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6G冲刺模考讨论(四)) b' ?% ^% V/ N- _
6 F+ {+ q& h5 n现在模考应该限时. 同时也要练习涂答题卡.
0 M/ v" ^! N( e" S" I其他规则同前。
/ C/ C1 o K- z/ E2 X
" B: ]% G$ S) J. J0 {. a9 y- l* T
: z, {# {( T2 ?3 ]SECTION 1
, U, d& j* G. d, t1 aTime –30 minutes+ D5 ^* S, V- B: K
38 Questions) ~2 C3 l! y s2 m
9 \1 i. _+ w' F5 d3 ], Z6 ~; u0 Z6 N
1. Because the monkeys under study are ---- the
$ U1 g4 H+ ]* O, c6 c presence of human beings, they typically ----
6 W; y$ B# Y3 ]( t, ` human observers and go about their business
! q% \* W, G* ^ (A) ambivalent about .. welcome
* y! V4 w3 w! k0 H# @ (B) habituated to .. disregard - A$ w2 z9 Z0 c5 z
(C) pleased with .. snub
8 @+ |( u2 ^7 T- s% W2 i (D) inhibited by .. seek " P1 Q: ~3 j1 v, p3 A* Y
(E) unaware of .. avoid
" A0 a: J5 I+ G$ D* O" \
$ I7 P3 n0 b$ n2. Give he previously expressed interest and the
! C4 W- P; M0 l3 zambitious tone of her recent speeches, the senator's
# z+ {) S/ W3 `4 P5 }attempt to convince the public that she is not inter-/ b3 o3 ]* D' S: U
ested in running for a second term is ----.- N6 ]+ w& [8 o" w( R0 |3 Q
(A) laudable
" P' G9 n' s; N (B) likely ! L" v" Z' b& W, m/ @
(C) authentic
- t! \9 }2 S: _6 C* w! q6 W0 } (D) futile ( Y3 h: v% M4 U& \
(E) sincere 9 J5 K! J9 y( R" `
! C0 A7 A/ B; C' `# d3. Many of her followers remain ---- to her, and / d- ]% U2 g, s' a
even those who have rejected her leadership are 4 P) c* M0 i4 h) `% Y
unconvinced of the ---- of replacing her during
/ c6 H! B! P& b' l R9 k8 f7 ]2 k3 j& o the current turmoil.
7 ]* ^: C) u2 k; \3 G4 B8 V. x: s (A) opposed.. urgency
" A: o0 K0 H( [# R1 C (B) friendly.. harm ) S. `& v1 q& {7 {+ S7 `/ r
(C) loyal.. wisdom 9 m8 }* Z+ o, L4 B8 e5 \
(D) cool.. usefulness
. |6 Y5 ^2 C* D0 v- B! v) c: M8 _ (E) sympathetic.. disadvantage 2 n0 Z: q3 m2 ]; \
( v3 { C5 O y G! r+ a* b L
4. Unlike many recent interpretations of Beethoven's * ] w- g' m% t; F
piano sonatas, the recitalist's performance was a 1 ]' Y8 f. i$ V
delightfully free and introspective one; nevertheless,
( A# M* e* q+ Hit was also, seemingly paradoxically, quite ----.
( k2 k. h) \: z) k (A) appealing % E) z% L9 z% L* {) N
(B) exuberant
6 f7 [2 `$ `; o# N# d (C) idiosyncratic
M8 l/ n1 \7 H" R! n (D) unskilled
7 A. j6 W- x' n% |8 L) _+ o9 a' q (E) controlled & v5 J4 p/ K: a% B3 ?# e) G n5 L
! L" E. j3 K* v B5. Species with relatively ---- metabolic rates, including $ i! X1 Q) |! K0 w3 c$ j
