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6G冲刺模考讨论(四)
5 M( n( n1 z6 B/ ?9 t, A
' {+ N% e( Q- d' [' M3 i# V现在模考应该限时了. 同时也要练习涂答题卡.. q3 D; z" L" B
. f% a2 |7 t* I: Z/ H2 ?) F
* M/ A2 i9 F" y4 p: n. [+ [
* h$ ?2 p* ?4 O) V$ ?6 B/ qSECTION 1
! g$ h; M8 P) z: dTime –30 minutes6 ?& ~/ c; r$ F4 X& c
38 Questions
2 W# @! {* v: _6 B* ?
) y0 A+ K- O( g1. Because the monkeys under study are ---- the . f7 }' [# [3 v. U3 p, P
presence of human beings, they typically ----
) m+ \) m; {6 z5 c/ p human observers and go about their business 1 ^$ e `7 N ^1 z. \
(A) ambivalent about .. welcome
$ U- f1 V. W7 |% ?/ Q; L+ V, d& Y (B) habituated to .. disregard J D) I" j- H
(C) pleased with .. snub * N* V4 G* H$ c/ G# B4 Y# W7 o
(D) inhibited by .. seek : ~8 u" b/ i+ G4 U2 t
(E) unaware of .. avoid
- @ T1 Z( W+ T0 ^ E6 T# m4 ], P% U. b+ @
2. Give he previously expressed interest and the
0 a8 z9 l+ c6 k- G1 uambitious tone of her recent speeches, the senator's : T5 c7 o- k0 X8 r1 S: V
attempt to convince the public that she is not inter-& t; j2 M8 n U) Y* J7 e& k
ested in running for a second term is ----., ~) q. g5 G; {/ v0 H- z
(A) laudable
9 W, i$ ]0 e/ i; x (B) likely
, a6 E' k& N0 l. i7 b& I (C) authentic , z* T" [4 J; u- ^$ }
(D) futile
+ C [& @; C9 {% m3 { (E) sincere " t8 a$ I7 D+ G3 T6 N
k( E) X5 d& C1 T: N3. Many of her followers remain ---- to her, and
+ X- ?- |: b% H5 I$ C. } even those who have rejected her leadership are
4 q) a) x! v: N2 E+ ?- z: s unconvinced of the ---- of replacing her during
s% K i' C7 V1 r @+ S the current turmoil.
' w, p' I, z: K5 F5 @& c- O (A) opposed.. urgency 9 s: P! a7 \' j
(B) friendly.. harm E# ^5 }6 y/ V4 c8 W! p
(C) loyal.. wisdom
3 x% A- L' E/ r8 } (D) cool.. usefulness " _ I* r5 E% c4 N( S6 ^
(E) sympathetic.. disadvantage ( a! W! A j3 B* g, g# u/ @
) e( g% _- [3 w: S% W" W/ y4. Unlike many recent interpretations of Beethoven's
2 u4 f3 y, b* b' b$ Z2 {$ o' Mpiano sonatas, the recitalist's performance was a
6 I: A x' K u6 [ jdelightfully free and introspective one; nevertheless,
, j/ x8 S1 L/ L) v0 c. d8 ]3 V2 K1 sit was also, seemingly paradoxically, quite ----.( a" n6 X1 N) d: s# p) C p
(A) appealing
' S8 |4 C2 O0 |% b (B) exuberant
' \- |: v1 U# t* [1 A5 A* g& \0 k (C) idiosyncratic
# h- z& j o, U1 J8 c# `$ o# J (D) unskilled
1 s9 t5 w# O% [ (E) controlled 7 k8 k# Z* d( ]! R6 U5 L
" f7 \% D) e/ n% Q5 o* Z( Y4 g5. Species with relatively ---- metabolic rates, including
