [) f: U6 M  (A) antennae: butterfly
; ~5 C) m- x5 M3 P1 M4 @& @: w  (B) pullet: chicken
( J3 N; y3 x" K: Q, x  (C) gaggle: goose
. c. \& j* t- }* E, }1 R; H  (D) duck: drake
; u8 ]. X( v4 z5 w2 U7 R  (E) wasp: bee , r9 k8 e/ k0 l, \1 k' V
3 D. r, \% n+ A# [& c
12. PITHINESS: APHORISM::
1 C( j  t  I! m) J) o2 a0 e  (A) craft: art . [7 Y3 I8 R& X
  (B) detail: sketch
0 ^# b- x4 M$ M" W  (C) illusion: story
- V- d, R1 [# j8 N% n2 U# O  w4 p  (D) exaggeration: caricature
( G9 `) E1 j& b: E, s- ?  (E) sophistication: farce   D; L* D6 b/ C" [4 j% N& Y/ J
8 |" `9 Y. E7 C' o
13. EPHEMERAL: ENDURING::
6 {2 t: u+ B3 v8 @9 J% O3 N2 C: d1 ]  (A) infirm: healing
1 z3 w: o: R/ f2 _- l  (B) insensitive: cooperating
) Q* N$ }( r1 B- [& G9 g  (C) inanimate: living # q4 p# w8 o7 ^9 F4 s
  (D) interminable: continuing
! y: x' {$ f; H1 ~  (E) ineffectual: proceeding 0 c6 C3 c+ a/ i7 t: N9 y+ K. R
2 T& }, b( D% q: x, a3 H* a! Q
14. POSTURER: UNAFFECTED:: * L# ~6 p! w+ J
  (A) brat: insolent
$ G7 O! p. N% j  (B) hypocrite: perceptive # b) W9 B. f5 e
  (C) grouch: respected 6 R3 S, w3 w5 @$ [1 d' h" I
  (D) bigot: tolerant ; J' h2 U3 C! V3 b6 E( C, O' |
  (E) rogue: empathetic
2 d) }/ m7 C& d) Z& Z9 R# Z2 U) w$ m& V# m# u8 s. X
15. FACETIOUS: SPEECH::
) }" j+ C# Q, w' |7 _0 O  f$ m  (A) precocious: learning ' X) H/ P5 {7 V) x1 x
  (B) unbecoming: color
- Z  H: x$ T- z9 k1 o' l  (C) exemplary: conduct 1 D2 G. T3 A" ]% \0 x
  (D) craven: timidity 8 E) h; P& c' U" N7 F, r( V3 R
  (E) antic: behavior ) R* w8 o1 y5 j, P
- m' y2 b* X  T. o( I! H# @. Q& v
16. VAGARY: PREDICT::
4 v; \  N( |7 a  (A) quotation: misdirect 6 R. Y7 W% P- |- r
  (B) investigation: confirm
/ I7 D: s0 y/ I+ a: f1 @  (C) stamina: deplete
8 E  ]! [" n( i7 y- E  (D) turbulence: upset 4 b6 P/ E' Q' ]" ~1 A# S  y$ `
  (E) impossibility: execute 9 j7 z/ K7 J$ `; s

5 B8 j: u' p( ~3 a# g- ]28. PREFACE: / q/ ^9 p: w3 |0 z
(A) improvisation 3 c# E+ p# k' }+ {% d' m
(B) burlesque 5 y1 E+ W. ^- t% S
(C) epilogue
: l# |/ _& z6 T- y(D) tangent
2 N+ f" n0 Y2 u7 i7 P$ S+ k3 D6 m(E) backdrop
6 a, S" `# L+ U" F$ B/ ^! l: n* y, {) R: _" X
29. DEBILITATE:
4 j; {" O: h9 u2 ^/ f: _(A) implicate
/ w# Q2 N9 _$ _; }- T8 ~2 o9 G0 l(B) invigorate
3 e  |# p$ y! F" D% y; I(C) obfuscate
9 C% `$ j& V; @4 \' |(D) realign
, K1 }1 I4 R$ [3 W8 `0 c+ f(E) encumber
8 o( N7 d9 o/ u6 @. S& e, ~# m  Y  y! z- u4 C5 g
30. TASTY: 7 N1 z& v) Y; B
(A) uninteresting
0 s. D2 L, ^8 C8 M; w5 b(B) unfamiliar
. X' x/ I9 [( y6 d1 Z(C) unexpected ( ]5 _" O$ x3 O7 g4 f. H
(D) understated * n- W9 {. k  _& z
(E) undervalued
' @1 E; p; y1 Z" e
- g, }0 r, S0 V; M- M31. ABNEGATE:
2 B' v" {8 k" I(A) refresh
- i9 p" n, _5 d, U(B) reaffirm
' X$ B$ D+ i1 h7 z" J(C) relieve 9 c* p- `- E3 I6 Q+ i. A- z% W
(D) react 3 q7 t, c: K) W8 p) q4 G' [
(E) reform 7 [/ y) s, E7 P' R& u; Y9 j
2 a4 x5 B5 Q$ E% t9 K1 W* Q
32. SERRIED:
: o# S' P5 Q& g  b" k5 \(A) partially formed 5 i+ ^( @1 \. D9 |7 v4 J% Z0 g
(B) widely separated
& \( O  P' i. Q1 d" z2 g; j(C) narrowly missed # }- Q; K& S" O# K3 [* N9 f, ?
(D) extremely grateful
& A& o. x! m& h( ~+ _(E) reasonably clean
* @* Z; H* a9 C: f0 {* j$ U+ r, v9 H9 E7 U4 l7 a
33. BOMBASTIC: & x# t, v1 W2 H7 t
(A) unflappable ( q# d; G+ @* v. x# ?
(B) uninspired 7 `" G, H( f% ^1 C% n
(C) unpretentious
7 [$ k" q+ b$ T(D) inscrutable
1 V  K6 n' q: b/ h% X(E) incisive 8 q0 L! C9 [/ _; q, N: s

