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6G冲刺模考讨论(四)1 P: A9 T6 j+ q* k5 j; [
! y7 k5 W/ m" [9 ?* D* x& T" B- e! F
现在模考应该限时. 同时也要练习涂答题卡.
, ~' {( m5 @; T* p" t+ z
! w6 \' C9 q" v9 c+ I# v
7 p0 s. F' V4 a; NSECTION 17 b" h2 R B4 y* r9 O: V) l
Time –30 minutes
" v H: y( y# M; g1 s2 R' k; {9 `' S38 Questions
6 m& m1 F, M0 a8 t' ?9 k+ y* U
1. Because the monkeys under study are ---- the . i6 E! D+ o% E1 B4 Y: c, @2 R
presence of human beings, they typically ---- ( C- W0 D1 k; m" i# ` F5 j1 [/ T; E
human observers and go about their business
. p/ G+ }$ I9 W) j- W- x (A) ambivalent about .. welcome ' _ W4 r9 c( s. C. F
(B) habituated to .. disregard
4 j; Z X# ~9 D9 X (C) pleased with .. snub
. [, h9 _2 f* f$ V (D) inhibited by .. seek , x8 ]7 u- m& o
(E) unaware of .. avoid G( E% [- N2 ^; y% h3 s8 N
8 K# l( m1 f: I1 O
2. Give he previously expressed interest and the
. k) e y/ W( d$ P- a/ r# rambitious tone of her recent speeches, the senator's 0 m; x* l `1 H: ^
attempt to convince the public that she is not inter-7 q6 O' J# k& A5 N% o0 F
ested in running for a second term is ----.
7 o) d! u2 s% Z) c (A) laudable & ^' h; e- S$ i# [" |$ V% q* _7 S
(B) likely
$ n& x2 q: c! L, _8 x (C) authentic ) E3 Z: @* R5 A. \( a0 r3 s: r% ^
(D) futile |( q% s2 K7 u
(E) sincere ( J" J. }* _' Q6 V
& w5 Y( K! \' @( T* g# s
3. Many of her followers remain ---- to her, and 4 G+ \$ O4 ]/ C& M: t
even those who have rejected her leadership are
; Z* c: ~3 n& U, J2 W4 f unconvinced of the ---- of replacing her during
3 p3 j) h/ p0 v the current turmoil.
2 X2 z. p, `4 Z* ^4 a (A) opposed.. urgency
3 ~, I y9 f* y8 k* h (B) friendly.. harm
& F: j. a6 @* ], u (C) loyal.. wisdom
! x/ I2 o) n6 w! X1 Q- E4 c (D) cool.. usefulness 6 s6 b( ~. I) K3 C( ~
(E) sympathetic.. disadvantage 7 y& S. r @9 g$ b; q
7 i( F4 K0 t+ o4 j G: H
4. Unlike many recent interpretations of Beethoven's ; u4 R3 i4 v, p0 [
piano sonatas, the recitalist's performance was a
& Z) w& M$ K; H' [! wdelightfully free and introspective one; nevertheless, ' M2 ]7 c. n$ Q: |1 i+ M/ r
it was also, seemingly paradoxically, quite ----.
* k; y( B# o( r8 T2 \9 j# C" Z# l (A) appealing # {5 Q5 B7 s2 y! e8 M% ]
(B) exuberant
! e9 Z* V' ~& M8 R7 I (C) idiosyncratic
3 I7 X! g: N8 r/ Y0 v (D) unskilled 8 l( v: \+ ?9 r* T
(E) controlled + ` H( Y, {. N$ i" S
4 O4 e' B: Y6 [1 u. C& x; B5. Species with relatively ---- metabolic rates, including
8 _" r8 t' M( w1 f! g5 Nhibernators, generally live longer than those whose
. J( O7 k% e: g3 W w7 gmetabolic rates are more rapid.
