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6G冲刺模考讨论(四)
/ n+ H; P6 y; z0 r7 J$ E
/ O9 `' V9 I. s( `' }0 _' Q" d现在模考应该限时. 同时也要练习涂答题卡.* h5 i4 r1 x6 C' z' O* C
其他规则同前。2 u) r& A, l' \( V' {; ^) p
0 N( V- {5 w7 \6 | b9 @7 ^! |8 g! R3 K8 F
SECTION 1
: |6 D! B" P, c, k/ kTime –30 minutes
! U# V# l, y5 R38 Questions
/ B4 Z3 `! d9 u
# y8 u1 L: O" S: T9 |1. Because the monkeys under study are ---- the
8 P- @7 @; I D6 t4 t$ a6 ]; u presence of human beings, they typically ----
# s! |* C0 [7 i4 R+ @7 E' W) P* a, U human observers and go about their business % K; F# W. |$ m, s
(A) ambivalent about .. welcome J: A1 I, N3 R: c$ \- _; U: N
(B) habituated to .. disregard
0 D$ h, ~- D/ W% h (C) pleased with .. snub ! w& H7 ?& d2 U4 Z0 U3 V
(D) inhibited by .. seek
0 u) F) L% G: Z# p8 S (E) unaware of .. avoid
6 F. v9 F ^! I3 B
0 P D3 J0 @* R8 a; p1 r; G2. Give he previously expressed interest and the ! s$ x3 P9 W3 Q9 Q6 B4 b! l, e( x
ambitious tone of her recent speeches, the senator's $ L( I; g! w4 P8 D
attempt to convince the public that she is not inter-
8 c1 K0 o' y! K0 B& `ested in running for a second term is ----." y9 F; L9 O* D1 w1 q2 s4 j
(A) laudable
. p: t. L& ?3 X8 K/ T, v8 H (B) likely
3 K- V- b8 ~0 j (C) authentic
1 A& C. M, ?8 L& U% U: t (D) futile 4 I! |" l( t) I9 o! A
(E) sincere
1 T# R7 M2 P8 d I. p2 @1 C- I/ z$ F" o# r- G1 v2 d
3. Many of her followers remain ---- to her, and , h) B1 h" q0 S$ c6 }
even those who have rejected her leadership are
$ A) [; W1 |1 W1 L unconvinced of the ---- of replacing her during 8 ]9 \0 N1 w& O8 t, C0 k- {
the current turmoil. ) }8 E6 o3 L! }* F+ r0 w% z
(A) opposed.. urgency
* F% B9 f& M- y4 M2 z (B) friendly.. harm ( \) d5 r% S3 }6 N& N) ^& ~
(C) loyal.. wisdom
; W5 `* y+ K7 `6 ? (D) cool.. usefulness
( p) k3 K% `/ T4 U! x (E) sympathetic.. disadvantage
' ~% s# m; i( k7 R7 ^5 s' V/ P# n8 t6 }9 {
4. Unlike many recent interpretations of Beethoven's
/ W8 Z* z1 [% c8 Q' I# g+ Rpiano sonatas, the recitalist's performance was a 1 m+ T" p( \: z: O: C! M" |1 o
delightfully free and introspective one; nevertheless,
+ _& V7 Q* r& U9 Hit was also, seemingly paradoxically, quite ----.
