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6G冲刺模考讨论(四)
" A; H! L3 h( Q/ f
3 A. W* Q$ E0 X5 I6 x现在模考应该限时了. 同时也要练习涂答题卡.6 B* L$ C& s! J
0 b |, Y; _. _# k0 ?; f" v
. | S3 m# J b7 x& {9 a% u4 I9 E- l+ J" F
SECTION 1
4 X3 W) t$ i# pTime –30 minutes- O8 X: {. h; k. Q" N* B- D
38 Questions
5 y7 ]" Q* ]2 A& L8 ?" U/ u# M) K4 `3 c, o: x j% m& _: s1 c( ^
1. Because the monkeys under study are ---- the
2 n( f) z1 _5 q: c3 n9 l7 y! w presence of human beings, they typically ---- # h" A& E3 V# F% ?; ], P" S
human observers and go about their business
: N( X r2 m: X* n$ y% H (A) ambivalent about .. welcome / m( k& q% o; J- Y _7 j0 B
(B) habituated to .. disregard
0 k& L8 `$ c) c. P7 M- k (C) pleased with .. snub % `% Z1 O8 H% \$ M) }
(D) inhibited by .. seek
& ^: h, ?( e/ T& w" n (E) unaware of .. avoid $ h9 K) H+ ~% C. i( N+ o
+ F: o% T: N d- ^) B$ }2. Give he previously expressed interest and the
: {8 w% X! T- U7 g5 o2 gambitious tone of her recent speeches, the senator's
/ S4 ` T& i) x) G( Xattempt to convince the public that she is not inter-- K6 ~# H# h+ t& }. k# y
ested in running for a second term is ----.% O- {2 G+ H$ W/ i( p. A2 A
(A) laudable 1 p( N* R9 N; m0 _0 C% ?
(B) likely
0 q3 K3 @- b# p$ g (C) authentic
0 `! ^6 G& U9 }6 ^ (D) futile
]" Z- p1 l7 b7 X$ z (E) sincere 1 N) Q' F8 h# Y3 {/ p
" M4 ~ F+ M5 {# J
3. Many of her followers remain ---- to her, and
! j, z3 }+ W; i7 r, y" N+ m even those who have rejected her leadership are 4 U. V# O& ] j0 e/ O
unconvinced of the ---- of replacing her during
) _+ z" t1 H U* U6 E3 ?; t the current turmoil. % |7 |. c8 k$ Z* ~# c; i) Q
(A) opposed.. urgency 6 v7 C* B [/ _3 i5 r* ~
(B) friendly.. harm
" S8 i$ _! ^$ C* { (C) loyal.. wisdom ' N. P& K2 I$ R" s8 G
(D) cool.. usefulness
' X; W! S }( D. A# i0 G) o9 r (E) sympathetic.. disadvantage ( N* Q9 T) I: [/ s- j; Y% C) w7 D
, ^0 _6 |4 X' L- u* r: R, D4 Y4. Unlike many recent interpretations of Beethoven's % o& p2 X2 O6 o2 X. {" f
piano sonatas, the recitalist's performance was a ' \7 Q) \* Y) k' o2 @+ o
delightfully free and introspective one; nevertheless,
+ M, P7 e' ~7 z$ N$ Pit was also, seemingly paradoxically, quite ----., h4 ]/ k5 S2 ~0 u3 b- N' X! D
(A) appealing
" x- O# B+ U! k. u9 s$ q (B) exuberant 1 W; ]7 U8 i6 V/ V' E
(C) idiosyncratic
, o0 D( G$ D) d7 | (D) unskilled
7 h+ u2 n, W* i0 G; U2 b( n (E) controlled ( N8 ]4 e: \% [9 y. X
/ l* g9 o: u8 t- _" @( v% U
5. Species with relatively ---- metabolic rates, including 2 l, ]. M% ]! X6 d8 e) G
hibernators, generally live longer than those whose * ]% @" V! P( B0 Z; V9 @: W6 M* o
metabolic rates are more rapid.
