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6G冲刺模考讨论(四)/ S. A) ~7 K( T: L* }9 S" b" |
# h7 K6 p( a) K- c# H7 f2 g, w- B/ ]
现在模考应该限时. 同时也要练习涂答题卡.4 ^, {( n- {* V: x ?8 m* k
; K! m3 ]$ E: ~! F/ X1 O3 q
$ g" ]3 G- [! c5 E* JSECTION 1
1 ], ^8 R) d5 s0 [5 ~Time –30 minutes( G% K w' `8 `3 H I# H5 g0 V1 T
38 Questions
$ v5 Y0 r! w) E0 F, u
5 B# u4 l- z: l2 R1. Because the monkeys under study are ---- the
2 v* w& ?" K% u! N$ n- H6 j, s presence of human beings, they typically ----
4 t. S. c4 W5 g0 d2 a, W) }8 ~; W6 h9 N human observers and go about their business
( C9 A. I; @, l) x6 h (A) ambivalent about .. welcome 1 H' }) E( g- Y8 V/ E
(B) habituated to .. disregard
+ k. T p7 q8 Q5 u" F: R9 j (C) pleased with .. snub
5 ^4 K& R% E { \% A5 ^ (D) inhibited by .. seek 7 K$ C! y2 E8 ~# c3 X( t" X& N/ `
(E) unaware of .. avoid
' c( ]1 R( X# v( c2 r6 H3 s
$ p |7 H' J/ g. \. d" @2. Give he previously expressed interest and the
/ M. j- r3 o4 o! j* `( ]ambitious tone of her recent speeches, the senator's
1 j' m0 i5 C% p) f& l/ }attempt to convince the public that she is not inter-
* i" s, c( L/ n; Kested in running for a second term is ----.
) s0 R* i1 A" m5 ]+ ^& \ (A) laudable
+ M3 H. P& I& E5 e- K (B) likely
8 Q8 @" U6 a& N' b! |* F (C) authentic 0 w: i# R! R5 x8 N
(D) futile
: L9 F; J. K3 e, I1 a (E) sincere
& C L0 i* d. |* E6 y: x7 i3 s0 p' @6 z: ?, a' u; o# c. w# B
3. Many of her followers remain ---- to her, and
" @1 H/ v; d2 [' j; k even those who have rejected her leadership are
. ~8 K6 i) K" x2 T unconvinced of the ---- of replacing her during 6 s) U# Q% K# f" t, S6 M
the current turmoil. 1 R* g( X! R6 m) Z) G1 v/ K1 r1 m
(A) opposed.. urgency - p6 j$ M7 s5 A3 H% X' O# [: Y- q
(B) friendly.. harm ! [3 t8 i0 q; Q j4 l( p9 K3 X# u
(C) loyal.. wisdom
5 _3 O* s9 j5 ^) d# e (D) cool.. usefulness + `8 C5 w9 D: k0 P( d8 y, f
(E) sympathetic.. disadvantage
" O$ u0 v7 g- r ~/ d) R F3 C0 A
2 T. M7 Z, t# G5 j4. Unlike many recent interpretations of Beethoven's ( z5 {& W; o) a
piano sonatas, the recitalist's performance was a
Y M0 H( Y$ T- [$ p. b6 ldelightfully free and introspective one; nevertheless, ! e, ?" j) K: H: ~! x+ Z
it was also, seemingly paradoxically, quite ----.. ~/ \5 t) w* M
(A) appealing
( i! N3 q+ L" e5 m3 ?6 U) K# g; S (B) exuberant $ `: a) Q* m# m0 c) |2 x T5 T# f" T
(C) idiosyncratic # ?* b' L3 D b. E( x% `
(D) unskilled 2 ^+ m: i1 \( e: ~
(E) controlled
5 C- O0 q8 ^+ f% G4 M. {0 |7 b/ ~* G1 R F# B; ^) {
5. Species with relatively ---- metabolic rates, including
f; M2 f, V5 Shibernators, generally live longer than those whose
0 m% I+ V2 g* |1 ~* }! R5 s: |) Hmetabolic rates are more rapid.
