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原贴来自lingli_xiaoai 斑竹的帖子https://bbs.gter.net/forum.php?mod=viewthread&tid=469297&highlight=9 F8 Y: Y P0 s
复制过来给错过上次讨论的gter参与,提前祝福大家在六月的考试中取得满意的成绩。最后几天,坚持一下,胜利就在不远处。" H6 ]0 [; E; {& O$ ]7 r) ^
大家加油!! Z7 v* ~& V1 ~
, E" }% S8 c1 d# ?; O- T! ?: Y7 @
-------------------------------------------------------------------分割线,开始模考吧----------------------------------------------------------------------------------
M% K7 G- a2 c6 S! }为了方便讨论, 我把2个SEC的填空,类反贴出来, 阅读由于太长,就不贴了. 做过的看看有什么问题, 欢迎跟贴讨论! 阅读的问题可以说下是哪个SEC的哪一题.
1 A; S- {. o( Q: J9 [5 _4 V! U% N" y( G% p
Sec1 `* @4 e2 K. G; h, Z& n: u5 e+ J
( S5 k% _7 @' S3 S
1.A computer program can provide information in ways % b8 [7 ^1 h" @* ]3 p [7 Y
that force students to --- learning instead of being
$ }; _; N7 q/ Y- g( |merely ---- of knowledge.) [, V# S6 ^7 {- U% |9 a X. f& m
(A) shore up .. reservoirs m, T" y) v+ S e: s
(B) accede to .. consumers
0 J1 n0 G4 ^3 V+ q(C) participate in .. recipients
+ a1 y$ l; ~9 r" x(D) compensate for.. custodians
% W7 o/ p, p- R) e" }) M(E) profit from .. beneficiaries
. `% k6 L f' d
4 r( R- e+ Q. v2. The form and physiology of leaves vary according to% C. T% V o& [$ B% c! Z
the ---- in which they develop: for example, leaves
0 Z j+ w; c- ?. n4 Ddisplay a wide range of adaptations to different
% v- ^, p( B& h2 T/ U3 b, idegrees of light and moisture.) [4 p' R0 g T. a! i8 h/ ]# j
(A) relationship% E* G$ j0 p5 L3 n
(B) species , k& w$ n2 M% m9 f- _- _* r
(C) sequence / a" W7 f) M. T' @% p1 b
(D) patterns
" U2 G, K+ V& K8 R(E) environment
& D( S; Y% k" _8 u( w" r7 r2 |5 O: H# o0 f( R
3. One theory about intelligence sees ---- as the 1 i/ A ?! K4 b8 i& O
logical structure underlying thinking and insists that - Y- x/ W) E8 V
since animals are mute, they must be ---- as well. 1 t0 G4 o/ [1 l' p9 I0 E
(A) behavior.. inactive * t8 B9 c2 c- g) n2 p. T
(B) instinct.. cooperative , J+ n% I4 y' w! ]$ H
(C) heredity.. thoughtful
! E2 u2 w X/ h, y. w8 j3 n* L(D) adaptation.. brutal
7 q7 _* S9 E; g' o8 b1 E& T(E) language.. mindless 5 g8 ]& h8 J+ _- c8 \ K. H6 _
. X/ _& g' `5 [( f8 M- w1 ?3 P
4. Though ---- in her personal life, Edna St. Vincent
6 a) `# N* Q7 Y2 Y. OMillay was nonetheless ---- about her work, usually 5 d) l* u1 N% [3 S# {
producing several pages of complicated rhyme in a 2 L0 x; F4 ~1 |- ~1 K
day.# |( \ R: t5 G& @6 u' j( V
(A) jaded.. feckless
& R: \/ B/ c+ b& }6 H(B) verbose.. ascetic' {' {& Z/ A% w* l7 I- }
(C) vain.. humble . N5 a5 E3 p" o: V! m
(D) impulsive.. disciplined 6 J& r/ `7 E3 q6 F. L! E
(E) self-assured.. sanguine( r1 Z5 L4 G3 D5 X
C5 N$ A' `8 p: @# U5. The children's ---- natures were in sharp contrast
+ v Q% `6 S/ G0 r% c. F/ a; Fto the even-tempered dispositions of their parents.