hibernators, generally live longer than those whose
# r; G! O1 H( u- w+ T* c# @" tmetabolic rates are more rapid.
) I( V( b4 c. `. d7 I ~(A) prolific
: _2 I( n+ {# Q G$ o(B) sedentary
; s/ C r7 M- Q' X! ]+ k (C) sluggish 3 K; n4 R, s$ n' f4 x
(D) measured
9 X1 r6 w T v9 R1 d% F' T* ~% ` (E) restive - W" [6 _) T$ J9 }1 }
7 G& c9 R4 J; F0 j9 D
6. Belying his earlier reputation for ---- as a negotiator,
1 U7 m& i% b& j' r- }" wMorgan had recently assumed a more ---- stance
, o3 @( H5 h5 A4 W' K& r/ J! Lfor which many of his erstwhile critics praised him. & C/ Q' d$ e q7 c$ E5 `
(A) intransigence.. conciliatory % [/ l ?: ]% s2 G
(B) impropriety.. intolerant ; o: \ u% P# T
(C) inflexibility.. unreasonable ! W9 `4 U7 f$ Z4 B6 {
(D) success.. authoritative
7 b( m/ ^4 b# |$ g' w) { (E) incompetence.. combative
( m) {4 S" j3 J0 v d# X0 i) A+ @( }( T5 R+ ~* m; ]
7. Although Irish literature continued to flourish after
" l" X6 E, e* a) v$ Y/ Pthe sixteenth century, a ---- tradition is ----
f0 H' F( U, b* \3 I" [in the visual arts: we think about Irish culture in terms of
+ t- W: R7 n7 O5 v4 pthe word, not in terms of pictorial images.
, t- f: M9 h7 o(A) rich.. superfluous ' Q- @9 ^4 R. \* k- v; P
(B) lively.. found
H) z7 |* G& a7 P (C) comparable.. absent 4 f/ b" }& L+ @' I# ^
(D) forgotten.. apparent
4 e# `& B; |; P* G( h1 Y" w (E) lost.. extant ; E# t1 S: c! h2 ]0 o
& y0 P" A4 z" d7 ~8. SILVER: TARNISH::
- v$ O0 K: K( t. E! H (A) gold: burnish 2 G4 b. _$ D3 h) Y. a1 }
(B) steel: forge
" r; b" }& j0 z (C) iron: rust , i: q E: x% p) {
(D) lead: cast
/ b: L& s1 y! W1 H* m5 x, _/ g (E) tin: shear 2 a3 q* h! Q+ ^, b8 }; h
0 t5 L* X4 a6 q# A5 d+ H6 d$ R
9. DISLIKE: LOATHING::
! F6 D7 [/ T2 J" q (A) appreciation: gratification 3 s, o7 t/ B- C1 P' K
(B) hunger: appetite
7 [0 U% o5 k2 L* x (C) void: dearth
1 M3 F, @; \2 j( E# x L% k (D) pleasure: bliss
: w' a( g1 Y. t3 E) o7 T; [! B' d (E) pain: ache
9 e( g) A, w& t1 }! K" ^+ u0 w( N" A
10. CRAVEN: HEROIC:: * `8 p8 d" T2 T3 B
(A) unruly: energetic - m# s8 o/ a3 |. e2 C+ V
(B) listless: attractive
: J9 M6 @0 k8 p- n9 c (C) volatile: constant
7 q& S- Y3 t& b% `0 v6 f (D) deft: trifling
. A7 k. \" r _ b5 t (E) awkward: amusing
; Z" ~. O, b6 u) B7 |( H
% k, I* O6 P' Q3 f. x11. FILLY: HORSE::
$ ^ m- a( K/ w9 H$ Y+ H5 }5 o (A) antennae: butterfly
6 H3 E$ d+ m! Y" K6 s& Y (B) pullet: chicken
+ j. f- Y1 c$ ~. B0 o (C) gaggle: goose
