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[题目讨论] 0706G冲刺模考第四辑 [复制链接]

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发表于 2007-5-30 06:34:21 |只看该作者 |倒序浏览
6G冲刺模考讨论(四)& V3 x4 U, ^! J2 ~* h

8 n. u* |2 p* _/ Z+ |- _" C现在模考应该限时. 同时也要练习涂答题卡.
, V) e/ L* e/ W) v0 X3 ]其他规则同前。
! v  |0 D( u& ^( ~& B; C0 }7 f7 Q$ u* Z$ ~
2 _* T( e' u: _; B( o
SECTION 19 R& d1 M6 ~  \; f
Time –30 minutes
" q) I2 l+ |; P& x) z8 ~& z: S38 Questions; j0 g+ r4 P- W) T  N/ x3 @
' i* m9 U8 w4 I0 X
1. Because the monkeys under study are ---- the . R4 c! M$ o8 C" |2 {; x2 n
  presence of human beings, they typically ---- 6 d. k2 {7 f5 c" Y* @& Y! ?! t: U
  human observers and go about their business ! z; J. Q+ Y0 Q( e) X
  (A) ambivalent about .. welcome - h" C4 z9 r6 X) j0 k# w- @3 _5 ?( A
  (B) habituated to .. disregard
) p7 ?/ O4 m) x  (C) pleased with .. snub
' j2 j0 q5 B& g; g/ G  (D) inhibited by .. seek
/ w7 v$ o$ t. p. o; V) f+ W  (E) unaware of .. avoid ; l& F4 Q6 z2 `) d/ ?4 A

, P' P5 `# D9 g, {! [" L$ ]; [2. Give he previously expressed interest and the / x4 [, v  s/ X2 @
ambitious tone of her recent speeches, the senator's 5 c! P: c. Y# D
attempt to convince the public that she is not inter-
" r; F  d" L( y- Gested in running for a second term is ----.. P/ z2 q! C, b
  (A) laudable
* M5 \; o" h, ~: ]" ?  (B) likely
* A) q  O9 k' L; O6 @" L% Z  (C) authentic
# G2 T# E8 {" A: k5 j6 l  (D) futile 0 W, E/ t, r& y' B
  (E) sincere
7 y4 P1 V! O' Y( P
. G; _# e, y1 h0 L6 ]) E+ W3. Many of her followers remain ---- to her, and   o) _8 o2 a6 H# t
  even those who have rejected her leadership are + U' M" R7 N6 A6 g
  unconvinced of the ---- of replacing her during 7 S, }6 q5 C7 ~3 H2 Y
  the current turmoil.
/ L8 ]* p; i2 k0 ^  (A) opposed.. urgency 2 Y2 F6 ]3 z* b! h# M0 L# x) n5 Q
  (B) friendly.. harm + L# `; S3 N- J  T
  (C) loyal.. wisdom % s. h& }! V1 X6 C* @1 H# u
  (D) cool.. usefulness
7 R- m+ n/ Z1 V  (E) sympathetic.. disadvantage " D; m0 i, G% T, g
) I* h8 x& ~# ^* z2 Y
4. Unlike many recent interpretations of Beethoven's
2 e% o* e9 b9 K  c9 e' v( z9 epiano sonatas, the recitalist's performance was a & n/ v7 D+ f( B5 Q2 m& l( X6 b/ Q: v
delightfully free and introspective one; nevertheless,
9 w- _. @' s  t& Cit was also, seemingly paradoxically, quite ----.
0 D- ~! B5 ~& j% B, S) h+ t  (A) appealing
( |/ g4 c) N: N/ y4 q+ q/ X1 v  (B) exuberant + M/ ]1 [. s8 U+ q# \
  (C) idiosyncratic
+ O) [* \+ {5 O/ N  (D) unskilled % |2 X6 A9 |  I) }7 S; O
  (E) controlled . ?  z6 l1 ?: a

) l$ d/ a# S( g, [5. Species with relatively ---- metabolic rates, including
' v* \- o- M- m8 x& v' `hibernators, generally live longer than those whose
7 o5 z. S/ E2 j& X% W/ jmetabolic rates are more rapid. 1 [9 i" W6 \" X0 M  y; a
(A) prolific
8 }7 D8 E, S" a* V(B) sedentary ! g& q1 l# U0 E9 G3 T9 M, x
  (C) sluggish
- n5 p# S5 u0 u: a" m  (D) measured
; j" `+ \+ X: y+ {  (E) restive 5 J+ l: Q5 o% M- ^
! J' L) b& T; u- c$ y
6. Belying his earlier reputation for ---- as a negotiator,
7 Q' _% N4 H" a- S; M& HMorgan had recently assumed a more ---- stance % {; X) E5 L/ v/ O
for which many of his erstwhile critics praised him.
; N& U+ O/ b2 _4 l6 C+ z  (A) intransigence.. conciliatory 7 d" `# `+ Y$ Q1 n2 o
  (B) impropriety.. intolerant ) ^. [% n. B* [( i; ?4 l
  (C) inflexibility.. unreasonable + F) R* }% p) H
  (D) success.. authoritative 0 v) W- W1 v/ J' A) n6 ~) v: P; t% J
  (E) incompetence.. combative
4 s! k& J/ x& |" n  k5 @6 [3 P+ M  y4 R1 O: j" u; k
7. Although Irish literature continued to flourish after
1 W2 u; W$ _/ v) zthe sixteenth century, a ---- tradition is ---- 6 S* e# a9 J* J0 H* N. P9 X4 a) e
in the visual arts: we think about Irish culture in terms of " e9 g1 o# g4 L0 j; e7 @* y
the word, not in terms of pictorial images. ; p9 G3 Y* S0 z$ W
(A) rich.. superfluous / ^% \& j) g( S, C' s: g! c* W
  (B) lively.. found
4 w: Q; E6 Q! o/ f- b  (C) comparable.. absent 0 P: t" U( S# c$ U! e; v- G
  (D) forgotten.. apparent 9 N- ]# H, M9 C) ]# [% g# ?( X
  (E) lost.. extant
/ P' t, h% G, B4 S; f* f7 y  z1 l0 b1 u* V9 ?
8. SILVER: TARNISH::2 v  \' @- f8 t) |# g) T' L
  (A) gold: burnish ) w. X0 i% v9 e/ m4 x# F3 G7 w& K0 x
  (B) steel: forge / V2 H6 ?2 n8 J% j
  (C) iron: rust
+ v) z9 a0 s4 L9 X) Y# H1 r+ z  (D) lead: cast ) }$ u3 w9 ?1 e
  (E) tin: shear   V7 F$ b6 P% C* O3 a/ _9 J/ V