$ u# m Q" G J3 V8 h" `: [; Y(A) prolific
# i* \+ V2 o, }) h(B) sedentary 8 c! |6 z9 b* n
(C) sluggish 1 I S: z& P, E8 {* [- k
(D) measured + z6 b- W; y8 `8 x. X% z0 W. K
(E) restive
% W) Y. E g% L8 @! I( U3 b q, T6 A$ w, m- c7 U
6. Belying his earlier reputation for ---- as a negotiator, # k+ t, n( k* q. d/ W9 T
Morgan had recently assumed a more ---- stance 6 R+ S7 I) b+ S. I
for which many of his erstwhile critics praised him. % J h7 g7 x* U; S% @+ H
(A) intransigence.. conciliatory
7 h* a3 q. E" d8 D (B) impropriety.. intolerant & R3 `+ b6 o& q5 x* ~
(C) inflexibility.. unreasonable ]. I# H7 h5 h0 h" i
(D) success.. authoritative
! C+ l; W3 g( V1 c (E) incompetence.. combative
& n8 g+ X% ]# [8 m4 q* v* \ T) P( I: r% q7 L! P2 x) _
7. Although Irish literature continued to flourish after
2 C" f m, h" p! Zthe sixteenth century, a ---- tradition is ----
0 y2 ]' h- m6 ~5 `7 bin the visual arts: we think about Irish culture in terms of
* K# Y9 d1 q- {6 Y% R1 F% jthe word, not in terms of pictorial images.
0 N0 y3 x+ n8 B! k# p. D8 b(A) rich.. superfluous
1 R7 l1 M( E, L) h; O (B) lively.. found & y2 k, o. F1 Q
(C) comparable.. absent
& S( ~; z- R* `: W0 X6 A1 Q (D) forgotten.. apparent 5 Q2 j8 W" o" N. o8 `) C
(E) lost.. extant % P8 y7 w1 M& p) W4 H
3 X2 `, h& g- v6 Y: j) z; ~8. SILVER: TARNISH::
. B0 B# I- ~" N2 s( [9 Q (A) gold: burnish 6 W5 k$ x8 ]3 ]/ _7 s0 ~' F
(B) steel: forge ( A: K9 P, {- h8 T8 F! B# K; N
(C) iron: rust
. ?8 A$ Q! E2 k Q9 J1 X (D) lead: cast
) G7 h: x- K& D9 s1 o, \. I (E) tin: shear 2 B( Y" R* U9 Q) V
% H: U# }6 {9 Y' v. H9. DISLIKE: LOATHING::
5 p3 w/ l2 x+ P" h( I7 E: ~ (A) appreciation: gratification & p) u. B; k O
(B) hunger: appetite
3 u4 m$ ?9 Q# u+ R (C) void: dearth
7 x, T1 D% Q7 L; p E (D) pleasure: bliss
! I% `2 c; ?: D* C! g. A( }7 k; n (E) pain: ache
3 m" \3 N) e% D2 T. G4 X7 O H: p
# R: q1 k0 `7 u! R* D10. CRAVEN: HEROIC:: 8 P$ p4 h% O. A6 [8 F
(A) unruly: energetic ( T! E" N7 e* A2 p. x
(B) listless: attractive
' Y0 q: O% M1 M( | (C) volatile: constant 4 K8 H7 v: O& w( E# y( h* J
(D) deft: trifling
) S4 Y# L5 L. I6 R: Y8 {3 Y# m (E) awkward: amusing
, m3 ~5 c. M# f4 |! g
: s5 T( ]! G# l$ q; T. Y2 a11. FILLY: HORSE::
: ]5 [; y! d1 `2 y# s (A) antennae: butterfly , C8 {; l5 P" {0 h
(B) pullet: chicken