( k. N' Q1 R ]1 ? R (A) appealing
8 X* t2 A- Q/ C+ ]+ L! O) t- i (B) exuberant
. T) p& f: F4 R (C) idiosyncratic ( | e- m- u& W6 {' `) m
(D) unskilled 2 u% F8 l" L# e) v6 X6 B- M! N
(E) controlled , O. ?, j3 j" \. ?4 Y0 `
9 M9 F8 \: V; U' Y: \9 Z5. Species with relatively ---- metabolic rates, including ; B! i. ?% N: P; \4 n& s
hibernators, generally live longer than those whose # C' \. A- A) n) i) N- s4 x
metabolic rates are more rapid. - V0 T- h- q- \4 f3 d, F
(A) prolific
. x% }8 T. n$ z q3 L b. r(B) sedentary 8 q& x. P$ e7 `- J
(C) sluggish
' A0 C, f. D5 [! _& `+ I$ F! ]) a (D) measured
8 _0 _7 D2 M( d/ P* K) J1 o% ]$ O& j( _ (E) restive " c* n; p0 f: G9 e
/ Q+ |; M8 q; I) M x- h# m! w4 z, I6. Belying his earlier reputation for ---- as a negotiator, + ~5 q/ Y, I3 g" [
Morgan had recently assumed a more ---- stance ) W& h3 q( ~* N0 y1 j c0 C
for which many of his erstwhile critics praised him. ' ~, b0 B2 ^; |$ J2 I# t
(A) intransigence.. conciliatory 0 ]5 c$ q+ [( l1 g6 [ \8 r
(B) impropriety.. intolerant ( ~' c. c+ Q, J! b8 [3 V- H: F
(C) inflexibility.. unreasonable
/ N# F! _( u3 U (D) success.. authoritative
9 z: ~ y; k% N1 G% d; w (E) incompetence.. combative 5 B& t' d1 k$ ?
, s$ H; {: o5 u* y! z! f, W7. Although Irish literature continued to flourish after ; N: s1 D, ?9 E/ D8 J
the sixteenth century, a ---- tradition is ----
% C! d" ]' L) Iin the visual arts: we think about Irish culture in terms of , g3 e2 d0 F& d6 I
the word, not in terms of pictorial images. ! V3 @: X4 C# E3 I! X C
(A) rich.. superfluous
# w- b$ ?, q& F# _8 q! o/ A3 O (B) lively.. found
% T( w9 W: w/ I3 @5 B (C) comparable.. absent
2 ?( x' g( _4 {/ M V (D) forgotten.. apparent 9 W3 v9 i) x) O* H* S; S
(E) lost.. extant , s- v' k$ x0 L0 C2 V
- U8 ^, x$ v c+ T2 r/ o0 W
8. SILVER: TARNISH::
8 i" e3 b! \' w4 r6 ? (A) gold: burnish ' a& V0 ^7 U$ T: ^1 Y/ P' C6 c
(B) steel: forge $ Q4 _% p! V8 `) R# b/ ~+ K$ M
(C) iron: rust ! f5 E# d# Y* H- W
(D) lead: cast
8 M5 i7 f& E$ w- S (E) tin: shear ) P5 g' [6 s; z5 |3 e) ]0 F
2 [1 v1 u" \$ @1 m y7 @
9. DISLIKE: LOATHING::
, t( f6 \3 d2 Q' p (A) appreciation: gratification
/ y: g# R: h4 P/ ?5 ? (B) hunger: appetite
: Q8 h S5 h+ B5 n' y* d (C) void: dearth
. }- c8 I0 v) {* T! _% s& P; g (D) pleasure: bliss + H/ ?& b9 A8 ~
(E) pain: ache
6 N$ f ]; B* i' s$ o1 ?' I/ W
, M' O* @/ D5 F10. CRAVEN: HEROIC::
[, ?( r% q. ^! P (A) unruly: energetic ' m6 v& P5 I4 W4 O4 |' b
(B) listless: attractive
% C% J* v: ?: r3 a; ?+ W' l (C) volatile: constant 7 s2 Q I" i6 ]3 @& |" o8 r/ W. ^
