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6G冲刺模考讨论(四)9 R, ^4 v$ E" `
" W7 K* O, m- Q! _" g+ X! H现在模考应该限时. 同时也要练习涂答题卡.: C$ P3 \' Y, G3 Y# p T
% ]: A8 P+ G3 w$ s R4 o% F0 ^: W5 u0 W% Q* c0 Q& L) \0 I \
SECTION 1
5 F" A- w# {. w1 c, ?0 ^Time –30 minutes$ m! X+ S' P, u9 |# h
38 Questions
, M( a- l5 @9 @: d9 O* K+ }; s# o, y$ Z
1. Because the monkeys under study are ---- the * V$ p" e. o# G5 m
presence of human beings, they typically ---- % M. E0 @* Z B, H8 ^; z8 w
human observers and go about their business 2 D' D6 ?/ w+ f
(A) ambivalent about .. welcome
5 m$ z2 \. s) w b) E (B) habituated to .. disregard
2 }& J4 y7 m2 }2 Y1 x# `. M (C) pleased with .. snub ! f, f* M- r5 {3 D. Z6 X. `# [4 E
(D) inhibited by .. seek
1 g x# n( A% P4 Z: L4 T (E) unaware of .. avoid 1 n5 A# L( W+ h' t' M, |) P
' W& L6 u; c0 v% `( y. a2. Give he previously expressed interest and the
2 s2 k) Q/ h# i4 ?9 Q: ^ambitious tone of her recent speeches, the senator's 8 \, v( x# R; d% [6 b
attempt to convince the public that she is not inter-4 m& L6 H5 ]" D0 O5 E, G; j
ested in running for a second term is ----.- Z% h) B4 \6 a) ~" d* ?/ G; m u
(A) laudable
& o" N4 K+ E1 v (B) likely 2 k# H/ [) O2 X' o9 W% l0 h6 W
(C) authentic
" R: Q7 t* P1 X; V$ C& E, \ (D) futile
" n, e. h4 q. x (E) sincere * G8 [) k( E8 ^& w: @5 P' H
$ R4 A+ D$ o. ^* [; n3 s/ @3. Many of her followers remain ---- to her, and
' \" j) e, m T5 q2 E even those who have rejected her leadership are
7 A5 j3 Z* c1 e% H/ }* ~ unconvinced of the ---- of replacing her during
3 Z. O5 b1 k0 d# n4 @) n8 C! r the current turmoil. ) s* U2 |5 j2 ]
(A) opposed.. urgency
5 a* S+ @$ o) Z) [) e! G (B) friendly.. harm / T( O9 } P8 p; `2 g
(C) loyal.. wisdom
0 d5 o$ `6 X6 S5 ? (D) cool.. usefulness # a, h) J+ U- `3 i4 ]" w
(E) sympathetic.. disadvantage
3 n: K- p# K& h/ E ^, E+ A3 O" B/ q# v1 }, S9 s! p' n& v2 Q
4. Unlike many recent interpretations of Beethoven's
$ h: g/ |2 k; P4 apiano sonatas, the recitalist's performance was a
+ h7 Y3 r5 Q Qdelightfully free and introspective one; nevertheless, ( F3 G# i+ q7 y5 r
