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发表于 2006-5-29 09:52:27
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6G冲刺模考讨论(四)4 M1 {" e: o9 L
' K5 m7 a* ~ D; D2 A5 ]现在模考应该限时. 同时也要练习涂答题卡.7 E! ^# o/ A8 F! I# G% g# x
3 \, ], {( G8 ~5 n2 O" N
( H% N+ ^; t$ o6 D4 bSECTION 1
+ R! D. S6 \; j7 zTime –30 minutes
7 R+ x$ t! R) w$ W8 f7 V5 Q# `38 Questions
1 v' C4 H9 J8 y% c* x- Y9 v+ T1 s" L# q) ]8 S. A& r
1. Because the monkeys under study are ---- the
4 w% w# X# [4 o presence of human beings, they typically ---- ! _1 ^0 c/ e( N" H1 m
human observers and go about their business % v) o9 ~% M$ a% r! v
(A) ambivalent about .. welcome / z$ p: v$ V$ p6 E: G r
(B) habituated to .. disregard
$ K7 e2 U4 }3 [5 A- G! ]. j( V c (C) pleased with .. snub
4 \% M \2 t& n/ t- t (D) inhibited by .. seek
' e5 T- }' G& O/ z. z (E) unaware of .. avoid
9 J1 e8 p9 I! S, q; ?
, \0 c, x( c" _; L7 `+ j- D6 D2. Give he previously expressed interest and the - N3 g6 ]- S5 Q2 n/ s: L
ambitious tone of her recent speeches, the senator's , a7 t+ H, @$ C3 B
attempt to convince the public that she is not inter-
" ?- r& W" _" U" R1 Fested in running for a second term is ----./ }2 k# W' o5 @
(A) laudable ( y$ K9 G/ t4 H. A4 ~% `
(B) likely
/ m3 q; R) m; t8 { (C) authentic 4 J8 f6 m* u. |% L$ y4 z( Y! _" W
(D) futile
5 {$ U- A/ I: v0 V7 Z4 ^% D# ~2 d (E) sincere
7 ~2 R1 R s7 L7 [
+ G& u+ b; z `0 R" M3. Many of her followers remain ---- to her, and 1 @ m: a( u$ x3 ~3 a' n
even those who have rejected her leadership are * l3 s" {2 u: A. ], U5 u; t7 j4 h1 p( p. D
unconvinced of the ---- of replacing her during
# B. p4 ?$ b2 e the current turmoil. ' M& u! @$ F. o3 G) s5 }+ r
(A) opposed.. urgency
& u$ \& I; V2 y- f (B) friendly.. harm + t# L9 d/ _, \6 }& ?0 D3 M( F
(C) loyal.. wisdom
, [) _% R8 I) J4 ^0 ]1 s (D) cool.. usefulness + f/ }+ J6 d5 C7 S; Y
(E) sympathetic.. disadvantage
/ h8 _, b3 @/ f4 g2 z* J0 ?$ Z) S v: V' k8 j/ w. K
4. Unlike many recent interpretations of Beethoven's
; V/ M" G- c1 Upiano sonatas, the recitalist's performance was a
; Q9 T- q: D! xdelightfully free and introspective one; nevertheless, & r8 B" C' L- X) |" W9 Z+ _ X9 G
it was also, seemingly paradoxically, quite ----.
' ?/ O2 o. G& P: \' ~% R (A) appealing E* i# ^2 J% @5 B
(B) exuberant 7 {- H, L0 N5 x: G3 o
(C) idiosyncratic
8 ?' P! J( E6 Y1 S1 f+ U. ^ (D) unskilled
" {$ v& j+ p9 a' Z& k8 t9 g5 u (E) controlled ) T* W5 D9 g2 ^. _( w
( E/ n/ ^7 ^7 O- s2 c: E( v5. Species with relatively ---- metabolic rates, including 2 ^' |0 R" Z/ b: J; W
hibernators, generally live longer than those whose
, ?4 V; ~2 c2 smetabolic rates are more rapid. , Y+ [* f# B2 \) B
(A) prolific
( [# g2 J1 i( ?$ H6 ](B) sedentary ) L9 c" x9 }' ~6 J9 {7 [* F
(C) sluggish # z% f4 y1 k$ j: o8 U" p
(D) measured 8 t: N9 U* f9 Z/ r E6 T4 l
(E) restive 8 \* K( q) {2 B0 e' P) O
; A7 P! B- D/ d* E5 m
6. Belying his earlier reputation for ---- as a negotiator, 6 U4 o" k$ w- {: W; k' `1 P2 { |
Morgan had recently assumed a more ---- stance / f/ V+ C& Q6 {( F o; I
for which many of his erstwhile critics praised him.