7 J7 J# Y/ @+ Q# o; L- `' x! x (C) gaggle: goose - C8 x7 r: J5 t! w \+ e6 k# L
(D) duck: drake 8 _9 c/ r3 P! E. J
(E) wasp: bee
$ B9 }) w9 ?. O" b- {$ c8 r) o! [
0 g/ ?& X0 r3 ?6 \: g12. PITHINESS: APHORISM:: & J6 g- w; p+ |5 P9 x
(A) craft: art & i( X/ v2 P8 h: j% P$ E
(B) detail: sketch
+ e+ E1 W2 c: U) g f, w* @ (C) illusion: story
' r5 J t+ x4 N" Y8 u7 z (D) exaggeration: caricature ! e& t1 \/ ^* h5 N$ S* y
(E) sophistication: farce / S4 s* C9 i/ k1 i8 w
/ x. c, E- }* Q$ C8 f1 U: ~( }# h
13. EPHEMERAL: ENDURING:: % H n. {+ o, N3 t3 n6 }* `% {/ D: D) d
(A) infirm: healing 2 C) }; U$ ?) o
(B) insensitive: cooperating
% i N, e D7 r& Q, P5 Y (C) inanimate: living
( u, l/ m; y, V$ `- E1 B* t (D) interminable: continuing
" q% L' _1 ?: U8 c8 i1 B (E) ineffectual: proceeding
6 d. C2 O- F4 _; q ~' }* Q; o8 `+ @" F ^2 b) l( B
14. POSTURER: UNAFFECTED:: 1 T; B4 W/ ?$ n! I% W! B, c
(A) brat: insolent 0 c N+ P. _6 u# k
(B) hypocrite: perceptive ! V: |) Y2 Y# Q! s5 }% s7 w% z
(C) grouch: respected & e0 a( {( o& p1 p' V% f: ?# C4 `
(D) bigot: tolerant
3 |- p! U) {" N (E) rogue: empathetic
9 e( J6 S0 s/ ~5 M+ N$ B- C# h& E% k8 [. \* {2 I& X: t
15. FACETIOUS: SPEECH::' V0 N7 k4 L% N1 ~$ B& d4 y, a" @
(A) precocious: learning ) c( Y h) q- k% u
(B) unbecoming: color
4 H% H* Y& K/ C+ G) U+ b) c8 S3 ^ (C) exemplary: conduct
. W' @* ~4 `0 O (D) craven: timidity ' _9 ^5 W( i' n1 T& {0 e( ?
(E) antic: behavior 3 ^/ @9 \) C: d
" T5 u: F# N3 o1 ^& Z) }6 q
16. VAGARY: PREDICT::; V8 ?0 o. `1 {, r! [4 @$ f2 y
(A) quotation: misdirect 5 K- I% _; d3 S9 j9 |) x4 D5 e
(B) investigation: confirm 9 ]3 j9 |* ?# J
(C) stamina: deplete
- F$ l; j; D' U6 X (D) turbulence: upset ) |7 E& V* C9 U4 w8 L2 Q
(E) impossibility: execute 5 S0 O$ s6 r' A4 ~3 L/ A
( C K K. d3 [& Q# k3 L7 K28. PREFACE:
4 k3 \7 T* L0 @4 v. }(A) improvisation ) c ^% z- }9 W- ? X
(B) burlesque 5 h3 E0 [% ` h) t* [4 y
(C) epilogue ) G3 w/ a# d5 H5 k2 q. e
(D) tangent ( z5 z7 H* f/ a7 `. Y* n+ h* b6 u. l
(E) backdrop , o( U9 n* H w+ d$ l3 Z4 A2 I
- x) k8 b+ G+ ^) k; w) g& L q( E
29. DEBILITATE:
y' a5 v- b! s7 U- d* A. T(A) implicate
1 M/ I& u4 q0 n(B) invigorate + A* R# T& m0 v
(C) obfuscate ( J% l( B n: K- J+ l5 p. }
(D) realign 6 g6 F( }) F) ]
(E) encumber , ~) d# _9 f# C" a: o
# Z+ v% O# v2 O7 }6 a30. TASTY: , k( ^3 N! P0 b4 V, q
(A) uninteresting