it was also, seemingly paradoxically, quite ----.6 H3 f$ j1 J! |9 e
(A) appealing
% D' g% Q/ p9 R3 }# ~+ M6 @2 U; r( }2 ~ (B) exuberant : O! \% n1 x# R: e$ q; |
(C) idiosyncratic
3 z, p7 u* E: u6 x+ T6 P; K (D) unskilled $ F, }, F1 R. q( V" ^ b$ v
(E) controlled
1 W" y7 ^9 [+ F @0 I9 l7 p
1 S* i+ ?/ c* ~3 t2 e5. Species with relatively ---- metabolic rates, including 6 J6 p# H6 u! r6 d
hibernators, generally live longer than those whose
# w, E" t% ~3 W# {+ ametabolic rates are more rapid.
1 c1 g2 d8 Q4 }/ w; x(A) prolific ' X3 C, N" Z' D
(B) sedentary
/ I( s% ?$ T9 e$ ^$ ~ (C) sluggish 0 T. _7 L ]! o
(D) measured 0 e* P1 R2 Y, X4 o
(E) restive 4 \% }( z6 s+ d, \; e* o, w
6 B4 t1 a! t* \6. Belying his earlier reputation for ---- as a negotiator,
" n7 t9 d: K" {: wMorgan had recently assumed a more ---- stance
1 L8 W& o4 ~" d+ gfor which many of his erstwhile critics praised him. 6 ~% l# S' E& t5 \7 b
(A) intransigence.. conciliatory
3 i# z W* c$ i" J7 p A# v+ J (B) impropriety.. intolerant ; N! k/ a; r3 p* _ {
(C) inflexibility.. unreasonable
w$ o' V% y- k (D) success.. authoritative
% s8 K# U8 i3 } (E) incompetence.. combative
; C7 s% z5 J& M4 u
2 F. x1 l9 c: W7. Although Irish literature continued to flourish after 1 ?2 I( Q* p$ ?/ u2 e9 ^
the sixteenth century, a ---- tradition is ---- 5 T5 H9 H6 q4 K2 w/ s" f
in the visual arts: we think about Irish culture in terms of
5 y9 Z$ l; b8 y7 m2 K. O# S! Sthe word, not in terms of pictorial images.
1 i/ C2 M) o" I Y(A) rich.. superfluous
7 J4 t: L" E y+ o, ^' }7 a4 F (B) lively.. found 5 q3 g. w' F$ g* F0 D# C) W
(C) comparable.. absent ( J6 i$ A, ?3 I" t/ q) `
(D) forgotten.. apparent ' K1 r2 i4 y7 g$ a$ w
(E) lost.. extant
: E5 T: Z1 e. z
4 z0 `" }! r1 t# L8 H8. SILVER: TARNISH::
! n E9 r; z2 o (A) gold: burnish
( `7 F2 N- A& s5 R. B) F1 O; A, N (B) steel: forge , |' C! P( s* j; W0 K/ H
(C) iron: rust
3 h' z2 B A' b (D) lead: cast 3 ~: w4 ] i4 s- ^
(E) tin: shear / D% \! y" N) g# s
! ^8 |& |# r B2 t* H' y$ J
9. DISLIKE: LOATHING:: 4 V' K( ]/ i' d" e
(A) appreciation: gratification
% ?7 v+ ~& n; d7 m) \& {5 t" ]5 V (B) hunger: appetite V6 y4 V- q# z' D' D. ~
(C) void: dearth
4 g( x% J2 w; n (D) pleasure: bliss . H- w) f# s1 e7 G
(E) pain: ache
* Z' v! @/ i( ]/ r# l* n
' Q3 D+ r; Z' s2 S10. CRAVEN: HEROIC:: 0 v8 ?) C m; v( D q