. |/ }7 V: V4 p% g6 J0 B(A) mercurial# P" l0 W5 d6 ^+ e9 c
(B) blithe
+ i! W1 U# g' c2 u6 C, r(C) phlegmatic
' s/ B+ Z* h4 ?% v( \- _ V+ D(D) introverted ; Q! h S" j7 k3 W9 S1 ^% G1 I
(E) artless V q' x$ D6 w
* M7 B F+ p9 \$ [4 s
6. By ---- scientific rigor with a quantitative approach,
) u- m# d" _* h7 s/ f$ j1 n5 nresearchers in the social sciences may often have ---+ H+ C) n* R) h7 d# A: k. C5 l
their scope to those narrowly circumscribed topics that
' N$ q* j: R: {% h/ f% m3 }3 ware well suited to quantitative methods.
/ y* Y* M$ a! F X" f/ Q) z(A) undermining.. diminished 1 h0 z" v; W0 T9 w" a p
(B) equating.. enlarged
6 p- u1 J' z# m/ x* k8 Z( C(C) vitiating.. expanded
. T" ]+ N0 T# U, a% }" O% R% R3 p* h(D) identifying.. limited
" E! {1 I/ Z9 ?: }; T(E) imbuing.. broadened ( U7 [# V# r' {
! K$ v& s F( U; S6 @- S! T7. As early as the seventeenth century, philosophers
9 u! X M$ ^/ R' K0 l a0 {called attention to the ---- character of the issue,
2 D/ F1 {# a% Y( e6 e% q; p. Vand their twentieth-century counterparts still approach 8 S: Y% {! J3 ? `' \5 A2 R$ v
it with ----.
/ W0 ^% K" `6 ~% i9 Y(A) absorbing.. indifference
a, M o0 u4 a/ v8 |$ g/ v(B) unusual.. composure3 F# ]: N6 q7 c- i
(C) complex.. antipathy
5 r7 T2 a, I8 G4 X) s) A(D) auspicious.. caution" W5 t4 f0 ~7 Z( G
(E) problematic.. uneasiness + m) M9 S ?5 R4 I$ C' ~
9 @* h4 ^7 v- }' x2 I- L7 w
8. TRIPOD: CAMERA::: I3 ]6 `2 D1 o5 X! d' I
(A) scaffolding: ceiling! U: z/ g* ^+ N' G; w3 z( K
(B) prop: set
" P7 R) {' i& w" @9 Z; d9 W(C) easel: canvas # P) a7 S# P' r. ?: a
(D) projector: film 5 C2 z# e! G0 Q" G0 f% e# o
(E) frame: photograph
1 c9 E. e: p) ]4 G$ }
, M, |! u- o) G% U( g9 q+ r9. AQUATIC: WATER::
( |& w2 l- |$ v9 E- b o(A) cumulus: clouds
0 e9 L- m ~2 ]4 D [# G(B) inorganic: elements J. D; f3 `0 N' P W* h* R
(C) variegated: leaves
& n* U; D1 y; b7 H* B, C' D" r(D) rural: soil' k: ~$ d! q H9 y
(E) arboreal: trees * y. I" A$ {% b% G* |
Y. U t* C( k2 K" H8 @6 e: r10. EMOLLIENT: SUPPLENESS::
$ W8 D+ I$ ^1 K& H* q0 Z(A) unguent: elasticity; ^/ }# b4 A8 D2 Y2 k; O
(B) precipitant: absorption
6 l1 s7 E% J& x* h$ o6 H(C) additive: fusion ) N# u/ g7 d8 A w. l9 l
(D) desiccant: dryness : @8 t: d- S& N# t# u8 v
(E) retardant: permeability 9 c( Q, f9 x' q! w: J
3 \. |3 v- {0 s2 \11. DRAW: DOODLE::
- D. s! |! i4 F$ m(A) talk: whisper
* ^3 H' X: I( h! U(B) travel: ramble 9 u+ D$ m5 j5 c' P9 X# n" P
(C) run: walk
4 E8 y, \" J3 K: D; g# r(D) calculate: add