8 V2 Y$ g0 r& z' ~(A) prolific + \) s4 w3 _2 ? _
(B) sedentary
1 p: H0 [# q A& v: {. O (C) sluggish 4 m8 S5 Z& `2 ~3 {: v& w: Z
(D) measured
5 d; ^) B, F# O1 I9 l+ ^ (E) restive * I1 I' y! R. W7 }( }3 l% F; l: K4 @
# }/ ]3 O3 M; C+ K2 r ~: ^
6. Belying his earlier reputation for ---- as a negotiator, 1 |/ _7 y9 L3 F/ }* n1 ]
Morgan had recently assumed a more ---- stance
. _$ H% |( i# y X9 |7 V- ffor which many of his erstwhile critics praised him. " j3 x% j4 }$ \$ p
(A) intransigence.. conciliatory 0 c6 g8 N+ H7 `) J) X A7 F% Z5 N7 r
(B) impropriety.. intolerant
) |8 D5 K9 N9 L/ o5 |8 s3 F (C) inflexibility.. unreasonable 7 E ?% T O" E0 q7 x7 U) t) K0 O
(D) success.. authoritative
& S* ?4 `. e% x& s! w (E) incompetence.. combative
$ m1 D5 F3 H0 z$ x+ \7 }8 B9 A4 |' h2 A7 \8 D$ H' F
7. Although Irish literature continued to flourish after
2 A% \0 S# B- Y1 P! M) rthe sixteenth century, a ---- tradition is ----
" N& o3 p8 |8 v4 s. ain the visual arts: we think about Irish culture in terms of
9 p2 b/ X# F3 E: b4 dthe word, not in terms of pictorial images.
: \: v9 {) \* d* ~(A) rich.. superfluous 1 w7 @, H3 r0 I7 }
(B) lively.. found " s1 C8 g% X+ b0 l; P7 a; W7 w
(C) comparable.. absent I4 o' j, ]: O) y
(D) forgotten.. apparent
# | d0 z4 b7 V$ W, l (E) lost.. extant ; J( |6 K0 n6 b3 K/ ]
, l4 b8 d8 [; A$ s9 j! s
8. SILVER: TARNISH::
( [) {! e' @0 j1 r+ M (A) gold: burnish 3 ^2 | n( e7 P# M
(B) steel: forge
$ u3 {# z: @, J% G4 p$ Q (C) iron: rust # w4 {3 y, o+ P; O3 Z
(D) lead: cast ( g4 }8 m' d( ]! {
(E) tin: shear & Z0 ? a0 ], v
* ?7 |/ K+ _2 @9. DISLIKE: LOATHING::
" }( W: S. G( D9 e$ I. D (A) appreciation: gratification # l7 `( V8 C. c4 U. M
(B) hunger: appetite
( g; X5 _0 h% ^0 S. A: x (C) void: dearth 4 ]# E; P$ x8 _8 C1 _! m
(D) pleasure: bliss o% n5 k# a$ c/ q
(E) pain: ache
$ y: c7 a8 N- }8 R2 d- x
& ^( q' E2 s' i: j10. CRAVEN: HEROIC:: # t' W" O' i4 l% f7 @/ o
(A) unruly: energetic % T% u7 O4 p; ?4 f7 ?) M8 O0 u
(B) listless: attractive ( u: @' c& k& T
(C) volatile: constant & ~; R. ?& j, F4 ~: g# z
(D) deft: trifling 3 |# ?- c" m" }8 l K+ f" G4 |) W
(E) awkward: amusing ! [: U/ x; t& n
2 a, m- v5 k" l4 A4 ^, e11. FILLY: HORSE:: 6 U8 t1 m" ` B& a
(A) antennae: butterfly
Q3 ]9 @2 }2 I' [ (B) pullet: chicken $ S& b0 r$ w& A2 i0 S( i
(C) gaggle: goose ; j- u# |/ R: o* c. ?