(A) unruly: energetic , I# z a$ | F. ]" N9 n
(B) listless: attractive
% q9 v% g& J; R (C) volatile: constant
- g* q2 n) C" C, R0 g (D) deft: trifling $ H$ H6 Q& }4 c8 [
(E) awkward: amusing
9 L7 z: u7 R$ s: }8 {7 a! s
6 v3 ^: J; h9 R7 W4 r/ A11. FILLY: HORSE:: / c; E$ J5 p: K/ T
(A) antennae: butterfly
s* z( u0 I3 b, {' x5 m+ o ?: y (B) pullet: chicken % m7 h+ h5 n$ R# V$ x5 q4 P+ h
(C) gaggle: goose ( V# f/ `( M6 G+ J6 n
(D) duck: drake # E; p7 F; G( I( L* W1 f
(E) wasp: bee
4 t" c+ G+ R7 i. p& x, @ {2 F6 D6 @" [6 a$ U
12. PITHINESS: APHORISM:: 2 ~. x/ w7 F1 K0 p1 ^, i
(A) craft: art ; d4 x* E8 Y( @
(B) detail: sketch
3 y* }# W9 o! u; l: D! Q (C) illusion: story
5 l" v$ Y; G# e (D) exaggeration: caricature + J& @4 d7 M: g. ~ r1 N. n1 D
(E) sophistication: farce
4 Y" j9 V4 q! b3 V7 r5 [% P9 F5 m( c1 n6 n& A
13. EPHEMERAL: ENDURING::
; a5 X+ A" _0 }, u4 C& U3 ` (A) infirm: healing
4 o& W5 G, u, o, Y' `1 F (B) insensitive: cooperating ) I' N( P, D) w
(C) inanimate: living
1 t. s0 ]6 n# y; Y5 ] (D) interminable: continuing
+ G2 [" }5 ~$ Z& }2 L2 W. n (E) ineffectual: proceeding
! h+ t, _% B2 S" s6 e' [5 g( C; q1 A4 J: g* w
14. POSTURER: UNAFFECTED::
% C; U9 }% \) k4 t (A) brat: insolent ( K7 L% k1 [4 j9 d3 I0 |/ E
(B) hypocrite: perceptive 1 E% u( r# p4 m4 M8 l
(C) grouch: respected # h8 Y% k) |$ ^( } w% A9 d
(D) bigot: tolerant
9 L* P& N; B" ^2 @ (E) rogue: empathetic
. `5 W1 N9 u( J: k3 f' p# \" y% ^
, Q+ c6 R- k- T15. FACETIOUS: SPEECH::6 U4 n- Z3 c: J
(A) precocious: learning
) o0 j$ L' C' n& {- z (B) unbecoming: color ) s2 v: l3 K/ T8 l: D& \
(C) exemplary: conduct
/ L1 b# P9 s z' R (D) craven: timidity + D* x% {' c0 l+ i, D8 o( l0 w
(E) antic: behavior
1 U, K* Q% Q, H# D. [; m" T( \' n: H2 P1 \* [3 A$ t
16. VAGARY: PREDICT::* [: P# s; k+ y5 A) q0 s1 Q: T
(A) quotation: misdirect 6 w6 r& a3 w% n8 H- H( N. z- B' ]
(B) investigation: confirm
$ v2 s5 Q9 Y7 p& P (C) stamina: deplete
" H$ Z3 K1 r/ T* a' B (D) turbulence: upset
- E9 r! ]1 L: l% J1 [% { (E) impossibility: execute + d E: h( \- n% j
4 c. K2 I, q! A& A* U* N
28. PREFACE:
! {! O' a5 [) _* @7 r: i- i/ Q! y(A) improvisation ' C6 P0 F# n9 M3 z0 Y0 Y
(B) burlesque $ c' V8 t! }* ^9 l3 f) D& H
(C) epilogue - S1 G7 Z; j G$ T
(D) tangent
5 L' J9 X' D* p; [" o. x2 A(E) backdrop
! v4 S% V1 R$ |% e) ]3 ^6 D9 o! v+ V) t0 ~- ^# }' ^
