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[题目讨论] 0706G冲刺模考第四辑 [复制链接]

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发表于 2007-5-30 06:34:21 |只看该作者 |倒序浏览
6G冲刺模考讨论(四)  W* z5 A% \0 p7 V9 I' j  q5 V" @. A, c

4 d: _; `) z! m% F" ~( K! s现在模考应该限时. 同时也要练习涂答题卡.
0 S1 j+ p" E1 B, I/ _# Z其他规则同前。
8 i' L) x# E- B) t; D$ X
; a( a2 n4 ]8 ]+ \; N0 _8 A7 g9 |0 o9 G1 T# B/ ~+ N* @
SECTION 1
- O% ]  q9 L- \. A! L+ O; nTime –30 minutes
+ h/ w9 W( B6 D' w& c38 Questions7 f+ s6 D: ~8 T0 K: p
0 @' Y" n( |" l, d* k2 b% o+ e2 J
1. Because the monkeys under study are ---- the - ~6 e0 G" U# ~* A
  presence of human beings, they typically ----
! ~" e0 D, Z! y2 O  human observers and go about their business : V- u, ]% w$ g7 K; g# x
  (A) ambivalent about .. welcome ! Z6 W7 ?4 ~' Q0 ?! z- J" ?
  (B) habituated to .. disregard
- w% h7 n  n- J. H  (C) pleased with .. snub ' i9 `# A9 b5 Z  _- f! ^1 H' c$ ]
  (D) inhibited by .. seek ; c) M; b" q( f& y' i5 c+ A
  (E) unaware of .. avoid
3 z, B! \* r& B+ ?, X7 B# a1 X; v- s" ?! ~& M0 U6 z. H# D2 m
2. Give he previously expressed interest and the ! h7 }6 H2 l  p7 |  ~7 S! }
ambitious tone of her recent speeches, the senator's 4 R0 \! i4 i! p0 R8 |. c7 ?4 @; }& _2 r3 C
attempt to convince the public that she is not inter-1 p, T+ j0 z* F+ S6 {
ested in running for a second term is ----.
; ^1 k* g/ N3 x: k% l  i& B7 ]' Z  (A) laudable 0 `+ s+ p4 F! ~! C: w6 x9 C
  (B) likely
) ~9 E$ F5 V6 w* y7 Q  ]  (C) authentic
8 E( s3 w* k- g5 b  (D) futile
( M9 [1 B" d) T8 D3 |6 y3 p* f  (E) sincere 3 z& D: x4 E; S5 ~2 \& h- n

# L% T/ b7 b$ _3. Many of her followers remain ---- to her, and 5 M, O$ u1 l# b( s. R& [
  even those who have rejected her leadership are
, O5 q" e3 p  }, F* f$ k. J  unconvinced of the ---- of replacing her during
! t# f( X! k$ ^. n' q# |) p  the current turmoil. , L3 }4 m' N6 Y& @! S- w: w% a
  (A) opposed.. urgency 6 ]" C% ]; e, i% t6 s; o, {( K
  (B) friendly.. harm 1 L$ u3 y) n4 y; \
  (C) loyal.. wisdom ) V  L$ A! `8 ~2 v% {* V6 m
  (D) cool.. usefulness 0 y8 h! v) e2 O
  (E) sympathetic.. disadvantage
+ U8 B0 m0 e$ Q0 ^+ \; e
4 B7 B1 w5 _  z, q4. Unlike many recent interpretations of Beethoven's
2 S# P4 g: S2 Kpiano sonatas, the recitalist's performance was a ; L- N5 c4 |+ ?5 q2 n0 J( Q+ ]
delightfully free and introspective one; nevertheless,
2 H8 e) V( f8 I0 @. w1 U2 ?it was also, seemingly paradoxically, quite ----.
9 b! `  P" ]" b8 S5 r( l& I  (A) appealing . f2 L: K8 n4 j
  (B) exuberant
1 T  c4 \% F4 o& h2 W  (C) idiosyncratic
8 s8 E- T; \$ r9 J' m  (D) unskilled
" ~' ?& W/ d8 M0 |  (E) controlled
: }/ p- d% I; j. y# J' {' [9 h& N4 `' V7 M2 ?4 d$ @1 d
5. Species with relatively ---- metabolic rates, including
' j9 U' I. }/ @4 S" z4 J+ i. k3 hhibernators, generally live longer than those whose
1 e3 m" `/ g) b+ L2 u% [. z. D% }( ymetabolic rates are more rapid.
% N  ^& A6 S) c(A) prolific
+ B+ E) V7 I) V5 @9 C, G7 p! I3 Q3 M& ^(B) sedentary
) z9 ]9 M* r. {1 _$ J0 L3 \8 C  (C) sluggish * u5 r( J& X% |8 o; E
  (D) measured & G/ y* n0 e! ]) k
  (E) restive
* V, f: }# a6 `
7 w- h* q* s# n7 {9 E6. Belying his earlier reputation for ---- as a negotiator,
2 G. ]) B5 o) RMorgan had recently assumed a more ---- stance
( O; E1 {; G: U6 J3 Ofor which many of his erstwhile critics praised him. 0 u2 n( i4 c! G
  (A) intransigence.. conciliatory
+ G8 i0 q! P; I% F! F# @6 C: I/ G  (B) impropriety.. intolerant
/ _( F* o! l6 ?) v% @3 Y  (C) inflexibility.. unreasonable
4 y1 E( h, x* [) J. O: R6 N' A8 u' Z  (D) success.. authoritative
5 P( G9 v1 N6 s  (E) incompetence.. combative 8 O. V6 I$ [+ P, u* {; ]