" A3 {& g) a0 L) a8 j9. DISLIKE: LOATHING:: * H, B7 r$ I& K' h6 `% d
  (A) appreciation: gratification
4 ^0 u% Q# m1 \9 Q' N  (B) hunger: appetite 9 d$ @, E( Z1 ^) z1 C
  (C) void: dearth / C; B/ O( {3 f( M( a
  (D) pleasure: bliss $ t5 [2 F9 C: D8 u. S! I
  (E) pain: ache
+ T; _+ n8 u. V/ F# c( ~  o7 \+ P, y; S, K/ l1 E
10. CRAVEN: HEROIC::
  b! E# m1 G# p# a  (A) unruly: energetic + Y3 n5 K. I' z+ I2 ~* d$ N
  (B) listless: attractive
; f7 ?& x( [9 m  (C) volatile: constant : A- R5 t& x, M' @# o  A9 U
  (D) deft: trifling 7 O+ n8 P3 V, R, y
  (E) awkward: amusing 1 I0 X, u' R; J! h) e/ _9 L/ ?( N6 f
8 F, i: C0 r/ i1 Q6 A- B' F
11. FILLY: HORSE::
# M# i7 ^0 k% `# {- I0 B  (A) antennae: butterfly
4 p4 Q; q" q0 g  (B) pullet: chicken * w' o( |4 z. a& b& E/ W0 w( u
  (C) gaggle: goose ( z4 f+ ?2 e2 T8 F# q
  (D) duck: drake 6 r' F+ b  P% e4 I: H
  (E) wasp: bee 5 O3 U" e! q8 }

7 w4 F2 N  _; E! o12. PITHINESS: APHORISM::
: t5 r/ a$ a7 J( t  (A) craft: art
  ~& Y' B; d5 \( R  (B) detail: sketch
0 v* i6 q& i9 [* T* Z  (C) illusion: story
/ g% G$ Q& _$ o* M# I& c) F' L  (D) exaggeration: caricature
5 B( s. Q1 T, C- E6 E+ c7 `1 f  (E) sophistication: farce 8 K5 o; ]  \8 M) }6 D