# x8 |; [% u6 p# |, s8 k (A) intransigence.. conciliatory
; H- f) T$ d B7 T0 [/ V (B) impropriety.. intolerant # m) I5 t$ R! [4 E2 Q
(C) inflexibility.. unreasonable . J" d7 r8 U( V) L: x2 F
(D) success.. authoritative 0 S6 V/ |/ M; V/ [/ o% o
(E) incompetence.. combative
9 M. D/ j" M' L% [* g5 B) h6 u$ r$ P+ [* _6 g1 a p
7. Although Irish literature continued to flourish after
- j4 j& U0 ~& m5 ?, hthe sixteenth century, a ---- tradition is ---- ' A, [! s9 X; j* l2 n
in the visual arts: we think about Irish culture in terms of , { X; R; i6 [1 h% J ^/ s9 X4 y
the word, not in terms of pictorial images. 9 K4 _* G4 V# O6 H) }) d. o- J
(A) rich.. superfluous
/ _# z% d2 v* S6 {' x1 [' _ (B) lively.. found # y3 L# v6 o5 z) P9 V8 K# W! r. k/ o# [
(C) comparable.. absent
0 q. G; U/ l5 ] (D) forgotten.. apparent
# v# d: Z" ] {7 V, g+ w% C$ q0 y (E) lost.. extant ( Y, t# u* o* l- w5 T
! U( Y/ Q0 K `; D4 @
8. SILVER: TARNISH::
0 s9 x/ R3 x) X( D s, `; _ (A) gold: burnish ! `) x7 ~" m7 e$ d$ [
(B) steel: forge
/ D5 K. U7 T" g6 |- t' B! I4 m (C) iron: rust
/ Y0 b$ C% [- A! V) n, S z: Q (D) lead: cast
. Y5 o" e b% Y8 H0 G( {" ? (E) tin: shear
4 ]: q% J/ P$ j! M7 a. W
5 I' j! O9 y$ v5 k/ `" |9. DISLIKE: LOATHING:: . N- W1 y7 B2 \, J
(A) appreciation: gratification & C- A m0 W% W
(B) hunger: appetite ( }2 E0 [1 I1 s( `" F: G3 X
(C) void: dearth 4 w# V3 E" Z( D+ U
(D) pleasure: bliss
! {& T, v+ h7 o. y$ {$ \ (E) pain: ache
2 W7 y% l Q! t* i, ?, \7 p( O* H
|& p$ N5 z8 |4 @8 h1 d$ d10. CRAVEN: HEROIC:: o) \+ G9 t- n* M- g9 [- {7 H1 o
(A) unruly: energetic - e7 j* r4 B: _+ D: M. Q& O1 ^ u9 k
(B) listless: attractive 4 I, t1 H! d3 F' d4 x" U3 A
(C) volatile: constant
' G1 {2 Q, A' d (D) deft: trifling ! C+ `" Q% R1 s! a3 {
(E) awkward: amusing
, i' C0 @" R* j3 I+ F
3 M8 G; Z8 Z% T6 H; R6 ?& r* j11. FILLY: HORSE:: 7 g. B* F8 B/ X) q) w7 L
(A) antennae: butterfly
0 e# b: d, U* K% F, `1 U) u/ y$ I (B) pullet: chicken
, z6 t( I7 q& f ^, W4 q; E (C) gaggle: goose 6 F, O. l- [; o$ B: N$ @# B
(D) duck: drake
: u$ e( O6 Q, o& _( `+ x (E) wasp: bee 0 m% J# j* ^! ]& @" U5 q
. X' u3 M: |+ X$ S* S0 ]
12. PITHINESS: APHORISM:: 4 J T' Q7 w0 N" \9 M K
(A) craft: art
5 Z- z1 o. c# {! J, B5 m (B) detail: sketch
2 `* X& p. e! \ (C) illusion: story