(D) duck: drake
* e5 t; H$ _9 g+ Y& b9 A (E) wasp: bee
, T& f6 Y6 o/ P% ~2 h, s# K" s4 p# O9 k& H
12. PITHINESS: APHORISM::
" ?8 c+ z3 M$ `2 v (A) craft: art
$ } J2 Z; v& W% z5 a/ L (B) detail: sketch
7 r9 q. l# p! q (C) illusion: story
0 s% }+ P3 p& g3 W5 s: r F# s7 o (D) exaggeration: caricature 3 H" H5 T: S1 u7 F8 V" d, B7 `. {! [
(E) sophistication: farce / G/ K8 c& S9 O, w& b# ~
, `! y/ q$ m) I9 v. d/ r13. EPHEMERAL: ENDURING:: 1 _4 L( P2 \# ~ `+ m
(A) infirm: healing
8 M) l e e0 A* |. d9 B8 L (B) insensitive: cooperating
4 Z0 I2 S1 U' B1 ^" W (C) inanimate: living ( Q5 h j$ E2 h) C3 X
(D) interminable: continuing . T2 b0 s& ?" t+ N2 U* H+ e9 |
(E) ineffectual: proceeding
/ W, i m3 [9 f% b- f
+ z' p6 m4 `) E% b* H2 j! M" t14. POSTURER: UNAFFECTED:: $ o- A, A. }$ Z6 W( K
(A) brat: insolent 3 U7 M$ \5 Z# C! T& }0 C9 v9 g5 l
(B) hypocrite: perceptive 6 A# x! ^3 Z$ e
(C) grouch: respected
& B6 [9 F' Q( h/ K! |5 d (D) bigot: tolerant
8 `0 k7 b* {# R! J# L: |, m (E) rogue: empathetic ' T' [$ b0 K5 x
! X2 k% J! C; M* x15. FACETIOUS: SPEECH::/ P4 \ e6 E2 d9 L! @; \/ Q8 W
(A) precocious: learning
' R, z: @# q, @1 x' D (B) unbecoming: color & a: t R$ [0 m" g F& J7 |' i. i3 E
(C) exemplary: conduct . B' k$ T/ O, }& S
(D) craven: timidity
) G m( B B6 e) n3 i; u (E) antic: behavior $ {) d+ r3 k0 [, Q" w
, `1 b2 N8 G7 T2 l$ S16. VAGARY: PREDICT::' t! S& f$ x- M
(A) quotation: misdirect 1 w' d# D6 n( ]" h. U% f
(B) investigation: confirm * T2 |1 i5 z9 ~- D8 `
(C) stamina: deplete 5 p7 V9 o! |0 Z N
(D) turbulence: upset
6 D, z O& L0 \9 ]! g (E) impossibility: execute
% r2 E* I3 t# m; t& W4 t" H% U
- |8 c. z, }/ h% B$ Q28. PREFACE:
; @4 a4 o6 j( y$ p) y (A) improvisation
+ G1 R3 O; I! {0 y (B) burlesque
' W# Q6 P$ {* S& l2 s (C) epilogue , V Y) E/ N2 W0 g. Y
(D) tangent & ]- D9 p7 e/ y! L- ^ |" V
(E) backdrop
5 I0 d6 n: `8 u% x9 A' w ]- x) E. D, Q
29. DEBILITATE:
2 h9 |2 Z) `1 L6 W( m& K( |; I (A) implicate- q7 _4 M9 S7 a3 f# g* } N
(B) invigorate
M: x6 W& c+ T/ E- c- @ (C) obfuscate + P3 \( S6 X5 E2 s) ?7 d, `- n
(D) realign
O0 i8 E& p% \. Y- o. h (E) encumber
2 \0 `) s# V1 x
; ]5 F4 g3 [, S( b# F7 Y30. TASTY: 1 h2 q/ O: t, e9 o8 U& g
(A) uninteresting
1 v: g1 `1 Q$ x+ |8 ]8 ~ (B) unfamiliar
$ P" P3 w# {# _9 k- ~ (C) unexpected I1 M2 r$ ?( r$ n9 U- Q: y8 t
(D) understated 7 y# f6 I& \: K$ b
(E) undervalued
4 Q1 r7 \* `) g' @( l9 S7 u
5 r3 g) V0 y7 m1 w8 z! ?% g31. ABNEGATE:
; g$ Y+ m' H* I$ @) W) t2 g7 H (A) refresh
' D. |4 s+ I$ T; q' C, X$ e (B) reaffirm
* b+ R! L8 V! u6 I2 E9 Q (C) relieve $ H' G, |& [. l
(D) react
7 r! L* b2 `+ [8 ]1 T (E) reform : d+ e! `- S. L) s
* h, u% K8 [+ `/ R4 k. c2 ~; [32. SERRIED: + _6 O k9 `0 u
(A) partially formed
/ I8 f( N8 _( v# u (B) widely separated + F% E# @! J! p" q, O
(C) narrowly missed # ~% U }' U9 ?