(D) deft: trifling
* e+ [: P% V- N3 G% l, N (E) awkward: amusing
( P: E* Q- l; g+ f/ t4 w, ? H. [. P: n% l* n) O) c
11. FILLY: HORSE:: 7 j, S. S6 P, N; t
(A) antennae: butterfly
9 s: H9 A9 F- n: \ (B) pullet: chicken
' O8 G" ^! E ^, ]* ^ (C) gaggle: goose : r/ C, g2 q; G" y+ T
(D) duck: drake
, B$ N6 p; P5 Z; M/ i+ O, f (E) wasp: bee J3 f) p# g3 y% J. J4 D+ n
- X6 F7 w; t _1 |
12. PITHINESS: APHORISM::
+ C X4 J. V m% G' ~ (A) craft: art
& c+ p# P0 B9 | (B) detail: sketch
6 l, n8 r9 ~3 w( T* B (C) illusion: story
% U* H% k3 l% C# E; y (D) exaggeration: caricature
6 A4 ~0 c1 w. d& N z/ V0 d7 O (E) sophistication: farce
* Q& S' s) ^) s7 d/ t8 \% ?' l" [' J" f3 G& [) g p' ]& S
13. EPHEMERAL: ENDURING::
/ ?, v' ^: z5 }# K (A) infirm: healing . p+ v+ S5 d2 j. R. v. Y
(B) insensitive: cooperating . W9 N8 h1 d' v
(C) inanimate: living 7 i8 K5 h: o- S9 O E* F
(D) interminable: continuing % |5 n& j& G' f% u( H" D) |
(E) ineffectual: proceeding 5 I. N0 d9 C0 g9 U6 C
4 M3 t T! o% ^" j$ b2 I) W4 Q, G
14. POSTURER: UNAFFECTED:: ; a8 S% a* J! X# P- n* q9 A
(A) brat: insolent {7 _2 B( E$ M4 i
(B) hypocrite: perceptive
$ K7 W9 f7 I, [8 N/ D" A (C) grouch: respected
8 O% D' c* ^: M, V3 |; f7 J+ y1 F (D) bigot: tolerant 3 p/ r. }* F( c( n3 \" x
(E) rogue: empathetic
% |: C& I+ d* B- i& R8 t7 C; ?
% G- S+ ^1 L: ]8 C5 q" j% |15. FACETIOUS: SPEECH::
9 Q; J& {% G; M (A) precocious: learning : `( P0 u6 _# k6 O9 @% Y
(B) unbecoming: color
) |& m2 x$ \5 O/ n0 w9 m0 i# Q9 G (C) exemplary: conduct . w; `& K3 ^' m. y
(D) craven: timidity 3 d4 R }6 r; [9 v2 M& o
(E) antic: behavior 0 z6 ?' `* }& }) u9 { D1 V
) s- _5 W' w7 M6 n
16. VAGARY: PREDICT::. Z. l0 y+ u9 p8 U9 Z
(A) quotation: misdirect ; Z( B6 \7 L3 y) K
(B) investigation: confirm
* |+ O7 P% o. y, e (C) stamina: deplete ! Q* q1 `- a+ s5 A! t' K% N
(D) turbulence: upset
8 b& i C7 c" n; B: n& |% W! @8 [ (E) impossibility: execute ! R% d: |4 }' v' \
, z% c0 H" n3 e/ u' C7 P; Q28. PREFACE:
) V, R" @9 l8 m* g' C(A) improvisation
% N7 Q+ P f3 f0 |0 W% K(B) burlesque ! |! T9 i8 p3 h4 l# j; Q6 B) o& ~
(C) epilogue
X, Q# n( m* r1 n(D) tangent - l+ Q! o% z/ u0 G% C
(E) backdrop 6 K: p o' w5 W/ ~9 Q- R, B2 w
" {+ F; ?. K& g0 {
29. DEBILITATE: . V: h9 Z2 C( Q! W* X; E8 D) }! Y
(A) implicate
2 C2 ?0 }4 k" q C(B) invigorate
1 m o W' i* n(C) obfuscate
$ x0 n Q6 i) Y, L5 a, \(D) realign # Q# J \* s& J( ~
(E) encumber + B; r# F8 `! r$ N, W- v6 g$ _
! \1 z6 }# N$ ?# ]2 T5 G- @
30. TASTY:
4 k) f9 t3 @$ B4 I(A) uninteresting
) Q1 I* Y" i1 @, z( f4 j2 m2 c# j(B) unfamiliar