2 M4 s) s7 B- y (D) exaggeration: caricature 6 c7 a* P( V# z' o. i9 o
(E) sophistication: farce
6 A$ {: v; w+ m' ?5 k& y/ C; o# s, J# w z1 s$ i5 Q$ k
13. EPHEMERAL: ENDURING:: . [( G( d8 W/ N" h+ R
(A) infirm: healing
4 n c1 Q3 J# C, P (B) insensitive: cooperating
. D P, B- |. u& G2 K (C) inanimate: living * D6 Q4 C) g r2 v
(D) interminable: continuing & G# r: w- m4 J D8 |; c C
(E) ineffectual: proceeding 1 z) \1 @, P+ `
/ E% d( z% a3 X6 P! e0 V
14. POSTURER: UNAFFECTED::
. y; W, f ?! A. p" ^ (A) brat: insolent 3 ^- n; M% X Y: Q1 J* \8 n
(B) hypocrite: perceptive
# m- L _5 Q6 E( W8 E (C) grouch: respected
7 D& i9 }9 ^' \- @ (D) bigot: tolerant
: Q/ ]. m8 k5 P( A" S3 P& P- y (E) rogue: empathetic / e; J+ i3 Y5 d0 {7 \; D. L
$ z y, Q- f$ r) y6 ~# Q; a( v15. FACETIOUS: SPEECH:: I: L* f& \& x* d+ x; s$ A( W
(A) precocious: learning " H( Y& `# Q; y( K$ m. ]0 s5 ]
(B) unbecoming: color ' d) p' q5 J( \
(C) exemplary: conduct
/ ?0 P$ s; d. `* L3 X% Y6 P% r/ @ (D) craven: timidity
& a* I5 K- V, I) v (E) antic: behavior
- X) D- [! Q: K6 d
j/ m" d! \9 S16. VAGARY: PREDICT::$ D1 I4 s) k: h) [9 s
(A) quotation: misdirect * }1 n- e2 U, D! }
(B) investigation: confirm
' ^+ T9 ~4 H; u3 g6 P' y, \8 h (C) stamina: deplete
; O6 J; D3 m8 |' e1 x5 a9 I (D) turbulence: upset : ]3 \4 [- |3 y7 {" S) Z/ k o
(E) impossibility: execute 9 }, P; \3 h& n2 {4 |" i
, ` i6 W+ f9 c& m u5 v
28. PREFACE:
6 ]5 y0 J: P$ n, Z" }, E1 l U1 Y(A) improvisation 9 n- w" g' [! d) Z
(B) burlesque ~0 g- O3 l/ [4 x
(C) epilogue
* p: Q$ c2 x/ X$ o, r# z(D) tangent
+ G5 ]& H. d6 y2 K1 I: [( z(E) backdrop 4 C- T, s$ u" }$ I" l
& Y4 E( I* g! F, ]7 @29. DEBILITATE:
& o) Z8 V2 R5 \(A) implicate% ^5 c8 a$ i7 K0 k9 R% n3 L
(B) invigorate
2 v8 `& W# I& E& ]* e6 |8 N* h(C) obfuscate
k9 Q# N9 T, m9 m0 m(D) realign 8 I8 ^. |) S# J2 {' R# m
(E) encumber 0 ]' W8 ?3 h- t* t/ l
- A: ]( X& B* Y8 L6 S' A/ N6 C
30. TASTY: 8 @- W/ |' e$ Y& O8 @/ c4 y
(A) uninteresting
2 u7 w1 y+ e3 e) U. {1 h7 |(B) unfamiliar
6 ?5 }" s( V% ^0 V q(C) unexpected
4 L* v) f+ {. g+ q1 L! A(D) understated 3 l; J8 n/ I- c9 `- Q* h' @. p/ P! t
(E) undervalued
1 k1 r$ P3 C% `* X
9 N/ @7 L7 j! ?5 C0 V31. ABNEGATE:
7 F w7 J3 o3 w9 j(A) refresh 8 D2 u3 F, N7 o! N8 Y% R# M5 L
(B) reaffirm
