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The critic are(is)
just like the shadow of the artist . In the long history of art development the controversy that whether artists or critics create the lasting value has never stopped . In my opinion , I agree with the statement that believe the art itself , not others , provide the essentially lasting value . However , it dose not mean that we can ignore the critic’s fuctions for both its positive and negative influence on art .
Unlike the scientific theories which need serious inference for their proving , creation of art works mostly depend on artists’ inspiration , imagination and even passion . Besides , nearly each piece of artwork has the distinct brand of its own era and cultrue . Yet just all these untouchable sources of art and different background of people would eventually become the barrier bewteen the artists and audiences , preventing them to accept and appriciate the art . So we need the critic , whose comments and explaination can give the untrained public a broader and further understanding of art works , rather than barely visual and acoustical impact . If we say that artists give the life and soul to art works , the critic would give art the language to communicate with commom people . Due to the effort of countless critics , we can now appriciate and inherit those wonderful masterpieces of art.
On the other hand , the negative influence of the critic is equally notable . As I see it , there are two respects(aspects) .
The first argument has to do with the so-called filter fuction that means that the critic can clear away bad art from the worthwhile , which should be used cautiously . Since the critic is usually on behave(behalf)
of a certain group of people , in order to gain benefits for themselves , it is inevitable that many of their criticism may distort the truth , and even defame artists , and such kind of evidences can be easily found in the history of art . Under the stress of the social bias resulted from the critic , many artists lived a tough life , and many prominent ones of their compositions were killed . Consider the tragedy of Mozart , or van gogh’s famous painting : “sunflower” , which is criticized as the result of his madness , because it did not obey any principles of the traditional drawing skills . Whereas , just these “rule breakers’ “ works are considered as the classics by critics today . Indeed , this changement of value also remind us that the critic can not give us the lasting value .
Secondly , to provide feedback to artists is another function of critics . I concede that some useful feedback can actually help artists to improve their compositions . But as what most artists agreed , feedbacks from critics can hardly serve to (be) positive roles in their work , instead , they give principles to constrain artists . When artists concern with(are concerned with)
too many these principls , they may lose the fleeting impulse and inspiration , which is the essential of true art , and at last , their products would be a viable craft , but not artwork .
In sum , although the artists provde lasting values , the critic has its own positive functions in spreading those famous art works to public , and helping them to understand and appriciate art . However we can not entirely rely on the comments and explainations to judge any piece of art works , only through accepting those critisms critically , we can properly appriciate these precious weath of human being .
我感觉你写的挺好的,很多好的词组和句子的用法,观点也挺清晰的,就是字数太多了,呵呵
我也就挑了些表面的错误 |
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