29. DEBILITATE:
# W& W. X# n/ D @# h(A) implicate
[" r% m$ W, Q6 L2 B(B) invigorate : m! E9 J0 c! ?5 I1 P
(C) obfuscate
, o% i8 m) m+ s' k9 C4 f(D) realign
) D" A" Z$ T; n(E) encumber
: ]! ?: j+ S r+ K8 }# i, @2 l
" G' ?/ m0 Y- [0 M5 Z. H30. TASTY: ' H2 l* G0 @ u
(A) uninteresting
8 m& j% x( R! P+ I; t" w4 {(B) unfamiliar
( N, j' ?+ v. W0 D4 t(C) unexpected
9 d* P7 `) i" W1 ]7 U( x(D) understated 3 T4 X) g8 W3 B# W1 w
(E) undervalued
4 Z! o( {6 Z6 }8 t* E, \: |& ]( V2 u% F" g0 z
31. ABNEGATE:
9 K) D' [7 \; P4 X9 n(A) refresh
+ V! ]5 h) |3 b(B) reaffirm 5 X3 S( f" z* S1 _* f$ n( F( u
(C) relieve 9 H- f; t& A/ E# k5 U+ M' ^! V
(D) react # ^( p( C5 G. q; E: U4 `
(E) reform - m+ }7 `9 s% R/ R5 ^2 B3 n+ S9 R
; j: ~# w5 o) _& C( Q( o32. SERRIED: ) n# p9 _" }' P. |
(A) partially formed , f% z: `7 e+ t6 [# t
(B) widely separated . @4 A: D4 T( X
(C) narrowly missed
/ Z6 N* A6 U" Q- ]+ v" X. [( X(D) extremely grateful / Q: B9 m0 K2 E8 U. c
(E) reasonably clean
" A! }. k( ]% R. d' G* B$ b
* r g' V' z/ ~* V7 ?. o33. BOMBASTIC: ! l3 I- M* ^' j) s" l2 T `
(A) unflappable + N7 }9 L1 L7 X2 @) m1 z
(B) uninspired 0 a ]% \- d0 Z* R+ C2 v
(C) unpretentious # \, \( @% ?1 u4 @. m: t
(D) inscrutable 5 e4 \7 ]4 N* j- a; e
(E) incisive % w R" ^9 I* R% _
8 b& j6 Q9 b6 j/ r- U: L* t5 Y7 f34. BANAL:
! l& S' p3 _) o+ t) @ L7 b(A) comfortable 5 @" c" |4 I% _
(B) novel
0 |2 T" P' L% @- i3 Y(C) equal 1 |4 k2 T4 H$ V7 }$ s
(D) fatal 0 S: y+ N9 v" ` x1 _0 y
(E) competent
+ |7 @$ M' m* z0 y7 n35. LANGUISH:
+ [& C- Y+ `8 N& H& L9 c4 F" k(A) agitate
/ k% x! a: T2 L/ u' \2 b# a(B) wander
5 V+ z n% w! b) M# g' r(C) relieve 5 V) m, E# P' [/ V4 @
(D) discomfit
0 _- r; Q3 F. ]( Y) i4 [# P(E) thrive 7 w, {4 }7 z% u3 |% a
; d% b" y. B' ~2 [ M7 S! a, L4 E36. ENNUI: ' J; F8 v9 T& S" S& j2 y
(A) intimidation
- i3 ]8 b4 `2 D4 v(B) sleaze # _4 W% C* v/ q& d) \- ?+ ^; ]' ?
(C) faint recollection 0 W @) O1 i/ @9 m7 X8 e1 P9 s' h
(D) keen interest , u+ u, \1 G$ p9 P j
(E) deep reservation
) x* u& `$ C) k! k9 T+ }! f2 h$ s$ f, W+ I$ y9 N1 D
37.DAUNTLESS:% s/ I* u" v" W+ R, N. c2 r
(A) sophomoric9 V3 W7 l- ]6 z1 Y3 E
(B) trifling
x# L, d Z2 _, c" K! i. P+ \(C) pusillanimous q3 Z4 |# z( n) F
(D) specious) t6 V( N$ U5 Y- |( {& B7 Q
(E) parsimonious; [* E) X# m5 p5 e
9 e: z* `9 E0 S3 H$ ~38.TEMERITY:
8 Q. G6 ?) ~/ r* L(A) credibility
" I* o2 X% l1 b& s2 [, D(B) authority* v5 R( O8 c. R! U
(C) celebrity" y0 [- B3 q# i# R M- O
(D) acrimony8 h- v# f) }% }: Y- s1 [( n' h0 U2 O
(E) circumspection D9 E- B6 W+ k8 X8 ^5 ]5 m# B. g% I
) m2 ?6 Q- Z) ?9 J$ O7 m
y2 \: K9 P7 C$ y8 n1 T1 b
6 c& [2 ^ Y- F9 E7 y* y2 u. LSECTION 4
+ X0 o" N9 ~# V" n- YTime-30 minutes
7 r2 o: \% A! y8 W7 k$ Z38 Questions- m, G' h( g6 [. x$ @& m# G
9 l6 L: j* }7 l' i; B+ {
1. Although sales have continued to increase since last
5 Y4 B4 ~2 r1 M% J4 lApril, unfortunately the rate of increase has ----.
$ `7 D; r5 o7 x) ?- ] Q3 E1 G(A) resurged
: p6 I. W" H% m7 f9 Y/ h& {(B) capitulated % H1 @) _9 V4 H! i
(C) retaliated - R* \4 }' n& i! E
(D) persevered : w" b8 M# j7 `; _2 {: ]( o) |2 q3 I
(E) decelerated
% Q, o9 V, ~7 _% S0 r1 O% e- U; i. H4 h/ m% E* _
2. Although the mental process that creates a fresh and , s/ u# z: Y F2 J5 Y8 [
original poem or drama is doubtless ---- that which 5 v# L- r e- F6 i% x2 I8 G
originates and elaborates scientific discoveries, there
/ U( w$ @% o1 r6 r" B( Bis clearly a discernible difference between the crea-! q6 R& z! [; [3 C
tors ' ]! ^" Y5 y6 i+ o: b q' t
(A) peripheral to
, S3 u) T9 p( {(B) contiguous with
3 R6 e1 I7 C$ @7 t(C) opposed to , i; G) V4 R! y
(D) analogous to & V! A4 Y% B. D4 z
(E) inconsistent with
- D1 T$ u8 Z5 Q% D0 q; B% q0 B* l4 I* j+ b. O! l
3. It is disappointing to note that the latest edition of ( ~) H0 J8 Q3 t5 _ `3 ~" q6 X
the bibliography belies its long-standing reputation - P+ w$ y8 U* P0 R+ _6 Y8 [
for ---- by ---- some significant references to " X3 Q# [1 L# j
recent publications.
" o4 z2 D% ^5 q r( h' V! ^' r7 @(A) imprecision.. appropriating
$ x7 I+ E) ^2 W3 S; t9 _0 G- V(B) relevance.. adding . T8 ]6 Q7 t0 {0 i N# [5 t
(C) timeliness.. updating
& v7 ]' B0 @3 ^5 I [9 `- ^(D) meticulousness.. revising
1 h5 s7 ^9 r/ A(E) exhaustiveness.. omitting r! G- w2 s# y+ s, r+ _) R5 o
4. Although Simpson was ingenious at ---- to appear
* f2 [) _8 a1 m6 o( W$ yinnovative and spontaneous, beneath the ruse he % W' X6 d D: N+ E: ~1 R2 V3 X
remained uninspired and rigid in his approach to
3 R! @' ?/ ^* Q) @& P5 ]$ Aproblem-solving.
4 Y @9 M* W, m" T(A) intending
) d( I5 ]/ Z$ _4 P(B) contriving ) Q+ b; y% ?$ s% o. y2 f
(C) forbearing / x) i( W% B$ ]7 M- h
(D) declining
5 M4 p* H% P A9 T(E) deserving
( O% ?$ |8 ?) U* p3 A7 J
' r0 R$ E& I$ ^* I5. She was criticized by her fellow lawyers not because
; j0 V. X5 U& A. M# f# B! A& W) |she was not ----, but because she so ---- pre-- B" _3 j! F W2 p3 d6 a$ `. u
pared her cases that she failed to bring the expected / v2 y4 k/ r: \5 b/ X0 T
number to trial. % T# x3 T4 U3 e+ S% j3 r
(A) well versed.. knowledgeably
# X5 l% ^- ? [7 P' U(B) well trained.. enthusiastically 6 Y: y* L5 o u! }) |
(C) congenial.. rapidly ; w3 \* y1 j. ~
(D) hardworking.. minutely % x6 c( ]: t ^0 \: }6 T# P8 F
(E) astute.. efficiently
3 U& [7 o0 p; T: P5 \% v& i0 K# V- K( J% \- B5 N4 }
6. Schlesinger has recently assumed a conciliatory atti-* b; G% J6 D3 M& s- [
tude that is not ---- by his colleagues, who con-; h/ N5 {; D, I: D
tinue to ---- compromise.