: o1 P) _ g2 u; P$ K4 b (D) duck: drake
. i. {/ k5 ^3 B9 ^) n- M2 O (E) wasp: bee 7 I* {# D- ~. y3 @* x' D m
5 P" i% J8 Z5 w/ H5 V
12. PITHINESS: APHORISM::
0 z& ~: v9 J6 B% K s: T/ {* z (A) craft: art
+ `6 Z+ g+ Q9 `. Z9 X/ U (B) detail: sketch
' P0 B4 i# P7 a) `7 T+ a! m2 | (C) illusion: story : \" J: j8 T& v- Z
(D) exaggeration: caricature & v$ X: D2 }! i" {
(E) sophistication: farce 9 Z! }6 L( G% E% K( ]
9 _" G2 K, M z1 s( y13. EPHEMERAL: ENDURING::
& x5 W W) Z! `6 Z) O1 c7 X h/ P9 C (A) infirm: healing
- Y6 A3 F5 ] H1 E/ r2 { (B) insensitive: cooperating
2 w& C U6 r- j (C) inanimate: living
3 ]& p. g+ Y# H5 [5 [* L j: s+ T, f (D) interminable: continuing
: k0 v' C }+ Y" O (E) ineffectual: proceeding
& \ g6 C& s- M8 ] ~- v/ \# ~9 U* n" `! m1 W
14. POSTURER: UNAFFECTED::
, ?8 A- |% w, t. q (A) brat: insolent + Y0 Y8 ~0 F# r8 S7 _ P$ q
(B) hypocrite: perceptive
1 G3 i: `3 `9 O' U# |7 s( G (C) grouch: respected
; [# d; H# {3 S! j H# c1 U (D) bigot: tolerant
' H2 x/ b# e$ j (E) rogue: empathetic
8 K% O7 j* z- ?! t4 ?7 F
8 T9 Y$ G! ^) c: d& g. |* t15. FACETIOUS: SPEECH::% u+ a; q0 X, Y* Q" y( ~! ?
(A) precocious: learning
& K+ n0 ~. x# ` (B) unbecoming: color
) S( t) Y# u7 Z5 a: r [$ b7 V (C) exemplary: conduct
* o, S J+ J1 ^8 P# X0 j* S$ W (D) craven: timidity
7 n' C Z. U. c) Q$ B (E) antic: behavior
) H! x) l; Z' T2 t/ t
& V3 Y9 }2 r X& c16. VAGARY: PREDICT:: ^' u/ \- u6 J; u9 a* g( p' v
(A) quotation: misdirect
' C7 T2 Y, D: j# _ (B) investigation: confirm g& W) @) E% {% y
(C) stamina: deplete
& Y7 \5 ~- i/ K* C: A0 Z! k9 ] (D) turbulence: upset
5 d9 T3 T+ }1 L C4 W (E) impossibility: execute & v& T* F6 S# x3 a% A. _7 [& K
$ Y/ o: u$ G" v/ K& W0 r) D
28. PREFACE:
- F# |1 C- Z% B3 V" k: \* b(A) improvisation % l$ j) D5 K+ b
(B) burlesque 1 }4 \6 U7 ]/ G0 J+ N5 Z( b
(C) epilogue & w4 j& K( w1 A3 V8 G/ z
(D) tangent 7 ~% }/ X. l9 x* x& f# h
(E) backdrop
( j$ _* y' h% O& k5 m/ J0 }$ \
& }% \9 u, j2 C" H ]$ f' |- I3 S29. DEBILITATE: % v0 g! [( d O& R
(A) implicate
$ {: y: ^7 R7 i; \, N(B) invigorate
u5 k# ?' I5 v(C) obfuscate 9 Y* W3 d) x$ Y6 U1 D. S+ w
(D) realign " M" X7 T6 V/ P7 n8 k1 Q! M1 \
(E) encumber
4 ?% w4 o* J. q% j# K' q
+ |) G! l/ ^& o* K$ t30. TASTY:
) a8 d8 [6 z2 w, }(A) uninteresting 6 O7 R( z0 Y$ |& ? b' h
(B) unfamiliar + o* w. p/ v1 o0 C( Y: x4 @
(C) unexpected
9 q& M8 L; U' m; B- p; [(D) understated
4 A; |" _; x1 P2 w0 q(E) undervalued ( W$ O0 @$ _0 v8 _# _# ?$ X