(D) extremely grateful
8 h, _ ]5 h6 ~ (E) reasonably clean
" S8 O+ v+ t+ i1 K( _' |) V Y7 D' a& Z3 r1 X
33. BOMBASTIC: 5 K" W, Z4 V& m5 O4 A& ? N
(A) unflappable
6 c. H. j& H0 _ (B) uninspired
& X, L( t; k0 F9 u (C) unpretentious
+ I1 j6 t. `4 A7 w (D) inscrutable
/ {7 q( D5 x, h2 p0 q7 z (E) incisive $ {5 n* Q- u' C; o' d0 \+ ^! J" T
& | h# |# G" b( u1 {: F
34. BANAL:
4 E1 ]& M/ S& Z (A) comfortable : j, n& J, Z# p) l; _; R9 p( ?3 E
(B) novel
: G4 B7 e* f* ^ (C) equal 6 z8 X Z1 |4 T% Y% |
(D) fatal
# M2 _! ~% j6 M8 ^8 z (E) competent
( W' V3 l/ F: M t* S- a35. LANGUISH: V, t% V2 \9 H6 ?+ Q# O
(A) agitate
; X5 z. z3 q n4 A0 c7 Y& c (B) wander
5 ?+ N" N( p; i0 q" r( ]! b (C) relieve
* _' V4 o0 E! z5 S( K (D) discomfit
9 R2 ?) P4 [3 C7 |, j) y; \! V# @8 n6 Y4 f (E) thrive 7 s. z6 F" ]$ w; c) F; v0 @( f
3 y9 T0 U* Z5 b% s: ]) V# l36. ENNUI: 0 F6 d( t5 m! p$ h7 u7 s, e7 m
(A) intimidation : {8 ~/ O/ o3 ?0 G
(B) sleaze & X0 L& T1 W9 a% Q6 ~5 U
(C) faint recollection
' U" f& Y. b: [2 @8 \ (D) keen interest
% W! H2 Y) s2 ]: W5 { A6 {6 H (E) deep reservation / E! N5 r" U4 L& e) F' f: O
: c; ?4 j5 A# U+ {) F
37.DAUNTLESS:& I- }- c0 E1 G" i, G# q
(A) sophomoric9 f1 ?& `" R: @) F
(B) trifling
$ `1 I& w p/ X u# j# m(C) pusillanimous
% H+ I1 h' q/ l8 N( a$ [(D) specious: _3 j7 y1 o8 Q; E" G' T! f
(E) parsimonious4 b. L; A4 A! w; n
@, H4 h8 X8 y( @38.TEMERITY:4 U# ]% H+ F' Q, h; U% x2 Z$ c
(A) credibility
+ @! @3 ^ K# E# Z" j" ^2 v(B) authority5 U! ]& s* N+ C* Z" F6 A3 ^8 U: v
(C) celebrity3 I& s7 w. o0 {: ?# J! d; `+ C5 I
(D) acrimony# A5 ]3 d B5 e
(E) circumspection' g! n8 n- A4 P% M; ^9 ^
' q! Z2 _* Z5 x, ~
3 V9 u# H9 m4 K9 }3 G& [5 ], U
, U" u# {2 z/ a" O
SECTION 48 r- G2 l% v: L& ]) E; o' O
Time-30 minutes
& l+ ?4 M7 W/ R7 s38 Questions
, U3 G- ]0 d! c7 M) p/ S3 m2 L) r: j7 L0 _2 A
1. Although sales have continued to increase since last
# ?1 f/ q5 v, {8 ]) \April, unfortunately the rate of increase has ----.+ H& P/ W) b/ k2 V5 q. a# M
(A) resurged a) T$ s* d' r" [9 i/ K. S3 u