! ]# h) D) `0 e8 X9 g13. EPHEMERAL: ENDURING:: 8 p! ~9 N, S. u0 O
  (A) infirm: healing
- X3 d1 R% ^: @5 C$ L' D" v  (B) insensitive: cooperating
- m% X# S! b. a! f  (C) inanimate: living
6 S9 ~' U% Y. [+ e3 ~* ~  (D) interminable: continuing / O3 k$ x7 B" ]) G5 L7 L) f5 G! u
  (E) ineffectual: proceeding
) a! q% b/ o6 e# F
& _( a$ L4 Z: W8 Q14. POSTURER: UNAFFECTED::
9 T  R8 O, \4 R) V% k! L% @  (A) brat: insolent . P' W3 @! x- C' }' o( ^8 I
  (B) hypocrite: perceptive
2 g: s  h2 w3 d) D) v, x3 {  (C) grouch: respected & _& b5 c0 \" o( L
  (D) bigot: tolerant
+ v" m" D2 Z! D! Q% [" ^  (E) rogue: empathetic
1 r; |& h! {* D8 ^* O* k# w+ J
1 w2 W7 ~8 R) i0 \8 E0 e% T/ v* s15. FACETIOUS: SPEECH::
! b; P( X2 x& {  m  @8 p  (A) precocious: learning + j* n! N4 q. F& ]6 n
  (B) unbecoming: color
. \- ]0 g% Y$ f4 y  (C) exemplary: conduct
4 L6 Z0 }7 b. ^4 x# R# O6 X% d; q  (D) craven: timidity
  h, {. l1 H4 y& x  (E) antic: behavior 3 W; x& t* Z# R3 U  N# g9 i
- c8 h2 U! p% _0 v, x
16. VAGARY: PREDICT::8 I: y+ e- S$ |$ ~
  (A) quotation: misdirect
3 U8 s  d% z/ Y* j4 j: h) s  (B) investigation: confirm 2 b/ W3 ?  K% r: k. C5 k# U/ v0 Q# m) h. \
  (C) stamina: deplete
) s7 q& U% J: Y8 Z  (D) turbulence: upset
5 A) K' j2 S, c: l% t8 e  (E) impossibility: execute
3 A, s0 {7 b3 z. G. K: J6 f, t. x. f2 b6 c" Z" v3 `) [2 h  {
28. PREFACE: " g+ p7 p$ }8 {5 M5 J* G7 H
(A) improvisation 1 ?! Z- z# o4 H) I4 T& X3 S
(B) burlesque ) n- O$ y. h" C) }4 h
(C) epilogue 3 b1 `4 z" [2 w/ M2 q. I. D
(D) tangent
. F: Y" q+ {0 A8 q2 D) [9 F+ S(E) backdrop $ ~! L% P  a9 a  V4 T! W
$ Z2 s; H% j2 Q+ R4 G
29. DEBILITATE:
0 V7 H- W/ G) |9 b+ Y(A) implicate
' y; Q% [7 ]1 J- a, Z(B) invigorate
9 P2 `4 R& ~6 a% ?% H) q# \& [( [" ?(C) obfuscate $ o5 ]& h" U. v1 z- k1 l' x- X' ^
(D) realign & K' ?8 n, a8 S. ]
(E) encumber " {& r" S, h* ^
# P6 L& M3 y3 s$ b
30. TASTY: 0 Y& i) h; O3 f7 r& ~
(A) uninteresting & |/ {7 b* a% f6 T& _+ C
(B) unfamiliar
' \# m) `0 X7 F* \* y( E: }0 q(C) unexpected
% j9 S; N# X( |) D8 _1 p(D) understated
+ ~* e. N! L7 m(E) undervalued
& f& O1 S, e! L4 K& ?4 z# ]0 w' `: L+ J
* [/ D+ b* J, _) X9 V2 q31. ABNEGATE:
2 l5 U; g3 T. `9 H(A) refresh   u# @9 p* U( J- D
(B) reaffirm 0 a0 R. C/ p) K( i' v- l
(C) relieve
) ]5 q  `3 }9 o8 z0 R  W6 P* I$ O# Q' n(D) react ! E6 A% [, i) w1 \1 w5 ]
(E) reform
. w7 n; A1 e3 d
8 P+ }" h9 c2 }' G32. SERRIED: ( P' R) T* K# U% w4 U3 E
(A) partially formed 1 C8 I, V  {( u$ v7 S; X% _( s: l& w% p
(B) widely separated
0 G5 N, Z* n! x(C) narrowly missed
) m; w7 \0 d3 e6 c' ~2 b) @/ ](D) extremely grateful 6 a4 g8 D. Z% p  _* u
(E) reasonably clean
) {* W. i- I3 r/ m2 D, V5 t. s4 N8 C/ j% `9 q4 Z
33. BOMBASTIC: 2 e/ v( ]' x% [( S7 v
(A) unflappable
( C# z) U' g4 _* u. }(B) uninspired
: D& s9 @8 z- X: P( O# s9 r(C) unpretentious
# S' ?! e. V+ w" y1 M" V$ a# D(D) inscrutable
* }1 x4 e  q' t8 |(E) incisive
( j# z* H3 g5 F# l! H
3 @' X, \% H! o% V" P34. BANAL: 7 u! I! u* z1 g
(A) comfortable
6 p7 w' z8 w' t(B) novel
! ^8 \2 r3 V3 [- G3 `5 Q' n: I( z(C) equal
( c, P$ q" O9 v$ K5 a) [- v+ ^(D) fatal , A* q1 B2 _+ y) W: _- N1 c
(E) competent , S2 E( p2 o! [* A& f
35. LANGUISH:
, s3 Z  N& M  _7 Z; K  |+ ]0 k7 [8 f(A) agitate
5 `7 H. G2 a+ y- g8 x(B) wander
" @0 k, C* I, B% A) B(C) relieve
, e' Q6 o4 W5 m/ a' U4 `6 D% P* J8 ?(D) discomfit
, d4 c% K% o% D2 c$ V(E) thrive
% g/ w0 y6 C7 g4 z! k, \0 Q, M$ I: G$ L: Y
36. ENNUI: " k' \) {; }" v# O3 h9 N
(A) intimidation
% }' Y) m; Z* C9 \& Y/ g! X( o2 D(B) sleaze 0 n( j8 r$ M- O/ Q2 Y. u5 @
(C) faint recollection
6 c: y+ Y# m2 m" D: X3 K(D) keen interest " _% V6 m5 Y2 v) I# V0 |/ ]) a4 Y; d
(E) deep reservation
6 ?: [; |  t: k5 Z0 T' H. g& u4 L% A, p: b2 g1 j& q6 ?( j& d
37.DAUNTLESS:$ Q5 ~1 c9 {$ L2 r
(A) sophomoric" F( M' Q3 o" J5 H8 k# |
(B) trifling6 w3 D5 [( v6 w0 s5 H8 N( i: A
(C) pusillanimous
9 n' _, _) I+ g9 l: Y: E9 q' o(D) specious
$ K% ^5 `3 d) G, S5 H4 c5 ]) B(E) parsimonious
9 b/ o0 m1 Q3 a8 a% N1 {! h0 J# z0 K% O& B1 W, V9 x3 N! i: `! |" f! s
38.TEMERITY:+ r( x6 O6 k7 M$ d$ }9 C) b6 E
(A) credibility
3 Z7 e6 q" g0 ^  D: h(B) authority0 D0 w' `$ I/ o9 x) m
(C) celebrity! E. M! ~) o# ~
(D) acrimony/ D  D/ C  s# P9 K$ k0 ^
(E) circumspection, ]) t8 u: y2 O
. {% n# u* x8 i3 k, v6 j1 n) N

8 }1 N" A6 {$ a! n, F
9 k& J6 Q: w& f# CSECTION 4+ a  _% H9 t- t% p% H( o
Time-30 minutes
0 B  d; O, B  l- R: l+ J38 Questions
( C" I: p  Y, ?0 Q/ i  ~" R5 ]2 d0 `
1. Although sales have continued to increase since last 7 \+ G: E. O" k1 F! }; t
April, unfortunately the rate of increase has ----.6 m' s7 U5 y( k7 V" ~
(A) resurged
1 ]" x& d. ~% m: T+ g2 K0 p2 W7 t(B) capitulated 6 `8 }# v7 @2 K/ p! V) Z* b
(C) retaliated ( Z# P* ]- {* O
(D) persevered 1 p1 {6 P2 ?0 B7 J# n% O, F
(E) decelerated " R5 ]/ x' N' f0 b' M