: ` R! F1 e6 Y( E(A) eschewed.. dread u p0 n+ Y6 a, H
(B) shared.. defend
% e X6 \& B- V9 T2 H. M; G+ \(C) questioned.. reject
: j l6 n3 Z o8 `# ?4 f(D) understood.. advocate + A1 p2 s$ L$ `) f
(E) commended.. disparage ' ?8 f5 {. r6 t! D' i, h
2 Z6 `6 J) z+ d# ]
7. The National Archives contain information so ----
# R5 ?% `0 Z% \' } kthat researchers have been known never to publish J S) j: n, D
because they cannot bear to bring their studies to an
) k* `7 M& ]) ]" ^2 {end. : T4 N J4 J( q; b7 ^ s- v: s
(A) divisive
) ~6 T4 \& g1 \(B) seductive - O* s/ F! b" j7 X [) S- \( u6 z
(C) selective & ?2 g! b1 ?1 m: h4 `) O
(D) repetitive
2 s4 p# i1 R4 `* I(E) resourceful ! j6 o V1 k1 i, m D% Q
1 E! I1 P! ?5 X N& F8. HILL: MOUNTAIN::
: T! a& e' t* Z(A) grass: rocks , \" x# B5 D$ h+ J9 D
(B) autumn: winter 3 ~) _% Q7 P% W( r, X
(C) creek: river
/ {+ h! ~ b& q. G1 [(D) star: sun
/ D* y. E7 Z" z- G(E) cliff: slope
( f- {* D; g* S# o; U0 D
# C4 B2 g& j I! K9. AERATE: OXYGEN::0 o- c) H0 i4 D1 A7 H
(A) eclipse: light
! N* \4 q2 D4 J1 [- o( k# F- l(B) desiccate: moisture
% y$ R3 z8 @* ?; L& b5 s- }(C) precipitate: additive & t r" }, P/ ^- j# m
(D) hydrate: water
$ l1 l& U p0 E6 u% R(E) striate: texture
6 c8 S3 ?: g% y
) k, L5 f, R! y8 l3 E6 k2 m10. ORCHESTRA: MUSICIAN: 8 e6 C R* m" K! a' a: |0 W( T9 ^1 [
(A) cube: side
5 J0 c k# _5 W7 C(B) kilometer: meter; ?/ @! D/ E$ h) N
(C) sonnet: poem
+ Y+ [4 x( Z1 \6 ]5 D(D) biped: foot
: D2 z& b/ r# i, N% [(E) pack: wolf ; e9 z* [* q2 ]1 q+ T: z
' u( s' T% |, L+ @11. EQUIVOCATION: MISLEADING::8 n) n, [6 p! D" t
(A) mitigation: severe 9 T F: m6 S8 c+ e/ p+ C. H$ _! u
(B) advice: peremptory
$ ]3 r& R- N0 P. s. ~(C) bromide: hackneyed $ v. g# ^4 Y9 ]- v, E
(D) precept: obedient " Q) G9 t2 D e
(E) explanation: unintelligible
# u/ X) {0 ]2 O3 G% r
- G7 N' o/ ^. N$ T2 m12. CENSORSHIP: COMMUNICATION::
1 }9 I" |! U* i6 c(A) propaganda: ideology 0 } L! x6 d8 Y* J* r
(B) preservative: decay
$ v9 B5 r3 S7 P& P! ~) a# |4 \(C) revision: accuracy
) c9 s. z; P& V: R- ~(D) rest: atrophy% P' h+ l+ w! S- X# A( L, B
(E) exercise: fitness + j1 c* w4 a8 Q' E" o g# R
: l! b J" E& F* F
13. BUS: PASSENGERS: " E, S$ z) v8 f" A: L( G4 m