(B) capitulated
! K3 b5 y9 f! v) `9 G6 s(C) retaliated 8 E* I: D# k' G0 ^& |2 e I+ w: ?: V
(D) persevered
" C+ U- ~5 S( c% F( R(E) decelerated % p) ]+ k+ `* X/ C$ Q v1 \4 x, |
. Y6 D! n' W! C2. Although the mental process that creates a fresh and
6 p! s" H" a" d% C; Horiginal poem or drama is doubtless ---- that which 5 B* _7 j! j2 } u( O
originates and elaborates scientific discoveries, there ' L% O5 V; D* m
is clearly a discernible difference between the crea-
9 h4 b1 Y# V" G9 |/ ntors
- Z4 F9 X% ^9 n- B `- S(A) peripheral to
& s' ^' A2 n) d% l+ [: ~& c! U! n(B) contiguous with 8 P7 P5 G- h6 J( |$ l
(C) opposed to
/ F2 |8 q y+ \) u(D) analogous to
0 x0 g2 j, G: ?; ^- L8 X" `(E) inconsistent with
2 d4 _( |; ^" I4 D g5 r2 b8 B+ e! Q1 K- l0 Y
3. It is disappointing to note that the latest edition of 5 t7 h. T# c' R& r
the bibliography belies its long-standing reputation
9 v9 ]5 K: P& D. J* [for ---- by ---- some significant references to 0 b$ K4 `3 L+ w. M+ T! Z* T
recent publications. 8 J+ s7 y, N8 G+ e6 \+ O
(A) imprecision.. appropriating ! \7 t( W6 n9 h9 D$ I# Y
(B) relevance.. adding
1 d# P8 k$ b% t(C) timeliness.. updating ( A' {# Q# I# S1 h' i
(D) meticulousness.. revising
" e- W( P; B9 M, L6 C8 ?2 h(E) exhaustiveness.. omitting
' T$ P# a" t v2 Q% f$ L! o" ^4. Although Simpson was ingenious at ---- to appear ; Y, a( Y3 r" H
innovative and spontaneous, beneath the ruse he 4 R' `6 b: X( p, Q6 L& K5 _# [
remained uninspired and rigid in his approach to
4 ?9 E$ P8 h* k9 _* tproblem-solving. 3 ?$ x7 j3 Z# a, X$ d6 s/ i
(A) intending 4 t+ I+ e1 |8 `' K8 u
(B) contriving
) ? i4 C6 M0 F1 {) S/ Z) S0 Y) T(C) forbearing 3 F4 ^ z/ l+ e# b
(D) declining
7 t- ]9 F8 W: i6 t- |(E) deserving
% v* ?" j: Z0 ]! C" Z4 ?
' N5 E6 P9 N/ p1 H4 r5. She was criticized by her fellow lawyers not because & b- e4 M; z& v5 g9 w+ J% B1 a
she was not ----, but because she so ---- pre-) o- w9 _8 {4 `! j6 k
pared her cases that she failed to bring the expected , }6 ]. P% z, @! X' h7 q7 M" @
number to trial.