/ m8 v; F( ^! B" D- mhibernators, generally live longer than those whose
/ B+ K' _' h. G4 L) p$ h+ u5 r$ Rmetabolic rates are more rapid. ' G+ z/ e! i9 O% ^1 c
(A) prolific ! j/ J; d7 l7 F0 O& i }
(B) sedentary
% _' m! Q1 ]3 } (C) sluggish . h; i7 w$ L& s& ], X- x
(D) measured 9 I& N* ]9 C; h, j% B4 ^. @
(E) restive
8 _9 r4 u8 D u! J# C( m1 z: P
3 Q3 N7 R2 g, O/ q; b6. Belying his earlier reputation for ---- as a negotiator, 3 i/ J& L; C0 A8 P) ^) ?3 M8 x
Morgan had recently assumed a more ---- stance ) _0 ]2 K- {1 l
for which many of his erstwhile critics praised him. 7 J$ v( D/ l6 V/ m+ |# v4 D
(A) intransigence.. conciliatory , G3 v T- a2 @1 I ^
(B) impropriety.. intolerant
, k4 b4 L& g3 x& G; a: Q (C) inflexibility.. unreasonable
* U$ n. w# ~: _+ ^+ ]6 p* X5 ~ (D) success.. authoritative 3 s" N- F# i) R: k: \ B
(E) incompetence.. combative 5 }8 x8 I# o6 i
7 r# S8 z3 a( [% _/ S
7. Although Irish literature continued to flourish after
% A3 r" q7 y$ g3 {0 k* F# R- Rthe sixteenth century, a ---- tradition is ----
$ n5 U$ L1 j9 O- D: _" Y/ [1 A! zin the visual arts: we think about Irish culture in terms of - \1 O7 {5 C" k+ E
the word, not in terms of pictorial images.
% h, k+ b! q* z5 J(A) rich.. superfluous
. {& w. r, m& ]3 y8 i* A" L (B) lively.. found ( N- T, P* G5 l h
(C) comparable.. absent : a$ ~1 g- Q6 f
(D) forgotten.. apparent - _5 p( C9 N6 [* ~8 t
(E) lost.. extant + m. o$ ?) }2 C$ i
8 c& a& \' p3 g9 \7 J8. SILVER: TARNISH::7 r6 [& c0 }4 z6 X3 _; d9 V% o9 R
(A) gold: burnish 1 Y/ k1 N1 d" @
(B) steel: forge
4 ]$ D' [2 P/ ]3 `1 X, P; F (C) iron: rust
* {- J( `7 J- E( r+ }# R" p (D) lead: cast . i {- ], u% @
(E) tin: shear 3 _6 m7 j- X! X; S6 s$ S5 s3 h
' k) B0 d3 a8 `8 w$ G# h
9. DISLIKE: LOATHING::
" `2 z/ ?$ c: F( ]/ _0 H (A) appreciation: gratification
/ j* i. ]" A, A (B) hunger: appetite . P* F% P5 q4 }$ j- H
(C) void: dearth
0 w( s1 ?( p2 B. k (D) pleasure: bliss 2 M6 H! I5 w% P; L4 B" L
(E) pain: ache : T! R7 [5 G {
: X& O: E8 t, g+ V- A! v) z
10. CRAVEN: HEROIC:: 8 M, B' x9 A- E4 p- |2 |
(A) unruly: energetic ' \3 y- M2 H2 W2 B7 F4 S- Z
(B) listless: attractive 7 a5 v8 u* h; h
(C) volatile: constant ( ]) ?; B# E( h/ O" B3 y
(D) deft: trifling
- [9 F# ]: c4 }% F# Y (E) awkward: amusing 3 j) A( C5 [1 x4 Y9 I) T- b
# `1 H S6 Q5 M v* d: f9 }
11. FILLY: HORSE::
' H; B8 x- |! E: l( i (A) antennae: butterfly # @1 w: b, j6 Z5 g4 z1 d
(B) pullet: chicken " T$ f) F! @1 u% ~. C- s
(C) gaggle: goose / I5 Q0 ]. |4 z
(D) duck: drake