$ ~: {8 ~" ?5 m( N1 o2. Although the mental process that creates a fresh and ( Q8 o. ~# s1 e
original poem or drama is doubtless ---- that which
  j' n! {+ \: h8 t9 }originates and elaborates scientific discoveries, there . ~, k3 [! A* @* |: q3 R
is clearly a discernible difference between the crea-
$ }5 {, k0 [1 F* ]3 Etors 3 U0 I; |& o" V1 ]% n4 p' w! O6 c
(A) peripheral to
& u) S0 g3 L* A(B) contiguous with
4 M) b5 s9 X& L9 _(C) opposed to 2 z4 u: A4 e& W/ i: l
(D) analogous to
0 Q; f1 J; Z3 g) R  G, _! E(E) inconsistent with # x' F- n7 M! a" }6 m( N) E
* h9 j5 t  V" m- Z- y. T
3. It is disappointing to note that the latest edition of
0 r7 P& |, p. p' E4 i4 K2 O& ?+ H2 \/ ?the bibliography belies its long-standing reputation 0 M2 \3 o# _2 D
for ---- by ---- some significant references to
! k6 [: ^( W8 c% {recent publications. . a. M4 p) P6 l, e1 L( |
(A) imprecision.. appropriating " [4 M6 w0 c. E+ {4 q
(B) relevance.. adding
/ Y# |$ U* Y! @6 `(C) timeliness.. updating 3 l# T0 ]! t- ]. [& ~
(D) meticulousness.. revising   D7 V8 X% E9 |
(E) exhaustiveness.. omitting  
7 `9 z: @& o" ?4 q! ]9 W% P4. Although Simpson was ingenious at ---- to appear ! r( j, b+ x  H) z
innovative and spontaneous, beneath the ruse he & p* ^7 b' S, f# L! y% c1 R
remained uninspired and rigid in his approach to
5 ~- [2 k2 a; Q* ]" A: P, d9 pproblem-solving. ' H( v4 F; ?  ^3 f; X" F& n& `3 ~
(A) intending - O: m1 [8 d# c2 q4 p7 k
(B) contriving
' p' z9 z$ t6 j- g! e) L8 ^(C) forbearing : m& n# X& f, X/ g8 g6 x% |
(D) declining
3 U: ]# x9 d4 l# U  r4 G: ]" w( [(E) deserving ! v7 h2 w* P+ n1 J" o

1 X) G( L4 g5 i& I5. She was criticized by her fellow lawyers not because
  V' |1 F3 R- l! [she was not ----, but because she so ---- pre-" }( X/ i1 I) P/ e4 U
pared her cases that she failed to bring the expected
6 Q! t- L" ], Q& N- n- V1 l0 Ynumber to trial.
, J% D  i( S5 _0 D(A) well versed.. knowledgeably
1 a2 D& r7 t7 x+ ^( W/ E0 ]. [1 M1 I(B) well trained.. enthusiastically ; o6 ]: W/ w$ d% k# y
(C) congenial.. rapidly
' r. x7 g# f; s/ a; P; L/ x3 w/ ^% y(D) hardworking.. minutely
- k+ ~- H' G4 L4 x7 Q2 Q(E) astute.. efficiently
9 w3 R) r* ?  M0 Z/ z0 d% O6 I( n  c* |
6. Schlesinger has recently assumed a conciliatory atti-, p% a) y* u( }2 }. K* s2 H: U
tude that is not ---- by his colleagues, who con-- `/ O. s/ H# p) L* _5 f0 }) T
tinue to ---- compromise. $ J) U8 G$ c7 U7 m) F
(A) eschewed.. dread
2 P+ z3 G5 W1 l: E0 E4 x(B) shared.. defend 1 D5 |" l; P8 b3 k. a
(C) questioned.. reject 8 e1 q6 s9 q; S$ W2 e9 s. w
(D) understood.. advocate
5 d2 p4 n5 K* g" Y+ `! C! i5 v(E) commended.. disparage $ y/ Z8 r7 u6 f" t