' K9 y# ^& @: Z) A(A) prolific
5 j6 _1 X5 W i) q8 j' S4 d, u(B) sedentary * T& m7 s6 h2 q! f+ N5 J
(C) sluggish : T/ Y z- [* p! G/ r: K% y2 j# [
(D) measured
% E- O# Y4 }1 h- _- P* @2 K% W (E) restive
, J, R7 R8 O5 m, w2 ~; g: y" R2 w7 y9 d. e5 B( [7 S
6. Belying his earlier reputation for ---- as a negotiator, ) A2 e* Z6 \5 i/ m
Morgan had recently assumed a more ---- stance
; M/ F" i1 @6 u0 G8 S. cfor which many of his erstwhile critics praised him.
+ D- `" A) S8 r (A) intransigence.. conciliatory 9 n: G, R0 P! q# Y( d
(B) impropriety.. intolerant ! r" P# }3 y* f8 [3 [1 ?
(C) inflexibility.. unreasonable - ]: c# S4 k' j, Z4 O' K- R4 Z
(D) success.. authoritative
7 d8 A* ^ b) n (E) incompetence.. combative
% E1 m+ u2 \, L" k5 L1 T/ `
3 a x' G0 [1 p7. Although Irish literature continued to flourish after
2 N9 v2 g( |, E3 q2 F, kthe sixteenth century, a ---- tradition is ---- 8 [4 v' C4 C$ N" m0 o' E
in the visual arts: we think about Irish culture in terms of
/ B: j: {+ Y0 m q# Tthe word, not in terms of pictorial images.
[$ ?8 v) l# Y(A) rich.. superfluous
5 I- L/ m7 i5 L4 ^6 z7 k4 M1 J (B) lively.. found
0 e6 Y! t+ c2 N (C) comparable.. absent 5 D3 I1 ^' L, `& J
(D) forgotten.. apparent
; m0 D! N$ v, v" X* x5 ] (E) lost.. extant
2 @% E5 k8 Z1 q5 B3 x: s' c3 _. G
8. SILVER: TARNISH::. k( @, k( V& X3 D7 C/ B/ y( X
(A) gold: burnish
* F2 A+ k! l8 V) u" @6 | (B) steel: forge ( W8 b% m% i5 {' e/ [* c
(C) iron: rust
! q. g$ _1 c5 \/ E( s. Y (D) lead: cast
# q2 j) t8 t; J" n (E) tin: shear
2 h0 C+ J3 `( U+ P" L( t
6 D$ f! D. j: Z& F; c$ H9. DISLIKE: LOATHING:: . R$ O/ W; f( `( V% W/ A% T
(A) appreciation: gratification
r/ F* @0 A8 w1 x (B) hunger: appetite 9 b5 F$ V/ A: J! F! C
(C) void: dearth
4 L4 s5 g- U6 H% }) [- d9 ] (D) pleasure: bliss
$ T+ I1 q" i$ ]! P2 Q1 y7 ` (E) pain: ache
4 y- V6 E6 n& d2 S& }8 Z" s
o a( h5 y6 z3 ~9 w! x- R10. CRAVEN: HEROIC::
o: s5 n, R+ e: E' h (A) unruly: energetic 1 h- e% ?7 s- N
(B) listless: attractive
! _3 ]3 Z1 Q1 Y! m6 V r4 _) |+ }; p (C) volatile: constant % K; H+ }0 z! M
(D) deft: trifling 3 q/ |- |" P4 v" T% N; M; W3 D