' ]/ C5 s4 Z2 u/ b F {$ r- b j(B) unfamiliar + T8 T0 y8 A7 [+ w! a
(C) unexpected 8 Q4 x' O# T, m r. _. G
(D) understated # s3 q& v' o" c/ y( h
(E) undervalued
( {; a! L; n/ m# _0 B
* G n% p* e# B. Q. O31. ABNEGATE: D4 L9 I" a' e% X! u8 @9 |5 ~
(A) refresh
3 q5 u; C8 G: I" Y9 a( G. {3 [/ A(B) reaffirm 1 F$ Y8 e& c% k
(C) relieve
! F2 `& A1 F& [+ c$ A1 d+ b3 a(D) react : e& a3 U$ q! Y j% @2 {- z
(E) reform
! [9 b! O9 q" o) m0 k. T: F4 T, g: _7 t$ G. f! W4 I
32. SERRIED:
- E" h6 G0 ? d0 d(A) partially formed
6 W9 J \9 m( h: L% @3 g; z6 w(B) widely separated $ Y. D2 v% i8 _1 M7 v' h
(C) narrowly missed
8 f- x7 e1 u7 _+ N8 ~(D) extremely grateful
" F1 v9 u8 w$ U$ f5 U(E) reasonably clean
' J6 u* q1 X8 @& n/ G3 n8 s$ ]! {. U- O4 N3 I) z0 B
33. BOMBASTIC: - P" D9 F# G: K( B+ A
(A) unflappable
# V1 c5 G- @/ K, M6 k4 M(B) uninspired
& e' g* ?! @6 B+ O) A; Z(C) unpretentious
. e; `2 X- Z5 O8 \$ W" _, i(D) inscrutable & g; g2 ~. @" q7 I. H
(E) incisive
1 p% \: I' A- f# D5 `* Y8 @2 J" O3 V; G9 v$ f) |0 ~ Y
34. BANAL: / P9 W' X+ J/ C- ?9 N @2 l
(A) comfortable ! D' J$ ^8 X1 |* [$ \
(B) novel ' X- e* I$ b: s n. Z
(C) equal
1 c' I: L! D! j- A. M! ~(D) fatal
/ w1 T" O/ }, K4 W2 F& t# o(E) competent $ _1 s1 I5 E* N9 v8 o; ^
35. LANGUISH: 8 D, _- ^: @, i
(A) agitate 7 h4 c9 f" [1 ]) A3 k6 I8 T0 y
(B) wander / h: G ^" g9 [7 L+ W8 o; `$ e) C
(C) relieve
( y h* p! `2 U(D) discomfit
* Q& L& |4 b9 ?% |(E) thrive
* }. ? l* T6 m/ c1 C% s6 J) X7 Y$ _! a \& k- l$ y
36. ENNUI:
1 M% A( W w1 S e(A) intimidation ; i2 l. r, G* M' F
(B) sleaze
3 L' g# n$ Q$ A' W% c(C) faint recollection
! C" k3 D" ]" |(D) keen interest ) Q4 k% u- W* E) F6 Q
(E) deep reservation
; K$ Q5 y9 ~" U% z) }" }# ^, P! u
w# z! t' |* T$ s8 \- ?37.DAUNTLESS:8 x2 D# l: C, y2 ^1 W2 Z6 ^
(A) sophomoric: B4 C6 f; E6 m/ Z; p
(B) trifling' ?6 l; G4 q7 V/ P
(C) pusillanimous
. O2 M* Y: Y, R; k( \8 Z& X& X(D) specious/ B2 y, D0 S; X% S4 {
(E) parsimonious
2 O+ v( g7 C9 Z J! z( `
9 i% m+ U4 X8 I* [9 K4 e' B, M38.TEMERITY:! N6 h, M- o! M$ o% w. U5 \6 j' Y$ |
(A) credibility4 J t& v- \" @ F& C5 ]# q
(B) authority
/ j6 i0 g- A- T! e- H(C) celebrity
; f2 G+ R z( z(D) acrimony! A) u8 u! Z1 Y/ r, T4 `! A
(E) circumspection, B2 h4 D) c' u
. ~# `! \( A+ B5 y: u) P$ T' ~1 N: F8 o6 |+ p' ?