; e/ V7 R; z, ~ X, r; F7 j) o! U(E) eat: gobble
. b: W' `3 J3 I& X" j: o
6 W+ |0 p G4 L12. CONSPICUOUS: SEE:2 I9 G5 M; @* H, v
(A) repulsive: forget
0 \( r; P# i3 x1 z. t$ Z, K2 S(B) prohibited: discount , ], H5 L, m4 l/ S6 q/ v
(C) deceptive: delude
" k2 O0 Y* G; D1 g6 B6 b(D) impetuous: disregard . Y* b' G) l0 f$ T2 v0 o
(E) transparent: understand
9 Y; S5 i. H) Z0 ], a% G* }( g D# B
13. IMMATURE: DEVELOPED::' `- ^6 \' O6 Q
(A) accessible: exposed
0 y/ E; m/ u/ X% f0 Q" V' j(B) theoretical: conceived
! v+ A0 v- |4 _! ^3 Q q: L7 n4 p(C) tangible: identified / P) D" w$ \$ Y* B
(D) irregular: classified " v* @' n2 @) S7 F1 a, F+ V# }) Y
(E) incipient: realized , ?1 f' [+ R1 ^! X% k. D! `! c
, {% V6 o0 V/ }, i$ ]$ k5 D
14. PERSPICACITY: ACUTE::
% V7 v7 Y) W4 K! k$ Q- O" k. y(A) adaptability: prescient
9 `; W( O8 c6 E8 p1 E4 S: {' J(B) decorum: complacent
$ _, ?/ m- B, y( `0 S(C) caprice: whimsical
( \* {3 @* i G3 a4 a+ T' y; c6 Z! K(D) discretion: literal
" h9 d3 R3 B6 |- F4 S(E) ignorance: pedantic
7 s7 h8 ]3 F. X2 v; a* v2 F: l! F: w& ]" f
15. PLAYFUL: BANTER::1 [- F2 Q( f6 A% c2 c/ b l c3 F! e
(A) animated: originality : B8 C7 u8 \" j* y! O5 b
(B) exaggerated: hyperbole
0 K4 p0 f. H+ a0 N0 |! q(C) insidious: effrontery
. T% O' c/ _+ Q; b5 G$ P3 B- @6 [* l; M(D) pompous: irrationality 6 Y" n" j" m, ]. C/ ]+ S
(E) taciturn: solemnity 7 i% l; M8 ~7 l/ M5 h
9 p, J: J N) j9 q. x6 L16. QUARANTINE: CONTAGION::
( l' V; E; [6 W: V+ f2 r(A) blockage: obstacle
x2 @6 t5 P; o. |(B) strike: concession, H. p5 Z) Q! d
(C) embargo: commerce/ S6 W- R0 q& F3 w0 a3 T
(D) vaccination: inoculation 4 [% d( G: S6 P: g4 X. g3 b: x
(E) prison: reform
3 K9 w2 x9 y$ ?/ e% `
$ B2 m- {! t( `, A% b1 L9 ~8 V: Q' T/ y' H' Q
28.IGNITE: + }8 A, I1 b; H6 d+ u( q q2 L" K2 \7 m
(A) amplify6 H6 \& C* B7 e/ E
(B) douse
& g. j' z& z+ f8 ?2 X(C) obscure
1 _7 r& _0 V/ D3 A w6 i( k(D) blemish
2 A* S+ |4 T% J1 Y+ w, c- B(E) replicate
- ]2 B% f5 r! f: g$ Z
/ A$ e+ N# w4 ^/ L' \6 q- x29.MUTATE:
- z/ M! ]% w; j! |* Y8 {& c(A) recede
. R% Q S% z' R' M2 B9 s+ Z- K(B) grow larger: s- z) m, d) H2 m2 g
(C) link together % h Q7 Q3 D6 h3 A
(D) remain the same * t2 U! H( L3 A4 |0 T
(E) decrease in speed . H5 N @9 {7 \- |9 `0 t' O2 H
, u) s4 S! P7 y30.FRAGMENT:
/ Z5 A. {* _. F( S, ?6 A4 B# |(A) ensue 4 {' a- v9 W. r4 o
(B) revive " g0 w5 U+ r9 j7 l# J
(C) coalesce + w& X6 M! ~! [" x, k. E
(D) balance " N- t7 b- P' c& S& e7 p: Z' f
(E) accommodate - S P X: D, L8 J1 O) y1 Y6 ?$ t