9 u" b2 U1 ^* Y& V0 e(C) unexpected - E/ b1 i" S- ~# r8 a
(D) understated
. X0 e$ ~) Q/ t6 h(E) undervalued
/ L6 [2 B' M* p4 Z5 V f1 O+ T4 P [: M- B
31. ABNEGATE:
& a5 r: L7 F8 i) ^( `. v$ D(A) refresh * y4 W u Z$ d8 }% L
(B) reaffirm " T# `+ O& ~8 h/ r( H- K
(C) relieve
* u( G' {& h5 G! B, e. ?1 x1 H(D) react
$ }8 Y; J( W" U v s# s: I(E) reform w+ ]- l/ a# P* z' E
& E4 y) c' a6 [3 V5 y32. SERRIED:
0 \4 Y& u ]5 B(A) partially formed / E+ ~' i! L/ e: e9 @
(B) widely separated
5 G6 ]. p* j' R n) o1 P3 ](C) narrowly missed + d# |. @- h4 F+ Y2 {7 O
(D) extremely grateful
- c4 ?1 g% l1 Z3 H0 |% J( p9 z(E) reasonably clean
7 d- ~3 D* `2 I8 V
5 t8 f* ?6 k% x' D! i7 M; W33. BOMBASTIC:
6 |3 F3 @! V( _* I) K$ }(A) unflappable $ t- \" h8 _; C! I) v$ _* v) J8 d
(B) uninspired
- a- i5 ]3 D) l(C) unpretentious
8 y9 a- L1 \* q/ v) Y(D) inscrutable
, z( k4 Z$ o E(E) incisive 1 C/ \ E0 {( Z- ^. u
3 R+ r( K9 Q% i3 p/ L34. BANAL: 4 d0 L+ F; @! R9 Z5 ^5 q: M- _
(A) comfortable - F2 t' a" S" u- ~7 e
(B) novel
4 q+ s5 @, B% U(C) equal
% {2 V/ K7 V' h$ G$ x5 S H8 Y(D) fatal
* D7 H$ t' q4 m- P, O(E) competent
9 a! s3 C+ z5 D9 X) W: r35. LANGUISH:
9 M# ~9 H- Q3 k8 f8 U0 y( C2 m(A) agitate
$ p7 p4 U4 U4 l/ v! D0 N& k+ h( v(B) wander
4 K2 {3 L) m" M }4 t6 \6 {9 ^(C) relieve
8 `" d& ^. U+ p' L7 g. {$ a+ }(D) discomfit
# ?5 w8 G5 [9 c(E) thrive
" \' Z% \/ t' N. i" S2 {7 U5 W; L7 i- o* t" i- [
36. ENNUI: " u* @6 s. C9 t' h, u
(A) intimidation
6 g; x; V2 ~! {( C(B) sleaze
- Y7 s& m g4 e) A% v, p$ Y(C) faint recollection L" L$ }9 b+ T- B6 X# F
(D) keen interest
5 |/ L; A$ l( A) V1 D(E) deep reservation
& b3 L5 O+ x1 N% ^ N- Q0 S5 ]+ i) m! Z1 [# S3 e
37.DAUNTLESS:
9 r6 L# E' Z2 z+ |+ d/ I5 x) a, e(A) sophomoric* w4 s: L0 G& R# U2 }
(B) trifling/ ~) ^5 d$ o7 m) X
(C) pusillanimous
; p$ `/ C" Q2 n* H& _+ a5 Z(D) specious
8 _+ U& L* j0 h. u- O" ?5 `/ ^& }- p- W(E) parsimonious
% Y% p8 h: q, I4 P3 a4 U d# {9 I0 ^: C6 g8 h( @6 n8 u) I" ~1 U
38.TEMERITY:
4 Y0 t+ u9 P8 q* e: B(A) credibility
Y- S, \% ]$ z- h- n7 F- V(B) authority
; ^' x( w! v4 Q2 w( |. W- t(C) celebrity
- K5 i9 P- |! }/ U4 Y" U(D) acrimony0 L: Y3 f% O( l% v1 ^
(E) circumspection: N" T8 k$ ]# p( S
" L+ n! s$ H' z- Z, v6 U1 Z" E
3 l5 x) @6 F3 l- @7 o7 b
# v. V0 ^ t0 |8 J) ]7 ?, K( f) GSECTION 4
5 {* i0 |7 P- I6 }( _Time-30 minutes
+ K5 I4 _$ ^$ O D" \5 }38 Questions2 i+ J+ a( J0 Z- x
- a/ X2 y9 R7 K7 f1. Although sales have continued to increase since last 0 \+ z4 U% J" Y) _/ m6 d. X0 I: I
April, unfortunately the rate of increase has ----.