$ x0 a" k* _9 F. ^7. The National Archives contain information so ---- 9 K+ G" \- H. H- o) b0 ?8 d
that researchers have been known never to publish ' p7 {: F( k& O' K5 \' v
because they cannot bear to bring their studies to an 3 Y9 G/ p& {5 q
end. ; n/ q: M6 z9 m+ F; A
(A) divisive
5 e; _6 X  Q3 A& k) ^(B) seductive 8 z6 ^1 E4 k7 V# ^8 |
(C) selective : E2 A. f- P: r; y0 h( x
(D) repetitive
. F8 P4 a5 u* s1 [3 n(E) resourceful
+ U% D; _) h0 ~, @% c0 M, B8 {0 ]* r, k$ X7 m0 d' E6 h: Q# J7 ~
8. HILL: MOUNTAIN::
: Y+ U) l0 X4 X1 [/ F$ ^: [7 t3 a" V(A) grass: rocks * e: {/ a& N8 S: U2 ~6 }: [
(B) autumn: winter & D5 a& K3 _$ a/ g3 Z; K
(C) creek: river
8 ~1 }+ ~0 f6 ?. X4 A% n(D) star: sun ; Z: l# e" P. e# W4 w/ ^: j7 I0 z4 y" B
(E) cliff: slope
0 k* @5 R' `, s7 G# ~; l* s4 G% P% P* ]0 g6 j
9. AERATE: OXYGEN::
" ?- d2 ]1 N: T1 U5 v(A) eclipse: light # q% v7 O' S) O) [
(B) desiccate: moisture - \+ E; [0 a: I% o# p5 |: N& m
(C) precipitate: additive
5 ^+ }  S& v$ l# g3 E(D) hydrate: water # A5 b& Z& |/ x& [, _
(E) striate: texture 4 |& h' r. ]& W- W, B0 a& A
; {$ R% ~" S8 I$ M; E
10. ORCHESTRA: MUSICIAN:
$ o  Y) O- t2 J: y(A) cube: side
& ^. X3 A) ^2 I  \(B) kilometer: meter3 j7 X5 K6 g9 W. I
(C) sonnet: poem' G/ h+ g( g% h0 g: q+ g
(D) biped: foot
$ x4 C" k; i  V. h. l9 w$ J(E) pack: wolf 0 g5 p: [) T; ~: l: {* u- t6 C
% {& z! }) R+ H- _4 @4 u9 _
11. EQUIVOCATION: MISLEADING::) P6 {4 N2 I) i1 @$ t* b$ n) P
(A) mitigation: severe 1 F/ ]: Q9 G+ r& K/ J8 i& I" J
(B) advice: peremptory . h% v( ~8 w" m3 B4 i; s' s7 {/ R% K
(C) bromide: hackneyed
6 y5 g2 h! ]3 t$ Y# T(D) precept: obedient # G- e8 r+ Z' a
(E) explanation: unintelligible * N9 Q6 F$ [/ Z% z$ u! f" j
0 y: I, e% L$ I1 ?$ d% V4 O
12. CENSORSHIP: COMMUNICATION::( G% V- v* f: O; I
(A) propaganda: ideology
) v# n$ @% {: y; D4 M; u(B) preservative: decay # i3 ?& G* B( Z; H2 i) B; F
(C) revision: accuracy( G+ C# J' U* c2 v4 o8 u
(D) rest: atrophy/ N) ^: g' w. F  R8 K
(E) exercise: fitness
% l( D% M, W# S. L! |. S) s8 s' l4 N9 r
13. BUS: PASSENGERS:
& {- x2 K/ o* B; R5 C! F' b: U; H(A) flock: birds   q3 h* l4 K5 Y! |
(B) tanker: liquid 0 T+ `# p' O7 v8 ]5 J$ H9 B2 p+ Q
(C) envelope: letter
( T& B# q0 J, w7 ?+ I/ v8 M(D) bin: coal - b( `2 C+ L) }$ L
(E) automobile: gasoline
. g# q3 N2 ], J/ C5 T) l
# R+ _: P* S/ ~6 ~9 D14. BALLAD: STANZA::4 H" J1 p' u2 o- I) E% R5 [" v
(A) novel: chapter
' j4 D1 F  F7 W' Y(B) poem: meter
5 f" g$ C& d) Y(C) play: dialogue
6 F% x8 F" R& {2 w( [% p(D) movie: script 0 C7 t* G( r. A+ C' z7 r' b. D
(E) photograph: caption 8 N0 q0 m( Q2 B' v
0 w6 p! ~) ?0 S% O9 I& v; T
15. DISABUSE: FALLACY::
- Z5 d3 G6 S% A8 ], ~: c(A) cure: disease
5 h( }/ Q4 }, q3 t+ T(B) persevere: dereliction
2 |3 |. H& T0 V0 G(C) belittle: imperfection ) [9 b. x" U& u9 u' A6 r4 g
(D) discredit: reputation
0 o. z5 P& L( \2 x$ \/ i" S(E) discern: discrimination 4 ]9 W0 [9 Q" R  `% w; f

& m( k8 R- b  {$ W7 l16. BLANDISHMENT: CAJOLE::
( t. Q. y: c6 j7 q& v# |(A) prediction: convince
' X5 F* P, w3 u2 T8 u0 }4 b8 G# j4 r(B) obstacle: impede
0 {# g  @0 @( F- ~3 i2 @(C) embellishment: praise ) _' `, t  O/ a  F+ q  W  f' r: p
(D) deficiency: compensate
9 E- o! W2 m  W/ R; V(E) compliment: exaggerate 3 e+ J+ g: y! K" j2 Y" N
# x. p0 s* C- V3 v5 y: ^# |
8 R! f9 W. H4 o- O  ~. f& A5 O+ S5 ]
28. DEBUT:5 u# s3 S/ U2 ]
(A) collaboration * }9 I+ o; }* i6 E
(B) monologue   z+ D* L* b' W. R9 S
(C) farewell performance 4 T* J" a: l& U; l% S! v
(D) repertoire standard
# O7 O% d6 l3 M! l, W- R7 K(E) starring role
5 E; _. x* k$ q  n2 b6 t; B+ V4 t% o0 v* U9 C$ w) A  e4 f
29. WITHER:
* p4 p; i1 x2 G/ u$ i(A) disagree
* U+ H* r/ e! w(B) shine
3 l  b0 }: N9 s+ D(C) plant
$ @  t3 V1 Q' s# [  Z7 N0 A(D) adhere
) l4 n. H# Q: m4 a3 m2 z(E) revive % Y1 u$ E2 R7 I
3 J( T* i& f: ], h5 F& V
30. BUCK:
  }$ B6 b. j. ~; v; h* m+ B6 E" j(A) cover over
8 |6 k/ y1 L6 H! V(B) assent to
' ]. p+ O2 }2 J! `/ N8 h' T. g: b(C) brag about
4 E- R( e$ r; L$ \(D) improve
4 B; Q) F, Z/ S8 I(E) repair # i" z/ T; t6 t5 L# D- J+ x