/ O8 I1 X" ]2 x31.OSTENSIBLE:
! \* m/ d7 [6 L/ ? H3 w3 A r(A) gargantuan
; g& _% P# G8 ]- d- w(B) inauspicious
! s; E9 u/ L' N9 a' h0 j- Z(C) intermittent ! `+ ] y' x5 b
(D) perpetual
. u: t8 ^3 A6 ?1 w. [(E) inapparent \0 r, F) c6 M/ j! R2 d% a
. Q4 |& ]2 \* p9 b ~0 H32.PROLIXITY:
) ]5 v+ @2 U5 N# K% v(A) ceremoniousness 4 N4 a' g- t' n/ ?! ~& R5 O+ c
(B) flamboyance
& R' h) o0 r/ s( x. g) I5 O o# M1 N(C) succinctness
1 j* B" O$ b. w% r: v(D) inventiveness 3 q( Z1 i6 X$ H1 z+ Z
(E) lamentation " C1 E! X! P6 [
4 I4 s9 p! U3 Z1 j1 U# r' ^
33.CONCERTED:
0 y# t' {: j) ]7 B/ A* }; s- e(A) meant to obstruct" \( I) K% D0 I' p4 K7 P2 {! X
(B) not intended to last/ x% K' X, ^3 i! r; ?5 u
(C) enthusiastically supported
& L' I4 T2 @2 T3 l(D) run by volunteers ; r A! F9 L; l# T% ^8 N: `# [1 \
(E) individually devised + Y8 I' ^" g4 v4 A
3 V$ e4 Y8 F# {' a# R9 i: M0 [, }34.FORBEARANCE:
( R2 M4 K9 H% e6 d& K$ f8 N l(A) fragility
- q: d8 n$ I5 e(B) impatience
4 H& K$ _4 y: o(C) freedom
% F* `* i7 ^( R2 b(D) nervousness 4 F+ A4 M+ t2 X f- l
(E) tactlessness ! I; r' @% S& p, L8 C1 O% c) \
: ~# O( e- ^/ W9 Z: u7 M3 G6 ~35.COSSETED:
2 r+ c! F3 l( P+ ]. Y d" H! s, l(A) unspoiled & H3 w, U& m2 U5 `+ d( d1 h
(B) irrepressible
$ m# f3 z- q. t+ t+ |3 }(C) serviceable
1 t4 i2 L* k9 Y L* n$ G& X(D) prone to change
6 Z/ v2 r4 @' L- C(E) free from prejudice $ |1 ~( X8 S; S+ B& N: c
9 Z; H4 ^- `; C* ~$ C2 i36.PROBITY:
- d5 B* q5 Y3 Y: O(A) timidity * u. E N, _' ?0 x: p; r2 F
(B) sagacity $ N9 e6 c d2 K3 ~- u7 n
(C) impertinence + T Y0 p8 _& }$ Z4 {& x
(D) uncertainty
& v2 f5 R6 ~ w9 g* c `! N(E) unscrupulousness . M$ ~9 ]( K' p, x) H
, z+ G% H' c- @8 V' U37.ESCHEW:
8 z/ i, V' N q; L( s(A) habitually indulge in # ^6 E0 @; {& d2 v) l
(B) take without authorization ( @' V0 z5 w# E% v! O" m5 j
(C) leave unsaid
4 v3 q/ h* h, N(D) boast about
( C% ~6 l) p& P(E) handle carefully
, H3 u4 Q I7 J1 H
) r5 F' g, Q% r! m6 J% C$ }38.REDOUBTABLE:
; L0 C1 m2 h+ p9 s(A) trustworthy! `) a3 n& X+ t% J3 Z1 @; Q# `
(B) unschooled : C9 V! n0 _* S+ L1 \) k$ V+ X# N
(C) credulous 3 W8 I3 w: T+ ]4 Q( }3 ~
(D) not formidable - i' P' @; U4 ~5 N) f; x F
(E) not certain
7 I. A6 k. z' Q9 ]# v( `1 Q ~
Sec2
+ j! Y4 J. D' q; i! F: }& z
6 B+ n" a+ B& E1. Since most if not all learning occurs through----, / c/ n: Y" C, `" c% A
relating one observation to another, it would be ) c6 R9 j6 [9 o: P
strange indeed if the study of other cultures did not 6 L$ o7 F1 W/ ?" B
also illuminate the study of our own.