(E) awkward: amusing - x; h% h( m9 m" N
& ^0 B1 b! N7 y/ @$ L11. FILLY: HORSE:: ' \( `. x1 ?2 `6 ^1 g/ g1 q: N$ ^
(A) antennae: butterfly ! m) J1 Y. n! l- k
(B) pullet: chicken
6 v& T& |( V! q, ^3 M1 X3 t (C) gaggle: goose 8 M$ x; D6 d" J: n$ q. E) [2 G
(D) duck: drake % |# S2 F& I- P' ?$ p% Q2 h9 s
(E) wasp: bee
; P. i* F& K* |2 x. d B% [, V6 d
12. PITHINESS: APHORISM:: + e" T7 U7 g# n0 H3 J( ?4 {
(A) craft: art
) I1 L9 M! ~9 ?2 `8 S (B) detail: sketch
+ f% o) O7 _; p& u% g; r" W (C) illusion: story : Y+ Q1 S" h' ]: m4 J
(D) exaggeration: caricature
( B% k/ @: T$ J( r" z (E) sophistication: farce H$ p& S) t* s# P- ]1 z/ X
+ Q2 Y6 `; H. A X+ D- S1 h8 r9 N13. EPHEMERAL: ENDURING:: - o! Z7 Q- Q' j% B6 k
(A) infirm: healing
! I i% j: X/ J( L* p8 U( l (B) insensitive: cooperating
: ?' s5 H( S5 y9 e (C) inanimate: living 7 V3 Z- h7 W4 W, {
(D) interminable: continuing
1 Z) q; f$ U* B2 m! g (E) ineffectual: proceeding 6 Q( j3 k7 q0 G* v3 O" c% O# m
# p8 N2 d4 q$ b# _/ \
14. POSTURER: UNAFFECTED:: 5 V& g2 d: O5 B" y
(A) brat: insolent
6 M1 i% S' F, N/ ? (B) hypocrite: perceptive + S4 H& d# D# Y3 ^; G* [2 h
(C) grouch: respected 9 N4 q b* a& D1 F, u
(D) bigot: tolerant
' U {/ ], _; _2 J& X (E) rogue: empathetic 2 n# s0 X# h& a6 i) t% N; O
6 g R6 x, l8 Q8 I7 R15. FACETIOUS: SPEECH::- d6 m% z0 |" G% ]' a* V7 ]
(A) precocious: learning
- {8 `' `- h/ O6 h (B) unbecoming: color % C6 g% D$ q7 I5 G$ V* ?& l
(C) exemplary: conduct 5 } H7 v) w% O* a- H9 W
(D) craven: timidity 5 r4 K( L- C* d' n
(E) antic: behavior
8 C, F# A1 }1 E4 T+ }
0 D" G! B8 f9 e16. VAGARY: PREDICT::
. p ~- @" Y. F/ L- H8 L! v/ I4 c2 t& ? (A) quotation: misdirect 7 x9 k. i/ ~* [( W- E; `; F
(B) investigation: confirm 0 h" @4 V% S9 n0 ?3 N* U. f+ G
(C) stamina: deplete 8 Q, z4 S" D* o) l
(D) turbulence: upset
/ B# D% \: q! V$ V! |7 ^ (E) impossibility: execute 1 ?* ]1 N3 I( y4 {/ X& z
$ [" _+ O; l/ K4 D3 T
28. PREFACE: % P4 h0 y3 g4 x o
(A) improvisation ( l/ V% a& e/ t4 A; s7 n
(B) burlesque
8 W5 _0 L$ b9 g4 r4 I& \(C) epilogue
. F+ w7 s8 K' h( x+ d/ ~6 P# J. w( [(D) tangent 8 s. C% m+ r2 B4 |8 B5 x8 i