! b5 f# N. e3 {: N0 Q
SECTION 4
1 t5 d2 R. f- @! {* i0 r! z, T) z1 ^' BTime-30 minutes
5 N& L4 D; i" p" a* x38 Questions, t, ^! _" P1 O% q5 q
- ]& g4 q1 v2 j7 `8 R: L$ I( \1. Although sales have continued to increase since last
' }2 a- y+ y3 o; b. t- lApril, unfortunately the rate of increase has ----.
5 V$ E' q" a3 p7 T* v/ B. k) C(A) resurged
) W' U) K* k, v1 ?. q(B) capitulated
& ~; _* i. r# j( B9 ?+ s1 b. l(C) retaliated - @% H5 `# F9 S6 g( y
(D) persevered
$ f' ? f6 W8 j& w5 P# J: @(E) decelerated 4 U& y- ?# |+ J$ e
" o7 Z. _% z% ?; Z
2. Although the mental process that creates a fresh and
! y! M5 ~6 B, l8 Voriginal poem or drama is doubtless ---- that which
, G+ t, z1 t, D; W% N, s roriginates and elaborates scientific discoveries, there $ s0 O! O2 o! G& B4 f, r
is clearly a discernible difference between the crea-
' n# ]1 Z! q4 h, }! M4 ~9 }/ }3 otors . \" G7 z% H1 O4 [3 g3 G/ a
(A) peripheral to
`+ O' G& A9 {$ }(B) contiguous with
8 [3 M' u. N: c% P(C) opposed to 5 F6 X4 \( |, I8 |
(D) analogous to
l" ~: h; A2 C$ ~3 ^(E) inconsistent with 1 ] W) x+ d$ j
K2 a: l7 m8 I5 z0 K4 g3. It is disappointing to note that the latest edition of 2 |0 N: A$ |: ~8 b0 g
the bibliography belies its long-standing reputation ! s2 C6 t# O) a; \( V
for ---- by ---- some significant references to
( s. X0 T9 W2 t; S" R9 b c( Erecent publications.
3 J# ]' i5 Q& g9 N(A) imprecision.. appropriating 9 W, @: {5 h7 v
(B) relevance.. adding 2 s0 H8 ] w8 X4 d/ F% @/ g
(C) timeliness.. updating
# V3 t5 [& U ?(D) meticulousness.. revising
: Q0 o: x8 s) Q8 k, N. Z4 A/ e% {(E) exhaustiveness.. omitting
7 U& G3 q/ Q3 {) S3 z4. Although Simpson was ingenious at ---- to appear 7 p2 I5 b6 z+ v
innovative and spontaneous, beneath the ruse he
" G' U7 R" O& ^3 @remained uninspired and rigid in his approach to
; d! U1 h0 x5 y% e _$ Rproblem-solving.
5 c5 L* ^- i- k: G(A) intending + H) }! T2 ^; ~" h, @; g) Z2 o
(B) contriving 8 j# x6 |; K4 w
(C) forbearing
5 }7 E& S5 L, ?( @" {2 C% V) ?(D) declining
/ G; [6 Y; F- q; D" q* C4 T4 h9 \(E) deserving
- _' u9 ~# F9 o/ o/ l g$ ~
( |' \, W4 y ?! |# y$ X d5. She was criticized by her fellow lawyers not because ! t* u& H$ C) Q6 Z
she was not ----, but because she so ---- pre-
& v, F. g8 P4 {pared her cases that she failed to bring the expected ! U" P `: U8 H9 E# o, `
number to trial.