) L! D' E; @. d; w$ L(A) well versed.. knowledgeably / f0 I% J9 K* e' O0 X0 p' d2 ^1 ~
(B) well trained.. enthusiastically
! ~, K7 D9 L# H& r8 n" L(C) congenial.. rapidly 7 x7 x) l: O8 |! C+ t$ w
(D) hardworking.. minutely 0 a9 `' L8 I9 N
(E) astute.. efficiently
* }8 d+ T) n! e' y
0 v/ ~9 e$ z8 l$ e# F; ]6. Schlesinger has recently assumed a conciliatory atti-
8 T! d2 i9 R; j1 v- p2 {tude that is not ---- by his colleagues, who con-9 r1 x1 n' H" [/ X' j5 x! p
tinue to ---- compromise. / }8 @5 @$ s$ H8 r& Y, F7 N3 }
(A) eschewed.. dread : P4 Q& \& A) S" Y5 M. ~3 H
(B) shared.. defend % K, @0 A" Y* |2 P8 }# ^7 I
(C) questioned.. reject 2 c/ i- L3 H1 d* I4 J
(D) understood.. advocate
6 d$ O/ G) m2 v9 r7 t8 e(E) commended.. disparage
4 x( H/ I) ~, Q; h( v, ?4 D9 P9 W4 [2 f0 r" u) M9 u
7. The National Archives contain information so ----
" i$ a/ g) v* gthat researchers have been known never to publish . d4 m) N, n3 \
because they cannot bear to bring their studies to an ! v; O" f h" b* d0 U0 @
end.
1 h; o) J1 K( u4 h(A) divisive 9 A& s) g6 d; t" x, ~9 r( @
(B) seductive : C9 f) u6 S. C6 N9 @+ u3 t, `
(C) selective ! Q A# r7 U; T1 u, C: R
(D) repetitive
, T: G: t Q& H) Q(E) resourceful " ^! b5 _3 S5 Z9 h' k6 ~& h" Y
t' {0 c& U# o8. HILL: MOUNTAIN::7 ~: {. M# {+ n2 Y7 M4 A
(A) grass: rocks 8 `$ O( y/ o% M; E) [6 j( P
(B) autumn: winter $ p. B# u% H0 L, }( m) r
(C) creek: river
- ?% w3 A( |, Y; C (D) star: sun
5 R! c. n/ g6 N7 g) x9 I (E) cliff: slope . @8 _ n; @/ [( f! ]- Y
% O3 r, F) C% O' G) I9. AERATE: OXYGEN::. C# U* V- w8 I0 G
(A) eclipse: light # Z/ x6 k* Z- s8 K( K
(B) desiccate: moisture
0 a, w( `' b9 U9 n0 m' H s (C) precipitate: additive & G# Z( l2 y5 E: R0 k
(D) hydrate: water 2 t2 N% \% a4 y v* Y
(E) striate: texture - [6 q2 Z) R$ `$ G9 o1 ]- y
6 U: U( `8 T ~3 }$ d: J
10. ORCHESTRA: MUSICIAN: 7 r8 Q) M1 r+ z1 ` v
(A) cube: side 5 h0 U. R/ J0 G3 O- z: b- {
(B) kilometer: meter
; n3 V3 V0 v3 Q1 w$ \ (C) sonnet: poem" ]" G7 }$ G$ R- R" N7 J7 n
(D) biped: foot
6 l4 u0 L( y+ i9 J# Z (E) pack: wolf 7 p+ ^" j( U" c# R' i( n& h
& X+ B* \; {. \* r; \* X
11. EQUIVOCATION: MISLEADING::
+ l& E" _% }# W' y* K (A) mitigation: severe l/ E; [9 v; S: w/ B' u, I2 u8 N
(B) advice: peremptory
( S$ f: B2 m) ~9 t0 T (C) bromide: hackneyed % A2 Y' L- R# s! O | u& ^0 X) t
(D) precept: obedient
# a2 [) v! K6 L4 F/ y3 G/ a (E) explanation: unintelligible
+ d" D$ ~* F X& P
. A! h7 G+ ?, N% ]1 K: l& X* X12. CENSORSHIP: COMMUNICATION::5 y' Y5 T# ]0 i8 _: D! E9 y
(A) propaganda: ideology
8 `. `* |/ t9 j5 g (B) preservative: decay 0 V$ I4 a. H1 Q4 ~3 r; }
(C) revision: accuracy1 W- N; v1 B2 i
(D) rest: atrophy
6 s$ f5 ~5 e7 N" P# J (E) exercise: fitness 3 c9 G7 v. Y# b, C0 Y
2 S) g3 Z4 R! F! D) K13. BUS: PASSENGERS: 5 J9 X; h$ s& u
(A) flock: birds 3 J0 p* t' \) ^8 ?