; q3 J- {" K3 Q0 C; @4 ?7 j31. MEAN: 6 y) H5 v* T* s* D3 A
(A) trusting
6 j0 h/ [2 U; d/ X8 U/ }$ T5 I(B) ardent
. }7 T/ j; c2 N(C) clever
& S3 t2 x' ?: g9 v8 T# B(D) incautious
: V% Q: Z& T' R$ }(E) noble % }/ L6 S  I  x

1 f- f5 Z+ \, L  g32. ADJUNCT: ' ~6 l: Y; P) F) V
(A) expert appraisal
2 |5 d8 }# s0 \1 T9 z(B) generous donation ; x! _% g" e: I# ]
(C) essential element . F& v* G  w; W  ]$ |
(D) mild reproof
7 E7 g5 E/ E% V4 E4 J/ j(E) impartial judgment
5 `! R8 @) d* s( I
) _: h, X: u$ `( ~33. CANONICAL: 0 F4 Y% Z3 b: w% g, D1 H
(A) imprecise
- r7 n4 z/ y* W5 H5 ~/ f$ s(B) ubiquitous   X4 w/ P. u9 t
(C) superfluous
9 x1 {2 P. k0 q- E( Y7 u(D) nontraditional . o; I, ?: _' h) c) `) Z
(E) divisive , I( }/ T1 C) F2 B

9 _) g1 A; w3 O# H; y, y34. TICKLISH: 3 I" ]* q' j& ^8 s* w) q
(A) heavy-handed 8 g# P# B! S/ S
(B) significant   C/ f) o' Q. g/ o: n0 ^/ ~' p
(C) tolerant
: J  {# H0 j' k, z(D) impartial
0 c$ ^- @: o" H2 \% c1 Q6 Y2 S9 A(E) imperturbable
* f5 R) a: q2 l2 @4 L$ `
4 ?; p( H+ x5 U- Y" \0 {0 j- f35. PREVALENT: . U- L4 p3 [! j- l6 y8 O# y
(A) invasive
4 T( i/ E" ]6 `9 u2 e; M: K$ Z(B) inconsistent + R; {) T5 z% U. z' C4 H9 \$ h/ ^
(C) indistinct
; I6 \" W" D$ A. _0 U$ e) \(D) unpalatable
: C7 D( V' u% j0 E7 j(E) unusual 6 M8 O5 G* w% T1 x  S# |% k9 A; N
5 a) c: J6 m  F( j9 s* F6 S! n0 ]
36. PENURY: , [8 W- s! b* O" ]$ C
(A) approbation : X' b( t/ `! L' |# H
(B) affluence 4 u" m+ [2 P8 z; c; p. A  [, n
(C) objectivity
% c/ o3 D) C1 c# f(D) compensation   g# ~5 e( _% y9 `$ b& Z; q. K
(E) grandiosity
7 ], t2 X8 a( r
5 ?! A" g4 n, D3 O5 A/ z37. MINATORY: & ^# N9 p% _9 W) g+ u0 E- y
(A) convenient 4 Z# p& }8 W0 x0 t! U2 ]  ?% s
(B) nonthreatening - `5 t4 _1 m3 Q- x6 f8 y% o
(C) straightforward
  V: Z1 B% @7 {0 l(D) fastidious : Q- F  C0 g1 `
(E) rational 6 r" A  d& d% Q
% X7 a/ Y+ z$ k( T3 h# B
38. CALUMNIOUS: 9 c  t2 e: p8 M( H! Z, K
(A) adept
7 p: W$ w/ K1 K2 Q% v5 D) k+ a(B) aloof 0 U. j8 V# F: @
(C) quaint # u, B3 I: M1 B
(D) decorous
# E, f% G% [% |9 s2 q(E) flattering
" l8 ~, V# A0 f/ r9 A) d- R7 Z0 Z2 t8 f

( K" b' F# @. ]. I; YSECTION 1.        BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE
: ]; m- U7 y& ?1 v+ k; o* A- z2 z1 {( DSECTION 3.        ABBCD CCDAA DDDAA DBBEB EDECC AADCE
/ y' `3 ^) c/ m4 }1 q/ w. x; S7 PSECTION 4.        EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE
9 }; u* u9 W) m; k7 ^3 i/ e. |, t; ySECTION 5.        CBDAA DABCD BBBCD BDABE ECBEC ADDDE
: P  I  A: _/ H- b. J; L: n* o" L! Y4 l
继续努力!
0 0

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Scorpio天蝎座 荣誉版主

沙发
发表于 2007-5-30 23:55:22 |只看该作者
Take a sofa1 n! ?* N2 ~/ R

$ [  w4 G/ n4 a2 `/ H- L: D————————————
& ]& q) y3 }1 T2 X% S( n6 ^
) P) D! N9 O0 s+ y我来问个好了~~
0 a8 D( O: B+ e' r- Z# T( A7. The National Archives contain information so ----
! r/ I0 k( Q% B( Y' i7 Wthat researchers have been known never to publish - o, A2 \) o1 A5 h9 ^
because they cannot bear to bring their studies to an
- u$ V2 h) J) w$ q4 fend.
4 F( t+ P7 Q, K  `6 [(A) divisive
- V% c' L9 I4 Q% q2 D9 a(B) seductive 3 I0 ^# A1 B: O/ F
(C) selective ( Q3 N6 L, [! g- E
(D) repetitive
! F3 A7 I7 j0 }& M1 v(E) resourceful
- r8 ^+ _. c. ? % w' C3 n4 U' H$ i7 l
这个看过解释了。。。但还是不懂解这道题目的关键~~" s5 f* [8 g6 m8 G3 `3 I% m

