如何做定位一些细节名词

jack2684UID: 2914558

比如如下的一片阅读和考题。要回原文定位出现过的某个名词（realism）。

因为那部分读得很快结果就没什么印象了。。。大家是通过做笔记呢还是凭印象呢？（做笔记会不会太慢了，凭印象会不会不太可靠？）

Thomas Hardy’ s impulses as a writer, all of which he indulged in his novels, were numerous and divergent, and they did not always work together in harmony. Hardy was to some degree interested in exploring his characters’ psychologies, through impelled less by curiosity than by sympathy. Occasionally he felt the impulse to comedy (in all its detached coldness) as well as the impulse to farce, but he was more often inclined to see tragedy and record it. He was also inclined to literary realism in the several senses of that phrase. He wanted to describe ordinary human beings; he wanted to speculate on their dilemmas rationally (and, unfortunately, even schematically); and he wanted to record precisely the material universe. Finally, he wanted to be more than a realist. He wanted to transcend what he considered to be the banality of solely recording things exactly and to express as well his awareness of the occult and the strange.
In his novels these various impulses were sacrificed to each other inevitably and often. Inevitably, because Hardy did not care in the way that novelists such as Flaubert or James cared, and therefore took paths of least resistance. Thus, one impulse often surrendered to a fresher one and, unfortunately, instead of exacting a compromise, simply disappeared. A desire to throw over reality a light that never was might give way abruptly to the desire on the part of what we might consider a novelist-scientist to record exactly and concretely the structure and texture of a flower. In this instance, the new impulse was at least an energetic one, and thus its indulgence did not result in a relaxed style. But on other occasions Hardy abandoned a perilous, risky, and highly energizing impulse in favor of what was for him the fatally relaxing impulse to classify and schematize abstractly. When a relaxing impulse was indulged, the style—that sure index of an author’ s literary worth—was certain to become verbose. Hardy’ s weakness derived from his apparent inability to control the comings and goings of these divergent impulses and from his unwillingness to cultivate and sustain the energetic and risky ones. He submitted to first one and then another, and the spirit blew where it listed; hence the unevenness of any one of his novels. His most controlled novel, Under the Greenwood Tree, prominently exhibits two different but reconcilable impulses—a desire to be a realist-historian and a desire to be a psychologist of love—but the slight interlockings of plot are not enough to bind the two completely together. Thus even this book splits into two distinct parts.

18. The passage suggests that the author would be most likely to agree with which of the following statements about literary realism?

    (A) Literary realism is most concerned with the exploration of the internal lives of ordinary human beings.

    (B) The term "literary realism" is susceptible to more than a single definition.

    (C) Literary realism and an interest in psychology are likely to be at odds in a novelist's work.

    (D) "Literary realism" is the term most often used by critics in describing the method of Hardy's novels.

    (E) A propensity toward literary realism is a less interesting novelistic impulse than is an interest in the occult and the strange.

babyenochUID: 3153670

机考做笔记的话就不太现实了，太费时，还是边读边想边记忆吧，多练练。我也在痛苦的练习中。。。。。
其实这个题定位还是比较简单的吧
后面的这些 He wanted to describe ordinary human beings; he wanted to speculate on their dilemmas rationally (and, unfortunately, even schematically); and he wanted to record precisely the material universe. Finally, he wanted to be more than a realist. He wanted to transcend what he considered to be the banality of solely recording things exactly and to express as well his awareness of the occult and the strange.都是举例说明前面那句话的He was also inclined to literary realism in the several senses of that phrase.例子可以略读，但是引出例子的那些说明性的语句还是要留心一下，个人感觉是这样的。

zhouyu123031UID: 3181463

这篇文章好纠结。。。。特别是这句话
A desire to throw over reality a light that never was might give way abruptly to the desire on the part of what we might consider a novelist-scientist to record exactly and concretely the structure and texture of a flower.
抽象的要死...也不知道作者到底想表达个啥..

jack2684UID: 2914558

2# babyenoch 后面确实是realism那句的的一段排比，但是realism本身也在一个排比举例里面。从“also”可以看出来。因为realism既不是主要研究对象，又只是排比用来说明hady的divergent impulses的，所以读的时候根本没记忆realism，打算如果题目里问到了Hardy的divergent impulse的有什么具体表现再去细读那块。没想到题目直接出了其中一个具体项目。