(B) tanker: liquid
" Q3 ]/ d5 Y+ V (C) envelope: letter
! T, p$ H: T" _ (D) bin: coal
! T6 t7 l$ | d* O. ~! { (E) automobile: gasoline 8 F3 ]8 e" ^7 v$ h; _. p
V% Q; [& ^ \3 s& |$ j8 P- E X- M
14. BALLAD: STANZA::
8 a8 S. ^& g5 C- v# {/ P/ ` (A) novel: chapter
# Y- |' P. L8 ^7 I (B) poem: meter . k R" L! o; z* Q. s
(C) play: dialogue
: _ w! D9 G& u0 A M' B3 y" Q( |! E* Z (D) movie: script # C, b$ ~, J+ |2 b
(E) photograph: caption + G6 K4 u4 a+ |7 v- Z1 e
' P% _3 T3 Y; h' W1 Z4 U15. DISABUSE: FALLACY::
- L# K: O- F9 E" u3 T (A) cure: disease : _2 \8 I4 P8 ^" L- Q
(B) persevere: dereliction 7 B/ N% R) ?4 F& f J
(C) belittle: imperfection ; P' \/ y2 m% G- E1 m9 ~, B
(D) discredit: reputation S4 A% I9 J) W' a# C" `% x
(E) discern: discrimination $ P4 y& ] Q+ A) M
; D* ?9 o4 m9 W. M8 ?2 E16. BLANDISHMENT: CAJOLE::5 ]' e/ o4 C' w# e
(A) prediction: convince
) A: P4 N* a0 q% g$ v. \ (B) obstacle: impede
! [+ v, U# b( O! @0 W (C) embellishment: praise
- R" [6 ?: z# R; D8 N% V" G (D) deficiency: compensate + @+ V6 l6 Q' z& X- c# [; D8 N& l
(E) compliment: exaggerate
8 L8 i; l9 g! I, A
/ H# _2 n+ K3 y( [: Z
% D" q; {# W, _% P+ ]% L. T8 ]" R28. DEBUT:
( p, v0 q9 E0 ] (A) collaboration - E" Q6 E: Y8 u2 v# u
(B) monologue
% C1 f O) v$ V! m9 g2 W (C) farewell performance & ^6 f" ]8 w, b) @6 ]
(D) repertoire standard A* P! w# c$ G2 L9 M6 d
(E) starring role - ^6 ` @. M. W8 R L' l7 _
8 w/ e+ ?. o5 @, }' G+ h8 }+ b29. WITHER:
# h/ b4 F9 p9 O7 f3 s2 b# V (A) disagree ) M5 ~- ~0 J1 Q. s; x; u
(B) shine 5 I7 F9 A9 \+ b: {2 _
(C) plant
3 z! w- ]5 e( H1 U9 ^. Z j (D) adhere
/ f3 w. x* X8 n* n+ A' c (E) revive
* }- `& r1 n' V4 e: |* s
1 y! k9 q' R; j30. BUCK:
9 A1 b# Y5 U" k (A) cover over " Q" d# f- q- x9 U9 p) b
(B) assent to ! A4 Y7 A. K4 `: k+ b' t5 m
(C) brag about & J k! D& {1 r' z l
(D) improve
|0 Y" C$ |/ o* Z. v (E) repair
; d- e- ~/ i+ C0 l4 |' z( s
6 Y3 r6 M8 r: k1 n. l" R! @& K; W5 c3 U31. MEAN:
) B1 h) I- S3 k0 | (A) trusting
0 R1 k& V$ w M2 g6 t. Z/ { (B) ardent
! Y K$ h D- x' A (C) clever 7 i. `6 y# Z( q
(D) incautious
5 `/ `3 X$ u9 q- e! C3 ^4 ~ (E) noble 8 G7 ?5 P9 p& g% L$ d
: X1 Z' p9 D4 i# V4 R
32. ADJUNCT:
T2 s# P7 H7 g; X2 N (A) expert appraisal ; ]( q* V" T- r& m0 z( j
(B) generous donation
& P2 ~+ L5 x1 |3 _$ ^ (C) essential element