5 F- ~3 P% w# D& t3 K* }34. BANAL:
. m1 t! q% o  h4 e(A) comfortable
5 N' _0 Z0 y3 B& M* G(B) novel 0 f7 u4 R# x1 l. H0 g
(C) equal
& y1 F" y0 X6 j7 N# N: J) x(D) fatal
3 Z3 S. Q; ~% C+ j. B2 {(E) competent
2 N6 n; B9 G) j/ |/ ]( F35. LANGUISH:
# o& J# y5 o$ b- B6 S" M/ b, V(A) agitate . R* R& ~. p5 d0 B: B5 m6 X+ H0 N6 J
(B) wander 2 T5 O, |5 I7 b2 H: p. \6 j
(C) relieve ; G7 B6 o0 x  t1 @! A
(D) discomfit 0 i1 G  M  P' N- ?# b* ~' {! n
(E) thrive
( A* d! h( @& t+ k* \+ [9 r2 a. ~4 M1 \
36. ENNUI:
/ m( I# Y! f4 i4 `: w+ T- D/ T8 a(A) intimidation
; ~4 U# U  F) h% j/ l% v+ O(B) sleaze . j- u+ a$ j1 g7 X6 m' y! L0 P
(C) faint recollection 0 O, Y% M' _6 c0 ]7 J* E
(D) keen interest
$ D, n. r1 ?; ]/ J+ D$ M$ N(E) deep reservation 6 f  n' B' i* N- P

9 P6 T9 T, ~1 X1 x2 r37.DAUNTLESS:
) V% P4 l) i) w  O. E4 I0 \(A) sophomoric. P) n* B9 w/ `8 {% g' ?+ a
(B) trifling3 r4 a& N7 f# U! A  I5 I
(C) pusillanimous
& o2 z# o" l4 j, e5 h* G(D) specious
7 p. _) X5 N0 @(E) parsimonious
$ O8 h( u2 h2 f5 E  ?( u  K$ C9 k5 V) v2 F
38.TEMERITY:
9 A8 |5 J5 w! @(A) credibility
1 |: G9 V' M$ Z(B) authority
* M6 m5 k: ~, G3 b% O0 B- ^0 M  M(C) celebrity
$ c$ z& M7 \+ D: ~" D+ F( T(D) acrimony5 v  `- `& @7 S! w
(E) circumspection
4 |  f' h' D1 H2 |+ M, j" W, N/ @) v) @! v, F- L' d9 m

- x9 v& u/ w, P" R1 c
; p/ X  F$ t4 b; ISECTION 46 u& t* c8 q% E1 i" B- U
Time-30 minutes9 ]5 ]! ~1 d& F) H" x
38 Questions) _- c+ G/ i' n4 _" ^5 d1 i