% h( W- \7 R3 i# h5 a8 v31. ABNEGATE:
3 X* L/ S# ~0 c; ~5 o+ \' x(A) refresh
3 D. C" f! W- J Y+ w" u/ X8 _6 m(B) reaffirm
n7 k& {- \+ `3 e6 j6 W, C(C) relieve 9 z6 d, I) s4 J1 m% f' Z; q
(D) react ( L) B1 F6 a2 m& x/ D" M7 v. p6 W
(E) reform
" }2 F9 f# x' J+ P- h. z, A, G
! c! u& G" ]" s/ }- y3 z32. SERRIED: ; k' j& a3 K- R o+ O5 u
(A) partially formed
! T( h, E9 N h, S( e(B) widely separated 2 O7 t2 C4 l* U; D5 D. U7 a$ y, R) `
(C) narrowly missed 5 J+ K9 s) j/ ^5 a
(D) extremely grateful
9 D% l% E1 S; R/ s(E) reasonably clean 8 {* g: k8 d( k) H9 r. V3 S
" \( W7 K1 G$ _, U& }1 o. T5 Q
33. BOMBASTIC:
+ j# l3 |$ l& M% C: m% D(A) unflappable
% x) o4 I$ ^ |4 ]2 V(B) uninspired 4 |/ g+ z5 [) N6 P# L3 \. E
(C) unpretentious
+ m7 {) O! h; U, W" T(D) inscrutable ; K0 ?& A: M( x, j; i
(E) incisive
( v2 l" z1 t9 E1 @3 \# G9 V' }6 R" W9 `
34. BANAL: , B5 z: M5 f8 `# s8 ?' l5 H. c3 B
(A) comfortable
- o/ {0 h2 r. {1 p1 z(B) novel
4 W0 ~4 p2 q; U$ q: x+ U/ `% |& A(C) equal 5 @! _/ k) _4 l
(D) fatal + V. I) W& O4 A; u6 W
(E) competent ) v* p5 ~2 n, ]; e
35. LANGUISH: ; @3 o' s" n; G+ |9 N: w
(A) agitate
4 T$ n E0 [- T4 Q( o(B) wander
6 _8 R' s$ d8 ] N" B0 Z# S(C) relieve 3 r# t1 }) e3 a9 a4 O
(D) discomfit 6 B9 ?+ H- v2 A$ v) i* R" y
(E) thrive
' Z/ n. W, i; t; T7 M! a9 N- Y6 q0 W% u
36. ENNUI:
0 y3 R. d% }5 h8 o(A) intimidation
8 e5 n8 F/ Q! q+ q3 I( q(B) sleaze
( L& \7 u9 }: Q- m, }. ~(C) faint recollection % k4 u8 t! s" M5 }/ s7 G0 |
(D) keen interest
. }0 T( `* J9 b% o. I(E) deep reservation
: d3 D/ K9 Y4 j, a: R/ z$ s
$ g. l t+ n/ c; D% r37.DAUNTLESS:5 {0 m/ U' w+ r
(A) sophomoric1 w0 ~+ z0 [/ [
(B) trifling$ P0 x, E! ~2 L" Q9 S
(C) pusillanimous( `: G* f- d' h( z; A+ \0 m
(D) specious. | a f+ z9 R! C
(E) parsimonious
3 h% K* Z* k; ~5 Y6 j% ^) Q0 | G8 J; F7 g, w! i; C+ _4 |
38.TEMERITY:
0 t0 m' {6 ~* c5 }/ |" I(A) credibility
& R3 p! y4 z% F# k9 |- A(B) authority# q# v8 r$ F! c2 _2 c* [
(C) celebrity( V0 ~# `0 y5 J5 U6 [4 k. H. w: C
(D) acrimony. i5 v5 B3 c* d0 E8 }
(E) circumspection) K7 X- x. j% a8 _2 r- h
- d2 ], c0 Y& _. G8 o# ]; f; t% R( _* [: {
1 L) [- b1 R+ S5 {
SECTION 45 S( s' ~5 R+ U8 X
Time-30 minutes* l: g6 l2 ?7 V4 y* Q8 Z5 c
38 Questions
) P8 n! J5 W/ V' U5 c C# V
% F3 b. ^/ W" A+ H0 V( B8 G" r1. Although sales have continued to increase since last 7 k0 |; x; k) v, W( |, x
April, unfortunately the rate of increase has ----.