现在回过头来看这段，对于他divergent impulse的排比举例还是算规矩，不记住举的例子的关键字确实说不过去。

ls的同学好厉害，不知道能不能帮忙分析一下第二段的结构呢？哪里详细哪里略读？(第二段读得很混乱)

babyenochUID: 3153670

4# jack2684
个人感觉 literary realism那句以及前面的句子确切来说并不算是举例。在GRE阅读中上下句之间的逻辑关系还是很清楚的，举例一般会有明显的标志for example等等，如果没有的话，一般在举例前面那句话会一个对例子所对应理论的一个普适性描述（可能说的有点绕），就拿这段来说
Thomas Hardy’ s impulses as a writer, all of which he indulged in his novels, were numerous and divergent, and they did not always work together in harmony. （第一句明显是topic sentence，全文其实就是说明了H人的impulse）Hardy was to some degree interested in exploring his characters’ psychologies, through impelled less by curiosity than by sympathy. （第二句是想说明推动H人探索人物心理的内因，同情心多于好奇）Occasionally he felt the impulse to comedy (in all its detached coldness) as well as the impulse to farce, but he was more often inclined to see tragedy and record it. He was also inclined to literary realism in the several senses of that phrase.（这两句是说H人感受。。。的impulse，但他更倾向于。。。。，他也倾向于。。。。我觉得这两句是想说明H人喜欢探索什么类型文章的impulse。如果你把划线部分作为举例的话，那你想想这个例子是为谁服务的，显然应该不是对上一句的具体说明吧？所以我觉得不能看成是举例。更何况在划线句里还有比较级标志词more，转折词but~~这些特征词是必须要注意的） He wanted to describe ordinary human beings; he wanted to speculate on their dilemmas rationally (and, unfortunately, even schematically); and he wanted to record precisely the material universe. Finally, he wanted to be more than a realist. He wanted to transcend what he considered to be the banality of solely recording things exactly and to express as well his awareness of the occult and the strange.（但这个划线部分就很明显是在具体说明 in the several senses of that phrase了吧，个人觉得可以看做是举例）
而且举例是略读，只是可以不需要理解的很深入，并不是不读，举例部分也是有可能出题的。比如一些逻辑单题就可能会针对某些具体的实验设题，比如说一下哪点前提假设可以对原文的某个实验结果进行削弱或者加强。

In his novels these various impulses were sacrificed to each other inevitably and often.（这句可以看做是structure element，是说H人的各种impulse经常不可避免的互相牺牲，可以理解成互相做出让步吧。如果不懂就继续往下读，蓝色部分就是对这句的具体解释） Inevitably, because Hardy did not care in the way that novelists such as Flaubert or James cared, and therefore took paths of least resistance. （这句的话要注意F人和J人，H人的特点和F/J人不同，这里有可能出题的） Thus, one impulse often surrendered to a fresher one and, unfortunately, instead of exacting a compromise, simply disappeared. （这句可以看做是structure element。这句话就是H人处理impulse的特点，同时这句话取反就是F/J人的特点，可能出题）A desire to throw over reality a light that never was might give way abruptly to the desire on the part of what we might consider a novelist-scientist to record exactly and concretely the structure and texture of a flower. （这句话的具体分析在杨鹏的长难句那本书上第二句，杨鹏对这句话的评价很高，因为这不是一个完整的句子= =其实大概意思还是可以了解的,就算在考场不能完全读懂也没什么大问题，无非就是说一种欲望绝对不会唐突的给另一种欲望让路~~，这句话我觉得独到这个程度就差不多，不过要注意里面的强对比词never）In this instance, the new impulse was at least an energetic one, and thus its indulgence did not result in a relaxed style.（in this instance就指代上面那个变态句子，这句就进行了解释） But on other occasions Hardy abandoned a perilous, risky, and highly energizing impulse in favor of what was for him the fatally relaxing impulse to classify and schematize abstractly. （这句是说明H人的另一种情况，转折词but要注意，这说明前后两种情况不同）When a relaxing impulse was indulged, the style—that sure index of an author’ s literary worth—was certain to become verbose. （我觉得破折号还是要留意一下，注意破折号是要解释哪个词或哪句话）【到这里就很明确了，a desire.... In this instance和but on other....when这四句解释了H人的两种情况，也就是对第二个蓝色句子的具体阐述】Hardy’ s weakness derived from his apparent inability to control the comings and goings of these divergent impulses and from his unwillingness to cultivate and sustain the energetic and risky ones. （这句话解释了H人出现这种写作风格的原因有二）He submitted to first one and then another, and the spirit blew where it listed; hence the unevenness of any one of his novels. （H人的做法以及这样导致的后果）His most controlled novel, Under the Greenwood Tree, prominently exhibits two different but reconcilable impulses—a desire to be a realist-historian and a desire to be a psychologist of love—but the slight interlockings of plot are not enough to bind the two completely together. Thus even this book splits into two distinct parts.（这部分都是举例，是对前一句话的说明：就算是他最controlled novel也依然是unevenness，进一步阐释了H人的写作特点）