# X: S) i2 `4 V  A5 W1. Although sales have continued to increase since last ; e5 e7 [  X. x" S
April, unfortunately the rate of increase has ----.
3 e8 X. q2 }9 O5 q(A) resurged / R3 l/ j8 l8 A) c  x! d, g6 R
(B) capitulated ( K. T. I9 D9 `" j& }7 M
(C) retaliated
! p' g4 p/ I2 @8 P5 I$ {+ N(D) persevered 8 E( ~, d; d. z: X. O: A
(E) decelerated : R; d" U+ s- G5 M2 @* |- h6 o
0 G' F! E* h5 v- ]3 T
2. Although the mental process that creates a fresh and
' `* r# {- E* _6 t% b: i5 Ioriginal poem or drama is doubtless ---- that which 2 k$ ]' N. n8 }) N0 Q0 F
originates and elaborates scientific discoveries, there
8 Y; }1 j9 i" v- u9 y2 Yis clearly a discernible difference between the crea-, U3 K6 z/ F4 D
tors
3 g( f' B) k% P, [) H(A) peripheral to
( c: g: j% Z9 X+ B3 Q* }(B) contiguous with ) S% F1 p4 ?3 c6 _
(C) opposed to / P3 H+ n" z! i! f
(D) analogous to
' [( g# s2 Z4 e" |6 c(E) inconsistent with ( ^+ y- W% R  r+ ~/ ]

% I. |) m& r% C. [1 o9 [3. It is disappointing to note that the latest edition of
6 H) a6 T$ Y# W- lthe bibliography belies its long-standing reputation / D( r) u& O3 f$ P' l
for ---- by ---- some significant references to 6 G$ n8 j7 V/ `. z
recent publications.
# h6 k7 \. N6 p. V; J. d1 t(A) imprecision.. appropriating 0 M9 l  t+ |) X8 h0 i) ]! D
(B) relevance.. adding
5 M0 {: B5 j! n/ i(C) timeliness.. updating . ?4 }- a# Z$ o
(D) meticulousness.. revising
7 n( x: ?! A- s(E) exhaustiveness.. omitting  8 E2 I! R( ~& Q3 @" b! I7 s$ o
4. Although Simpson was ingenious at ---- to appear
2 D+ B3 j( x' r0 n/ P2 h* u, y! O( ~innovative and spontaneous, beneath the ruse he
/ @! S2 h' P: F6 k+ K, premained uninspired and rigid in his approach to
) v8 m0 d6 {$ V. rproblem-solving.
- G8 W, h2 K. N# j; T  I(A) intending 9 i( ]2 f' d) |( o
(B) contriving
% r- D# r& }, p9 J- u1 X9 c$ A(C) forbearing
" b* h0 x: W% g0 P(D) declining
1 w& i3 }% y8 Z' p, \, w/ Q(E) deserving , Y" M" c, O+ n* X: q* g
2 \6 x& U% H$ h
5. She was criticized by her fellow lawyers not because
+ y% Y' T6 ]) \6 ^" i. X6 K& B. o# Ushe was not ----, but because she so ---- pre-$ \2 E9 U4 {/ a9 q; r) `( k
pared her cases that she failed to bring the expected 9 a7 Q6 d" h7 N( W% a* C
number to trial.
& ]- z0 }/ X" l' s0 L" q1 W$ Y(A) well versed.. knowledgeably
2 ^/ L9 r3 |, y  T- Z. i+ _0 G(B) well trained.. enthusiastically