6 n6 H, V, @% s) |4 d(A) resurged
. y' d9 O$ }# X1 D9 p(B) capitulated $ L* l H' E/ v
(C) retaliated
( f- M" U# h& {4 g# u0 s(D) persevered
/ F6 ]/ h: E7 `5 V& F- S0 I(E) decelerated
6 e$ f7 i8 z# I. C' i5 V9 g( @, d8 E o2 r
2. Although the mental process that creates a fresh and ) C0 _; Q4 l q4 I. e1 o/ L5 h
original poem or drama is doubtless ---- that which " y4 J9 G- D6 c) t# T
originates and elaborates scientific discoveries, there - w' m) u$ Z) q. l
is clearly a discernible difference between the crea-
2 @ D; |5 Z" x: etors
0 y, m8 b; w/ w1 E(A) peripheral to
: F3 ?* i1 h. c: l% |- _(B) contiguous with
' G' Z, @- `; k2 n# y- e(C) opposed to @1 e8 e( j, {3 \
(D) analogous to
- H# m, B- y! a! Z8 z |; X5 h+ z(E) inconsistent with
5 L& U5 c. Y- |) F0 D* @: b( g% }5 V
3. It is disappointing to note that the latest edition of ! g* V, w1 L! z# J
the bibliography belies its long-standing reputation 4 n- d2 c( f4 m) x8 S9 Z- @3 O
for ---- by ---- some significant references to 0 q6 _1 |( J6 D% f
recent publications. ' {' b# k1 }+ B( k8 n* Q
(A) imprecision.. appropriating
& W5 |- |7 s1 l2 p% \( x& F) _(B) relevance.. adding
- H1 t% _1 g- l. @(C) timeliness.. updating
. u5 B: a3 k- h! A! W(D) meticulousness.. revising / y4 L: F2 ?' H9 t
(E) exhaustiveness.. omitting / k# N* e. G- H+ @; Q* t) q
4. Although Simpson was ingenious at ---- to appear 3 C/ s5 {, g# W7 t$ Z
innovative and spontaneous, beneath the ruse he
- O7 [0 ^' b) ~; f ?, Vremained uninspired and rigid in his approach to / s, M9 J8 ~; s& ]8 ?' }' H
problem-solving.
" J) Q6 Q5 _3 e3 Q% M(A) intending
1 D3 M" ~& _1 g' z0 L, H(B) contriving
* ^' V( d2 u6 g% I1 v' w* u9 X+ y(C) forbearing
6 A1 b* ]. E0 n+ ?. D(D) declining ! y- d: S& }+ k9 |
(E) deserving 6 n( L3 G8 X1 A4 T4 ]
$ e7 }7 c n( [0 [$ `
5. She was criticized by her fellow lawyers not because 1 [! q7 O% Y+ t+ F t4 a
she was not ----, but because she so ---- pre-
! N: F. A/ @- l+ ]$ \pared her cases that she failed to bring the expected : R G( @ G" c2 I: q# j
number to trial.
7 b: t7 ^) e) f2 \5 [& Q) V# s, {(A) well versed.. knowledgeably 4 I% |; `: }6 R2 y7 A: A' ~% Q* }$ N
(B) well trained.. enthusiastically ' F( v0 f$ V% N" a, @( k! S
(C) congenial.. rapidly
/ x7 `( ^0 H* Y1 i' T0 b s2 F(D) hardworking.. minutely 2 B2 y# _$ p. L8 Y- R2 e, M; `
(E) astute.. efficiently
: `+ ~! H) n4 } N* O& J6 E: _0 m/ k2 W. D
6. Schlesinger has recently assumed a conciliatory atti-
# h2 R% \- }' N6 l$ B+ Ptude that is not ---- by his colleagues, who con-
0 c# q$ W$ d, X, n+ O7 b4 y* ytinue to ---- compromise.