& y& ~9 ]! c" Z: o4 {$ c3 R0 _ (E) wasp: bee
1 E. x# ~, q5 H# n# X, j: O
y+ }8 f2 A( E! @9 G8 }+ A12. PITHINESS: APHORISM::
" J* U( \- e. v# @8 X (A) craft: art
2 q3 D1 S( T4 @! }- Z (B) detail: sketch
9 C5 G+ u; C0 w @ (C) illusion: story
0 \8 u) E& p* v0 z. l/ z (D) exaggeration: caricature 8 b6 f$ @& L/ u, Q. v. B
(E) sophistication: farce
; T. f& t- e- j9 Q3 m3 v! P; i2 ?& d4 o4 v# h0 \
13. EPHEMERAL: ENDURING::
$ ~* t* N0 }1 o5 V6 b! Q2 w' [ (A) infirm: healing
6 u3 I/ U1 Q/ Z( } X (B) insensitive: cooperating
I( a$ F) p# d& ?+ Z (C) inanimate: living . x3 l0 X, o) n, u5 G8 q
(D) interminable: continuing 4 {) r& k8 T3 R5 p4 ^9 [
(E) ineffectual: proceeding
! R" l/ r7 ?) ?% C/ U
& x3 w. o1 ^7 s! f4 ]% Z14. POSTURER: UNAFFECTED::
, J5 ^8 J0 N8 ]- Q4 [/ G$ E+ S* | (A) brat: insolent
) @0 c& g0 M7 z6 y9 B (B) hypocrite: perceptive 6 G. w# }4 P* O1 _! B7 y1 d& i
(C) grouch: respected
$ o+ V% y7 U/ \9 j9 J* q3 A4 \! N (D) bigot: tolerant
- A9 u8 c" d7 E, T6 ? (E) rogue: empathetic + O+ U0 K' b6 K
4 u: x2 W* S7 _6 k4 M6 s
15. FACETIOUS: SPEECH::
2 L( m& @7 x. @8 Z3 T7 x (A) precocious: learning
' E0 Q: A' Q/ _% M (B) unbecoming: color ; Z5 {8 C: S0 o
(C) exemplary: conduct
( M$ o3 Z7 Q# ~0 ~: B, N, u. T: g- B (D) craven: timidity 0 h# ]5 B5 ?. R2 j" E, x% d
(E) antic: behavior 9 `" j" ?$ J/ h7 i6 I: l: I
4 i) `5 i, ^+ Y2 b# ^2 D16. VAGARY: PREDICT::
4 X5 \8 W2 I& u8 n. f (A) quotation: misdirect 9 t: y+ b1 Y- n7 E; I! ^$ h
(B) investigation: confirm 1 B7 w" | `# x$ C7 a
(C) stamina: deplete 7 z' h9 m( r% D
(D) turbulence: upset 4 ?7 z$ ?, F, Q: h9 T+ I
(E) impossibility: execute : m+ o. c) \& ?+ z4 S0 c
/ h! _/ n! V! E4 J
28. PREFACE:
- M: ~/ }$ _+ V7 g# x0 C (A) improvisation 7 K" ]9 v0 G' O! w
(B) burlesque ( l3 T" a4 h' I0 k; c( d
(C) epilogue - r1 o7 ]& f+ m& d% ~2 G. L
(D) tangent
& N7 u$ n+ u. j. A$ X (E) backdrop
* H% q' Q I# }) M- r# y
5 N" M; f- {2 I# u% X- q29. DEBILITATE: ( T8 u6 Z# O1 i
(A) implicate
% o, x# P1 F9 [- a; ? (B) invigorate
X- a3 C6 i" Y! U+ i (C) obfuscate # J7 q3 O% S* \+ E
(D) realign
2 _) I$ q0 M* ]' s6 D; F8 E (E) encumber
3 c5 ]3 g3 e7 `" S- c6 p, |0 U$ [% j5 S/ F8 P5 F4 r! I
30. TASTY: + ]$ a/ C- T4 y! v7 l3 b
(A) uninteresting 5 H# D" h0 s7 [# d, H$ Q, q
(B) unfamiliar
1 x) ~6 _6 |9 F: I6 V6 ^ (C) unexpected
, F7 {; U5 r; ~6 G (D) understated
* [3 [ A# ?. U9 ` g4 |" T (E) undervalued
% `4 U! X1 s3 F# ]# J& ^5 g
/ Q0 L! ^* W) K8 ]& D! e1 A31. ABNEGATE:
2 `5 E0 N( O: \ p (A) refresh 4 g0 ^6 E% \0 p) v6 ?1 F( A