6 h/ Q! Q2 m* D! Y7 E }$ r* Q7 C/ N5 }(A) resurged
& ]6 _, P! m4 b# J5 S6 `2 B(B) capitulated ; W' D) F; p w4 y6 f9 O
(C) retaliated
7 h! m( i1 `3 R$ s' x' O(D) persevered 0 l# L/ j8 ]+ |. [. B K- y2 j$ V
(E) decelerated ; T# O0 _; _2 x: z, f
9 b- D" a0 P: K M2. Although the mental process that creates a fresh and 4 c2 x1 I/ w, a8 j* q; ^, f
original poem or drama is doubtless ---- that which
# g* a+ N: J- J" l- foriginates and elaborates scientific discoveries, there
( k9 I/ W& S* |is clearly a discernible difference between the crea-' |$ H& h3 [( ~9 w X( _+ @
tors . U) c( [& U/ d/ p% U
(A) peripheral to ' S/ Y4 k; q$ [$ F5 O+ i8 i( [
(B) contiguous with
9 ^* J( o3 P$ _# a(C) opposed to ( w7 Q: d9 c8 g+ Z( D. W
(D) analogous to : ^& Q) T3 G8 i; _5 A
(E) inconsistent with , \3 s8 Q( z( l8 b* B* `
& E9 z2 ]; q+ y1 ^5 {2 k
3. It is disappointing to note that the latest edition of . B, X3 |$ Q2 p: ~' {
the bibliography belies its long-standing reputation
9 M% x. `. r. M. W2 sfor ---- by ---- some significant references to 3 n$ B; K! r8 J) x: D
recent publications.
; M- ~- [) h% |(A) imprecision.. appropriating
U/ X' d1 l: `6 {. S(B) relevance.. adding & Z4 {! f7 F: b- t+ {
(C) timeliness.. updating 5 o) D' H7 q8 g/ b( A+ u
(D) meticulousness.. revising ) D# l& i0 R1 P2 ]3 o
(E) exhaustiveness.. omitting
2 G3 L3 e' P& o ~" }) W1 b4. Although Simpson was ingenious at ---- to appear ; x, B0 d$ [7 v5 `. n$ f. e1 x
innovative and spontaneous, beneath the ruse he 8 v* s# f# `- H* ^2 a) @
remained uninspired and rigid in his approach to . ]5 E5 e/ w4 o; }4 x! I
problem-solving.
+ x6 C9 |' B5 n; i( {! }5 D(A) intending
2 Z3 w7 \# v# V3 k(B) contriving 4 f. Y0 P; T5 T+ S+ S1 X
(C) forbearing 3 b1 k( G1 I' [/ W( S. A9 x
(D) declining ( y4 C7 h9 x& e3 o
(E) deserving
8 f t9 K R; V3 h/ }( t# V2 C: J2 V! \: P6 W
5. She was criticized by her fellow lawyers not because
2 `, D1 H' t, @9 l+ sshe was not ----, but because she so ---- pre-- F4 `( f7 m5 _7 }& u