( x$ r: Q4 ], E2 z* G# |9 ^(A) eschewed.. dread 0 u# [) v1 G6 j
(B) shared.. defend 6 [) W& i# N4 `& O
(C) questioned.. reject " t5 L8 o& T/ e( b) q) S1 ^. q
(D) understood.. advocate . j4 L1 a2 w1 i- h' y/ O5 k
(E) commended.. disparage 1 ?* }+ ]; w8 N- C9 @7 e* x
+ A) L9 f" ~3 b% T0 J# i7. The National Archives contain information so ----
p+ ]5 @& q: mthat researchers have been known never to publish 6 l9 `; a4 s" g6 ]" Y
because they cannot bear to bring their studies to an ) M D0 m- y: n) t: A7 A
end. % u5 k9 L; r( G
(A) divisive , [( |+ N# {' C+ o! Q5 p, Z
(B) seductive
/ }2 M4 V: ]( _5 x/ U( V) E5 s! u- c7 N(C) selective ) y1 l2 z4 f3 g n
(D) repetitive
8 h# l. x p6 O$ t2 m/ m(E) resourceful ! z' ?; E, Z' I( C6 V
9 P+ r2 a* a, D8 N* p4 W
8. HILL: MOUNTAIN::& p5 x- [. L. @: V: _0 [
(A) grass: rocks
1 \& I: V! @# W7 N(B) autumn: winter
: o$ `8 T4 u2 }) P& Z0 M5 g, d(C) creek: river
6 t% m# Q1 G2 `: @, P(D) star: sun
7 V; z3 {4 t! ?$ K6 [! d, z" D(E) cliff: slope
' m% j* v9 M) @7 a3 J' p4 r6 R' r# C" d% S l6 Y. O
9. AERATE: OXYGEN::$ D" U: {$ V7 f( F
(A) eclipse: light 8 Z$ E" z2 }( V: C" [8 g
(B) desiccate: moisture
! w3 m( f+ P3 p7 [(C) precipitate: additive
7 \5 z" h3 \; Y& M( L(D) hydrate: water 5 n) g* m# y+ j6 o+ p. i6 B
(E) striate: texture 1 A* K, E* M/ l9 A
) k$ ~* |$ Y/ L5 m& v1 z, G) z8 B
10. ORCHESTRA: MUSICIAN:
+ D& e$ J0 W2 B6 {" e(A) cube: side * f- i5 [1 l" E. `
(B) kilometer: meter
% u. X0 u! \" L6 F1 T(C) sonnet: poem
# z* w9 o* o: ]+ l8 B; V$ a& v) L: Y(D) biped: foot
& R) c' J; B, T! C' C5 E(E) pack: wolf ) u- ]' r; d+ l0 G% P) q" W* D% l
6 V5 x* L, |. t9 Y& q! V) i" [
11. EQUIVOCATION: MISLEADING::) n1 }4 l3 G! l# d' p4 x
(A) mitigation: severe
9 a( o" v, s& j2 I; M(B) advice: peremptory
- q r3 e+ H4 f4 W/ X W: a) [(C) bromide: hackneyed
: \# @- j2 F$ M( z$ g6 \5 x5 R(D) precept: obedient 2 o$ o4 H J8 M4 f& g
(E) explanation: unintelligible
% C% k; o) u4 P: j- r& u
! U1 t8 `4 J/ @! r% [12. CENSORSHIP: COMMUNICATION::
2 k( V1 i. c$ X(A) propaganda: ideology K: N( W4 Z4 W1 \* K4 s
(B) preservative: decay
. E( y. ?7 o; U(C) revision: accuracy# \3 V1 D. @ g6 ~! t
(D) rest: atrophy
' c1 t: S& c2 j8 N8 Y2 ?2 I" H(E) exercise: fitness
4 U5 ]8 x: T r p: c1 |' p" {: l! f! }5 P! _" i* N7 A/ {
13. BUS: PASSENGERS: / m. p3 u- x% k" T( Z0 }
(A) flock: birds 8 Q/ L/ x2 m1 h; u! F
(B) tanker: liquid " o4 w2 X4 Q" a! |
(C) envelope: letter
0 M& z& H; K" t* }4 K(D) bin: coal % g3 B3 K& ^; o# f1 R9 Y
(E) automobile: gasoline
1 m$ \+ D$ |, w% a! O, r: {8 _; Q5 j: b$ j" \! ^( B; c
14. BALLAD: STANZA::
$ G K: x( t9 N1 J; m5 m(A) novel: chapter
4 k; q0 c$ N: [5 {2 z/ \( x: t+ I(B) poem: meter ) [' i$ J8 s3 e- u; H
(C) play: dialogue d) n$ t, h! Y' w2 x& {0 J i8 ?