+ F# y9 C  n$ Y8 T7. Although Irish literature continued to flourish after * Y9 w* m8 q( o5 l
the sixteenth century, a ---- tradition is ----
: s, R; {4 Z% _% R. s: T) \in the visual arts: we think about Irish culture in terms of
- F% T1 j0 i0 z8 I: tthe word, not in terms of pictorial images.
; f: m2 ?- u$ |0 {) S(A) rich.. superfluous & D7 ]5 B6 E3 f6 K" f
  (B) lively.. found ; \2 N9 z$ K: Q+ F1 P7 Y  l
  (C) comparable.. absent 7 j) [( c( Z* Z: V/ b8 l) Y
  (D) forgotten.. apparent . ]3 U1 H4 b8 s0 `$ o. \
  (E) lost.. extant ) h% o- C. Q: i& I7 K& w

2 c& V% o$ O& D8 ~9 `8. SILVER: TARNISH::
/ i4 y" S; O( S. F  b( t7 D. |  (A) gold: burnish 2 h. l! H0 t& S7 S) V: B
  (B) steel: forge # D! }! a2 r& H6 d
  (C) iron: rust
- Y" m$ r) r! k" j# E. z/ e* x  (D) lead: cast
' D+ F5 n  R# X$ d& U  (E) tin: shear
# l9 ]1 C$ B. x* ~8 z/ D* I6 P/ E4 T* n# o! h
9. DISLIKE: LOATHING::
9 ]' ^9 P6 y) Z6 B; A  e# E  (A) appreciation: gratification
/ y2 n& {$ [/ C$ I& A: P$ P( K  (B) hunger: appetite # D  n8 s# v7 O! c
  (C) void: dearth 7 g6 P9 Z7 h+ J& S
  (D) pleasure: bliss
6 e6 d+ v7 L, i6 z  (E) pain: ache " O+ d6 l7 G# p! r( H

% U9 ]# \! @# v1 C10. CRAVEN: HEROIC::
; [5 P; I' D8 }# e  (A) unruly: energetic
) j; D: y# m7 B  (B) listless: attractive
' b# c( t' `# U  (C) volatile: constant
# O6 N9 Y7 V. C, C. O  (D) deft: trifling
5 g" T# U$ m4 R# N! ~  (E) awkward: amusing
% `: z* O& n2 ?% V- j1 p# C; j4 q0 F; {) g: y0 L$ w
11. FILLY: HORSE::
3 C/ \" t. {0 R' Q  (A) antennae: butterfly 7 I' I. ]; r* j4 O8 [5 a
  (B) pullet: chicken 3 A4 F0 U2 f( U
  (C) gaggle: goose
2 ]: G' g  o! c, Y' H* d) w7 b  (D) duck: drake
& N1 s2 F. N) `2 e6 m  (E) wasp: bee
+ T3 I5 w% i- x2 ~, `
4 M- z* V$ `( Y12. PITHINESS: APHORISM::
& l3 x( X; ^; A0 o& o  (A) craft: art
) D% A& a8 M% {' s7 W: d  (B) detail: sketch
; w6 [' u& y+ T. w- V  (C) illusion: story
+ k. N* J% q3 Q9 g% d) y7 v  (D) exaggeration: caricature
( y3 `7 a( Q5 M. M& e: u  (E) sophistication: farce % Z4 L7 B0 m5 v9 @: W4 e. d& T5 f

. f& f! B: Q) V+ h% C13. EPHEMERAL: ENDURING::
% n( ^; @- F  S# s  o' k- G; q  (A) infirm: healing
- _; h0 E# f) y+ K7 u. ^  (B) insensitive: cooperating $ L% r! j9 {& K5 d, {* y
  (C) inanimate: living / i# n* D; e3 m9 T2 K
  (D) interminable: continuing 0 @8 T# W% s. p3 \
  (E) ineffectual: proceeding
6 N3 [& O( v3 Z% X5 O+ V. E) i9 d! k( ~) ?2 P9 c9 L( L0 K0 T
14. POSTURER: UNAFFECTED:: & J# |5 B0 Y- h/ p* R
  (A) brat: insolent " Q4 ]4 p  |- G. _5 u( `
  (B) hypocrite: perceptive
% O' }: ^$ {( U8 D+ @/ z- h  (C) grouch: respected : Z( J4 A. I6 B1 g. Y2 v
  (D) bigot: tolerant
' e4 q9 O; f8 U# z" u/ e) [% n8 H! a- D* I  (E) rogue: empathetic
5 m7 o' r. D0 d4 N/ s- ^$ r6 c  t2 u$ H" V! i/ r6 m
15. FACETIOUS: SPEECH::: L' P- h  Y- P8 J  J6 i
  (A) precocious: learning
+ q5 E8 C  d: m9 Q& Z# B0 |  (B) unbecoming: color - d$ U! C4 v* F  V& h- a  \
  (C) exemplary: conduct 9 E: }: Y0 w  K) ^: S
  (D) craven: timidity
- K& s& H& V0 e; C" l% V  (E) antic: behavior
8 m8 _8 u0 D7 u& y& J  }! s4 d6 X9 m# m" k/ `" C3 u  K( I! q
16. VAGARY: PREDICT::
& s/ W. d! B$ e8 y3 _  (A) quotation: misdirect
) [$ W4 y' u' k  (B) investigation: confirm
, E- T( f5 P7 f4 P# b# m  (C) stamina: deplete . W% }  ^( R& D* e: e. Q( R- g
  (D) turbulence: upset 4 c. t7 Z6 ?! E% c" B, _; `
  (E) impossibility: execute
( d$ |0 G0 C; t8 L4 k: l: b* |1 z- [) H3 w- Z
28. PREFACE: ! p0 w! @  R6 {6 M# R
(A) improvisation
% C. G7 v" t# ^) i5 R- l4 i(B) burlesque * x% m7 g. t' H
(C) epilogue % d5 a# l6 q; ]
(D) tangent
' M+ s! l8 T' }: O* I(E) backdrop % H" h. z+ A% Z- B/ r