(B) reaffirm , q$ q/ e2 _% Q9 f+ t, h) L: y+ V
(C) relieve 8 ^. i0 M) C" e$ E" q
(D) react
& O% I4 x6 N9 U1 v (E) reform
3 l Q0 U* y% h/ }; m* V
5 S& b. U, L& z1 ]32. SERRIED: 0 _! S8 q- v2 s$ n4 C& \: z \
(A) partially formed
! N6 C" @* @6 j% k% n8 o; E (B) widely separated 9 c8 v+ j5 e/ @7 F" Q7 d
(C) narrowly missed
5 y/ A v; f$ B, \( q( t5 N4 s I3 h$ z3 T (D) extremely grateful
& }1 d" i' j. u+ F0 S& t (E) reasonably clean
3 e F3 x8 y, x% v) C
# l- b& A1 Z9 V6 e+ Q33. BOMBASTIC: * e3 p. D1 ~' r! n
(A) unflappable
2 c1 p4 Q4 c* f, R; K (B) uninspired
1 X8 D# i5 X# w) c- \# I* J (C) unpretentious 4 W C! p0 l% W1 |( d
(D) inscrutable
5 S F! ]& Y& U6 M0 ^/ o (E) incisive + f9 C0 `' {2 p1 D# q9 ]0 y; [
$ J' Q5 _. Z6 L# s- ~ M34. BANAL: ; Q' ^: A7 q: [7 Q, W: L
(A) comfortable & p/ H( b8 j) t+ }. e
(B) novel - @7 K7 Y2 {. A* E: J4 [) H( r
(C) equal
2 v* ]: [7 i- c3 F. E (D) fatal " i |2 t0 ^2 V/ ?6 w
(E) competent
2 q" v2 E) T5 S4 D2 i( L6 i1 R, R35. LANGUISH:
7 y' v1 h9 v7 e5 J8 z+ } (A) agitate 5 S. q; m, F! I' A
(B) wander 4 i/ l5 N0 i2 w+ N f
(C) relieve
" h$ u/ q* E8 i: {1 k1 E% p (D) discomfit ' O5 m7 ~2 n) ]9 j; o
(E) thrive 6 _* G& [8 B4 N: e& M
# v/ P' u; {( d9 r8 B. P i
36. ENNUI:
3 M+ s9 Z) l- d% O/ ^ (A) intimidation
& L9 f) A; c' @3 ~2 z+ R7 E (B) sleaze $ B: M( L( H. n& N
(C) faint recollection
5 @; m j! K3 A* @9 m/ O' ?0 L, ^ (D) keen interest 4 T0 p, }/ I" ]! H$ W/ v# u
(E) deep reservation
& q; l8 {* D- j$ `8 G* W( z& s6 |- T! J/ i8 f0 {4 ?8 Z: a
37.DAUNTLESS:
( M2 V! l1 c# x(A) sophomoric" k/ X: b% M; C$ P
(B) trifling3 v1 a( e b7 c; M2 q1 p5 L
(C) pusillanimous2 E* s I; V; J) F3 ^; F
(D) specious
5 n% g, h* N; d6 Q6 q" Y(E) parsimonious
, N2 d9 e7 X! J, V4 Y
# q$ E- P! U/ h38.TEMERITY:, v# w1 z4 @: R: ?) G# i8 U" a
(A) credibility; q( h/ q" t% `- j: I" O9 x3 @
(B) authority# L1 N1 l" O8 S( J. a
(C) celebrity( k, h2 ^4 W b+ E( Z: c
(D) acrimony
# [0 t! x0 t( B* r. b E(E) circumspection
+ \2 w; B+ a& ]2 _+ e. L: s* D6 ]6 P
- N" c+ D0 F( b" H0 h4 K I; R6 M
! }1 B- `1 i" R; V3 S* `0 s
/ @9 U7 X* H( a2 ^2 \2 b5 c4 ^SECTION 4
3 j# U& M' X1 [- y0 jTime-30 minutes
( z6 v; f% J; _* @38 Questions+ h7 @ r5 M! Q' Q
+ d% ~! Z5 ^- y' [3 K' m1. Although sales have continued to increase since last
# d: s, g9 W: _April, unfortunately the rate of increase has ----.3 n9 Y8 B' h9 P7 S8 A; T
(A) resurged
9 H4 U5 \5 m: Z/ {4 d: u6 T* e5 x7 V! I(B) capitulated
3 I; c6 }, q% g" K(C) retaliated 8 m. c+ o4 R4 f4 s, t