6 d/ s7 s6 S+ e" q$ x" I(C) congenial.. rapidly ' y3 {; s. M: b; @2 g- T; O
(D) hardworking.. minutely ; c" Q  D  F  T4 J5 s
(E) astute.. efficiently
8 ]6 x/ [7 d+ P
2 n  W/ Y( s$ @! u5 \# }6. Schlesinger has recently assumed a conciliatory atti-
6 X6 F; T' w5 D2 Stude that is not ---- by his colleagues, who con-. j, j+ Y' X- @/ d
tinue to ---- compromise. : W% L/ H7 o+ b3 T9 H! j) X
(A) eschewed.. dread
7 L# F; T' y: {* R- W(B) shared.. defend 0 K2 b& G/ ]* K1 h  i/ M, m8 Q1 _
(C) questioned.. reject
+ f# v7 a8 m% `* v9 p1 L$ c  y(D) understood.. advocate & A) z# m. g4 m* D& w
(E) commended.. disparage
8 s2 a7 j/ K% y9 S( Y$ s1 a/ Q4 c& _+ h. u! c: k
7. The National Archives contain information so ----
! w' w: R: {! g$ ~" cthat researchers have been known never to publish 4 j' {5 G1 k& e
because they cannot bear to bring their studies to an ( c; v1 K7 G* F! M4 u
end.
" u. f/ l' Q6 C3 n(A) divisive & O  g" I- X) ?, Z9 Z/ O
(B) seductive
4 R; a6 a2 b2 Y$ @9 H) O- n(C) selective ; Y4 F# u- G( [3 x- K6 f( v
(D) repetitive - c/ ?  M+ F% ?+ I
(E) resourceful $ Y& k) ^- v# V+ j$ y0 m0 n
, L5 F" y1 `9 m4 ]# g- t( E- v
8. HILL: MOUNTAIN::
5 F/ U9 a1 e/ J6 Y4 c$ y(A) grass: rocks 8 I' b( d, N4 J: P" J; l3 \7 }
(B) autumn: winter 8 m/ S7 V. K7 B% a- J% f0 {, V
(C) creek: river
% i/ [5 S, @$ B4 R8 z+ t2 m4 g5 u(D) star: sun ' u4 D/ C9 |4 n5 T
(E) cliff: slope
! u1 j! D" d6 q- R! f9 U* b) _" w. d4 z$ U6 X4 h: }4 D: \
9. AERATE: OXYGEN::
" m8 [5 U' _: u$ `(A) eclipse: light
* Z! R6 {1 G. @! s0 I(B) desiccate: moisture 2 w$ c7 M: G1 J4 q- c7 x8 v# t
(C) precipitate: additive
8 k) `1 ?- k0 v0 w$ i) T3 T(D) hydrate: water
3 `/ T3 R8 l+ [4 g" q(E) striate: texture
  n1 j9 Y" k" y" r# L5 L9 w  I/ ~' q: c( }+ @
10. ORCHESTRA: MUSICIAN:   _" z! D  U, k, D. y0 Q0 n
(A) cube: side 1 k2 r& |6 R; y( z
(B) kilometer: meter
) S" H- E: k% j3 s(C) sonnet: poem
! G4 S7 u0 f! B3 C(D) biped: foot9 u5 L1 P5 O9 k- w7 p# {2 q/ U6 h
(E) pack: wolf
" o& `* Z5 a* R2 Y2 p
+ `4 P" T& g: S, l3 W) r+ R% ^" K11. EQUIVOCATION: MISLEADING::4 S# U* A9 z1 e- I8 q
(A) mitigation: severe
# a# Y" d; o2 [3 [(B) advice: peremptory
; F( r' w3 u1 A3 u3 y& d6 _, ^3 ~9 _(C) bromide: hackneyed % ~6 y) b- U9 T) p( [
(D) precept: obedient 3 E- [- g4 g' `$ P
(E) explanation: unintelligible + X% W' i; }3 N0 k