这个例子也出题了，所以例子略读，但不能不读。而且一篇文章例子貌似也不会很多，所以要大概记住例子的位置，方便快速定位= =
建议楼主看看《花儿阅读》和“爱上一个美女好难”这篇文章，好好揣摩一下还是有收获的；再就是像这样仔细分析一下每篇文章，尤其是自己比较弱的方面，比如文学评论啊神马的，，我最头痛了= =
呼~~搞定了，其实这篇文章我之前也详细分析过，今天就当是温习一遍了，不过也有了点新收获，哈哈
其实也是小白一只，正在纠结的复习，阅读时好时坏，依然不稳定，不过多坚持，多总结，一定会有收获的~~lz也加油哈~~

babyenochUID: 3153670

3# zhouyu123031

babyenochUID: 3153670

3# zhouyu123031
哈哈~~童鞋，去看杨鹏的长难句吧~~里面第二句就是这，杨鹏老师对这句的评价很高的哦= =因为这根本不是一个句子

zhouyu123031UID: 3181463

7# babyenoch
= =我的书里第二句不是这诶
俺目前看了五十句 这篇文章书里有讲他不能控制来来去去的冲动啥的那句~
这个变态句子目前木有看到

babyenochUID: 3153670

8# zhouyu123031
哦~我用了电子版，可能版本比较旧了，就是这
2. A desire to throw over reality a light that never was might give away abruptly to the desire on the part of what we might consider a novelist-scientist to record exactly and concretely the structure and texture of a flower.（5++）
（这是一种）照亮现实的欲望，此欲望从来就不会唐突的取代后面的那种欲望，后者是我们可以将其部分的理解为一个兼任小说加和科学家的人想要去准确并具体的记录下一朵花的结构和文理的那种意义上的欲望。
难句类型：复杂、倒装、省略
解释：本句子的难度在一切GRE、GMAT包括LSAT考试中所出现的难句中堪称登峰造极，可以确定地讲，类似此句子的难度的语言，在计算机考试的现场绝无可能出现。如果对此句话不感兴趣，可以把其废掉不读。
A、这句话读起来别扭的第一个原因，是因为它根本就不是一个句子。句首省略了this is。这种用一个词代替一个句子的方式如果在书面语中出现，只能出现在高级英语中，因此我们以前的英语学习中从未遇到过。其形式类似于我们中文的“精彩”是“这句话真是精彩”的省略形式。
B、desire后跟着两个大的修饰成分，一个是to throw over reality a light，其中的a light 是被倒装到了over reality之后，正常应是throw a light over reality.不过这个便装部分与throw距离不远，读者看得还算懂。关键是第二个修饰成分。注意：从that开始直到句尾结束的长长的定语从句不是修饰其前的light的，而是修饰一开始的desire的。
C、第二个修饰成分中又来了一个倒装，由于作者为了强调never，所以将其提前，引发了定语从句中的倒装：正常语序应该是that might never be given away，倒装后系动词was被提前，given因为在情态动词might之后所以变成了原型give。A give way to B，是A让位于B，而A be given way to B，则是A取代B。on the part of 之后的部分修饰后面的desire，what引导的从句现场阅读时可以看成一个名词。What从句中的不定式to record exactly and concretely the structure and texture of a flower中又有一个避免头重脚轻的倒装，正常语序应该是to record the structure and texture of a flower exactly and concretely。
D、就算能够看懂这句话的结构，可能仍然理解不了意思。本句的意思是，哈代（注：人名）老的冲动是一种简单的、说明现实的欲望，新冲动是一种即是小说家又像科学家的仔细研究一个东西的特点那样的欲望（新冲动），前一种欲望是永远也不能取代后者的。

zhouyu123031UID: 3181463

9# babyenoch

啊哈你贴出来了啊~好人，多谢多谢~

话说你啥时考啊。
你对这文的解析不错哈~我刚仔细的看了一遍。文学评论确实头疼，话说有关黑人啊妇女那坨的文章我倒觉得多做几篇之后也感觉还行。
话说这文是不是算略难一点的文= =?
我做XDF的绿皮阅读的书，做了个二三十篇都还没见特别纠结的而且正确率灰常高，这文章我下午看的时候看傻了，倍受打击.....

babyenochUID: 3153670

10# zhouyu123031
呃，比这变态的文章还有呢，有一篇伊斯兰法的，巨难无比= =
这是No题里的，我第一遍做错了一半哎，不过个人觉得每篇文章就这样分析分析的确很有收获，而且有些文章要多次反复分析，每次都有新体会的
绿皮都是真题改编的，做做就好了，摸一下正确率，还是NO题最靠谱；不过你基础可能不错，我之前做就很不稳定- =
像那些黑人啊妇女啊之类的调调都差不多，估计找几篇难的好好拆解分析基本就差不多了，虽然我现在依然纠结，哎
我331武大考，你呢

zhouyu123031UID: 3181463

11# babyenoch

我杯具的没抢到武汉的考位。。。报的6.16上海 我考虑转到7月去 等下半年考位出来了果断抢华科的。。。

zhouyu123031UID: 3181463

11# babyenoch

噢伊斯兰法。。
长难句里收了四句都是这文章里的，确实很崩溃= =

babyenochUID: 3153670

13# zhouyu123031
哈~~加油！！
建议多关注官网，提前把钱充到账号里去，一放出考位马上动手~~武汉是在太火了，我当时是放出考位的当天下午马上报名的，晚上就基本木有了。。。