(D) movie: script 8 c; i& L7 T9 i+ k! |/ v' T5 {
(E) photograph: caption . [ Q+ c0 f/ ?6 S9 I2 v
* A3 q) g' F- P; R r" T8 f15. DISABUSE: FALLACY::
6 p3 b4 `' \/ g% O& z7 a7 K7 [! c(A) cure: disease
$ k) w1 N' `! r(B) persevere: dereliction
, f- r9 ~/ j/ P3 M(C) belittle: imperfection ' V" U5 U! S4 z# J# v% g! k- ~; r
(D) discredit: reputation
) X( h. j" z8 @: C; c(E) discern: discrimination
. e2 z& ^: r S; Z( i% t1 |7 m! A" E+ O: b0 F
16. BLANDISHMENT: CAJOLE::
r! p; m9 O5 M; }1 @$ R; r" h# Y: F(A) prediction: convince
% K" z: E" G( q. Q5 |(B) obstacle: impede
. v8 f' ]; e% Q* |; M. O5 E(C) embellishment: praise
( u, K1 J. [5 F8 U) u(D) deficiency: compensate
2 p# `0 x/ O6 M! [(E) compliment: exaggerate
- z2 X" O/ S% V; L+ H
) {& z/ i, E1 Z/ Z3 j: v/ r. [! X' d" ` l" w& |
28. DEBUT:/ X! z# C8 [7 {2 }/ ?$ F: V" r* _
(A) collaboration
. T) G+ L& V3 C# |(B) monologue 1 N) R3 |7 _( t0 {7 B+ J1 [ M1 q
(C) farewell performance . W' b4 _: _- K3 F8 Z
(D) repertoire standard
6 b0 v& o5 F. y, R(E) starring role # q& F, |) r8 I- p- o: i
g/ w# l; ?( T; y/ ^29. WITHER:* M% z4 E) } f+ K; @
(A) disagree ; }# b! ~' v L' E+ z% F/ o" d8 s
(B) shine
& I* V0 o" P% O3 j" v) |* Q(C) plant 9 }* B C9 g, w7 z, `$ @
(D) adhere ) V, v. v+ s4 S1 @
(E) revive
* U, ?" Z" Y/ s; u$ X) S$ e3 i5 A9 w4 g( { k4 W, P2 ^: t7 C! c
30. BUCK:
2 I8 ]- i; T, V+ p4 K7 F; @(A) cover over ' m& s5 r; _5 ^
(B) assent to
* \" B; C1 a0 \9 Z$ C(C) brag about
6 u+ S& k2 E+ n$ J) D# d9 Q(D) improve
/ ?6 b- t5 P6 S: |' `(E) repair . F' O4 ]7 p6 Y: B/ P
8 f, }2 i/ S7 T; r- o! r% E31. MEAN:
- W( Q* X' Y# t M) I) _1 d(A) trusting 2 `! V2 J' T& g0 A: k
(B) ardent - {4 D9 T! `% Y1 z. l
(C) clever * }0 f8 d0 r- @, w8 o, `, ?# q
(D) incautious
) N+ a6 }$ z% L# Z6 ]$ H(E) noble
/ ?$ \( V3 D1 n( n; X: q0 M5 m5 D4 A8 E G& A7 q
32. ADJUNCT:
" e6 n4 } N8 a. j6 P(A) expert appraisal ; M9 o: f( g" Y
(B) generous donation
1 N. X# P% h0 P/ T* Z. @& \(C) essential element 0 k3 Q! I* W" U) ?6 M6 x7 h- f
(D) mild reproof 7 L* i+ P' D/ m9 c3 M- i+ T
(E) impartial judgment
) w1 @& k9 R5 P1 {. z% ~6 D
4 C: `0 a8 U7 y1 `: b, S33. CANONICAL: & ?8 h4 p I! v( t! B