: S9 l/ q4 _  o8 `/ ]" x& y29. DEBILITATE:
) n3 `$ y, ^% K0 a" F; P2 A+ ^(A) implicate( n- X' M- v* H# s% j
(B) invigorate 8 y! h  X+ {' i
(C) obfuscate
. U' H7 H2 _6 D$ Y. n(D) realign $ u- f1 a  n4 B$ m
(E) encumber & v3 l* a7 v& j) X5 i7 A. z
% k% T1 p9 s0 \( b6 i, F( \, I( J
30. TASTY: % P! u  s6 Y3 ~3 e2 W9 [$ m' l
(A) uninteresting
( [4 D: B* s( ]0 R% T(B) unfamiliar 7 P) {/ }0 X9 r7 c  @+ {
(C) unexpected
9 O6 z7 o. {* _% t" t, {. V/ ?(D) understated
" Z3 b# {6 |7 l7 B. s(E) undervalued
. w5 Z" r* x- n( f" x, v0 i+ H7 ^& R* S2 w7 O
31. ABNEGATE:
" s$ O  W2 H2 B(A) refresh
* z  {! K! H% W' q7 Z3 H/ x(B) reaffirm & M3 X5 t- V( a" N. K" N
(C) relieve 1 }/ _0 c$ y" o# ?
(D) react
$ |7 d4 J' s! N(E) reform
  G  ]+ U% F/ u. P  g# ?3 p0 V$ U% e8 G# l6 V; i4 H1 t8 X6 m
32. SERRIED:
( H% U4 `, I; T' ?: w; e3 ^. K  M(A) partially formed
9 }. \8 V7 d+ n. o: m(B) widely separated
" Q' g% P7 f8 T6 B  F8 a. c(C) narrowly missed
. d; T- Q; Y8 V: i7 U6 n(D) extremely grateful . W+ `1 i  m' F5 [
(E) reasonably clean
) z) L  }) f) b$ x$ W" j( Q% k# _
; U6 b. [# ?7 c: y# X33. BOMBASTIC:
6 z/ e+ P( c+ g& Z; [(A) unflappable # \* S2 p2 ~+ H% |0 n
(B) uninspired . C5 y* _  x1 Y# b
(C) unpretentious 9 o5 U9 i0 T9 F' t' V
(D) inscrutable
/ s5 J( j( R4 Y$ s, D4 D: ](E) incisive # H- S4 x, Z% V, ~6 `3 j. \

- L9 C- p' J/ ~34. BANAL:
! q, \1 F0 V# O9 [(A) comfortable 1 s& ?+ }1 B$ j; c* C
(B) novel - E  d; D& j6 g% v
(C) equal 9 k5 T! i8 y) j7 [  g
(D) fatal ' B. d- s% s( ^$ H% C% x
(E) competent
; k8 ~. Y! t; q/ C2 F. T35. LANGUISH: / @, m& ]9 |0 s: k
(A) agitate
3 `0 [' v" s1 W(B) wander / k$ v* c! h: Q, _# p3 P
(C) relieve / A. T) W2 z4 v" k( a
(D) discomfit " ?/ o! P* F* l9 ~7 C
(E) thrive
, K8 i) p' X" [6 ^& o/ D$ B, G3 f. V- C& }' O1 m
36. ENNUI: 8 L7 m6 Z: O) t" \
(A) intimidation
( M  s9 r" F0 Z. \/ c* @( h! h3 S$ c(B) sleaze
# a% q" Z0 w1 g8 C- I9 E(C) faint recollection # ^% f  g5 h( g9 L
(D) keen interest 4 _/ x/ g3 g( ~' I- Z- \' a
(E) deep reservation
3 ^' i2 y% \& i* L0 I# I) V7 O/ H" C' |) J
37.DAUNTLESS:8 M, F/ Z: Z- a5 [1 ?1 \- \
(A) sophomoric
" D0 g6 ^: z2 @7 U(B) trifling( A" Z& `& Y6 }* s; f. r% e7 i- m
(C) pusillanimous
, W( |8 \% u, B1 q& E(D) specious7 m# O. g6 y. `  l
(E) parsimonious$ C4 T/ w0 B$ ]& e+ `
) Z- |, @4 |9 g0 J6 B4 n8 d  s8 e; {
38.TEMERITY:" F  }/ E3 S/ f2 _% {2 W8 d
(A) credibility
8 N& @7 f1 j* c( \7 h(B) authority
4 R8 P% d9 ~: x6 V. P+ R; E(C) celebrity
/ @3 x  L' s7 u$ V" D(D) acrimony" ?- R6 [& @! {  h& G3 ]7 ]- g
(E) circumspection7 k, l0 N; ~3 h- {; V
* ~& c" f& h) j% H/ v