+ Y) j$ p, a0 k" U8 m( M, l(C) relieve . J: W8 F: N9 n+ T& z; t8 p' y3 y& w! _
(D) react
) c' F; F- y! I4 u(E) reform ' b! |( x/ @, T& y: G
' ^* L# \. I0 r2 d. l. t5 H5 | Y
32. SERRIED:
8 a. K- E, q# G. w( r+ }* z" G(A) partially formed
& f4 M( U% f3 ^(B) widely separated . M G! M4 ~$ T
(C) narrowly missed
) r* s8 Z T' I2 S8 C, C4 X(D) extremely grateful * C) V" h, E% j+ h: }) N7 N0 d
(E) reasonably clean 2 I: O4 z7 }- D, h( @; N; c
/ ^ o& ~% ^' {2 ]. k
33. BOMBASTIC:
2 h+ v$ f! B& B5 q7 m* `(A) unflappable ; E8 ~0 O3 p/ k# n
(B) uninspired 3 J+ K0 K: K8 B
(C) unpretentious : x0 e; d5 @3 t; P6 r
(D) inscrutable
3 h9 G3 V8 L8 t. j. a(E) incisive , }/ Z9 x8 e8 i, T& I- E( y
4 j: ]9 x6 M3 w) v, l34. BANAL: ' s1 h) s6 y! O; m; O3 D
(A) comfortable 2 T5 N; B9 b N2 z% u# n3 C/ G
(B) novel ) B" Q( o) Q, V( D! I, m* ~- f
(C) equal ' ]* v2 b& G- m, I! P+ g N
(D) fatal 6 n1 d4 Z9 O& _2 N6 {: k. @
(E) competent
+ \2 K2 e. l1 K4 a! }35. LANGUISH:
" W" D' }/ K/ h; d4 e: e# J(A) agitate
6 y" l- d9 y6 W. V; v(B) wander
0 M$ A& _( h! q6 L! o+ E(C) relieve
# o9 K8 N- P- A3 p9 e* a(D) discomfit
+ L6 n; o" K4 e(E) thrive 4 W/ f, g+ W: x8 Q( w
. r% i- j4 p% ^8 V. A7 H$ e
36. ENNUI:
$ I5 B- | X& o- t0 F0 M(A) intimidation
. w. c6 ~6 K- Z$ r. A4 ~+ t9 l4 z(B) sleaze
[# ^$ }# i5 D6 O7 L, h$ c(C) faint recollection + C1 i/ l+ v* B5 d2 }% N }
(D) keen interest
% n1 J. A9 F2 x0 l(E) deep reservation ; C+ A$ @# w: H
) s8 s" o2 {. d' [" @, R( [- s37.DAUNTLESS:' x1 ~# i6 S/ |/ \ T( x# X
(A) sophomoric: _1 U8 o& Y' k7 o. S- @& d' O
(B) trifling- F+ [" r- {. w/ y
(C) pusillanimous# P- L5 j6 r) m k
(D) specious; N0 k8 Y4 G2 r" i
(E) parsimonious
* d$ Y3 o: i. V p, e( K% p* m0 _/ _3 @: t: Z0 f, V
38.TEMERITY:& j' L7 d; v x1 O: a7 X; z2 f
(A) credibility
a$ X5 W/ C$ X2 I" a# x(B) authority: }: a! O6 [* v9 A4 }- n( M6 U
(C) celebrity
) G3 x8 p4 R# e2 y3 E! A! n(D) acrimony
! |% k9 P9 G( q7 n) V0 z7 P( [(E) circumspection% P7 ~7 F* j) ^: C* B$ m
- ~6 M: b1 m' _- s6 f
; [( A' X5 X" b0 J" H3 N+ z8 r: @* Y% D6 @& I. E
SECTION 42 s/ d0 c, f Z* Q+ p
Time-30 minutes8 A6 X- l4 G, G# p) y$ w4 Z- B5 `
38 Questions |1 l- }, Q# h) b; E1 T9 p
3 n2 a4 u u5 q9 }7 y
1. Although sales have continued to increase since last " Z5 a2 h* l2 l+ e
April, unfortunately the rate of increase has ----.