(D) persevered
5 ]& e$ C# E2 H(E) decelerated 0 ?! A! h3 O4 d2 O- V
. Q" e" y u3 P
2. Although the mental process that creates a fresh and " A, c9 n1 H2 G6 b: Z$ V
original poem or drama is doubtless ---- that which
/ J S9 E* m( g6 coriginates and elaborates scientific discoveries, there
! }; j& U/ g D& U$ wis clearly a discernible difference between the crea-
% u6 ~0 r6 D9 U2 J2 |' rtors ( t' g" q2 z, y, m, U8 Z
(A) peripheral to
8 K# b1 I4 W, m8 D6 x; Z9 `(B) contiguous with
$ y: t8 p. e! ]) @2 b9 ^(C) opposed to 2 F2 T5 S/ x9 T% k
(D) analogous to
* c1 d% l! M6 |' e3 P T(E) inconsistent with
3 t5 T" i' X9 w7 N
$ O7 y, F5 k4 }3 w6 r. I5 j1 }3. It is disappointing to note that the latest edition of
7 e a- L. e% f6 B0 C F2 |+ vthe bibliography belies its long-standing reputation - L6 Q" x1 Q: }# c% T% q
for ---- by ---- some significant references to
8 _5 x1 _" g8 a; D% r; Erecent publications. ; w! v- U4 j3 z M. [' g
(A) imprecision.. appropriating ! Z% l7 N6 U' c( r6 a. M+ Q
(B) relevance.. adding
( ~" x& e' H5 C5 Z" n! x4 ^/ r(C) timeliness.. updating 2 o( d% ]# U) m& g/ h: u
(D) meticulousness.. revising
5 r3 [, B v( Q* Q: R! V- R(E) exhaustiveness.. omitting
5 v5 A2 V8 |0 u4. Although Simpson was ingenious at ---- to appear * `+ s; p- ?0 P9 P2 l" {0 k4 n
innovative and spontaneous, beneath the ruse he
; T- ^3 l H" t3 d$ Fremained uninspired and rigid in his approach to
3 L" ^. h: x1 R" x" b5 c: Lproblem-solving.
2 P9 N& @& W" A( p. e# N(A) intending " L8 \/ j1 \: E, J$ V% U8 F6 V
(B) contriving
/ i) c6 u. P9 B# K& ^( I3 l4 ~# q(C) forbearing
# r. W4 H9 S# P- Y9 G& C(D) declining 4 K! m5 I, J7 [. D, o; x
(E) deserving
& X( o1 V0 |5 h. `8 [; O, N& `
. C& R, y9 {7 z7 T5 q5. She was criticized by her fellow lawyers not because
; m: L- K0 p0 j) c8 n$ Oshe was not ----, but because she so ---- pre-
6 C1 n$ B. T) C1 x- ypared her cases that she failed to bring the expected
9 b) ?& q9 l3 f* M7 i4 x- n6 W' dnumber to trial.
& @, l! ? S. A0 Y7 Q5 \(A) well versed.. knowledgeably
2 V$ Y# [) D0 b" B' d5 h(B) well trained.. enthusiastically
8 S8 R: \/ ?: z9 I) l7 Z(C) congenial.. rapidly Y# S3 |) `" U" q7 ^, Y
(D) hardworking.. minutely 5 d6 m5 [- U( z. Z" Q8 R
(E) astute.. efficiently
! B2 H; h8 ~2 T
6 J# e" _( B# |, Y0 B$ u6. Schlesinger has recently assumed a conciliatory atti-
8 X" G5 q0 l- b' ^7 p. d% q) z) htude that is not ---- by his colleagues, who con-5 X" R; f" t e6 T( N
tinue to ---- compromise.