pared her cases that she failed to bring the expected
2 E0 y, ~4 J- Y5 d8 ~) Y. j2 Pnumber to trial.
5 h0 _& {. {4 _: z& z: F, B(A) well versed.. knowledgeably + p1 d* _+ ~1 W5 E5 [2 t! b
(B) well trained.. enthusiastically
5 H: _" Q, m1 x- T(C) congenial.. rapidly , o% u( U1 k% \
(D) hardworking.. minutely
" o' o3 Q- w4 j, g3 h2 D+ _" @(E) astute.. efficiently
& K2 X6 h' p" Q# _
1 E9 a+ {1 @& Z1 ~6. Schlesinger has recently assumed a conciliatory atti-
* e5 f L/ f* ~; U5 B! `tude that is not ---- by his colleagues, who con-
) C6 |, n0 P- ^$ Y: [3 F2 F5 itinue to ---- compromise. 1 `$ T$ E4 u, ]
(A) eschewed.. dread
$ k; B/ i" z6 r: P" K* k9 n9 `(B) shared.. defend
, g. y G. r; Y- ](C) questioned.. reject
+ z. T$ o/ `1 I) i(D) understood.. advocate % j5 u" q4 I3 X( X( T7 r h
(E) commended.. disparage % \+ m3 ^! ^6 T2 L
- p$ q& L9 f: K& Q3 m
7. The National Archives contain information so ---- ; J3 j1 k- b8 v* b# V8 K+ f
that researchers have been known never to publish
6 J1 S9 k; H7 u7 b+ L( L/ abecause they cannot bear to bring their studies to an ' V" W" y: I8 q7 F$ ~3 Y
end.
* h- A: q) S3 M# P(A) divisive : B3 y/ k7 }2 v. W7 t; f+ J0 A+ t
(B) seductive $ g# q8 @" ^8 W `* E5 u
(C) selective & z- i5 X: w, I, I J) L9 j; j7 k
(D) repetitive 6 ^9 _1 C% @6 t! S4 v. H' M
(E) resourceful
- x9 h$ v7 j! E O* [& |" S' M4 c. a$ |, P* X8 T- D9 P' h, W
8. HILL: MOUNTAIN::
5 Z6 Q& I( p& a/ }* @(A) grass: rocks
3 s; `6 t6 ?$ V9 ~(B) autumn: winter 9 y6 h" E' U0 ?) b
(C) creek: river
1 s# d3 J4 ^* {; \& F/ J# @- p7 O(D) star: sun
9 {6 @) C2 r1 {7 Z# N, P! J(E) cliff: slope * y/ T9 V" m; O; Y- E6 S0 a( L
6 A5 Q) @% s# U6 K( ~4 }! Z' z
9. AERATE: OXYGEN::
5 L U* D( K4 W& W, r& z(A) eclipse: light 0 b" ~2 G+ F. H0 x' X' }7 \
(B) desiccate: moisture 4 L9 h1 X% {! O/ n- |, [. c
(C) precipitate: additive 1 ], o5 \$ [, M* t
(D) hydrate: water
/ z$ S3 O- J; Y! i( x(E) striate: texture / p+ L A* h. P0 W
: p5 H& B" l+ _- |1 e
10. ORCHESTRA: MUSICIAN: 0 p% W O* M% w) \& ]
(A) cube: side . a* v; d* \5 @: p$ `+ d# ]
(B) kilometer: meter0 F7 X9 v9 E* C1 Q7 Q! F- `
(C) sonnet: poem7 A. {9 N4 Z' E; H
(D) biped: foot0 b) L% k2 w7 Y* I) g$ N: u, `
(E) pack: wolf
" z" A8 {& j) ^3 s
. g2 p6 V$ N( s9 D6 L8 |11. EQUIVOCATION: MISLEADING::( a- N! a1 b& f! n/ |. D
(A) mitigation: severe 9 I, D- x0 U$ W, H1 q, N! W
(B) advice: peremptory / @* S8 O$ a9 z Z3 `! _
(C) bromide: hackneyed
1 b! I6 p% z% p1 ~; R. w(D) precept: obedient