9 |0 W  p# V! N4 ~7 e; F" L# c2 p6 N: }/ K7 a% r" b6 |# [4 b" m/ v
SECTION 47 P# L  Z# z0 ?
Time-30 minutes3 x3 a: ~# z7 f8 U8 ?- U
38 Questions7 N+ m2 f5 W) `5 D- u
8 v# J1 G+ C0 I
1. Although sales have continued to increase since last
7 ~& U: x' |& B, `9 tApril, unfortunately the rate of increase has ----.
/ d# W+ M# r" a# J) C(A) resurged
" A0 Q# v" o- d! `5 f8 q' f9 m) w(B) capitulated 4 e  P) V& Y( N. B
(C) retaliated   @  _( h  v" e0 l0 V1 t+ T3 E4 l. M
(D) persevered 3 }7 {' G4 e8 z( Y1 s
(E) decelerated
* g- o: @! K1 {3 a0 B& E8 l. [+ W% z% @9 g
2. Although the mental process that creates a fresh and 3 H( N8 w- f6 [/ |1 G
original poem or drama is doubtless ---- that which
7 g' ^. A9 q1 t" Voriginates and elaborates scientific discoveries, there & ?. Y% n* c! ]7 e) f) k4 p
is clearly a discernible difference between the crea-
2 D# G0 L& V4 l4 F' q/ Ftors 0 P8 P  a9 i/ f, {8 ]& T8 m+ g
(A) peripheral to
2 h. G/ c3 q9 U* _; w(B) contiguous with ; @3 r* \  d& F5 y9 Q
(C) opposed to - t/ j5 ?' P7 {# f+ s6 o5 `
(D) analogous to
, }' r6 o  K/ S7 s(E) inconsistent with
0 S6 }' K$ h/ @3 ?! T7 }- m
5 B  W) x9 ^1 g- f( V6 B* }; T3. It is disappointing to note that the latest edition of % c+ `& R) S! L' ?# O: q* E& c0 Y7 i
the bibliography belies its long-standing reputation
- J1 E* z. S- C) E8 p5 v+ k# Bfor ---- by ---- some significant references to 4 H5 a9 w& l' _+ M' f
recent publications.
- a( Q8 q! Q- x/ a(A) imprecision.. appropriating
1 _/ D) e" F1 \2 J9 }5 S(B) relevance.. adding : J# O) I8 z  ~& k
(C) timeliness.. updating
; Y( P! d% J- X(D) meticulousness.. revising # a# w: _* Y2 E; n! l
(E) exhaustiveness.. omitting  
: w8 G9 N. r7 n5 Q& u  H# ~( m. b# Y4. Although Simpson was ingenious at ---- to appear 3 e2 k3 G2 t: N) E
innovative and spontaneous, beneath the ruse he
4 L5 I/ W) _* H) Q* {remained uninspired and rigid in his approach to
6 s4 ^6 d+ A+ s. ~; Aproblem-solving.
4 d  G% o  h( G' ]7 g- j(A) intending 7 [/ x$ a) S, Y* m! ~" o
(B) contriving - V* @/ V, ~. K9 m* \4 ^9 Z
(C) forbearing / l( P2 M4 A+ E; w' [$ x) \: I: Z
(D) declining
/ `5 R( e5 B1 v. i(E) deserving $ s0 _+ V9 ^! ~2 K
5 R0 y. s2 H, u0 d; B
5. She was criticized by her fellow lawyers not because
: `" B5 y+ |- {8 r5 ?# N% G8 dshe was not ----, but because she so ---- pre-
- g) w0 |& D( |9 Lpared her cases that she failed to bring the expected
8 v) m4 J7 }# @7 x0 C" bnumber to trial. ( A9 _4 f: f8 x7 O9 ?( c
(A) well versed.. knowledgeably
4 M* N6 ~: J( j) R  C(B) well trained.. enthusiastically 1 |" J! i5 O9 M( u3 \1 m7 ]& m
(C) congenial.. rapidly ) I( }0 T0 W: x( h: {" s
(D) hardworking.. minutely
+ H1 P$ }# T6 a( A( k0 M# O! q(E) astute.. efficiently
5 A8 d$ p4 U) m3 M9 U1 d0 D' v! j- b
6. Schlesinger has recently assumed a conciliatory atti-
7 N2 r% o1 {; S" Q, f2 J; m# N. Etude that is not ---- by his colleagues, who con-
6 D6 ?! F( U% Y2 ]* V) l1 b1 E  ktinue to ---- compromise.
: d" m( n- [% q5 {(A) eschewed.. dread ; i- h. n% |. M% k: R
(B) shared.. defend
. k: t& u6 F& G9 U& `6 i(C) questioned.. reject
, V2 T' e9 ~# Z( _- w6 E' A, D(D) understood.. advocate ' m5 b: \1 W) P+ N
(E) commended.. disparage ; U3 ~4 I8 D/ I4 D: Q) }+ R. B

$ {' Q7 M. R# c6 A/ z3 w7. The National Archives contain information so ----
' O3 ]- d% @! U1 I% ]that researchers have been known never to publish
6 x' s& s, t# U0 ?+ g3 rbecause they cannot bear to bring their studies to an
8 t: B1 u1 w+ |+ N1 k% `end.
9 f/ }5 |9 @# ~* X2 }(A) divisive
1 M* C* N! l, m, Z7 ]4 L: v! p  V(B) seductive
8 d+ F, W; m+ E7 R9 p! F1 {(C) selective
$ T6 l: H8 E( D(D) repetitive
/ N* T7 V9 r7 H+ \' F% Q. S. T- p$ g( }(E) resourceful 8 ?% P2 Z  S0 K8 f2 B
8 t4 R; X, E/ @! r3 a+ y) Y# I
8. HILL: MOUNTAIN::2 [1 q) D. {. b$ L' C
(A) grass: rocks
5 A3 ~5 M1 s; f+ [2 _6 r# k6 G(B) autumn: winter " S7 c6 p% j7 [( Z3 y) M
(C) creek: river
  V& Z! @) C! ?" |(D) star: sun
4 ]0 b& P3 L, z  {8 c; k3 ^! r6 i(E) cliff: slope 3 C" R) L# k4 P! o/ ~