3 Z: u5 N) F) ?9 l. z5 U! G(A) eschewed.. dread * v9 [/ Y* B! K9 m2 u, i
(B) shared.. defend
) B% u: d3 t: L2 C(C) questioned.. reject : k2 f# b2 s7 z" S3 j- ?2 M
(D) understood.. advocate 5 {9 j% i8 b- P, C
(E) commended.. disparage
3 J5 ?( M- m- }/ u# f0 L0 k+ d7 W# ]' _: |7 U1 Y
7. The National Archives contain information so ---- " L' i+ K( N' n/ v5 h' p' M- f' V
that researchers have been known never to publish
7 U& ~/ @6 _3 \) {0 G- Xbecause they cannot bear to bring their studies to an $ ~" Q" ~; h, ^) ~
end. 4 H2 N8 T G& k/ ?" R% |
(A) divisive
7 |) h8 g, {; A(B) seductive 6 @, r, I F; S/ p
(C) selective
* g9 X6 i9 h" D, o+ C, g) g" z8 O(D) repetitive
: Y: b4 Y% T5 j# W' g$ ?6 b1 `(E) resourceful # g& O: l, |4 Q+ i; i2 P0 c
9 R; X6 \" l9 u5 G8 f
8. HILL: MOUNTAIN::# v6 w2 J8 x, @. g6 }! K1 H
(A) grass: rocks " P+ _3 }4 T% w6 k5 ]" w0 E
(B) autumn: winter
8 b' d+ q2 @/ U5 n1 B z4 t# P2 l (C) creek: river , t! v- y2 v# Y$ S' r/ }( U9 N* B
(D) star: sun 9 G- m F9 J6 J
(E) cliff: slope 8 ~$ m, j% g7 H- X
: a: H% }4 M; R
9. AERATE: OXYGEN::
7 q3 x8 y' j. J) O- o8 G (A) eclipse: light 8 K8 r( x R: r7 u$ E/ p" T% s% l
(B) desiccate: moisture
# @1 M& F8 T! R3 b (C) precipitate: additive 5 C3 X* v! E4 @8 [- o6 E( s
(D) hydrate: water " p% [1 C5 D8 d6 g. i9 _1 j
(E) striate: texture
% U: g6 a. _+ N- Q w2 U2 K$ \0 w- r# v- R/ X$ H# {5 x% ]6 H
10. ORCHESTRA: MUSICIAN:
! s: `. u6 P% T) r* t (A) cube: side F8 e+ E2 d; w
(B) kilometer: meter9 K; y6 m y5 o& W1 {5 @
(C) sonnet: poem" x; m0 {6 w* y6 ?
(D) biped: foot
5 Q& x% n. u4 h6 i# Z. |: [8 F (E) pack: wolf
4 {5 G6 }. Y9 N, T+ k/ x+ P7 c. Y, D
11. EQUIVOCATION: MISLEADING::$ b) R; y8 f# p% x. R0 @
(A) mitigation: severe
0 [. Z7 } V h m8 p0 w3 K1 W7 x (B) advice: peremptory
5 [9 k7 u# c, g1 c9 S$ G (C) bromide: hackneyed 6 @( Q% j+ B' P7 [! ]$ C3 d& y
(D) precept: obedient 9 d" ~* T: t3 w! g" U
(E) explanation: unintelligible
1 A' a( U, c, T8 f3 k( b0 r( I/ x& l
12. CENSORSHIP: COMMUNICATION::
) g! v* c2 { n' T$ v8 M/ L) M8 ? (A) propaganda: ideology
- m S2 n7 h% ?7 b* n (B) preservative: decay
! K! Y& u0 a: y& {& x (C) revision: accuracy