% G) Z. s' j( S6 |: A; R(A) resurged
- H# g2 Z" i2 `& M! j9 D* [(B) capitulated ; t9 y4 X, @, W* I$ B! F, u8 u
(C) retaliated 1 E/ q7 a9 }/ ~9 w
(D) persevered 4 n' l3 G: N7 I+ G' Z
(E) decelerated - }* @$ C# ]8 J. K3 {
3 M/ G( Q3 U+ a2. Although the mental process that creates a fresh and
( }6 K' f4 ?% { [original poem or drama is doubtless ---- that which & c- E# k4 S' L0 D# W8 E# Q: S
originates and elaborates scientific discoveries, there
6 h1 a/ R( T' a7 N! mis clearly a discernible difference between the crea-8 [* }: F9 h$ B2 P. B3 G8 G
tors 9 \8 j+ Z; @4 k& M
(A) peripheral to
; ?, W3 l' D, w, O(B) contiguous with
e( ~3 _: ?* U& C" y1 a/ K; R8 U(C) opposed to ; S8 l$ |& r( O- }7 W. l, `
(D) analogous to : k& M1 Z$ m' ~8 t" q M1 q! n7 k
(E) inconsistent with
7 f5 H1 c* _6 P2 ^: G% N! \" d2 b; V- h9 ^
3. It is disappointing to note that the latest edition of ( s5 K9 F( Y6 g9 [( }
the bibliography belies its long-standing reputation ! a, d! s) Q; S9 G+ T
for ---- by ---- some significant references to - S, c! G: w7 V
recent publications. 9 t' Q$ b4 e4 \4 w
(A) imprecision.. appropriating
' P3 U$ C; Q/ O4 {7 [(B) relevance.. adding ( m+ l. m: i- p6 B) l# j1 b' w" S
(C) timeliness.. updating
6 l! F( J! G; w! K) H! Y# X4 ?(D) meticulousness.. revising 8 @6 R+ c( `6 [+ Z4 I
(E) exhaustiveness.. omitting
# ?' l3 Y# V2 q+ }/ Y. Q4. Although Simpson was ingenious at ---- to appear
4 H- t& |' q- [& z9 iinnovative and spontaneous, beneath the ruse he
3 i6 S) [* S5 {0 K9 N8 _) cremained uninspired and rigid in his approach to * w5 Q) v4 \ S" a* e C
problem-solving.
4 M5 z1 C9 b6 R, L* @# R u, G(A) intending 0 a8 u/ J6 X" W
(B) contriving # `2 K4 _) e( C
(C) forbearing
6 s6 `/ C i/ x7 T(D) declining ; w% }0 L7 P% b. |* _2 l4 C( X7 N
(E) deserving
2 h- |7 m5 R1 t" ?7 a r: E& C1 Q9 U+ @8 `. z6 R4 t8 B+ K9 k
5. She was criticized by her fellow lawyers not because
4 j& I \1 r5 g( o i9 |. \she was not ----, but because she so ---- pre-
1 l1 q7 n& ~. Q! Lpared her cases that she failed to bring the expected ( w+ m o9 E$ i' `
number to trial.
. ?' {. h* W1 Z/ ~" j/ n(A) well versed.. knowledgeably 1 Y. L; }4 `3 f. L
(B) well trained.. enthusiastically ) K S- i8 i6 l, c
(C) congenial.. rapidly % N8 `: w4 ~( y' u! }3 H
(D) hardworking.. minutely
5 E/ w) @( y L/ W! [8 C" J: w(E) astute.. efficiently + u( x. u& ~/ t8 O6 Z8 B6 |
7 g/ Q$ u# E% n
6. Schlesinger has recently assumed a conciliatory atti-3 @4 _5 y6 Z0 @" V% }
tude that is not ---- by his colleagues, who con-9 Y& y8 [5 Q( K8 }5 o
tinue to ---- compromise. / ]! Y& ?1 c3 ~; x! T5 v* }6 T
(A) eschewed.. dread
, r$ z5 A+ Y9 @6 R7 A9 c% V& j(B) shared.. defend
" R& G1 }$ N# g9 @2 Y(C) questioned.. reject . y5 v- j" V8 c9 I/ H5 d+ b, V
(D) understood.. advocate
" G6 ?! n, I+ x0 B. P* B; a(E) commended.. disparage 0 y2 g2 T( R: B* Z9 [( F) g% G
3 `) c2 g1 G4 U/ @( d+ G% z% F7. The National Archives contain information so ----
t: B# S z/ _- d- [2 y/ rthat researchers have been known never to publish ; I( B' H9 D0 [- n; A
because they cannot bear to bring their studies to an 7 U& w7 [, j- Z/ J9 t
end.