(E) backdrop
# H. L# t7 C7 I% q. z) Z2 g9 n* G p/ s( ^
29. DEBILITATE: ) N5 f" s1 U+ N4 Y# B6 s
(A) implicate+ `) j5 |3 k1 o9 W$ L- w
(B) invigorate 2 U3 q% K U# G: R* | d' s3 e
(C) obfuscate ' n! `1 o2 i% [# l
(D) realign 5 W5 i) _0 |0 v
(E) encumber
3 x5 k, R" t8 T* U% Z _9 H, b y- |6 E ]8 Z. p) v& }* c
30. TASTY: 4 {: y, i' {( W2 J' m4 l
(A) uninteresting 3 D% E' y$ K* [% r+ H0 S
(B) unfamiliar
+ t5 L+ O8 D! T/ n* H(C) unexpected 8 m; T' a. x0 f
(D) understated ; K$ Q9 [/ W# T
(E) undervalued & F2 @5 O8 }% u* X9 ~! b! A
9 g1 C6 ]% v# }2 X; t m/ H
31. ABNEGATE:
3 P5 p1 N0 Q' s. c! N(A) refresh 3 C5 x; ?, _5 H4 Q5 [
(B) reaffirm ! |" y0 e+ J# ?& P
(C) relieve , N& H! W% r7 k# T& `
(D) react
8 ]5 b' {1 h2 a+ x, i/ {! u1 m(E) reform ' }2 S8 D% g1 Q; a/ Y# X
+ Z8 s5 H9 W: Q7 M) C1 }32. SERRIED:
I+ v( o% X2 D- d+ b3 H; q0 N0 r(A) partially formed 3 }: d, e$ |" `+ G1 ?* N* r: m
(B) widely separated $ x8 T" s a ?3 m4 P+ c; k: y
(C) narrowly missed * \: D8 w* y3 u8 v
(D) extremely grateful
2 ~6 @3 W) |2 ^7 q1 U6 t9 ?(E) reasonably clean ( o0 x' s7 f3 S/ u( M
" P2 Y( Y% Z) T: H i7 i& ~33. BOMBASTIC:
; ~8 R; J* F( R$ \4 p H5 V T(A) unflappable ( q+ @* B) `, L. n+ H
(B) uninspired / W1 t& F- \, i& y
(C) unpretentious * f: n8 J+ o4 f F8 ~
(D) inscrutable 7 a, D& [5 g( Y
(E) incisive
- o" p6 {7 k9 V+ {% k
$ R( W" r) N# }( I/ h34. BANAL:
. v0 V2 _& ?) L& u- C) \(A) comfortable 3 @' d; X4 w) k2 M
(B) novel ! F" h+ Z- L% W9 F, \' ^
(C) equal
, y8 X5 [9 ]* R5 j8 ^( [(D) fatal ! Z# z6 C2 Q7 t6 ^6 @: ]) B3 Q
(E) competent
8 [' H! S5 J% a! r3 E35. LANGUISH:
7 C( C3 L& O" _( A$ ^(A) agitate
4 E' L- x3 T/ C0 H) K8 v/ h/ h(B) wander 0 T( S/ o" u& [" L/ E6 a
(C) relieve
+ d8 f5 h, ~. t- X(D) discomfit
) e9 t$ j9 t4 I$ O2 X# r2 ^(E) thrive ) w- V2 f6 y& }- n7 d- h
+ x8 r0 C' T: V5 @9 k$ j36. ENNUI: " p+ _9 X+ T3 c" Q
(A) intimidation ' q2 x8 C+ J, R& M7 |7 R3 e0 V( z
(B) sleaze
, ~' \$ b1 K0 V8 d(C) faint recollection
* h. R4 F6 t- H5 E! L7 Y' o: M(D) keen interest
$ @2 q3 d/ [+ M) ?# J(E) deep reservation 6 r* n0 `) Q1 E( k$ R' Q% d9 r( K
8 E% F( J5 ^9 T. j2 k
37.DAUNTLESS:
_0 k/ ]: A+ a4 o8 s4 p. x; m(A) sophomoric$ z! ~" u+ W$ Y, p) u3 B) m
(B) trifling
6 b3 K7 A1 l: y8 R# K. {% @(C) pusillanimous
: U( ~+ }2 ]# i% b3 O(D) specious
+ @5 K+ M/ E7 G0 Q8 l(E) parsimonious3 c. f6 g# E2 H( h- r
. j0 E* h) U% a5 A: ~3 d& F9 P
38.TEMERITY:' F2 C4 h, r8 {" O4 _/ o! D. |" i+ L
(A) credibility
* v3 W3 b! H: D4 O4 z* h1 [4 W(B) authority) f( f( ] f# S! X' A" y
(C) celebrity: r, m' Z* L- [% @) G5 G1 p4 S
(D) acrimony& a9 N+ S% X% S. e3 |
(E) circumspection
( m# e& f9 J! ^; m' n8 u! H8 a: F8 f( k2 c) P
( A/ @: x+ Q) W: B
0 X1 T" |7 p8 Y
SECTION 4 [: G9 q/ O" b/ M; _4 y
Time-30 minutes9 J2 L2 N5 o& N, O, z8 B
38 Questions4 P( P A6 ^' d+ T! z( ~9 `
) G0 ^/ n2 a8 y+ A1 R1 h
1. Although sales have continued to increase since last
8 Q- P6 ]4 Y% m( c# h/ }* AApril, unfortunately the rate of increase has ----.
- K5 ^3 ]' a7 N(A) resurged
* y( E7 x5 [/ s5 G(B) capitulated
- x" C# a; k/ M' _& d" h. h(C) retaliated ; M% M" @+ [/ w) w7 r" ~
(D) persevered ) o/ Q+ `' E# s7 @* x& N
(E) decelerated
/ N1 ?- d( o" R2 j2 h V3 C, n5 a) U
; m9 H8 A9 W4 {+ R0 D2. Although the mental process that creates a fresh and ) x R8 T+ `* X% w9 j8 A8 w& U3 N
original poem or drama is doubtless ---- that which
( G& W- f+ R, \. }originates and elaborates scientific discoveries, there ) a; f; w: }8 ?0 y
is clearly a discernible difference between the crea-
+ _( @& q& E3 o. Y8 @! etors * U+ V6 B7 _& P+ P0 q% k
(A) peripheral to
7 }' D1 M+ s R( Q% {(B) contiguous with " e/ R" Y4 M2 e- {3 Y
(C) opposed to
( d. H6 n" w( v& N(D) analogous to
4 W$ k, f/ v, j$ O1 j+ f5 ?(E) inconsistent with * o% c: W) j- w8 [6 p
# Y7 \$ F8 p9 Q3 \; y9 p3. It is disappointing to note that the latest edition of ( F, {/ ?) U; O5 U3 W/ z
the bibliography belies its long-standing reputation % ], g/ O4 k" Z
for ---- by ---- some significant references to ) O0 S. Y5 I. i1 K6 ?& t7 g: b
recent publications.
! `9 x A& C9 K! @$ V# X( I8 |% F% M(A) imprecision.. appropriating
/ `+ N" w/ z* J/ o0 O(B) relevance.. adding
: M' w5 A6 L x5 W- u3 a(C) timeliness.. updating
. U: F% |3 c9 ~, K. N6 k4 \(D) meticulousness.. revising
) W! {' Q" T+ M8 g2 o& }(E) exhaustiveness.. omitting & ~' w3 x/ `( I
4. Although Simpson was ingenious at ---- to appear
, A& s& ]1 Z& ]9 Qinnovative and spontaneous, beneath the ruse he , j r- ]! |. p1 U+ U* @% n" F
remained uninspired and rigid in his approach to / T0 _9 `+ l& |. Z; m$ \. G5 \
problem-solving.
3 M! y; T! C1 X! h4 s# g(A) intending 3 Y, g# T% ~) m* L8 q
(B) contriving
" W0 l5 u% e% s9 `, F* K- n5 Q(C) forbearing ( F `1 ]* k! g, h5 v
(D) declining : d; b& @% Q* g2 U' y, }
(E) deserving 6 C- D$ b" D8 [, Y0 S- w- M
9 X' j( I* V5 i2 ?, K5. She was criticized by her fellow lawyers not because ; _% L% S% A+ _9 `8 h) x6 R$ d
she was not ----, but because she so ---- pre-
/ |; R6 m; }* a5 i0 cpared her cases that she failed to bring the expected ! u6 a, ~8 p' Q7 Z1 }0 j; `$ \9 s
number to trial.
# x2 ]& f/ g6 i# ^(A) well versed.. knowledgeably
& R. l/ z: ?# }0 c. c(B) well trained.. enthusiastically
. K7 X! X1 m1 H4 {2 w/ Y/ m(C) congenial.. rapidly ( P) @/ E) _# u) S
(D) hardworking.. minutely 6 G# Y9 u! X( A. [ P# |4 h
(E) astute.. efficiently . h6 z. d( {$ i
/ W( V! ]4 } W( L/ g& w( p6. Schlesinger has recently assumed a conciliatory atti-. p0 ^& _. w# g/ @
tude that is not ---- by his colleagues, who con-
Z; ]' Z7 H+ c2 Ltinue to ---- compromise.