! t5 l" @9 f0 L4 |1 g8 T+ [ (D) rest: atrophy
% k. y! t; G% ~# { R: P (E) exercise: fitness / m, U8 d4 Z: I7 S7 Z/ K6 F
5 A5 b3 ^" x, b. T2 z9 V% y/ s- O
13. BUS: PASSENGERS:
( J; z6 L7 L! o! O+ A( v U (A) flock: birds 8 A! t: v/ \6 i& e/ G/ K5 R8 M
(B) tanker: liquid ; ]" `# o. z0 ]' a7 Z3 `' Q
(C) envelope: letter
/ r" A4 h8 S* f (D) bin: coal
1 J+ \& O0 v6 I (E) automobile: gasoline 1 G4 G; x) N( D8 K2 U
0 j# m2 O F+ r0 x- X0 R Z
14. BALLAD: STANZA::
+ m1 W. o8 d& R0 _. x (A) novel: chapter
$ |6 a/ H- Z0 I3 J (B) poem: meter
7 O3 ~4 m) V% l* l, |0 w. K, L (C) play: dialogue
4 i" @/ \/ |$ g. I$ R' G (D) movie: script
, W0 q, T7 N z# P$ r& |; R (E) photograph: caption " Z, L/ a3 [* Y: O/ T
p, O/ h" ?- @2 e$ |, y% r
15. DISABUSE: FALLACY::
7 a6 E& w B4 q* e- n+ \ U (A) cure: disease
( ~% Y: K3 C; T9 e& O, Q& { (B) persevere: dereliction # A; n8 M/ S5 L; w- B3 u5 h
(C) belittle: imperfection
" p) u6 O& x8 W. a$ e/ T! r* \ (D) discredit: reputation 1 ^) X/ B" H9 T5 Y4 _8 [. Z6 z$ W
(E) discern: discrimination
, E% C! \ b# l& p; \. v7 W" C& z. X) z5 B! D) B, K
16. BLANDISHMENT: CAJOLE::
5 g* x; x5 I, l( f (A) prediction: convince A/ |8 a# b {; F# N% m6 c7 `
(B) obstacle: impede - S9 R W2 n5 P l
(C) embellishment: praise
, m: U% a0 `3 d( [ (D) deficiency: compensate
: a& ?! D( L5 N1 H- x1 i0 e' j; d (E) compliment: exaggerate : _: l8 |/ b5 H& V' X; [
6 |- H6 B2 a* K1 F0 K9 U
, W9 G* B7 Y) u
28. DEBUT:
# X4 S. b r( K (A) collaboration
3 B2 q) s- i8 y5 r8 p t (B) monologue
6 ~1 h$ y" q4 Q (C) farewell performance
& [' X8 P3 D! N9 Y. F7 ~& P5 z" X& @ (D) repertoire standard
$ y5 Y% h& U6 A0 S: K (E) starring role ^- ]! ?) ]" d; v) j1 `
- [6 `/ _7 J. v8 x# u
29. WITHER:
?7 d% r& I4 x: z9 N' O% k (A) disagree & i) V% r. `$ N& M; r9 ]- u* B
(B) shine
: n, v! d/ m% p# H8 u (C) plant
: V* ^3 ]2 Z1 V (D) adhere 6 ?% ^5 S1 w4 A2 [/ j2 C" N
(E) revive
, {; B1 j$ \( P1 O: J" v$ c4 S4 o) V8 R, H
1 J5 {9 s0 n/ \" o/ C! [! [* N30. BUCK: 0 t2 _7 m# m: ~0 \/ L2 I, H2 v
(A) cover over
' @; Y- ^8 {# X5 R (B) assent to
f7 |+ e8 g6 O3 \ (C) brag about
/ t0 }" o$ H2 G# a- I( W (D) improve X/ I' B) h4 I# L, ?