- z; A  @  \/ T! kbow
# u; @1 n* p6 `8 N; M- t; J' A3 d
5 z& \# E2 q2 X/ r9 |+ c) {[ 本帖最后由 dicmi 于 2007-5-31 00:43 编辑 ]

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中秋勋章 荣誉版主 Cancer巨蟹座

板凳
发表于 2007-5-31 00:08:21 |只看该作者
就这么一会偶都没有抢到沙发:(1 O- m9 H( p1 H1 }
明天开始跟贴了^_^
3 v: C8 z8 ?! I: N1 U  C" E# S斑斑辛苦了!/ |- K. Q# f; F) I4 R* c) V! Z
-------------------------------------------------------7 s" R' ^% f* u3 V/ T0 B2 N
第四套 顺序vqvq(是偶喜欢的顺序)2 o0 _3 K' `$ S" ]
v1 4+0+5+0            29min51s
8 t& T$ ~& ~! v8 q' nq1 3                          22min46s/ j$ v6 n4 F+ g7 ?$ V$ S
v2 2+1+2+1            29min33s/ _  m) v' D8 R( y# f% t( t
q2 6 :(                   22min50s( m1 I9 |8 P7 c5 Z( _5 J- \
--------------------------------------------------------
& }1 @+ M) h  p; S9 S- Yv错15个             time:1h 45min 03s        
2 c  G! o8 S- t0 J4 W5 i9 tq错9个            
+ d9 ?6 G- h6 E5 hv660# o+ r+ N9 C/ C" a. t
q 720        
/ ~& z, @7 n: u: j--------------------------------------------------------9 E, N  N$ r( L& S. k) a& y  L% M6 _
不知道最近咋搞的q总错很多,做到第4个section的时候就觉得很累,有点熬不住了,极度怀疑自己现在处于亚健康状态==~2 V. g( [! g" g# F3 p0 j1 K
填空还是很差,总是被填空的第一道题给难倒,浪费掉了大量时间,本来还以为自己进步了,唉.....继续总结方法.......% d$ }# o- d1 u5 T. c
阅读还得努力练习
8 o0 Y& w; \4 b1 O8 `- j7 z吃饭去了,累死了,带回来总结- E$ D0 D0 V3 r/ }6 y3 u
' t, K9 b% a% }+ U; e5 L/ u
[ 本帖最后由 tongwawaw 于 2007-5-31 11:12 编辑 ]

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地板
发表于 2007-5-31 01:19:54 |只看该作者

斑斑辛苦啦~~

请问这是哪一年的题目啊~~$ v5 F9 Z  }2 Z, |# }! y$ j' s
7 ?* P- \! T. _! ~' R# N1 d3 N
另外可以在这里问两道9904第二个section的填空吗?(也就是新东方最新模考题练习题五,162页)2 m( W+ E+ _: f; [9 k4 Y8 W- X3 x
之前发帖子问没人答... 原贴https://bbs.gter.net/thread-675553-1-1.html
. \$ L7 x1 ]. I/ J/ q9 C
! J8 k* @* F. {" |7 P, s$ h( t2 H4.The term"modern" has always been used broadly by historians, and recent reports indicate that its meaning has become more ____ than ever.; s4 m+ C  Q- ]  l* G
A precise2 q; ^  C4 T+ ?( X3 J7 v. c
B pejorative
8 A% a/ w+ Z1 g! }) h* L  g* kC revisionist
1 S6 n# P; d; Z( I/ @9 G' AD acceptable
: T" L# b/ @: M: j, K% sE amorphous) s3 l8 O, x# A9 `; M

$ ?* S) n. R% V4 n( @6. Originally, most intellectual criticism of mass culture was______ in character, being based on the assumption that the wider the appeal, the more_______ the product.$ Z3 [% G6 t6 T& W/ M9 N4 `+ Y5 @
A unpredictable.......undesirable1 Y' i8 K9 c' A- {* e; P
B ironic.....popular: G6 I  m& N$ a4 R# R4 g! c+ w5 w0 R4 ^
C extreme.......outlandish+ m5 t  s4 `$ G
D frivolous........superfluous( D& u# Z" k3 h; ^! W
E negative......shoddy1 x1 c' L- b) ^1 o$ _8 c) r

: x! t- z" u5 D2 Y. Y0 ^这一题好像找不到什么同一重复,全靠搭配吗?没有思路啊~~4 T1 ]5 ]( F; |2 p6 t
2 H: W+ R9 P. O0 G9 Y
先谢过~~( f0 M" }& z& Y

3 i  ]7 c8 Y) D- O1 Q4 ][ 本帖最后由 luckychina 于 2007-5-31 11:26 编辑 ]

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5
发表于 2007-5-31 10:07:16 |只看该作者
我汇报一下
$ }! v+ W/ M4 T* w- W, K' S数学因为之前做过,所以没模. y* K5 N" G2 Q
; ]" x/ p% u* d5 d& ?* z6 i4 i
verbal:/ i! I  w; H; j# O" c
section1错9个, 填空错了1题,类比2个,短阅读1个,长阅读4个,反义1个
4 l( k) o) k7 n6 [3 h" r, }section4错11个,填空错了4个,类比1个,短阅读0个,长阅读4个,反义2个, [" k% w3 o) R. m" j* p
# }: H3 p/ X8 o' x1 M
象我这种填空和阅读错的多,类反错的少是不是很不利啊.
& z* q& a" `1 u    填空今天调整了一下,已经有所进步了,但对填空解答的精髓还是把握不够,有3道填空找出了答案,却被我更仔细的分析给废了,也许是对陈圣元提供的方法不够相信吧2 |" a. W  Z: x1 [0 I
    类反这种错误是在我的预期之内的,如果每部分再多给我两分钟,这些错绝大部分可以避免,但这并不是因为我的单词背的很熟,我现在红宝还有一堆单词不认识,说来惭愧,正打算好好再背两遍单词的,我的意思是我这个类反水平绝对不是假象(也许对你们来说还是错多了,但对我而言比较满足)
/ L' s# q& n$ _; W* a, E2 k    阅读今天错的还是比较多,但相对前几次还是有进步的,错的基本上都是长阅读,而且大多都是时间不够瞎猜而错的
, \$ v+ z5 O! y) \$ K. |  w2 e6 |. {0 t+ a# l  C* C  r
请大家指点,我该怎么办,很多人说模考比实际要高100分,尤其是填空阅读错的多,类反错的少的人