2 @" ]5 t9 ]7 t! D(A) eschewed.. dread
; L3 ^3 a% K1 O7 ^" `+ x(B) shared.. defend
$ d* X( w& L4 M' h! M+ k(C) questioned.. reject
6 y# R, U* u, Q(D) understood.. advocate
4 r9 G" ^7 ~; X% W6 x(E) commended.. disparage
4 ?( R5 `' }' ~+ H8 i3 W' d; s( i) P5 U3 j. k/ `, q$ B4 R
7. The National Archives contain information so ---- / n% M' _% ]1 I3 b5 x8 W8 f
that researchers have been known never to publish
" t/ h& L$ S9 I2 E- a8 }because they cannot bear to bring their studies to an
2 _) Z# B, u0 h- n4 a) ^! ~. Jend.
# _1 v- {. p+ Y/ _0 n(A) divisive
4 D# D G/ Z" N& p(B) seductive
2 q# k& A8 P+ t0 H4 w(C) selective
- V$ u* N7 h1 e3 O6 t( c(D) repetitive ) e7 w; q0 F+ u \+ c
(E) resourceful $ ^3 L4 g% l& f" s9 f
4 e. d) c7 y m7 i: G# l1 k3 B! v
8. HILL: MOUNTAIN::
, a8 G6 C# h" x4 M" c) C(A) grass: rocks
- P) \3 d" n+ a6 D/ C8 G7 ^4 i1 E5 M(B) autumn: winter 4 k% O+ W! ?( L, ]# Y6 L
(C) creek: river 0 D; `, y+ F! O) q; E) G$ ^
(D) star: sun : ~* N" S/ ^' H
(E) cliff: slope
+ ~. f. [# |; S) L
" ?! _+ @1 ]4 X' \2 Q4 K1 ^5 y9. AERATE: OXYGEN::
2 ^0 g0 Q2 @! E( i(A) eclipse: light ! u7 Y4 p1 M$ Y/ R" A' J, c$ D
(B) desiccate: moisture
+ r1 D1 Z3 X; ~2 {" m5 [(C) precipitate: additive . J5 ^2 W# E' I, [0 b/ t
(D) hydrate: water
) i2 C' V$ ?) m/ ? ^(E) striate: texture % F. j5 A( z) i# w4 J& I2 _
! X& u# A7 l p8 \1 _
10. ORCHESTRA: MUSICIAN: 3 E, b" t+ R4 E, h7 ?5 d, R
(A) cube: side
# t" _* ~7 ^$ y(B) kilometer: meter
5 S# `& M8 y: u) }(C) sonnet: poem" I; h- }1 B3 W+ {
(D) biped: foot
5 y( Z' Q( u/ _6 h& ^8 U2 _* Z(E) pack: wolf
/ f* p+ S% K# K! v9 e8 W9 V- c, @5 Y. C6 T. Z- o; F3 O
11. EQUIVOCATION: MISLEADING::
5 M- \5 T6 s/ S7 o; U9 W) _. M, {" d(A) mitigation: severe
2 A. H/ ^5 w; W# U(B) advice: peremptory 5 S/ U4 H' z9 ^8 S" ]
(C) bromide: hackneyed 7 @- b8 L# }2 j/ S5 ?! \- H; F
(D) precept: obedient
4 {( m* y; h) D1 z! @% K(E) explanation: unintelligible
# W% L( x; q( J! G3 Y# _. C
. E B+ c, N5 M6 W$ A+ v% y12. CENSORSHIP: COMMUNICATION::
0 z" g2 C$ g1 e) L! y/ y7 N(A) propaganda: ideology * M0 U% O2 X& Y8 l3 J
(B) preservative: decay
3 M* V. c$ H6 Y# `, V( y0 u( i9 C(C) revision: accuracy! |5 Z% I: p) L5 a" L! X3 h* c
(D) rest: atrophy1 m f6 v. \+ B0 M* C0 ?