: e w/ g1 H5 ^2 w, ?# ?5 r) n(A) assumptions
& U+ W3 n3 g* F$ k& {6 c) i' W(B) experiments
5 O: ` g/ G& |# q( |- F) k(C) comparisons
. g% }* h9 W5 \- L(D) repetitions
* @* v8 D, ~- |/ ^8 [/ M(E) impressions & l, Q* B3 s% A8 X% V9 r: z
7 y( @4 w9 O- j2. The new ---- of knowledge has created ---- ' T& c* |4 f2 l2 z
people: everyone believes that his or her subject
, ^+ n* k) x# h! Xcannot and possibly should not be understood by
$ `9 D3 W4 B# F6 g# Y$ q9 s7 O+ r: Pothers.
# D* Z3 E, C' y* o8 P(A) specialization.. barriers between , w7 J; u+ @" U3 _+ f2 C& r
(B) decline.. associations among |0 r, v3 o7 z4 B
(C) redundancy.. complacency in 8 n/ `# ~' Y4 U( W0 q- G
(D) disrepute.. concern for
& d. N2 b5 ^1 r" S* \2 ^3 }(E) promulgation.. ignorance among ) q* k0 H3 `! S
( `" i$ y" b5 y2 V ~3. If a species of parasite is to survive, the host organ-0 V2 t0 W2 n7 `
isms must live long enough for the parasite to : @" w% a" C3 M" M, U) l
---- ; if the host species becomes----, so do its
! f4 F5 g' Y5 Hparasites. 0 Y, K8 E& Z' d5 G# Z; g! D
(A) atrophy.. healthy " j4 F4 V& `" k
(B) reproduce.. extinct
# R! b3 ~# h% O$ E(C) disappear.. widespread
/ k, S1 B% H9 \2 w5 l( _(D) succumb.. nonviable
, ]* z" M! w1 P: V% y(E) mate.. infertile
' \' r3 ?: z8 D
: \1 L1 E/ I. ^8 L; n" S4. The author argues for serious treatment of such arts
) I5 G5 @8 h! X4 c# W& `/ A' las crochet and needlework, finding in too many art
% Z- `0 _! |1 x2 q" v# A8 l) p! S; bhistorians a cultural blindness --- to their ----
( e) _4 j* r1 vtextiles as a medium in which women artists pre-7 i0 H' {8 ]5 d& Z. q4 n( S+ [& z
dominate.
# O; X8 o5 L3 N" U(A) traceable.. prejudice against 8 \/ b7 g; _1 F2 c; ~2 G
(B) opposed.. distrust of
" I& p) w/ s4 e' s9 k(C) referring.. need for 2 H: i4 P5 S, Q, K
(D) reduced.. respect for
2 e) s) b, I8 }- z# n. b) s" t E(E) corresponding.. expertise in
4 I6 W. V# i5 `" Z; ~: o# R
: g9 i/ @+ m/ v! }5. Those who fear the influence of television deliberately! ]2 Y3 d& W$ V/ |
------ its persuasive power, hoping that they 5 E+ c8 a9 C6 T5 w" o- M+ r
might keep knowledge of its potential to effect social ! F+ f4 c, P8 u+ N# I
change from being widely disseminated. % M. q# y, k5 x# U9 s
(A) promote
; f. @# ?8 A+ a- X, P(B) underplay c. j) v. D) Y, l% d$ e
(C) excuse
* ?% c5 R3 p9 |8 ~(D) laud + D9 L& O! y9 \8 H3 Q! ?8 \
(E) suspect
x5 r& R+ u R' f1 {7 ]0 J- l$ i
3 L7 \' _- v& J8 K' w4 \" k6. Because the high seriousness of their narratives % o$ R; }, h/ d
resulted in part from their metaphysics, Southern ) }, i# R4 k2 L9 o
writers were praised for their ---- bent.. A& h6 n% r' F* c
(A) technical
& B) z6 y3 w; D9 j9 ] @(B) discursive
7 j& l5 ?0 M' P$ Y. _5 U(C) hedonistic 7 M( S7 L" G* ]' l" @4 r3 P
(D) philosophical 6 Z" H/ l( c7 M- Q
(E) scientific
( t& l) F: b' g2 t: n6 S/ f4 v
- A- C, F. w1 z. r7. Far from being ----, Pat was always ---- to ! ]6 q3 A6 ~# R B5 d" H
appear acquiescent.
