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Music critics have consistently defined James P. Johnson as a great early jazz pianist, originator of the 1920s Harlem “stride” style, and an important blues and jazz composer. In addition, however, Johnson was an innovator in classical music, composing symphonic music that incorporated American, and especially African American, traditions.
Such a blend of musical elements was not entirely new: by 1924 both Milhaud and Gershwin had composed classical works that incorporated elements of jazz. Johnson, a serious musician more experienced than most classical composers with jazz, blues, spirituals, and popular music, was particularly suited to expand Mihaud’s Gershwin’s experiments. In 1927 he completed his first large-scale work, the blues-and jazz-inspired Yamekraw, which included borrowings from spirituals and Johnson’s own popular songs. Yamekraw, premiered successfully in Carnegie Hall, was a major achievement for Johnson, becoming his most frequently performed extended work. It demonstrated vividly the possibility of assimilating contemporary popular music into the symphonic tradition.
8 consider each of the choices separately and select all that apply
The author suggests which of the following about most classical composers of the early 1920s?
A.
they were strongly influenced by the musical experiments of Milhaud and Gershwin
B.
they had little working familiarity with such forms of American music as jazz, blues, and popular songs.
C.
they made few attempts to introduce innovations into the classical symphonic tradition.
答案:B
我认为的依据
Johnson, a serious musician more experienced than most classical composers with jazz, blues, spirituals, and popular music
In addition, however, Johnson was an innovator in classical music, composing symphonic music that incorporated American, and especially African American, traditions.
??????????C选项为什么不对? |
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