0 F+ o7 {& V( T& I9 p! K(A) well versed.. knowledgeably 7 _' u5 J) |8 ]% x4 P5 U
(B) well trained.. enthusiastically
* Z9 z7 r2 d/ M1 m1 |(C) congenial.. rapidly , e9 _* _3 u( e
(D) hardworking.. minutely
5 l8 _, `* P# p(E) astute.. efficiently
- _+ d7 I* ]! q/ I# k4 H( l P& K0 C: Z8 t1 n$ n5 a
6. Schlesinger has recently assumed a conciliatory atti-
# f7 `5 d) Y; n6 Dtude that is not ---- by his colleagues, who con-
& s5 ?% ]; F6 K# s7 btinue to ---- compromise.
. R8 o: t% F9 p& L7 f z- F" y(A) eschewed.. dread . P3 g; v# E: F
(B) shared.. defend
4 }& j5 Q; I* Y) r2 V(C) questioned.. reject
, U+ c; [* I3 d( o; _(D) understood.. advocate & H0 G. H; o1 e, V# w1 O
(E) commended.. disparage
( t) Z. n7 t+ a" x
- N$ k7 o# s. b0 c7 J1 A7. The National Archives contain information so ---- + U1 H* `# u) \& @: }
that researchers have been known never to publish $ R* C+ O0 h0 e, I* k
because they cannot bear to bring their studies to an / Y' X) Y$ @) D7 ]3 p5 Q4 b
end.
; G1 ^6 W$ P7 |% m' D(A) divisive , |. _6 C& ] S; p4 ?& H; h, B. I
(B) seductive $ E" O! g' \' `) Z& W0 D E
(C) selective
3 ^4 ~/ V3 M. T4 T& R(D) repetitive
4 j6 [6 w$ u7 `(E) resourceful
/ b: p9 D# k% L3 J. E
2 o( {: J0 L' X0 J8. HILL: MOUNTAIN::
# {$ N( P! H4 T(A) grass: rocks
5 q( O( x- m/ H6 v7 b, }& x* R(B) autumn: winter ) s" Q& `2 R, s7 }- b5 S
(C) creek: river
# C: `: `6 S4 Z# l. d(D) star: sun ' y" e7 X" ~' E# q& n) Q( O
(E) cliff: slope # W% C5 U$ H- \
4 `$ \: l2 s! T( I% _+ A* H9. AERATE: OXYGEN::
0 b; a3 A% `, V1 a1 G: D(A) eclipse: light ; P, q& r$ n4 u; K R
(B) desiccate: moisture
" [7 {6 V2 h/ r& z' t" H% X- }! K: [(C) precipitate: additive
# b( i2 J! j+ i! [3 j(D) hydrate: water : j, R/ ?: [, G3 N7 l3 O$ d
(E) striate: texture
8 b3 C j, g' ~4 R
4 }' v1 c' I9 ~, B- c$ j10. ORCHESTRA: MUSICIAN:
, n+ g- |5 J3 j0 H4 ?6 u(A) cube: side 4 p# C6 {5 g5 g- H& [4 k
(B) kilometer: meter4 e9 D7 n/ c3 z' Q
(C) sonnet: poem
0 N: L9 y7 y/ L) M P" g(D) biped: foot
. s4 G: M' d0 A6 v+ n3 R& d8 c) b(E) pack: wolf
/ e8 W1 r2 ~5 l q* C$ ?' z% ^0 A, T- O7 y; s
11. EQUIVOCATION: MISLEADING::
4 `4 M* g* ?' j, x3 V: K(A) mitigation: severe 5 g, U, T; C0 g9 w
(B) advice: peremptory
* }* ]: i% n1 j$ Z! z( ?(C) bromide: hackneyed
m& c# {5 _. |+ E, J(D) precept: obedient * u0 z3 y' h/ H7 G5 F
(E) explanation: unintelligible