' I: E- _8 ^# {. j% x(E) explanation: unintelligible ! A' P. \, }# f, u( s- w2 U
+ o* f I6 b+ P7 |; W
12. CENSORSHIP: COMMUNICATION::
x$ v! H. I% t0 E(A) propaganda: ideology
* k. H+ d' y! w8 |- }( k(B) preservative: decay 0 [' x) s1 ^! U- Q. E% w
(C) revision: accuracy, k2 g" f9 g$ S7 x% p b
(D) rest: atrophy
2 I, G" }) ]3 M" T/ }(E) exercise: fitness 2 }. k- C! T! o0 D! i
/ Y- [5 |! _# M: e
13. BUS: PASSENGERS:
9 l( Q" p+ f( Y) K# e) a- Q ](A) flock: birds
: N0 A3 L) H# I j(B) tanker: liquid
+ F% k3 c4 y' v8 i(C) envelope: letter . }' V) [% {1 E9 x C7 h
(D) bin: coal ! b U( T; F1 P, G
(E) automobile: gasoline ?8 w* S" ]( w3 O- K
7 Y& f% |5 Y5 l& q3 z% E6 K; T, X
14. BALLAD: STANZA::
$ V2 G6 s% U# k) N% s+ r* a1 H0 p(A) novel: chapter 1 y/ }1 ^, ?2 N$ f6 e
(B) poem: meter
# ]. r8 L% n% I(C) play: dialogue & O- b5 O& r5 i! j9 E& l
(D) movie: script
# }1 \, |" ^2 P* W8 @- A(E) photograph: caption
& b! ?/ D3 u) i: C0 ^8 h0 r7 m( m7 J# \
15. DISABUSE: FALLACY::
" E& g# J0 P# T; Q9 Y0 ]/ v(A) cure: disease 6 P) n- E! l+ ~) Z, \2 l/ b5 ]
(B) persevere: dereliction 1 A8 w( x/ d: Z; W6 \
(C) belittle: imperfection + u" L: c* h& O7 t- g6 Q: _% X. b
(D) discredit: reputation 4 \: L% R% q1 v4 p; O6 @( n9 C
(E) discern: discrimination 1 t; |6 {$ { V4 O) K! E0 N
! R+ [- R. \9 b7 ^, O16. BLANDISHMENT: CAJOLE::
" G$ M8 \6 n+ F4 s, c: P3 Z' n- g(A) prediction: convince
' b. ]* s5 O+ k(B) obstacle: impede " J/ O3 I+ B- m2 p. N& X
(C) embellishment: praise
7 I4 w ^; P. V0 t X3 w' ^(D) deficiency: compensate }3 Y% `+ t1 M L. Z% m
(E) compliment: exaggerate ) I. e+ y' K8 c2 J
7 ^" s$ d& J- K$ J8 Q2 y. U6 \+ x
, t1 u& J+ v$ S, z F0 j28. DEBUT:
$ C Z6 g- ?7 O( q" A7 I(A) collaboration 0 L% v+ r/ X0 d% Y+ ]9 G: ] B% r
(B) monologue 3 C% V! }3 a0 F1 R
(C) farewell performance 3 M2 k) H+ `* Z& b) b: A" |
(D) repertoire standard
/ p) B+ q. E) e; l9 } C2 V0 q(E) starring role
! ^# g& b5 j% g" O& z0 X! }" F: e' s8 f0 a0 `9 @
29. WITHER:
" C) L" k% I* h! g3 V(A) disagree
2 u0 W( i( p& Y, Q( u(B) shine ; p, {( l* X& d8 p
(C) plant
& z5 M( v: _! n/ B(D) adhere
$ M1 S( O# X# L8 M) d* i4 J- _(E) revive 9 n- N7 h. v b
6 y1 y3 Y$ o6 `- Z! V2 r# ?30. BUCK: & Y7 z' L$ @2 D4 O! ]" \; x: j
(A) cover over
4 J' G/ \3 ^9 L @4 }% ^(B) assent to
0 V/ u+ o0 H$ }; O; c7 s(C) brag about - f- |0 }5 D( ]8 q! K
(D) improve
+ ~: v9 c7 T" E2 A(E) repair
/ h: p( ]; ~+ G' I+ m0 W- @9 h) p5 R# F* w
31. MEAN:
' l! d: b& ^0 k(A) trusting $ }! O" ?' M: S" [" C
(B) ardent Y* } n' \6 `
(C) clever 8 k# S$ Q5 k/ }! Y9 }" D