(E) repair + T3 Z) D9 @% ^) I6 e, @% d$ M. Q
( ]$ f8 Y8 Y& J8 U; w5 W) h31. MEAN: $ `6 ?4 T- @4 T/ K+ o; {/ E
(A) trusting
: E& n& ~. c1 ?+ U (B) ardent
}1 s* \7 s( v8 P9 f (C) clever
1 `, z4 t+ H k U+ k/ L (D) incautious
6 c8 Y8 P9 T) h# k" ]% G% M (E) noble
! ?' p/ r' f8 g; Z3 C3 T
4 f3 m; s( a( I& m32. ADJUNCT:
: D) I/ G' U2 K. Y# Y (A) expert appraisal + z. L$ d$ n# B# k3 B" ?: ^1 b
(B) generous donation + L* V0 ?. j4 h8 N4 }0 z
(C) essential element 4 T3 Y4 h3 ^+ E8 m# N+ }6 P
(D) mild reproof
/ j4 Z6 R+ V ~: K; J4 A- J3 Z (E) impartial judgment
8 w, ?6 R( W# l- x9 m; e+ M
- j" i) D; V/ b$ O w33. CANONICAL: 8 ?4 ^3 S* E2 w$ ]* t$ O* k0 x
(A) imprecise
' ]) R2 E7 v& h/ K7 \: {( ] (B) ubiquitous - Z( s0 }# ^* ]3 j+ T$ S
(C) superfluous ( `/ V+ y/ _ ?" f
(D) nontraditional
/ \# V& E8 ^9 b3 l4 \# K" p (E) divisive
2 N* E" }7 Y# [3 I( B3 v4 a2 l. h# f* k' L1 P" J/ K O' V4 x3 @
34. TICKLISH:
) p' n; O, a) ~ (A) heavy-handed 3 i# l7 ~' n: w( e# }
(B) significant 9 h4 `4 X7 Z; L9 s6 A% z% I
(C) tolerant
% Z! i5 Q g& g' C, ^ (D) impartial
1 V; f2 K, U- m. w) F3 K9 X (E) imperturbable 5 c4 f j2 ^/ b4 x3 F
) ~" y1 S+ s% w' y35. PREVALENT: $ \3 t8 l, P7 V: k0 A2 u
(A) invasive
" q I4 J$ Q$ J (B) inconsistent 0 F0 k/ z! f) V7 r& [( t* q
(C) indistinct 7 M. ]# ^* T: c% U( Z6 |& e
(D) unpalatable
5 k# f6 c: N- p: T9 g# Z ~ (E) unusual 1 q C( i$ m6 m+ `4 Z/ S! \
$ k; N, E: w' f! }# Y6 D36. PENURY: ) H8 O! T* O1 u" C( m
(A) approbation " g: J" a; ^3 L$ ?: l2 x( w9 i" ]
(B) affluence
9 ? m) S' G% d (C) objectivity ; Q/ L) s( Y5 y; N$ R7 m$ U
(D) compensation
: i0 z1 ]6 R4 u# @ (E) grandiosity 0 ?5 B0 q- [ R0 K5 ?8 {4 F
( L1 p, c5 R9 o2 V
37. MINATORY:
7 V$ a% l9 s/ t& W/ a0 F/ S& D (A) convenient 7 q$ R' q$ A' O! j) Q& ^9 B
(B) nonthreatening + S+ w' Q6 v' y& A5 ]
(C) straightforward : h5 f8 r4 {+ C @4 Q
(D) fastidious ! Q6 H* S, z0 O0 h$ a
(E) rational / Q- x4 R3 V: J
, m9 V5 ^1 [0 a! w
38. CALUMNIOUS:
. Q/ b& t* z: ~% w# ? (A) adept
2 c4 E% F, i" ~: Y9 n# A! \6 w* u (B) aloof 5 E% I) }" b1 y7 ]
(C) quaint ( N$ g& F+ [+ Z/ t8 m- X, k
(D) decorous , j d: v9 d! K) e5 ?: b
(E) flattering
% N, X, w& j3 b0 Q6 W- T" K A' @- K6 D; s8 d4 V$ d5 V
: H: T. Y( G+ ?% Z" ^: Z$ Z; x3 U/ S3 Z
7 g- a/ s' k" t8 \2 k
" ?2 q& t5 F) w* b" e Q4 G! v6 q; V3 \$ ^
SECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE
) x5 x! c5 E5 p) Q% Y8 x5 QSECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE
+ e8 V% M8 V+ G" Z$ U& h2 `" NSECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE- F0 D2 V1 y$ j2 V
SECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE |
|
GO
发表于 2005-6-2 10:06:39
发表于 2005-6-2 11:20:54
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