. l* {: k* s/ _5 ?  y$ z12. CENSORSHIP: COMMUNICATION::/ {/ i7 Q: Q* y3 k4 x
(A) propaganda: ideology ! f. m) l8 i# Y5 M% D# w! ]: O, {
(B) preservative: decay , Y  |7 W* d( s; B7 F
(C) revision: accuracy* N% T' u" L: y# a7 y4 P4 D
(D) rest: atrophy
( B) B+ s! M- @% k( h: u$ Q+ S(E) exercise: fitness , b( W, ?/ [; o9 ^
& G2 h% `& j2 _" N, G4 v: c; E
13. BUS: PASSENGERS: * A: j9 p% ]2 F7 ]
(A) flock: birds
) d9 v0 D1 m' f8 j1 I4 @(B) tanker: liquid
1 M$ M% O* s2 W& D; @/ ](C) envelope: letter
4 W' R& V% Z% h4 L( g; f9 Y' O(D) bin: coal * u7 D5 g4 f3 J6 _6 L
(E) automobile: gasoline - w, \, n* o; B( I$ h1 B

+ u* t, {+ p0 P5 x: @14. BALLAD: STANZA::  d  G  j- {2 n: \- I0 M% L- Q
(A) novel: chapter - |( P! G0 L4 c  ?% {2 Y
(B) poem: meter
/ d- o; J8 R( r* G9 O9 n(C) play: dialogue
7 v; i5 l4 _7 Y$ Q! b6 S& j2 y. D7 M(D) movie: script ; n; J. l2 Z  Q6 g2 ]8 v
(E) photograph: caption
1 ~) T. h" R7 u  |1 c3 W9 _
0 X* V6 @+ u% {6 {6 `# D15. DISABUSE: FALLACY::
" ^+ W! C( s' F" C+ |/ F(A) cure: disease # |+ T* B" X+ V' Z  ^8 D
(B) persevere: dereliction 5 [/ n: r, t$ W) K9 D
(C) belittle: imperfection
  p% B, b- R2 r$ T' x# [(D) discredit: reputation
8 m! g1 }) l% f  Z(E) discern: discrimination
- a- K. u9 ]# t3 P
( n; m; e5 a4 I" S16. BLANDISHMENT: CAJOLE::
& d3 b; R2 V+ R(A) prediction: convince . C3 Z8 ?2 D& _9 o" K/ [6 F# U8 V
(B) obstacle: impede
0 l' q$ T; L$ o, c" D4 Y(C) embellishment: praise ; ~% J, G1 S, R% u' b
(D) deficiency: compensate - t, _+ h* b/ w  k: i7 `
(E) compliment: exaggerate
) S0 a! e3 H' u) ]+ J/ v6 B$ G
5 r- e: P4 a/ e" F; u, e; w  S
9 P3 g7 ^6 g6 s- e/ O4 Y+ Y28. DEBUT:
9 d0 j! G0 v  u(A) collaboration
( X% e  q3 m, H6 H, _7 i(B) monologue
7 m8 Z8 T* Z3 m7 J(C) farewell performance
, a% @2 W2 R& J# R" T: V0 m8 R. k(D) repertoire standard ( G9 ~5 w$ `& ?2 P% r4 _9 f
(E) starring role
4 _" w$ P$ W2 l+ |8 i% I# e+ H
8 k& K0 W& N$ q7 g% P! G6 w/ T29. WITHER:; m- P7 z, Z( R: G5 R
(A) disagree 1 l1 U# G- I0 y$ v: ~
(B) shine / c4 ^/ S4 c9 P+ Z% T3 Q
(C) plant
9 B& S: N6 T! K* g2 |7 e(D) adhere 2 R- J( [* D  w/ v
(E) revive
' k  C) L% J! b" e1 u2 }( y  Z# S) c
30. BUCK:
! _( x, i& G3 }* F: l' @- u(A) cover over / f6 E$ X! i& z/ X+ M
(B) assent to
0 Z0 _0 |! k/ k# S0 h+ P(C) brag about 1 S) H0 b7 L' X* F% p
(D) improve ; c9 `* P2 `9 I! n6 \9 Y- h' q8 u
(E) repair : L: G. D5 }5 E. b9 l* n

, S4 g( D6 w9 T6 {& w- @31. MEAN:
! b; L- m( N3 O$ |% V(A) trusting $ v# z1 o7 z' O0 l  v4 Z
(B) ardent ) ?" R2 F2 i- G* I, u; s: w
(C) clever
9 D' }# l3 {" m: k# P(D) incautious / `3 T" ^! \5 q5 R
(E) noble
5 b1 T& H  n% A
- F  ~4 ~0 W9 {6 c* N32. ADJUNCT:
+ ?3 z! g" s5 a: j9 S5 D) J(A) expert appraisal ! E) P- M5 X# l; Q
(B) generous donation
0 r7 j, h& J' A- n. F, W; e(C) essential element 3 ^* p, p' R- e; U
(D) mild reproof
& k- g: Y! d, d  r( e# X(E) impartial judgment
1 @! g( T) G1 V9 X$ L; _8 q6 D8 I! \7 V2 c, ~  U& y" T; p1 [7 X$ F, X
33. CANONICAL:
: D. ]* W" k2 M+ X+ Q3 l(A) imprecise " z( d+ {( L/ O8 |" O$ O
(B) ubiquitous * o, e2 ]& g; {' O: l& |2 T
(C) superfluous & ^  _  Z; L7 C1 A0 B! n; D) i
(D) nontraditional
" E* }& p# h9 u(E) divisive 0 L* ~! Y/ S& V% d+ q" R* E% H" J/ Y
# o7 K& X8 M( D1 C9 W$ L
34. TICKLISH: $ c1 q7 R! k/ S% Z7 u
(A) heavy-handed
) ~9 t" D. y' O; e4 O(B) significant 2 G  j8 W. B* a8 e1 q
(C) tolerant 8 ^/ g' A4 f1 g6 Y, U
(D) impartial 3 w0 o  `+ S' p
(E) imperturbable
; h7 w. ~/ r' Y3 I6 w0 S& w( Y  s0 S
35. PREVALENT: : g% h) S' m5 p2 o" l
(A) invasive + V) m/ z' r5 c) H% L6 w
(B) inconsistent 7 J0 y0 J# ~2 L6 p* Z* t
(C) indistinct ! d  f6 K' O$ `, c3 l6 }, {
(D) unpalatable
0 M/ ?6 k, L# I" s* Z: }! ](E) unusual 5 L. n9 T, {* q2 {( |7 y