% N9 W5 @  y: _+ s/ p9. AERATE: OXYGEN::8 [# |6 |& |+ N( ]/ b
(A) eclipse: light
( I  g$ U* b4 B, X(B) desiccate: moisture : k7 o/ f2 r7 F+ M+ S( K0 Q' z; v
(C) precipitate: additive " q+ R# {# Q8 B; L. X: C7 v& q
(D) hydrate: water
  M. c, A" s0 j' |, s  G(E) striate: texture
# s2 U0 y& ~: Q! n: n: z( o- T
- D. O; R+ _( D10. ORCHESTRA: MUSICIAN: 0 w& T4 q3 ]- b$ @, H" J
(A) cube: side
" _2 \9 e  ?  P( a(B) kilometer: meter
6 m. L2 j7 B5 J5 r) U* x(C) sonnet: poem
2 u3 q# e2 ]5 B- F  o* A& W1 w(D) biped: foot. ?2 `3 p" v# B
(E) pack: wolf , V: l0 B4 S' J; I

. Y) i. {& h$ @/ R11. EQUIVOCATION: MISLEADING::' |, T3 A! |1 N3 f  a' T+ G
(A) mitigation: severe
+ V7 T( C+ ?4 p% |/ ]  _2 v(B) advice: peremptory
7 D) n1 C; t; I5 r(C) bromide: hackneyed 7 @* x4 R7 w# c1 g, A
(D) precept: obedient
5 J' U9 f, D8 I# z" O! j, _(E) explanation: unintelligible
  G* a: ]/ d3 ^( y
4 k4 q4 O: V/ _12. CENSORSHIP: COMMUNICATION::" u9 ?6 r/ L' |" g* l. y# a4 I
(A) propaganda: ideology
+ K+ r& V/ j" e. r  _" A(B) preservative: decay . i! C0 I& n- a( C, n1 X
(C) revision: accuracy' ?2 r" r! J( j5 r1 v4 j
(D) rest: atrophy
! _6 F3 x% N% [; l2 J5 s7 x2 j4 V. t& L(E) exercise: fitness * i- @% p' m5 N( S  J. h+ I5 w
, @: {. ^* l3 q1 T
13. BUS: PASSENGERS:
! z. V: F; y; s0 A) M0 Y$ P(A) flock: birds
! j/ o% R* U0 _- O$ P# D* c! f(B) tanker: liquid
  u$ r, \' Z% }7 T; o(C) envelope: letter 9 f. g8 g# X! f
(D) bin: coal
' ?% h7 m2 X9 u7 L; k9 K0 Z& c(E) automobile: gasoline
+ b! Q8 g- y9 s5 R+ d+ v; |
+ C$ x7 I4 B* n2 S# F/ H5 H14. BALLAD: STANZA::) m( q+ S: P/ X/ o+ c' Y1 l9 |: J
(A) novel: chapter
/ }7 J# i, U/ j0 ?& f/ s' a(B) poem: meter 8 G  c* M3 d) l0 z: [8 ~) o0 S& f
(C) play: dialogue ( @% q$ x: f! `& y( I
(D) movie: script + }2 N3 S* r: Y3 \. C: O/ \  [( m
(E) photograph: caption
* u: ?) t8 d) a/ E' _
0 b' O! r+ `' B* q/ ^' t: M/ Z5 g15. DISABUSE: FALLACY::
& \  a% n+ |8 G3 @% z& t$ Z4 K9 j$ a(A) cure: disease
6 }* x# Y; ]) T2 a2 H$ P( G. m; j(B) persevere: dereliction
9 G* ]: o+ f6 E6 X6 q0 f/ j0 T$ I(C) belittle: imperfection
, \; U2 z, }# y, j+ X5 R7 l/ }; i: N(D) discredit: reputation , |* s$ I. ~  U; [% Y3 e3 U. k8 j
(E) discern: discrimination 2 @& V- x' I' N2 ^
, V( y9 H2 `2 _4 l9 n) c) w6 S
16. BLANDISHMENT: CAJOLE::* S: Y, h' [; H
(A) prediction: convince
' F3 x+ T9 M( C- M& D(B) obstacle: impede . F  N" [, q6 H- I* Q5 b4 w: q3 Z/ m
(C) embellishment: praise * n# S9 O1 O% T9 B4 ^$ T
(D) deficiency: compensate
7 `) k1 h: w5 n# ](E) compliment: exaggerate
9 M5 ~4 H4 j# B" B' I) b( O' h# o6 t  n+ T" `, H! {1 H. z3 l

4 D' P6 L& [( W* s% e# y% l0 ]28. DEBUT:
3 ^( v' p7 V9 T4 _1 x(A) collaboration 9 \5 b0 R8 H7 _- |! x
(B) monologue
+ g4 K' ^4 y5 t. K(C) farewell performance 2 L/ e, r- S  w) ?! E
(D) repertoire standard * Q. g  N0 w8 y$ o8 K. E& j; W
(E) starring role 6 A5 v$ N/ W9 |' A/ r) J9 v: a& T

- j# z7 M: _+ O1 |* ~& {" V# G. A8 L29. WITHER:! \" g8 ~$ P. R
(A) disagree " D) x' |$ A9 ~0 z/ T  r- {4 N
(B) shine
4 q# r5 @' Q! g. }8 N/ h(C) plant
8 u% M) [  l) J- ^(D) adhere
2 P- q, P, U6 O. k% B* y0 w(E) revive
+ E+ K9 ^/ z8 X0 R# d, m% Q
, W, k: H# R  [6 }3 X% ?$ E5 G! R30. BUCK:
# y. x) S. o+ b7 \4 V(A) cover over . w, Y3 ]: t; O& R
(B) assent to
2 u* ]8 r- a, c+ `- a4 Q% [(C) brag about # h7 B" B* m. y% I) n4 }
(D) improve
1 Z# N5 i0 W) Y" G* V; o  P(E) repair
) j$ T! A& I2 w" L
: j; \, C+ f; E( m31. MEAN: ( l* Z- a$ ^; j' @0 u' r2 R
(A) trusting + {4 X: \' O: k) c! x+ h
(B) ardent
' {' W3 x2 {  Q4 h: M/ t! Y8 R3 N) D(C) clever
- u- _  {$ x8 P, z; s3 F(D) incautious
- @" @  t3 i8 h+ o+ Y$ Q' ?(E) noble 1 s! x0 y' a# W