6 A3 ]9 q0 f3 d8 A4 \ (D) mild reproof
8 y4 T2 R0 D/ `6 Z- O (E) impartial judgment
! O0 W. P6 G* M
; C) M: j# }* o# {) R/ `33. CANONICAL: , ]6 e& p9 y: k+ b: @' h) ^
(A) imprecise 3 p& I+ A# R G& K) q0 i0 G5 X5 W: N7 f: P
(B) ubiquitous 8 C P' Q2 S. g: S
(C) superfluous
3 J+ S/ L' O% \ (D) nontraditional ( r% V6 ^( q# c" ?- d( C. M( s
(E) divisive 0 T% j& r8 g2 i, H7 Q$ {; x
* b% ^5 h$ Y, e/ W# L6 ~$ p) i34. TICKLISH:
4 j2 Y/ C" n! ^$ R5 z" z! } (A) heavy-handed % _5 S) N0 G' X' T
(B) significant $ M6 v# s- U* Z, P T+ r
(C) tolerant
! e+ ]2 p& p% q( t6 S: }3 D# ]' Y8 T' U (D) impartial # l" C8 E9 z* v9 L
(E) imperturbable 0 z' D2 u" t8 Q( K6 |
7 F( f' a0 o3 d
35. PREVALENT: + p9 T; G# L/ w5 I/ r" _5 o
(A) invasive 0 |( ?$ p5 M& V S" w# D
(B) inconsistent 1 v0 ^7 ]0 H8 S( l4 a% p
(C) indistinct
9 G+ D/ V& @8 x d6 Z) i/ @" f (D) unpalatable . G* c/ C- i9 g h. ~
(E) unusual
3 l/ z8 `: b1 V% j' S7 D" m1 d! q+ {1 ~; I& |! D0 c1 y& e& K
36. PENURY: ' _! P& i' ^ o7 }
(A) approbation ! @% j2 b8 b6 \0 l
(B) affluence
6 a0 C8 t+ H/ ?1 Z. w4 f/ Q; `" K (C) objectivity 8 B- g: Y4 k# U
(D) compensation 5 z; v: r5 s4 {% G, X: f% d
(E) grandiosity
# }6 O; ?+ B: Y d# j8 v8 z7 D8 P% k- U I1 J
37. MINATORY:
' P/ U) j) P9 H! `$ `* Y( w (A) convenient _6 @: U* g' V& k- U) |
(B) nonthreatening
4 f: w7 J% T5 D6 P (C) straightforward
" m+ N. o! S# v [4 q5 t. A (D) fastidious
0 A$ I n- Y8 F/ f* b7 D (E) rational 7 M; P5 @# U. v
& N0 e7 ?6 m, X. d3 V6 }38. CALUMNIOUS: ( C, V% _5 s1 U& U! t
(A) adept
% l) O+ U- J( x) m2 q7 f) l (B) aloof
# k0 {3 z b5 g6 |2 R (C) quaint 8 T0 O9 g' d. j# L
(D) decorous
- ]" V+ `( T( g3 b+ P; e' @ (E) flattering 0 E- \" l1 B O ]: u. ]. ~, o
/ B8 {# V* T+ o( @/ e9 i
; U+ {6 f1 Y" ~6 w$ H# v- }' W0 q
5 R& _+ B% \; `6 O
: P) I* [) |/ U8 j
! J7 K9 @$ K0 A$ b$ j: Z) g6 j! {. P& Q; Z( l/ J6 ?8 \
SECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE
( E, s5 |0 H8 JSECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE
7 N( S0 b2 f* cSECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE
. \1 z1 t* {: n& p& m+ J3 @SECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE |
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发表于 2005-6-2 10:06:39
发表于 2005-6-2 11:20:54
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