(A) imprecise . M" E# E* ]( t% J Q
(B) ubiquitous " q( X/ t. P2 s5 \4 F" |( q5 F
(C) superfluous 2 e" U1 x+ t* V# F3 E- C
(D) nontraditional
' g5 V! P% x8 `/ ]2 U, D(E) divisive
, m' [' H7 f% @- L+ e3 J7 k3 y% w; A
; Q; [8 x9 A' C2 J9 I3 y7 x9 t34. TICKLISH:
, U# C9 P+ x/ F l5 q3 V(A) heavy-handed
5 B3 W$ N+ D& [/ Z; C6 t(B) significant
( o! A& @: |8 m: `$ B(C) tolerant 7 W1 e& I( i( k3 s7 _0 i ~; ^* L
(D) impartial $ p5 [/ z) s9 L- b) O$ \
(E) imperturbable
+ o( g/ K! f5 C/ h' a+ Y
4 H* R# e, b* r; k5 J( r35. PREVALENT:
! V, l5 }5 F9 }/ J& d* v5 U(A) invasive " Y/ W& V5 G& W
(B) inconsistent % I4 g% @& Z9 @. E' x( J
(C) indistinct $ f( d4 u3 T1 W
(D) unpalatable w% R w8 b% n T- Q! Z
(E) unusual ( O6 m" w7 e* x0 B
' v4 P' D5 U8 l* H) H: x# F
36. PENURY: & V( w8 e- X: Y2 W$ n! C
(A) approbation * F9 d5 v- {" y. D+ \
(B) affluence
# s5 F7 ?% T. n6 l: |(C) objectivity
/ R8 q7 x+ |0 z# ?" o% [. D(D) compensation " y Y* g9 g* Y4 B+ K* b1 m
(E) grandiosity - f( k2 f. B8 h9 x+ B7 ~3 S4 f8 U
% f- c$ }" W$ U( w37. MINATORY: , x/ x, r4 x6 f% ~
(A) convenient
6 O# Z' ^' c a- m) R: ?(B) nonthreatening - E* Q# }/ W5 H B( J5 ]
(C) straightforward
0 U1 `+ F* e. g8 H4 `(D) fastidious
! A# E$ F3 D% H8 F(E) rational ( N! l# i% |3 ~* q z! ~5 u
* y+ m+ ?- l$ d; B) M
38. CALUMNIOUS: + x9 x2 D! z/ q! f( K
(A) adept 3 A9 c9 A0 v% ^; S8 G" P0 I
(B) aloof & M: p$ Z3 ]! {6 Z) C2 w
(C) quaint ' I( ], {. g- e0 }
(D) decorous
: f' ~' c1 p! _( `" t) x$ k+ }: S(E) flattering ! H( {1 j' e" S. P, W! o, ?+ j
% E3 j, c+ O3 O+ x& b+ b* D6 G( v
# z4 c) z: B# f2 `SECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE* u- m' t3 W8 N0 }& z
SECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE c0 F/ ~0 ]/ Q# }
SECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE
) S7 k [- _& x$ H4 nSECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE ! S; [, `7 }4 J/ d6 O- \
# @2 N5 f8 X% q! K X
继续努力！ |
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发表于 2007-5-30 06:34:21
发表于 2007-5-30 23:55:22
发表于 2007-5-31 01:19:54
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