, I+ _. t: l% q3 S: L7 {2 N4 G32. ADJUNCT: ( y5 x1 H9 g+ z* B
(A) expert appraisal $ P- b# v  b1 M! b5 {& G
(B) generous donation 0 }' ~0 i# ?$ R* b( C
(C) essential element
7 ?3 j; s: k; L$ g7 x& V1 h6 p(D) mild reproof
2 e) d+ {3 u# ?(E) impartial judgment   F1 Q5 B& q2 u: g" H5 Y4 m7 \5 Q
# f4 G) v9 G* @. y
33. CANONICAL: 3 o0 u# c9 D. [
(A) imprecise
, u; j) b/ N" K+ o7 c3 W* x(B) ubiquitous
5 b% z7 r* g* y9 ?(C) superfluous
" o* `5 z, q0 X: |: ^; s(D) nontraditional
9 m6 [4 X9 G2 F6 s(E) divisive
' z# U& G/ }- d; i6 Q, s; V  O$ P7 z+ p$ s% {) n) _" d
34. TICKLISH:
0 Z$ Z' S) F% I1 G(A) heavy-handed
! r4 p1 R" a  w(B) significant . b5 `# e. \$ [$ @$ E0 Y! C; l! ~
(C) tolerant
( Q' F& B" T& h: G- X. H7 j, z: [2 E(D) impartial
+ R% f) j) K: T$ i(E) imperturbable
6 {" Z6 F/ ]7 S% u5 m
, T5 S1 y, j. B1 n% E% _35. PREVALENT:
" i, L* e' l9 U* p* I& P' o. w6 s(A) invasive
! z% k1 L( e' V) Y+ K- @+ D, ~(B) inconsistent
- J* z1 T$ `$ e8 D(C) indistinct 8 D7 G: k8 \; V, V, P) ^" _1 [
(D) unpalatable & X0 @) |9 T% D9 W
(E) unusual $ N/ F) ^7 F8 |( Y+ W0 W  f
9 E8 M4 X& s$ G. \; J- ?2 ]5 {
36. PENURY: " U, [4 C3 F. }# O% E
(A) approbation
; Y  h" O, h& o  d: p1 b(B) affluence
; M  O  u  N0 I1 B9 j- _(C) objectivity % P' y6 _2 a6 z. ?/ X
(D) compensation
" Z! e# J- l/ o* G4 t' e6 J(E) grandiosity 6 Q+ w* d1 S* r) k8 _

; W4 s9 ?& K0 p: U6 \+ Y$ A" j- E37. MINATORY:
; a  S' e. Q: C/ X% d: E(A) convenient
# F& ]* N* m$ o! x6 S, d(B) nonthreatening 8 ^& m+ P3 D- `! L
(C) straightforward $ N9 x0 Q, h" h$ F/ A2 O6 }* z8 Z
(D) fastidious $ B" U3 f5 ^0 R" \' z1 l* n7 B
(E) rational
! V# C  l4 I: B
3 R7 e( v& b' r" w, J38. CALUMNIOUS:
" i8 B9 O! l+ M% b! }: o(A) adept + h: j$ l  q" C/ l9 u
(B) aloof
4 ^/ s, Q+ r7 C( C(C) quaint
; Y" F1 Q! |1 q(D) decorous
5 X4 _7 _9 T7 S: B) X(E) flattering
3 L. S& t+ \$ y& y
$ P! {8 o$ m) ~* i# O
% b# m' V) R$ f; I, f3 @SECTION 1.        BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE5 b3 N' k: P" H! Q
SECTION 3.        ABBCD CCDAA DDDAA DBBEB EDECC AADCE4 p( s! A: f/ ?- Q9 S
SECTION 4.        EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE
, B! q* g9 L  b2 \$ SSECTION 5.        CBDAA DABCD BBBCD BDABE ECBEC ADDDE + E# P6 X# ]+ x, F
9 V7 b  J: H4 s6 i" A
继续努力!
0 0

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Scorpio天蝎座 荣誉版主

沙发
发表于 2007-5-30 23:55:22 |只看该作者
Take a sofa
- \/ q" Y$ L- N% s: B ) n& |0 ^5 B/ W  m% c4 j0 Z
————————————+ L1 L' v: J( ^' Y7 S  C. W7 v* t
7 A9 }7 x4 q! [- x' k0 U* B! F
我来问个好了~~4 I3 r5 m& K1 r# J9 J
7. The National Archives contain information so ---- 5 U, E) p4 j: Y# |( Z% B% ?+ W7 I
that researchers have been known never to publish 0 [& \; C( |( E5 K, {
because they cannot bear to bring their studies to an 6 c1 Y" o+ W) J! W" B
end.   Q7 b- _  M. x! c) q8 c( U
(A) divisive
2 B% s' j! h+ r, u6 d(B) seductive
) ?4 @! L. N1 {: W  W$ k0 A. a7 V& l+ g(C) selective
3 Y4 Z" q1 u/ o- ?9 ]4 V9 H; f; [(D) repetitive / [1 x( x) l- v5 s7 S( A5 l1 m2 ^
(E) resourceful * E" o' w5 A0 N( a