(E) exercise: fitness
. l3 y4 P9 j7 o. _2 f7 G% X* w( G& m$ `( }
13. BUS: PASSENGERS: , [, Q6 y6 ]4 U
(A) flock: birds
9 N3 F& {5 g2 D# c0 y- n(B) tanker: liquid
, `8 e# S v* A: n- h. g(C) envelope: letter
- q3 Y# e5 j* |: L(D) bin: coal 5 w5 v; T- A: @' j. \3 D4 ?
(E) automobile: gasoline ) s" a* `" s: S" Y6 I
' z# u: {' w( M. n4 w6 R3 e
14. BALLAD: STANZA::
; \* p, U$ q7 d- t5 A5 A# a" O(A) novel: chapter : Z, @8 Z6 h4 k7 M0 i
(B) poem: meter h0 |2 ^0 J) x6 j# {
(C) play: dialogue
& j, J: b8 J1 r& _( v7 W& A(D) movie: script
; n" g/ F5 J+ v9 J. |1 K- K; l(E) photograph: caption
# W* K% w& y9 r4 c6 S( `
5 K* ~: Y( V J# }; D. D$ H15. DISABUSE: FALLACY::
, k0 X6 Z- E- w! T" }* D(A) cure: disease 0 I& ?/ ?" S8 t9 @+ o
(B) persevere: dereliction
( j5 v# s' c, k3 Y, G# G(C) belittle: imperfection & u( z( d+ k: ~& {0 L
(D) discredit: reputation , @% s0 }! C3 a$ Y
(E) discern: discrimination # [( ]7 K2 L; d3 v- _$ T H; X9 m
* m+ }4 z: h+ \+ P c8 }; p16. BLANDISHMENT: CAJOLE::! B; ]1 v: I8 g1 J: c# p) B
(A) prediction: convince
7 x z5 V0 {1 G(B) obstacle: impede
+ Y: L* h4 V2 G; y: p( A& n(C) embellishment: praise ' ^/ O3 q2 c: F! V% C3 P9 K- P
(D) deficiency: compensate
2 G0 A4 C. b% n(E) compliment: exaggerate
3 q a5 w6 `5 \% B( |4 _# Y# U. }
6 N* N" J e( Y! G; [0 k28. DEBUT:
: y8 C9 a: V, e; y4 a# a9 W3 |(A) collaboration
& ^& H' W+ i' Q/ b8 B(B) monologue
& ~5 D3 M% l1 l- d3 B(C) farewell performance ( y; |3 K& L6 L; Z3 p' H1 D5 o
(D) repertoire standard 5 S- i. {6 E* P8 F8 b
(E) starring role
. K: J1 W- o( R! {( j
: v$ r" `3 O4 g! N, ^" C6 h3 z29. WITHER:
; D L3 g. @ m1 u$ {" d) @% e(A) disagree
& w4 I: a3 X" \9 X, l(B) shine
, B5 O1 ^5 J! T( C$ \2 c(C) plant
3 `: [7 d1 P n# S ?7 h8 {(D) adhere
# y& S8 }. y# g, i1 E( ~(E) revive
( S% j `5 q6 c2 k
/ t2 _6 T, Y" A! z30. BUCK: ! `, Y$ n' @/ m+ \8 ^3 r/ s1 Z
(A) cover over
, ^) X$ U: j6 j. v# C! I! x(B) assent to 4 F1 A2 c1 C9 N- |( O
(C) brag about ) ]9 C' }5 V+ V
(D) improve
" I3 E% u5 \/ x5 g(E) repair
9 l+ p( l3 A( M: K( ? ^: t' v" W! M9 w* t) ]* |8 l$ [- F
31. MEAN: % @+ o* D; T3 ]& l, i" Z; X
(A) trusting
H) y2 Q( G+ V6 @4 O/ Y(B) ardent
P# h6 B4 n0 x" B" g% a$ Y(C) clever 9 |2 Q0 g. \( W
(D) incautious " ?8 F/ A- H) b1 c+ w; N; G% u8 P
(E) noble 6 A" N" }8 T& m j; B S