2 t0 r% t" T- m/ d/ R4 ~(A) unctuous.. loath 8 r) x V% J( L0 \8 I
(B) brazen.. reluctant / M9 N4 }- @0 A0 {
(C) ignoble.. concerned
) r9 S; S8 ?; I+ r# h' c3 C* p(D) obsequious.. eager 3 I2 B- _, U& U
(E) gregarious.. willing / Y: f" o7 F1 P; e5 c0 I
- y+ Q& o- m; H, M8. CHUCKLE: LAUGHING::
) s* m2 V: _2 Y. H7 U" B' e(A) uproar: shouting # y/ ?, k+ F( S' Y A. i4 _
(B) whisper: speaking ) `8 c# _/ C' X) v* L
(C) hum: whistling 5 S1 T) t3 L( {) i
(D) lecture: conversing 8 z+ O5 s3 Q, z
(E) murmur: mimicking
0 F" e/ {6 i* j8 J9 K/ r3 R6 K9 q, [% j; l7 E8 R) }" G
9. PARAGRAPH: ESSAY::
: r! ~6 u) w3 C7 W6 ?(A) object: verb 0 ~2 J1 I) d- o$ h( [; B0 B" y$ j
(B) phrase: preposition
+ z8 \4 g8 t( T6 }7 R% [& `$ ]# B) z(C) interjection: parenthesis ( i% x! {% ^9 h3 i/ ~/ p. i c
(D) clause: sentence * T' E/ T# [ K0 `0 p: U. L
(E) colloquialism: expression % ~7 E" [ J, ]' u8 T# p
! V% K5 n& o7 N$ j, j7 B
10. STUPOR: ALERT::
5 f- [+ r/ J5 l$ O(A) rebellion: defiant % _7 k8 N0 C8 z [7 d3 ^$ X
(B) despair: hopeful7 r0 ~6 g0 E2 f3 u
(C) expectation: unfulfilled 8 K6 O+ p1 q$ ?$ L5 S6 U1 t
(D) circumspection: careful ; v5 O( _1 {; t2 u) t- K2 A X
(E) ennui: listless ( q; [2 x& U! K; Y* u2 T! _
% a1 H6 g, R* p/ U11. PAEAN: JOY:: # ?# F* x3 ^0 ^6 z
(A) dirge: grief : s7 D6 g5 V2 Z
(B) oratory: persuasion . b4 R* p% |$ {3 u
(C) aria: opera
8 e0 ~9 e3 K2 Y(D) chant: choir
! ^3 ~( i1 [% V- L5 H(E) lecture: instruction . V3 t- W6 S- O( u; i7 K1 H
; ~$ F# X/ i- g- i/ A# _9 V. m12. RENEGADE: ALLEGIANCE:: , \6 \( G# _) m
(A) revolutionary: reform0 T4 V: ~/ _, |$ W. ^/ |
(B) aesthete: discernment
" C, w1 L, {9 O# V: V7 @" p(C) apostate: faith
% F4 { t8 l( d3 s1 @(D) politician: challenge * j0 @# k8 p6 \) }
(E) criminal: imprisonment
8 j+ H' W$ j+ M% T4 b: b
9 q3 S$ A/ j+ f' G# `, ]13. DEVOTED: ZEALOUS::
9 T5 d- q5 G, c) i(A) affectionate: demonstrative
& x1 y" Q' B x2 V6 m(B) animated: lively - b- M6 K! m9 ^% ^0 b
(C) rabid: extreme9 \8 z1 [6 J0 M7 _2 L" g5 q' c
(D) objective: indifferent
" O0 V% q8 P, L: K3 N, {(E) careful: fastidious * N* [+ p" J" b# N. L* E7 q; y
7 q9 m, Q! f2 o: r& W14. VESTIGE: REMAINDER:: 3 G, F% d m+ r; h: {
(A) figurine: statue ( ?: L }# T$ ?: D; C3 T
(B) knife: cutlery
& B# }/ u5 A, R5 f w(C) hub: wheel . R" L! [- T. S7 E
(D) angle: slope 7 r3 W O$ a# U" e
(E) inventory: goods ; s% I* k; b: [9 H7 {* ^
% I; t. U" i+ V$ ^
15. EPHEMERAL: ENDURE::
( {3 [4 T* M4 U4 b) K4 U1 D(A) insensitive: cooperate
( e* u- a6 j( R+ Y+ V(B) infirm: react 9 U/ D- ~& \1 t. d
(C) ineffectual: proceed . U, Y" m) }- X
(D) inelastic: stretch
( K8 Z3 D S, @- S(E) inflammable: ignite - w2 G2 v2 N* Z; t# ?