5 E* \; B3 I3 a# E" J; ^5 U
$ d, V5 u) |& K+ J; G) p12. CENSORSHIP: COMMUNICATION::- N; H/ \0 y, m8 B
(A) propaganda: ideology & N8 K6 q. z! q# _* _
(B) preservative: decay $ X) D+ c E2 i' b1 b1 c. {: \
(C) revision: accuracy
3 _/ A# N( J0 q2 q(D) rest: atrophy
% j z9 D( G ]6 R(E) exercise: fitness " b: U3 U) `' D' ^
" C( o& y ]% X5 Q
13. BUS: PASSENGERS:
! e( x1 ^% r/ F% f3 J0 u(A) flock: birds
/ k* r. w/ U7 h& z5 F( k& O(B) tanker: liquid * [3 L9 A$ n# y3 U* `& u
(C) envelope: letter
% ~9 d w+ n7 v7 J; t3 A" x0 N(D) bin: coal
. i! A+ |* K D$ U/ P(E) automobile: gasoline
; j a$ Q: t- C) k
; L! O$ m! |# X# t6 S: H; F14. BALLAD: STANZA::6 K. w: X: {* k
(A) novel: chapter $ ]) j7 @0 ~8 b! x. Y3 Z
(B) poem: meter : o; A' h& n% [. Z0 z/ c
(C) play: dialogue ) e* p& U, | V8 w' V9 E" b
(D) movie: script
/ Y2 j3 ^- ]6 ^$ q(E) photograph: caption
" f2 `' w3 Y: t# d
" v) x' R" f" O2 E( h2 {15. DISABUSE: FALLACY::5 i/ K' y6 Z6 r8 l4 C) a6 s6 D: r
(A) cure: disease . a) x+ S- [& K! ?3 u; j# I6 ^
(B) persevere: dereliction # a, S- B$ x0 R+ P' u
(C) belittle: imperfection
/ R6 N! e8 B v4 ?2 a1 p# ]/ w$ E(D) discredit: reputation
' D$ s. v/ Q; \, P: l: Q t6 o(E) discern: discrimination
2 o: Z3 v" V: Z1 n( Z, f
& P1 \9 S/ e( T5 }16. BLANDISHMENT: CAJOLE::
1 k8 V2 ]6 l* O. H2 |. o1 X2 b(A) prediction: convince " c& @1 O6 e0 J0 |
(B) obstacle: impede 1 |6 n1 Q" z( _, D: k s5 x( Z% J
(C) embellishment: praise
5 l+ d& `6 J$ N$ g4 W" u/ b(D) deficiency: compensate 4 }0 _2 W5 R' ]) _9 w
(E) compliment: exaggerate : }% u/ K3 b! G6 `# Y! A
5 x- G, y1 x7 i* y* R
" R. [$ v6 S1 @28. DEBUT:
* z3 I$ U. y; w4 g, U# z$ S(A) collaboration
% @: V# L6 l, U) }4 w W(B) monologue
6 i4 @; j1 Z. |$ N6 ?- Q/ u(C) farewell performance 0 J! L4 |% O4 K/ s/ l7 Y
(D) repertoire standard
( P& O: p+ K; S8 a) `, k8 [3 k$ V(E) starring role
7 b+ }9 z! g. Q1 D X6 i: n, y' u* l
29. WITHER:
% D- I" b& t( r& Z8 z0 F(A) disagree 2 o& m5 m6 F k
(B) shine - c) f! a; U' ^5 f0 ~; ?, C" P
(C) plant ' E* O# c8 P, U! Y9 D0 \
(D) adhere
/ B) j: K7 q9 y: |6 o. G(E) revive 9 P* q' C4 v9 @: `
n. q6 z: G+ g: d
30. BUCK: 7 z4 R0 x: t# H9 S7 K
(A) cover over
, N8 `/ y+ o% L$ ~+ c& i& h! y(B) assent to " K. z' S! E* R
(C) brag about 3 [) O* i Y# d
(D) improve $ ^2 w8 L4 h) a1 {
(E) repair
; x7 P. n! y& S! H1 ?