+ A# \2 t' ~, m36. PENURY: 9 a8 g4 G6 G' T3 Q
(A) approbation : o. S# \& C- c' }( h2 b
(B) affluence * a/ h& ?+ Q0 D; L( B7 k
(C) objectivity % h- j& ]: a2 G4 D5 x1 Y3 T' e
(D) compensation
3 p5 }$ |7 `" [& W8 `! w(E) grandiosity + u4 M' J, V5 a9 f: \
9 P" T6 K0 O5 w2 {4 R
37. MINATORY: 8 ]2 q" ~3 H( D
(A) convenient , j  _3 x- L9 B2 w
(B) nonthreatening
3 Y& Q/ p+ j" h2 t( t6 b7 z(C) straightforward
, u$ N% b- T3 q0 B(D) fastidious 8 q/ H' l9 g5 K$ Y; |$ [$ _
(E) rational
0 K/ C- k  N' R& [- l
; T0 {$ z2 S" o, G" s7 T38. CALUMNIOUS: ' b# ?, k( K- n  w: F7 w) h
(A) adept - ~2 n% j$ C8 b, R* f
(B) aloof 8 i$ D) ]; ]! {# X7 [' D) y4 p4 U
(C) quaint
( V; x* ?- D$ F+ W3 m(D) decorous % H! @( T1 a0 M( F
(E) flattering
. o5 [' v: H) }
! P4 {$ B  c, Z7 Z5 g6 H! w. y7 S4 F2 {0 p" @& H( H
SECTION 1.        BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE) M% b$ i. }7 j/ d& |% y+ ?
SECTION 3.        ABBCD CCDAA DDDAA DBBEB EDECC AADCE7 ^) P" w( X0 s5 \7 e  D' E
SECTION 4.        EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE
" ~  q7 L: j+ O# n, NSECTION 5.        CBDAA DABCD BBBCD BDABE ECBEC ADDDE ; E: ^6 {) `8 r: v* |) c" B" [

) b' t- [: G1 Q2 X/ _继续努力!
0 0

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Scorpio天蝎座 荣誉版主

沙发
发表于 2007-5-30 23:55:22 |只看该作者
Take a sofa1 c2 T9 ^2 Y6 w

: k6 z# L* q$ [, x————————————
  \1 v( t% ?! o* [0 }$ h' j8 B. p
5 l# w0 X- y/ g2 G  l我来问个好了~~  q. v/ q8 X! e: m+ ~5 i
7. The National Archives contain information so ----
+ |5 ]' k8 r* N) w2 C- X! P! Bthat researchers have been known never to publish
9 ~) y9 ?1 {5 T0 U: _+ Dbecause they cannot bear to bring their studies to an
8 Y2 w+ r  V! U2 a8 z/ {; Hend. . C; x: ]* v& j+ T* Y
(A) divisive
% s; G! z% k( N" i# u- z& J" T9 U(B) seductive
8 L" x. R& S0 k(C) selective # p! l- [& {  S% w+ ~
(D) repetitive ; K* ?5 p: @' I$ q& _
(E) resourceful
: U- @& `; N$ w0 b6 [% I ( [% ]7 ?! M% \( x
这个看过解释了。。。但还是不懂解这道题目的关键~~
% Z$ |( Y( ?9 a " t# y9 ~& X; }1 t7 x
bow
( e: r" a0 O! c- J% b4 d% U4 |9 l. a% _7 ]
[ 本帖最后由 dicmi 于 2007-5-31 00:43 编辑 ]

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中秋勋章 荣誉版主 Cancer巨蟹座

板凳
发表于 2007-5-31 00:08:21 |只看该作者
就这么一会偶都没有抢到沙发:(: I& q8 q6 b- b$ B  ^8 b
明天开始跟贴了^_^
- ?0 H8 a5 k; w2 r: X+ b斑斑辛苦了!8 a; o. q/ L: G/ ~2 q0 V
-------------------------------------------------------
9 z. L- v+ }/ ]第四套 顺序vqvq(是偶喜欢的顺序). D4 D# O/ L/ a( l% E4 F, m
v1 4+0+5+0            29min51s
: r' Z4 R5 {7 S9 W% Oq1 3                          22min46s/ C3 C( S/ a* j- v
v2 2+1+2+1            29min33s$ f+ V) I+ f* ?( \! l' `
q2 6 :(                   22min50s
& s) b. ~% ~! M% q5 X4 |4 f--------------------------------------------------------
; B# G6 @0 l* R$ I9 \v错15个             time:1h 45min 03s        + c) W' k4 U# `) Q2 e
q错9个             4 l6 i/ \% Y' g! f4 u/ j. r
v660
* C2 o+ w: Q2 }& i$ u7 @/ o, |1 yq 720        " f6 i: g3 F" k, d8 f; r
--------------------------------------------------------
  ]+ G+ D+ r: N不知道最近咋搞的q总错很多,做到第4个section的时候就觉得很累,有点熬不住了,极度怀疑自己现在处于亚健康状态==~
$ i. B4 G1 m+ B2 Y' e* L' O1 I填空还是很差,总是被填空的第一道题给难倒,浪费掉了大量时间,本来还以为自己进步了,唉.....继续总结方法.......
  K0 F- }" C) ]0 M阅读还得努力练习, |& d. T* X* ]
吃饭去了,累死了,带回来总结
; I" Z  m8 F7 W- Z( b
0 z" z4 c! E+ u2 ^0 B[ 本帖最后由 tongwawaw 于 2007-5-31 11:12 编辑 ]