* G; a* L" g1 _" G8 l这个看过解释了。。。但还是不懂解这道题目的关键~~( b7 @+ n6 B# j: E1 T
' H* ], d7 [) S% l% S$ @
bow
! q6 b- o6 }% o
8 {3 D- p2 M% Y6 u2 o# Y6 s[ 本帖最后由 dicmi 于 2007-5-31 00:43 编辑 ]

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中秋勋章 荣誉版主 Cancer巨蟹座

板凳
发表于 2007-5-31 00:08:21 |只看该作者
就这么一会偶都没有抢到沙发:(& L8 N& e7 U, u) ^1 R4 X% W
明天开始跟贴了^_^
. b& c0 Y4 m) u# X斑斑辛苦了!7 {2 v8 r6 k, T" b* m: r* j4 f6 D) F
-------------------------------------------------------
% r" i$ o. p  n% @第四套 顺序vqvq(是偶喜欢的顺序)/ \1 `% s* J1 w1 b& f; Q+ e
v1 4+0+5+0            29min51s% X  F9 t. v: \* n/ X4 {
q1 3                          22min46s
3 ?/ \* y. J/ zv2 2+1+2+1            29min33s
8 K( i* X: l+ J" J  W% D4 [  Gq2 6 :(                   22min50s
- I; C8 \% q) C7 V4 F7 }--------------------------------------------------------
- w  r! F0 @. i) }6 q3 E0 ^4 tv错15个             time:1h 45min 03s        
; r/ ]0 h0 _3 \/ k$ A" Nq错9个             , b9 c0 ^! C8 p* O2 ]' p# Z
v660
7 `9 o9 m' f% B) |- S( zq 720        
: M9 d3 a7 J. I# I* f--------------------------------------------------------+ `" h# ]2 R  s* O
不知道最近咋搞的q总错很多,做到第4个section的时候就觉得很累,有点熬不住了,极度怀疑自己现在处于亚健康状态==~6 |1 Z! Y' C, d# E/ ]; p/ D' z: A
填空还是很差,总是被填空的第一道题给难倒,浪费掉了大量时间,本来还以为自己进步了,唉.....继续总结方法......., X4 r) Y; U; N5 u$ Q* P& A
阅读还得努力练习' [+ u6 c" g+ r$ J
吃饭去了,累死了,带回来总结
. W* v) x% P# P7 h5 A  O, y% T, p& G: e' K7 R" _9 E
[ 本帖最后由 tongwawaw 于 2007-5-31 11:12 编辑 ]

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地板
发表于 2007-5-31 01:19:54 |只看该作者

斑斑辛苦啦~~

请问这是哪一年的题目啊~~; g$ R. B7 t. T) ^8 t; ?) P) u
8 B: |- D/ |4 v% K: U  R: C/ e8 e
另外可以在这里问两道9904第二个section的填空吗?(也就是新东方最新模考题练习题五,162页)
9 ~0 r5 Z' H; B& H% p0 ]* Q* I8 d之前发帖子问没人答... 原贴https://bbs.gter.net/thread-675553-1-1.html" c5 u3 }) s4 L% L1 H
, O4 B" o3 P* c$ L+ J
4.The term"modern" has always been used broadly by historians, and recent reports indicate that its meaning has become more ____ than ever.
9 g" J! \- B! s4 \7 ^  J" zA precise/ K7 E' s+ M! L' g5 F( {( K. c# Y
B pejorative  [8 Q6 E8 j+ G* K% `: K
C revisionist
0 W8 e8 n1 Z% i% d5 G' I* U& mD acceptable
) ^* _+ L" G$ @1 {, Z8 TE amorphous1 T" r9 [( ?5 d, k. \7 K! G

, \' R# F' f/ v, q9 f9 K" a$ E6. Originally, most intellectual criticism of mass culture was______ in character, being based on the assumption that the wider the appeal, the more_______ the product.! g* |: N. i/ K  r
A unpredictable.......undesirable
/ s% o3 d  @, B7 Q4 h5 TB ironic.....popular
0 N6 ?# Z0 F# l; fC extreme.......outlandish7 l% o8 T' ]% m2 p, E' P5 O
D frivolous........superfluous
- b9 I6 H% I# U$ c0 j& zE negative......shoddy9 b1 k) p: K+ E% ?* m4 _$ f

' B9 |( N% n' h; a+ U: J这一题好像找不到什么同一重复,全靠搭配吗?没有思路啊~~
" k) p9 X' m2 U: V ) h, n8 b4 A3 I
先谢过~~0 f# r0 R2 U, }! _

! K7 W7 z( ?- r, U; i1 n. ~: g[ 本帖最后由 luckychina 于 2007-5-31 11:26 编辑 ]

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5
发表于 2007-5-31 10:07:16 |只看该作者
我汇报一下
0 X- N, A. X+ z) S: a7 J数学因为之前做过,所以没模. J! l1 F! \2 A$ s

! E7 h! |# T# U) Z6 ]- v! o6 averbal:+ Z: J% n% p$ H% |
section1错9个, 填空错了1题,类比2个,短阅读1个,长阅读4个,反义1个
2 I: g$ E3 ]% D, `$ h$ I2 N; ssection4错11个,填空错了4个,类比1个,短阅读0个,长阅读4个,反义2个8 r: D2 o# G, b, g
, g2 \7 T: `* S) g# H
象我这种填空和阅读错的多,类反错的少是不是很不利啊.( |" F- L3 b  |9 G& @4 F
    填空今天调整了一下,已经有所进步了,但对填空解答的精髓还是把握不够,有3道填空找出了答案,却被我更仔细的分析给废了,也许是对陈圣元提供的方法不够相信吧
& u% R. J# r0 G' m+ l$ F! x    类反这种错误是在我的预期之内的,如果每部分再多给我两分钟,这些错绝大部分可以避免,但这并不是因为我的单词背的很熟,我现在红宝还有一堆单词不认识,说来惭愧,正打算好好再背两遍单词的,我的意思是我这个类反水平绝对不是假象(也许对你们来说还是错多了,但对我而言比较满足)7 T. V) t, x7 Q2 P- p; z
    阅读今天错的还是比较多,但相对前几次还是有进步的,错的基本上都是长阅读,而且大多都是时间不够瞎猜而错的
2 u* s4 s5 z) \& ~( \# t4 z/ d" w; P* [! a  S) Y7 a
请大家指点,我该怎么办,很多人说模考比实际要高100分,尤其是填空阅读错的多,类反错的少的人