(A) flock: birds $ s0 H3 Z" v, E7 w4 T; I/ g: V
(B) tanker: liquid
4 U& B. D0 X1 {. R; j- ~(C) envelope: letter
, Y+ c" }# u) |" ]4 P(D) bin: coal 3 H0 N6 V, U/ @9 r9 M
(E) automobile: gasoline : W& }- S: L* N" }
H0 e* c9 S- j( u14. BALLAD: STANZA::
9 l! n1 l& c; R(A) novel: chapter ) P" [ I5 v$ x
(B) poem: meter ! \' F; { N, r; n- Y
(C) play: dialogue
) o% e0 u1 X! Z! a; ^ c$ m(D) movie: script # N( p& A) y3 T. y- M1 ~/ v
(E) photograph: caption 4 T" o, s5 T) j) y( r9 V
) O3 c& J' y) j$ g% V$ w* R
15. DISABUSE: FALLACY::
4 ^7 t5 c+ J4 p; \' g7 W(A) cure: disease ' ^' s* o- b( P8 O _
(B) persevere: dereliction
4 O7 q2 V; r% ?% l: X" p2 M, h(C) belittle: imperfection 2 R1 }+ E3 d' f- n: {
(D) discredit: reputation
# @: M* D& g! w5 F5 U4 l(E) discern: discrimination : B/ w! d. G$ }) [! t4 P+ T, S
! p; C& e* q; q+ _) N+ Q2 q16. BLANDISHMENT: CAJOLE::
/ l: W) O! q1 u* S4 _9 m! e4 |4 _/ o(A) prediction: convince ) B9 \) S. S8 R
(B) obstacle: impede
! X3 E" E: o6 x% J9 K) c4 @" R(C) embellishment: praise ( T7 }. j7 i/ z2 y' j
(D) deficiency: compensate * h% L. y2 J$ Y7 H# X
(E) compliment: exaggerate
# F! \: b& X$ ~ P5 ]$ F
$ A( `5 \3 J5 x. b$ w9 m% s8 C5 K% l
5 }3 R/ q" m0 z: }9 x) ?28. DEBUT:
: m. Q3 q, L G/ T% m, P(A) collaboration $ q" |# T# g6 @7 ~- f8 c9 F3 a
(B) monologue
' z' W1 z: y5 ~8 N3 f' E& j7 ^(C) farewell performance
. g+ s8 @% [9 s(D) repertoire standard 8 U4 B, j3 A6 K- p
(E) starring role
% n& N7 v) [7 Q8 i3 X2 Q9 W% l5 @6 f4 R
29. WITHER:
$ E9 e5 f- }( H2 P9 k(A) disagree . [- N. N9 p G
(B) shine 4 A. [; I$ C* a! Q3 Q" B
(C) plant
5 Z) n/ H" [: s- \' E6 s* Q! P(D) adhere . r' p0 O1 j. X
(E) revive / e! c- ?3 R+ d7 D# j/ ^8 `. q L
0 @) u$ b8 ^7 o30. BUCK: ' g" `/ R. }6 N# J5 ]
(A) cover over
2 d# {! @, \" q8 z. r(B) assent to % V ] b g7 N9 A+ B7 }
(C) brag about
$ Y/ R/ {+ \4 E+ h8 X(D) improve
$ ^! q1 X! _# z(E) repair
]% I) n m, D/ g- d& m; ?9 E7 _2 b7 E6 @
31. MEAN:
% J/ M6 Z6 L+ W' o+ m H(A) trusting
! _2 i9 Z" R, x! c2 u+ F, J(B) ardent
h( N# V- j4 y& {- }6 s(C) clever 7 y' _$ {* P/ u
(D) incautious - j7 f2 Z/ E3 h& j5 I8 n) \
(E) noble
6 l5 Q; D& V0 g) h/ {+ S2 F! A' U' ?