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地板
发表于 2007-5-31 01:19:54 |只看该作者

斑斑辛苦啦~~

请问这是哪一年的题目啊~~4 v2 K/ O# v; R8 _0 [; ?$ {1 ?" B

! i5 ^$ ?: O. V2 }. D: M! o' {另外可以在这里问两道9904第二个section的填空吗?(也就是新东方最新模考题练习题五,162页)* W  {  M; w+ J8 v5 N# u  A- I: v
之前发帖子问没人答... 原贴https://bbs.gter.net/thread-675553-1-1.html
/ ^# O: u) m- @  r- r' ^2 C6 m! Y
5 g  x; h$ v3 q  n! R7 E2 D4.The term"modern" has always been used broadly by historians, and recent reports indicate that its meaning has become more ____ than ever.
; w, X8 ^1 p( {2 o; n+ bA precise/ T/ x  u8 Y1 s4 G4 Y7 s6 Y) E
B pejorative' M: s; _% M! _* C0 F
C revisionist+ ^: J" A+ n7 N& V
D acceptable/ C6 v$ ]4 W0 U7 j2 a. \& a
E amorphous
4 [6 ^* ?9 T, d6 S; z/ {- V7 @6 m+ ]
6 d4 O; q9 S" W; R6 Z# I% W+ |  f6. Originally, most intellectual criticism of mass culture was______ in character, being based on the assumption that the wider the appeal, the more_______ the product.; V4 o+ G. H0 m9 f2 f' j5 m8 f
A unpredictable.......undesirable1 o* v' Y2 I8 W" M, C* t
B ironic.....popular8 G, _" s  [2 U! J3 f! \
C extreme.......outlandish- Z) n7 t- T( t7 Y5 e) o5 S  s
D frivolous........superfluous
: g* d+ f0 }/ wE negative......shoddy' e1 @* P; ~6 _, j1 a0 e

3 n" Z9 J/ ]& T( B$ k2 P" H+ G4 }这一题好像找不到什么同一重复,全靠搭配吗?没有思路啊~~
2 X2 I( j4 H: v3 _) c7 m ; u" E7 ^( h" c  D6 R2 l
先谢过~~
* {% C# F) n  J( \2 H& v
$ k& K! x7 I% U- R0 z9 m' e; s[ 本帖最后由 luckychina 于 2007-5-31 11:26 编辑 ]

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5
发表于 2007-5-31 10:07:16 |只看该作者
我汇报一下) u5 L% P1 @$ O
数学因为之前做过,所以没模6 |$ y9 n* h4 ~$ k! v; U
, ~$ c# ~6 `( e; D, ~7 C' Y
verbal:; f1 w+ O0 _, w  x+ V8 x, K
section1错9个, 填空错了1题,类比2个,短阅读1个,长阅读4个,反义1个+ X, |) @% w' R: _1 x& A
section4错11个,填空错了4个,类比1个,短阅读0个,长阅读4个,反义2个2 k! P9 X  E' U2 u# q- S
+ u0 j. c6 N4 g; J% Y
象我这种填空和阅读错的多,类反错的少是不是很不利啊.1 B; q4 F$ N5 G% g* c- a
    填空今天调整了一下,已经有所进步了,但对填空解答的精髓还是把握不够,有3道填空找出了答案,却被我更仔细的分析给废了,也许是对陈圣元提供的方法不够相信吧% u% x) u8 a3 L2 n
    类反这种错误是在我的预期之内的,如果每部分再多给我两分钟,这些错绝大部分可以避免,但这并不是因为我的单词背的很熟,我现在红宝还有一堆单词不认识,说来惭愧,正打算好好再背两遍单词的,我的意思是我这个类反水平绝对不是假象(也许对你们来说还是错多了,但对我而言比较满足); Y5 J, V1 e% d
    阅读今天错的还是比较多,但相对前几次还是有进步的,错的基本上都是长阅读,而且大多都是时间不够瞎猜而错的  {- ~" m! s4 n0 Q9 ?+ K( |& f4 h
4 [, U1 k- D, [( j* W5 p
请大家指点,我该怎么办,很多人说模考比实际要高100分,尤其是填空阅读错的多,类反错的少的人

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Capricorn摩羯座 荣誉版主 QQ联合登录

6
发表于 2007-5-31 10:20:41 |只看该作者

回复 #5 mdyn 的帖子

被LS打击了..
1 A8 v+ l  ~. B4 _# T类反真牛
+ C7 O: h) G$ n$ Y! `4 ~2 t0 m' F: ?6 ?; M& H& V' V
阅读要加油了~加油~

