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[听力测验]这是谁的作品。 [复制链接]

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发表于 2003-11-28 20:36:27 |只看该作者 |倒序浏览
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沙发
发表于 2003-11-28 21:18:51 |只看该作者
时短时续的,太不连关了,还没能听的太清晰了,也没有完全的听完。可能网速的原因,LTD,请你把范围缩小一点。等明天再连一连看啊~~~~

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板凳
发表于 2003-11-29 13:49:02 |只看该作者
我猜是:
MIKE OLDFIED
斑竹公布答案吧!
Emotions are messy, take them neatly away , in step into a clean sterile room, where the procedure is simple:Carve,Suture and Close~  

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地板
发表于 2003-11-29 14:07:48 |只看该作者
是的。但是连接贴出来后,上面写着mike的名字。

不过我相信你。是他的作品,但却是歌迷演奏的。

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发表于 2003-11-29 14:18:41 |只看该作者
呵呵, 不好意思,我是在WM里听的时候看见他名字的,
第一次听,很喜欢这个风格,可以请斑竹多介绍点他吗?
Emotions are messy, take them neatly away , in step into a clean sterile room, where the procedure is simple:Carve,Suture and Close~  

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发表于 2003-11-29 14:24:41 |只看该作者
Mike Oldfield
wrong person? more matches HERE
Born  May 15, 1953 in Reading, Berkshire, England
Years Active   
Genres  Newage
Styles  Prog-Rock/Art Rock, Progressive Electronic
Instruments  Keyboards, Percussion, Guitar, Bass
Tones  Reserved, Ominous, Calm/Peaceful, Laid-Back/Mellow, Hypnotic, Restrained, Eerie, Soothing

Composer Mike Oldfield rose to fame on the success of Tubular Bells, an eerie, album-length conceptual piece employed to stunning effect in the film The Exorcist. Born May 15, 1953 in Reading, England, Oldfield began his professional career at the age of 14, forming a folk duo with his sister Sally; a year later, the siblings issued their debut LP, Sallyangie. By the age of 16, he was playing bass with Soft Machine founder Kevin Ayers' group the Whole World alongside experimental classical arranger David Bedford and avant-jazz saxophonist Lol Coxhill; within months, Oldfield was tapped to become the band's lead guitarist prior to recording the 1971 LP Shooting at the Moon.
Tubular Bells, originally dubbed Opus 1, grew out of studio time gifted by Richard Branson, who at the time was running a mail-order record retail service. After its completion, Oldfield shopped the record to a series of labels, only to meet with rejection; frustrated, Branson decided to found his own label, and in 1973 Tubular Bells became the inaugural release of Virgin Records. An atmospheric, intricate composition which fused rock and folk motifs with the structures of minimalist composition, the 49-minute instumental piece (performed on close to 30 different instruments, virtually all of them played by Oldfield himself) spent months in the Number One spot on the U.K. charts, and eventually sold over 16 million copies globally. In addition to almost singlehandedly establishing Virgin as one of the most important labels in the record industry, Tubular Bells also created a market for what would later be dubbed New Age music, and won a Grammy for Best Instrumental Composition in 1974.

The follow-up, 1974's Hergest Ridge (named after Oldfield's retreat in a remote area of Herefordshire) also proved phenomenally successful, and dislodged Tubular Bells at the top of the British chart. With 1975's Ommadawn, he explored ambient textures and world music; however, the emergence of punk left Oldfield baffled, and he retreated from sight for three years following the LP's release. He resurfaced with 1978's Incantations. Platinum, issued a year later, kept its eye on the clubs, and featured a dance version of the Philip Glass composition "North Star." With 1980's QE 2, Oldfield moved completely away from his epic-length pieces and travelled into pop territory, a shift typified by the album's cover of ABBA's "Arrival." He continued in a pop vein for much of the 1980s, as albums like 1983's Crises, 1984's Discovery and 1987's Islands encroached further and further upon mainstream accessibility. In 1992, Oldfield teamed with producer Trevor Horn for Tubular Bells II, which returned him to the top of the U.K. charts. The Sound of Distant Earth appeared two years later, followed by a third Tubular Bells update in 1998.

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发表于 2003-11-29 15:02:30 |只看该作者
thanks a lot :)
Emotions are messy, take them neatly away , in step into a clean sterile room, where the procedure is simple:Carve,Suture and Close~  

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RE: [听力测验]这是谁的作品。 [修改]

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[听力测验]这是谁的作品。
https://bbs.gter.net/thread-151952-1-1.html
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