32. ADJUNCT:
* Z% _1 H8 T+ w8 q1 i(A) expert appraisal 5 @ f& q; g$ V* v. R/ k+ `
(B) generous donation ( U( }" v" B3 ~: y
(C) essential element , _0 v. q6 S& \+ q# V! A A
(D) mild reproof
9 b3 ?" p# |+ L+ ^0 L(E) impartial judgment
0 W3 c j# r9 d) X5 k r" W6 ]$ k6 g' s; u
33. CANONICAL: 6 ~5 n( {4 s" r9 K* t1 H4 \
(A) imprecise 0 |5 ?5 p$ D# D
(B) ubiquitous ) n' J& J# E ~ Y' o0 C& l
(C) superfluous
4 s: Z; \# n9 G. P7 P3 M/ C7 j! x(D) nontraditional : e3 B% j- |1 N: m9 S
(E) divisive 3 }5 s# z% @0 b8 q, r, U# |2 I$ }
2 S! ?% ?: _- Q, ~- x
34. TICKLISH:
- h' q: [: A2 s) A0 V4 n0 b(A) heavy-handed 9 o' ]) V4 I2 _. d9 R* Q
(B) significant
0 x5 D4 I* W) C* p$ R7 y7 `2 N( u(C) tolerant ! h, w6 }0 ^0 i0 G( p9 R
(D) impartial ' ?/ Y& T0 S2 |% K/ c
(E) imperturbable
* w6 h7 {* J' U. P: T" c# H
, [$ |0 z' H3 [& R0 Y35. PREVALENT: 1 y7 \4 V/ x4 ^0 A" |9 Y
(A) invasive 3 t+ t2 Q! A2 c3 p7 p4 f/ S
(B) inconsistent
7 o* [5 c- U5 l; m2 ~(C) indistinct % G3 Z& R P( J9 y2 R: Z) U5 w
(D) unpalatable
/ f0 R7 N# M; E. }1 w(E) unusual 5 p% Z( i# C. e9 @) z/ u0 s
. [5 y" r+ P q% M# h
36. PENURY:
! F/ h3 ?1 c4 a4 p/ ?- u5 W: ~(A) approbation
6 _; B' R7 x' O+ t" B(B) affluence
3 _0 I9 s3 v! q(C) objectivity # d; v0 d2 L/ }, ?) X% L( u
(D) compensation
/ V* a' s' o' L9 I$ m7 [+ v(E) grandiosity 2 n. e* e* n- X) d
7 m6 S0 }- i/ n4 ~3 X/ ~. b
37. MINATORY:
& i. m6 T& l4 U7 k: Z2 f$ Y4 V(A) convenient
* ^8 L* O6 o6 J7 r9 O* ](B) nonthreatening
8 q. a" Z1 d; ]& F, F(C) straightforward - E2 Z' y( |5 u: p& E- I
(D) fastidious . W# s+ X; J1 D& X8 b
(E) rational
8 g: r; M5 C1 r7 O: F7 @9 h
* \& o9 t/ q0 k3 d" ~9 _: Z38. CALUMNIOUS:
2 L4 C# K, ?7 U% `$ l(A) adept
& `% u6 O8 D( O/ l% w* s- y$ g(B) aloof / w( b, e5 @) {" c5 I! `
(C) quaint
! h& J: S9 S9 E(D) decorous % I8 v8 o! o, W8 U
(E) flattering 0 e: U9 w/ m) W1 O: r" X) i0 Q- N9 [
. A( ^' Q8 q9 u" X8 d" C" B
8 h7 v: ~' h& s: p5 j; `9 RSECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE
8 E2 s& H, N1 |* ZSECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE8 f! W p+ D/ Z5 Q$ l) j5 k
SECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE
l; `) F/ |' E5 T( TSECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE - p8 [' c3 a# @' Y' V! I! W0 Q
& K, J) a; s) E p- ?1 _0 z继续努力吧~~~~~ |
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发表于 2006-5-29 09:52:27
发表于 2006-5-29 11:51:20
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