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Capricorn摩羯座 荣誉版主 QQ联合登录

6
发表于 2007-5-31 10:20:41 |只看该作者

回复 #5 mdyn 的帖子

被LS打击了..
! ~& g3 k' i* f+ \& R7 s/ P类反真牛! D" B: X$ ~0 E) P0 J4 j
/ S5 @  ?$ d+ Z: d8 r. d6 T  H
阅读要加油了~加油~

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7
发表于 2007-5-31 10:21:19 |只看该作者
偶想问下这一套section 1阅读的第24题,就是问那个作者态度的题0 f# w. H: O1 K1 x) U% e; H! W$ Q
为什么是midly positive阿?
谁也不是谁的谁

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8
发表于 2007-5-31 10:24:46 |只看该作者

回复 #7 宫城失温 的帖子

那题挺有争议的/ k2 @# Z$ }) f
杨继给的答案是strongly supportive# s7 }) ^; u& `7 C. @

' J$ i+ P/ i9 c, j反正没有人知道正解释什么...6 v+ R1 y! S& J2 R# p
不用纠缠的
4 }/ ?# i# s+ a2 b4 {" P估计这样作者自己提出hypothesis的文章也不会很常见

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9
发表于 2007-5-31 10:40:16 |只看该作者
我分别错11个和13个 赫赫 还是类反错的非常多

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发表于 2007-5-31 10:47:09 |只看该作者
哈哈 数学错7个 要死了。。。马上来分析

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中秋勋章 荣誉版主 Cancer巨蟹座

11
发表于 2007-5-31 11:15:25 |只看该作者
原帖由 spspli 于 2007-5-31 10:47 发表5 _7 `# Y) q- I, E
哈哈 数学错7个 要死了。。。马上来分析
8 b. u/ z# H4 w. i
我错了9个咧~

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发表于 2007-5-31 11:16:25 |只看该作者

觉得数学答案有问题

我觉得
- J( t  O0 o# N3 z3 o, [
; l7 ]( y! e# ?# r) p# [2 bsection3
: s- f0 }/ c( G0 ~第六题
7 Y) t/ O# \/ J& H  \5 e$ P0.04《0.004选A: E" B  R+ n( C  I+ R
6 o6 N" X' @8 U% R( i$ K
第二十五题6 S4 v- \. E% G9 T+ K
选E 因为有多少employee并没指出
1 F* `  D9 @7 W( s) t1 H% f4 `. `, P6 G/ ]- v" h4 m% }! ~
大家说呢

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13
发表于 2007-5-31 11:18:31 |只看该作者
还有问题:
- ~& I) T! i" yright circular cylinder 跟一般的cylinder有什么区别吗?我开始还以为是一半,结果错了,郁闷

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发表于 2007-5-31 11:29:30 |只看该作者

大家可以看看我3楼的填空吗?非常感谢啦~~

4.The term"modern" has always been used broadly by historians, and recent reports indicate that its meaning has become more ____ than ever.
% T8 h# W' F4 P0 ?) E+ \A precise
2 _" n. @3 c/ j2 ]! K0 Z; X8 hB pejorative# x  H5 [0 c- [
C revisionist+ ~- z1 U$ i2 u5 j( ]* c
D acceptable
' Y  w- i$ j! s/ z* oE amorphous
7 a" Z7 R" f" i" O- s
5 i- Z8 N, h8 ?  G* y6. Originally, most intellectual criticism of mass culture was______ in character, being based on the assumption that the wider the appeal, the more_______ the product.( @5 j1 o  d$ t9 N0 |$ H* V
A unpredictable.......undesirable
( V: J" y7 q  h0 a) w: o- gB ironic.....popular
0 i3 ~" R4 \- l! b, mC extreme.......outlandish
% i' C8 z" X8 t9 M: TD frivolous........superfluous
* {/ _7 v' x; @5 Q7 ?9 y% s: k& V3 TE negative......shoddy

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中秋勋章 荣誉版主 Cancer巨蟹座

15
发表于 2007-5-31 11:38:05 |只看该作者
原帖由 shermanxia 于 2007-5-31 11:16 发表
6 F1 ^7 X  {7 e; t我觉得
: T  T- k# i6 k# ?
6 Y; d  i4 w/ Q# o: esection3, P: H4 x9 ^6 J# f% `4 k) ]
第六题
# i) t: v9 e9 U1 w0.04《0.004选A
" ~% e0 Z0 p0 x2 x  S) l! U
同意( ~" R& }2 n5 o& L; U" D
3 M, B4 L1 ?* U0 w1 d2 c
第二十五题. n' ^; s  E: c9 i. W. \! U( T
选E 因为有多少employee并没指出' S$ x3 ?  n% Y6 I4 _" p: [& t, K  Q
. \+ f2 e, I# _' W, K! o5 t
大家说呢

; n6 e4 [; G/ Z; w7 }/ g6 Q& A! T应该选c,按照百分比就能计算 50%是在错4个的那个区间

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RE: 0706G冲刺模考第四辑 [修改]

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