2 x' }7 v3 _ ~, C5 D, Z6 }1 L2 Z31. MEAN: 9 Q. {$ H1 w6 Q, ]- h
(A) trusting ' R& c$ L. N! H8 x
(B) ardent 4 U$ f( z5 j7 s5 \; d9 F* Q
(C) clever * u9 o# }. Y0 [5 ^6 z
(D) incautious
% c& A" R5 I" w(E) noble
8 ? i: D! A3 z8 z1 _/ y( A2 ]2 T2 U2 e8 Z' t
32. ADJUNCT: $ F! t3 j. s# q ?
(A) expert appraisal
' ]% ?6 G$ |7 i: I7 {& D# X(B) generous donation # V- l6 L+ {# G0 ~
(C) essential element " X% t) g! S6 i _
(D) mild reproof
% i4 T1 _) a' m(E) impartial judgment b$ X+ s: L0 M' n1 x2 u2 Z% V1 c: }
; F6 W0 K% i+ q* m33. CANONICAL: & Q6 n7 D, h+ r `! f' j7 m
(A) imprecise . F! l0 d6 _, I
(B) ubiquitous
: D" A; G- n0 _8 Z0 p(C) superfluous
- ?" U% i" T# q5 y(D) nontraditional
9 p. K3 Y' g0 e- |5 A! p* ?(E) divisive
: T8 |. ^* ?0 k7 ~ W& l* ?$ o6 @( x7 ?) W
34. TICKLISH: * [# i. Y, x/ U! H7 ?
(A) heavy-handed
1 i- x& Z6 F+ n- Y- c' c/ I- f(B) significant
5 @0 l/ `' T& b7 D# ?( Q% g(C) tolerant $ v: o( v& @& Q$ p1 Q
(D) impartial + X D6 H: Q3 z0 W. Q% c8 K
(E) imperturbable
/ @% ]3 Q; C# X+ k. n! t H4 \5 A: `) O3 ~/ ~) |- V
35. PREVALENT: ' K# q) T# n- _: m2 x2 W: g
(A) invasive 6 t& H4 r5 ? Z% E# ?8 a O
(B) inconsistent i! _3 Q! \% E3 e0 w# L, a
(C) indistinct # I- ~/ d0 Q$ p, K0 u
(D) unpalatable
, A) b4 d/ ]9 _(E) unusual $ L, M3 p( s: B( b3 Y* F0 I
$ }6 _6 A F5 K# s9 }# p, R
36. PENURY:
4 S1 E/ T2 i3 c(A) approbation " L$ @" M5 S4 ~9 y" ?+ E
(B) affluence
( {1 ^7 j I9 `# ^9 {% n(C) objectivity
" g. C7 j# O8 y7 {5 w$ \3 s(D) compensation & ] Q- r& n: e8 |! z0 f' w
(E) grandiosity
8 q: T/ W& A7 p3 h8 V! z' z1 `' s: h# o# W) H
37. MINATORY:
5 P* E$ N/ U$ S# X: _! c5 G(A) convenient
- I- n% P; L/ K" R: }; z: `3 e(B) nonthreatening
( P& z+ \7 q d0 I( C, v(C) straightforward
9 c$ ^) W" d- v* z(D) fastidious 2 `/ V; ^( T; n2 r+ X" q# J
(E) rational
4 z4 i4 r* X# Y( A
8 B2 U- ^& ^2 g! k8 Z4 P38. CALUMNIOUS: : T* x- H4 Z8 K+ D* a
(A) adept
( e( R [9 A5 I% P0 |- t8 G(B) aloof 6 h0 A" ~2 A& Z) j
(C) quaint
3 K, b9 y* v( I(D) decorous
; j- Q" H9 X- ] `(E) flattering
& c w+ |: G8 V3 e8 [; J7 I+ w
4 t, `7 j# {9 M5 y2 V" Y: J! Q, Q% {1 `6 @
SECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE& O4 `& t4 ~+ U) q( R
SECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE
6 w( x+ ~- J0 a1 R4 cSECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE% \" M2 P7 M$ H9 F$ b. Z9 _/ a
SECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE
6 d/ W: B" L9 Y2 L" z1 ]4 l; D i: d2 G9 L. s# B
继续努力吧~~~~~ |
|
GO
发表于 2006-5-29 09:52:27
发表于 2006-5-29 11:51:20
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