7 c& B3 U; e' W& i; X7 z: X
16. MISDEMEANOR: CRIME::
+ E/ J( ~# f: I$ ?0 O e0 U& ?(A) interview: conversation
) m7 Y! \; ^. O(B) lapse: error 8 E; g5 Z+ J3 M8 r& R. z
(C) oath: promise
$ W. M# R4 C) w/ f8 |& E(D) rebuke: criticism z2 Z) j: J2 q+ t! [ C
(E) vendetta: feud
& d, E# v$ w2 s8 _
% g4 N( Y0 z% [9 Z6 z' z" k* }" r6 L. p# H: c. [6 D
28.PREOCCUPATION:
( p4 E, B+ u8 s(A) finality . V1 P( U. \2 ^& t
(B) innocence " S" O8 ? l4 u( ~
(C) liberality
5 f( f2 K4 X1 @+ O5 F. H$ r. g(D) unconcern
' s R: d& c" `1 |(E) tolerance 9 _$ M9 g! w; X
1 \: X3 x. W- W! [6 M29.CHROMATIC:
* J1 ?5 u1 B& v9 x5 @' @(A) opaque H$ y: `; I n' Z' V( c. \
(B) colorless & B& _: O' W3 p' R3 R" }
(C) lengthy
% B6 f# z% H; e; N8 k7 Q(D) profound 8 w5 G2 v. R7 {4 D, ^
(E) diffuse & @, I& I0 }: @0 S& v* ~) Q
8 e6 Z# x, |8 V% O8 O) C0 y! u/ h
30.PEDESTRIAN:
7 Z' q1 C2 l2 Q- i6 ^& |9 E; r(A) widely known 8 [0 `# d4 R) g! P
(B) strongly motivated ) F8 k T3 F+ A( J
(C) discernible
- W4 r% `2 H7 c+ ^(D) uncommon " E* H6 d8 d/ w2 ]# |
(E) productive
0 M, m; w; H: ~! o( R+ a9 |, g4 s0 T* l' \8 g
31.EQUIVOCATE:
! Q* F6 }' W& C5 r4 f(A) communicate straightforwardly
' x1 _! I! Y6 y0 ~(B) articulate persuasively
0 k4 ^) S- D1 v t3 W1 t2 U(C) instruct exhaustively
+ x# }% g2 w3 o; U" O7 R(D) study painstakingly 6 P7 O. n0 `1 m1 M+ b$ h
(E) reproach sternly ! F8 r/ [6 ?$ l/ e$ J1 {
- o$ f, L3 ?& @* H
32.DENUDE: + z' Z1 a. g/ I0 Z' R% f! z
(A) crowd out
" \( d2 d. B4 v6 o( B& S(B) skim over
) m9 @ p) l$ `- u; m0 Z" y(C) change color
5 d# h) Q% ?" E, t9 ?: ?(D) cover
( ~+ [: \" i* r, T3 e4 @" I) e(E) sustain - P. z; z/ k3 c: L$ m3 m' B+ f
) D; ]" M; J2 U: F0 r33.RANCOR:
' V6 x n: B2 n) X7 e(A) deference 7 A4 \: \- d0 x6 l2 ^7 p
(B) optimism * ~5 d# _: B* E" W
(C) courage , d' i1 |. j3 n% ]* @# _
(D) superiority
) T: g' q& f# w(E) goodwill 7 M# b8 W8 C2 c9 C$ K X" v
3 L; `5 [- w2 v34. OSSIFIED:
, X5 X7 T1 ?/ `: P) ~(A) vulnerable to destruction / ]" V$ T7 j) H' `6 k4 T8 x% L
(B) subject to illusion
7 x# s5 N2 S9 r" K N(C) worthy of consideration