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7
发表于 2007-5-31 10:21:19 |只看该作者
偶想问下这一套section 1阅读的第24题,就是问那个作者态度的题
1 S' \+ l& j. e2 h" y! h" \为什么是midly positive阿?
谁也不是谁的谁

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Capricorn摩羯座 荣誉版主 QQ联合登录

8
发表于 2007-5-31 10:24:46 |只看该作者

回复 #7 宫城失温 的帖子

那题挺有争议的
8 F0 T1 m5 z! P- Y) ^杨继给的答案是strongly supportive9 y: Q( [5 s0 P8 x; {
4 ~, T: s- Y% V2 X3 G
反正没有人知道正解释什么...
% w7 I5 F" `4 D) y% R不用纠缠的 . J6 {: ^0 J: @( s  Q
估计这样作者自己提出hypothesis的文章也不会很常见

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9
发表于 2007-5-31 10:40:16 |只看该作者
我分别错11个和13个 赫赫 还是类反错的非常多

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发表于 2007-5-31 10:47:09 |只看该作者
哈哈 数学错7个 要死了。。。马上来分析

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中秋勋章 荣誉版主 Cancer巨蟹座

11
发表于 2007-5-31 11:15:25 |只看该作者
原帖由 spspli 于 2007-5-31 10:47 发表, l; `6 o9 {& m' C3 [! {
哈哈 数学错7个 要死了。。。马上来分析
8 k2 N$ g+ S0 J2 m( C% Y, l
我错了9个咧~

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发表于 2007-5-31 11:16:25 |只看该作者

觉得数学答案有问题

我觉得
7 q# D% E- f# g7 d: P+ [9 i4 e
0 V" A' y9 I- S5 r, l2 `4 gsection3+ Z2 @9 B9 v% x! u4 v0 N) n
第六题
4 ~  {7 i5 Z+ t; {) i' T0.04《0.004选A" \) K- m0 |1 {& a

7 {, l8 R; h% W* }+ `5 S8 V第二十五题
  u* N6 C& W; j" H5 x, Q选E 因为有多少employee并没指出
3 q' `! h8 P: D: G6 a# T$ E5 E/ D3 ]- R
大家说呢

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13
发表于 2007-5-31 11:18:31 |只看该作者
还有问题:7 z8 D: ~, R; E% v) Q' j! D8 M$ C
right circular cylinder 跟一般的cylinder有什么区别吗?我开始还以为是一半,结果错了,郁闷

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发表于 2007-5-31 11:29:30 |只看该作者

大家可以看看我3楼的填空吗?非常感谢啦~~

4.The term"modern" has always been used broadly by historians, and recent reports indicate that its meaning has become more ____ than ever.+ J7 T) ~' c! D5 y7 z/ J
A precise2 {) W( o; b' j  O, L- _2 ^3 `
B pejorative
) `% q5 A3 ?) [1 {- A8 J8 gC revisionist
" L; G6 z" F. y: G# o8 ]; lD acceptable
4 ~9 V: W3 O8 [E amorphous0 @! c# |0 G% O

# j$ G0 m3 i) q- c( K6. Originally, most intellectual criticism of mass culture was______ in character, being based on the assumption that the wider the appeal, the more_______ the product.; `: _* g" c6 G% f- L; R% p
A unpredictable.......undesirable1 ]% ~6 Y8 [( i4 s+ b, {2 ^- `! B
B ironic.....popular
5 W( d/ d( ^+ Z* h4 O, vC extreme.......outlandish: Y5 |& ^4 j# k, V/ z
D frivolous........superfluous
0 c1 |. A& W( X; F1 x3 H( H& QE negative......shoddy

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中秋勋章 荣誉版主 Cancer巨蟹座

15
发表于 2007-5-31 11:38:05 |只看该作者
原帖由 shermanxia 于 2007-5-31 11:16 发表. t* ?. u. J% B% l6 ]1 w* w, f" C; W
我觉得( G+ |' A) p$ P. c1 l

- S* N5 P. O2 z, e6 R' A" Xsection3( F9 A4 T( |* N. X& f
第六题* N+ l- m/ A" Y
0.04《0.004选A

; S$ S9 d, {5 f9 \7 v- C4 e2 h. C同意! d) a  P; f- _6 Z* b) _
$ G) o% E3 N5 ?" d7 b
第二十五题2 t4 C9 K1 }  W4 o& P+ o
选E 因为有多少employee并没指出% u. w) }' @# g6 b+ ]  k6 b. J  j

+ p. r6 w+ O# p6 R  H+ q大家说呢

* [0 o8 [2 I6 c. N5 P: H( d7 K, f应该选c,按照百分比就能计算 50%是在错4个的那个区间

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RE: 0706G冲刺模考第四辑 [修改]

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