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Capricorn摩羯座 荣誉版主 QQ联合登录

6
发表于 2007-5-31 10:20:41 |只看该作者

回复 #5 mdyn 的帖子

被LS打击了..
" H5 N6 @, x3 v% B- |类反真牛# L7 Z; x7 M! f/ F' X  v( \

& ?$ F7 R% W2 |阅读要加油了~加油~

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7
发表于 2007-5-31 10:21:19 |只看该作者
偶想问下这一套section 1阅读的第24题,就是问那个作者态度的题! y  U) I% C7 e& l' ?- I
为什么是midly positive阿?
谁也不是谁的谁

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8
发表于 2007-5-31 10:24:46 |只看该作者

回复 #7 宫城失温 的帖子

那题挺有争议的
, Z! b9 A9 O3 V7 j/ V7 r, d杨继给的答案是strongly supportive
+ M+ f  ~8 Z: ~$ U: d8 D. `4 z
0 O" t; f+ {- N反正没有人知道正解释什么...5 y$ E# ]6 {8 N- v
不用纠缠的 ; B0 k+ G1 {/ \; U* ^8 R/ @
估计这样作者自己提出hypothesis的文章也不会很常见

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9
发表于 2007-5-31 10:40:16 |只看该作者
我分别错11个和13个 赫赫 还是类反错的非常多

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发表于 2007-5-31 10:47:09 |只看该作者
哈哈 数学错7个 要死了。。。马上来分析

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中秋勋章 荣誉版主 Cancer巨蟹座

11
发表于 2007-5-31 11:15:25 |只看该作者
原帖由 spspli 于 2007-5-31 10:47 发表
9 s5 z; T7 y+ R, g哈哈 数学错7个 要死了。。。马上来分析

* j; \# u) C- J我错了9个咧~

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12
发表于 2007-5-31 11:16:25 |只看该作者

觉得数学答案有问题

我觉得! @! m8 \; l  H
$ ]1 M* H( F. U+ C' k
section3
0 Z) B% m% f0 s; y& c第六题; p% Y( |, ~2 n
0.04《0.004选A
+ V, @' D& U% U; }
4 u0 W5 D7 s8 F# k. p第二十五题
' y1 z0 a' n7 ]7 S; z选E 因为有多少employee并没指出
. l9 S: s- K$ `( h- L# i5 w8 n$ i( a3 Y; L" t9 n
大家说呢

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13
发表于 2007-5-31 11:18:31 |只看该作者
还有问题:# w4 P3 ^% |& M/ c* f( k, z  ^
right circular cylinder 跟一般的cylinder有什么区别吗?我开始还以为是一半,结果错了,郁闷

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发表于 2007-5-31 11:29:30 |只看该作者

大家可以看看我3楼的填空吗?非常感谢啦~~

4.The term"modern" has always been used broadly by historians, and recent reports indicate that its meaning has become more ____ than ever.$ w& O# k) P8 O/ H; F) X
A precise# z& Y( g' T. z: r: a0 r' T
B pejorative- f1 ]3 |% q8 @: Q7 D
C revisionist" _, d) p+ I0 x( k3 Q7 a' R6 f
D acceptable
$ `5 U3 \: ^* B; \E amorphous
2 V4 y: u# f  l/ ~9 |3 ]% m, Y
6. Originally, most intellectual criticism of mass culture was______ in character, being based on the assumption that the wider the appeal, the more_______ the product.
* b2 N7 g! _% x2 DA unpredictable.......undesirable
5 n7 @& d9 K- q: q, XB ironic.....popular* z9 @. N6 `% ?, G/ |
C extreme.......outlandish
* z  b3 N: [' Q' e! hD frivolous........superfluous1 r% |- T' O9 ~. N' R0 c
E negative......shoddy

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中秋勋章 荣誉版主 Cancer巨蟹座

15
发表于 2007-5-31 11:38:05 |只看该作者
原帖由 shermanxia 于 2007-5-31 11:16 发表
+ b' N5 A4 z5 _7 A. F) K我觉得
# a0 T8 ]' r+ Y+ R9 E2 z' k
$ k8 y$ R. g! e& H/ w, t0 c" i  bsection3
* ~1 J6 n- |* Q7 M8 Z第六题
: _! e3 n: ?/ h0.04《0.004选A

2 l9 b$ `/ L7 R7 M5 W- T! t同意" p5 {7 v: v5 i  p3 j# [
( ]# n8 `" x- A
第二十五题
4 O8 X6 R. @0 P( T# l+ i选E 因为有多少employee并没指出4 ~  D7 F% J0 M
. M0 Z: B- M: J9 X4 U
大家说呢
5 i6 h) s! g) R/ t7 _
应该选c,按照百分比就能计算 50%是在错4个的那个区间

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RE: 0706G冲刺模考第四辑 [修改]

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0706G冲刺模考第四辑
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