8 j- ]$ X$ d2 g7 U9 X(D) capable of repetition
2 a* ^. y+ S. l e5 d7 I4 _: \(E) amenable to change
* g! H! S0 a, n. P# J2 J2 O
w7 S3 h5 m. v5 T f6 J" k7 }35. CONTROVERT:
$ R* _/ ?8 L: V/ Z( r% y; |+ X(A) substantiate
4 x ^/ n: s, P" U2 M(B) transform / e0 X# [% A+ S
(C) ameliorate % J% [0 j8 D" N/ @" L
(D) simplify 1 A1 r; L5 |7 x( ^0 {5 r. e
(E) differentiate
. p) e2 q8 o+ E5 _6 t, u5 h' ~3 [. Q3 A+ w2 w9 Z& ~6 V. S
36. PROTRACT: 8 |# h0 \- b. J
(A) thrust
! k/ q$ N/ @4 c+ E( n" Q6 t(B) reverse + t6 B: N* Q" S, s: `! h) b7 @2 r
(C) curtail , W% Q$ Y5 K% G% L: J
(D) disperse 4 ^* ]: d" s& j; S
(E) forestall + r7 d0 w% ~& P
8 R* B( r. J9 `
37. ABRADE:5 B( E. Y2 v; B
(A) unfasten " l7 P6 N+ r1 w
(B) prolong
) i* Q9 F2 Q" Y0 B6 R) i(C) augment
1 b1 ~2 a/ p# q" }" h8 G; N& J(D) extinguish
" o: o' t, U: q, ?- \) f(E) transmit
' {6 i; [/ K; G9 _9 ]
. q) Q3 E) e. u( a/ R3 z O38.APOLOGIST:
; _7 v1 }8 ~0 ^& L5 d% X6 u. \+ Y(A) egotist
/ B/ Q3 W. o' E0 {: n(B) wrongdoer
" |! O) I# x# x: Q" h* i(C) freethinker
+ K2 |8 W5 g3 i( `8 i9 y(D) detractor 4 ^! d& t3 d0 k7 w- o
(E) spendthrift
9 u( W4 x0 z/ v/ v3 `
$ x* e2 y, ~4 g" w3 z4 g8 k p9 W1 E& Z7 ] j
$ {: n; Y& W2 G; D- t$ t
* t6 Q- d# x- X6 P0 }7 n, R* u! v% v0 e8 p7 A' f7 u, F
& n8 x A3 o* d4 n H& d, k5 D, N6 o* X: L* ~
/ O i, Y/ Y; c2 w+ @
V答案:
2 x8 @! U* z) J' o1 ^" @SEC1: CEEDA DECED BEECB C(EACD BAEAE BD)BDC ECEBA EAD4 o: b( _: Q$ L6 X2 f* Z: E
SEC2: CABAB DABDB ACEAD B(BDDE CEADD BD)DBD ADEEA CCD( |) k6 Y4 ^# D
3 s: X* {5 O m; {; X0 vQ:. o5 ]7 l+ U8 Z: b5 _0 h1 U+ q
3. BBDCA BAAAC DBDBC DACEC CDEBD ACAEA
6 j: e2 \. C, l& G4 _& M5. CACCD DBCBA CDCAD DDDBD AECEE DABBE
3 N8 ]' f8 j' U: j8 ^( P
0 n& x9 [! T) M+ B2 y7 t/ [% {1 v注: 括号中间是阅读的答案.5 l( h% S v& q1 k3 F
# [5 B1 @7 l" m* L' J$ s$ N1 J模考情况不好的同学不要太重视模考的成绩本身,要注意总结.这个分数和最后的考试结果没有什么直接的关系.总结才是最重要的.
" H0 u4 [$ z0 B, f1 y& @7 Q
3 p( x. j2 \( a* F$ z加油~~:victory:! F! |& i, }1 H1 P6 z, v
: M, c( ?, Y" c
[ 本帖最后由 yogurt4 于 2007-5-28 00:21 编辑 ] |
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