(D) incautious
[$ N& e ~( K(E) noble & M: Z8 v1 e* Q" L3 f- J( t) `
2 } u9 `# F! Q5 }- |$ P9 [32. ADJUNCT: - d$ A2 j3 Q7 z# X1 O! Q
(A) expert appraisal $ _+ H: n0 y0 U- j
(B) generous donation
8 }2 x1 X/ w4 S$ {6 O, g+ s(C) essential element ( i% r# l) P _9 t: y
(D) mild reproof
) b3 U* j6 [/ D$ i/ F(E) impartial judgment
! V* T) S& f4 m& S! Q! @, K n$ }1 E7 T
33. CANONICAL:
! v3 w$ h7 N: Y+ X(A) imprecise
: H! a3 N& L' O3 P, U7 T, Q4 {(B) ubiquitous
* m$ E. ? t- L% e(C) superfluous
& m8 \1 A. {% S6 q3 c0 b' A(D) nontraditional * t+ }8 s" W3 L3 ^9 x: T
(E) divisive 0 c0 y% L) y. f/ l8 }" `% v* ^4 X
; t, _# l+ [0 @% w$ j! y) @
34. TICKLISH:
# S; j; d6 H5 N7 i! ^/ u% F6 e(A) heavy-handed
1 h; z t& `0 p7 g5 i4 u* N ?(B) significant
/ @8 {) r" p" i7 E3 t* g9 {- S, j(C) tolerant
- z1 x, E6 ^+ ] A o. {(D) impartial
3 B4 y5 {6 [+ j h/ H(E) imperturbable
9 e: W7 ]/ b2 t3 q4 v. \" e
/ C5 ?6 _) H2 B B' c1 X# X& I+ c35. PREVALENT: & g* A2 J! I0 F# z. E! {: ^
(A) invasive
; E% K T; `# }" m- Y3 K(B) inconsistent - R# F4 j( o/ t {/ d
(C) indistinct
$ _8 T/ H$ m* } S" F(D) unpalatable
+ C# b8 _& y3 @4 N, J(E) unusual ' O- k9 [. h, ~2 q/ r
( w1 ^% M; u4 r. T
36. PENURY: 2 Z% i5 a- I/ V
(A) approbation
9 N# ^5 {* b# f! D7 ~# P(B) affluence
5 X3 w9 T* F. y5 E(C) objectivity . B' c0 A2 M+ z0 E# N7 @
(D) compensation
3 r0 I4 `# X) A6 p) ?(E) grandiosity
E0 l) c: y# H6 F6 `& i
! Q7 I! G! s A0 W/ l37. MINATORY:
2 Q* ~7 h J! g. o(A) convenient
3 A1 m! {) c$ O( W) @( f5 o$ `$ Y(B) nonthreatening
( U: R, T& [ J6 S9 u(C) straightforward & V1 R' O) d4 P Z% k/ ~* v# W
(D) fastidious % H: B4 i: F: c/ K" a! }4 i
(E) rational
2 y7 O; @1 v- U/ E( }% P: k" e) W5 b5 i
38. CALUMNIOUS: # C8 N4 y+ {- ^
(A) adept ( J v+ d, m0 g$ p
(B) aloof , @$ E' o6 e$ k4 M1 H0 ?
(C) quaint 9 P @" O% U% Y* B: l& `6 u6 U
(D) decorous 5 {' H. W$ k$ p: J1 h2 |
(E) flattering
5 b$ g# j7 ^/ U% W: c: K
$ z( |* Z' b$ ~9 m2 n9 z9 h5 s
/ ~' a' o9 ]4 D$ O. N" j6 b: KSECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE
4 [# j- V _5 VSECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE
! J; Z5 g/ L" H6 \( u$ s/ e _SECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE
; W3 a3 ?, @ A! HSECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE * v. u. |1 M5 Z* Y
$ s1 @* ]( R" O4 A继续努力！ |
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发表于 2007-5-30 06:34:21
发表于 2007-5-30 23:55:22
发表于 2007-5-31 01:19:54
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