) d0 X) w- ?' _32. ADJUNCT: : W6 E7 k/ g. C8 o
(A) expert appraisal % J1 R2 s& l: K
(B) generous donation % Y/ Z$ P5 n1 K& B
(C) essential element
- K/ `0 t3 |0 ]; V- Q" o7 L2 e(D) mild reproof
" u+ w+ H9 W `(E) impartial judgment % G) X8 T% H* y' |1 |: \
. a' o+ w) ]/ K p33. CANONICAL: 2 C1 j; v) ~. T
(A) imprecise
, n$ C8 d$ N4 C. \(B) ubiquitous 2 _$ t/ b( X' W4 I0 e# _3 Z- b! j. g4 V
(C) superfluous - H1 m4 ~! }% u" `4 @6 f
(D) nontraditional % O: s q% e" G2 ]: Z
(E) divisive
, @' ]7 u( a- \! s' ^0 [: e! S" i1 w9 }7 U3 c9 s) Y
34. TICKLISH: + d7 R% z! I& w8 [" u+ I
(A) heavy-handed 6 y i3 X- J3 k1 ?1 Q
(B) significant
1 \( |% H+ S7 ~# D+ u2 D/ f(C) tolerant ( s5 K4 o& T( s( u
(D) impartial
5 v0 U' k) X U: L(E) imperturbable
4 \8 v+ d7 x' n1 [( F6 Y$ x0 q
8 P& ~4 S& j3 w: U7 U. D, R35. PREVALENT: + o& S! o; {. Z
(A) invasive
1 P% q1 m# k9 R, X r1 M(B) inconsistent
- Y+ B4 M, k! C* ?" z+ E3 ^- D7 K(C) indistinct
$ e( v3 ~# ~- O1 ?; B) [(D) unpalatable 0 |. A- q- [' p- L4 L2 s0 _7 ?
(E) unusual
. ~$ r4 J7 N6 s/ }' z* U% C4 Z
' C( s9 I) M" \6 C3 l8 _36. PENURY: 5 ^3 ]' x9 K3 q5 C' y r
(A) approbation : Z4 I# J/ S* l
(B) affluence 3 A8 {* A6 Y& y
(C) objectivity
: I9 c: D0 K( z. l" @2 n( R(D) compensation
! ]5 W7 D/ K1 }" i(E) grandiosity , ?" K7 Y, h$ v1 I3 q: x0 Q
# i2 n5 S3 ?1 D, C- u) C
37. MINATORY:
' j9 L5 Y, g! w" O1 y4 x( w) T(A) convenient + P) e4 |0 y! \- Y. Q, O6 h/ @
(B) nonthreatening % r5 p% c( u7 q; T6 |: e! ^3 e# |
(C) straightforward 4 s5 z$ L4 P% l7 _( ]: f, o
(D) fastidious ; u" V& S) D( J3 S
(E) rational % {( V( |( X! k$ `' z& D& a
( }) H2 } y9 \6 Y% E8 N38. CALUMNIOUS: 8 B! i# b6 d+ U% q* c
(A) adept & {0 V" P/ Y7 v g- @/ c
(B) aloof ; U @9 x/ H/ T1 U7 D: ~
(C) quaint ( s5 J# n; g- G: b
(D) decorous # e& f* N' u1 g8 H0 D u
(E) flattering
5 q# w5 p' b! c$ d: A w1 |& f+ p# F( y+ t0 b) T
D' W0 g9 e1 S7 ^SECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE: p# A- m* ~2 U- z; o
SECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE% z Y9 |* U+ c" g
SECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE9 z+ ^. b1 }1 Q/ x1 P1 K' l! t
SECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE
) H6 ?% W+ O' ~- g
( C. h. M7 F4 d* f继续努力吧~~~~~ |
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