1 |0 r/ ~* j# p0 |(A) divisive
( @/ S/ q0 m/ b) |) F; G(B) seductive 4 a# ?( f3 I& A* p. K
(C) selective 8 r" y" K* w2 O' Y# f2 z
(D) repetitive * Q% R9 b6 b0 }3 }, `0 k1 j
(E) resourceful
' s6 i6 V0 L0 @8 @, I1 j) p5 t5 a8 k1 [8 r% p% [$ V6 B7 ^% A
8. HILL: MOUNTAIN::
$ I ^0 [' G0 V* @0 ~! {4 g(A) grass: rocks ) \$ T) j3 I$ c9 j
(B) autumn: winter
* ^- n4 j/ E& P" m(C) creek: river # z& d% S6 ]2 }/ W9 A) j
(D) star: sun 8 V; M3 X* s0 D
(E) cliff: slope
, L" }; X& q2 }7 Z; \+ B$ i
4 W7 U" e' n [8 b, [: R( k& \9. AERATE: OXYGEN::
, S" z- L i( }+ U/ G9 B) Y(A) eclipse: light
0 h3 [# }1 Z; Z8 J P& r0 o! |(B) desiccate: moisture
' w$ J: W. Q2 n2 a(C) precipitate: additive + e: M# G5 ?2 K* D
(D) hydrate: water
) C! G- n' i, n& ^! z(E) striate: texture + A2 e/ s7 M/ r8 N( P' @
+ |. h2 n$ D% v7 M/ l10. ORCHESTRA: MUSICIAN:
" z& f$ K& \ o/ s(A) cube: side
( L5 f5 R6 @+ P4 p! j0 y' U/ |(B) kilometer: meter. I% P3 ~% k+ V( w
(C) sonnet: poem
- g5 D5 V( T( e2 {: [0 ^, @(D) biped: foot
) k( e& ~' [$ ?) L+ _: l. ]& i(E) pack: wolf
% F! r9 N, H0 I
$ A/ o n- H: t/ w5 t% k6 r11. EQUIVOCATION: MISLEADING::% |3 F" }3 Q- l F: b+ L
(A) mitigation: severe
6 c9 k& `) l# [6 h; d; Y4 p6 `(B) advice: peremptory
5 y/ G O; [9 d(C) bromide: hackneyed
/ {) U, q. V- ?3 E* G% ~" T(D) precept: obedient + c6 B- I) w, ?# @
(E) explanation: unintelligible * ^# G; w( F( o" m
+ k4 }. P! m1 ]8 N4 x
12. CENSORSHIP: COMMUNICATION::: s7 f% Z, K/ y7 Y
(A) propaganda: ideology
1 U, N7 Q! t0 q(B) preservative: decay
" Z7 t* E. u! H8 J" L(C) revision: accuracy w. I2 p( ]9 C( p4 N6 [
(D) rest: atrophy' c6 ~& I/ ?2 R$ M. y8 t2 k& f9 T
(E) exercise: fitness
. M. S% W. T% x
; `3 q" ^- U" O( v8 u/ Y9 n13. BUS: PASSENGERS: % W0 K. w. o5 F1 }- M4 G, X9 C
(A) flock: birds
$ z; B0 H% a' \2 K+ V(B) tanker: liquid
6 S) r E6 _: p, d; D(C) envelope: letter
4 K1 q! J. x' c' u$ E* Z(D) bin: coal 4 H, P, y, V: f: x4 j# U* O$ Y# E/ O; q
(E) automobile: gasoline
+ `6 ]& m( K" P3 ~& F6 n
: F9 T- O9 g: K3 |9 v0 \* P14. BALLAD: STANZA::
- ^. n$ r* H' b% r. g% o8 u: w(A) novel: chapter
( r' b* l- ?' v8 h3 N- }0 [: f8 Z(B) poem: meter 3 P, L; {, h' H6 [( Y1 `; Y
(C) play: dialogue
% e. L$ i1 ^# A i: [(D) movie: script 9 ~ {' N$ h! Y4 R8 p1 D
(E) photograph: caption
1 g$ f6 a. i7 n5 B& A& ~
8 D/ V& y0 }, ~3 t15. DISABUSE: FALLACY::
$ l- c+ l6 f$ h' U) J/ y(A) cure: disease
7 ^$ J3 _3 }( z; k6 j- }(B) persevere: dereliction - \) `" f. E& g# U& N% T; n
(C) belittle: imperfection 2 b5 |& u% G% ~
(D) discredit: reputation
% G9 {0 m- q* u/ Z3 d(E) discern: discrimination . ]/ v% f$ a$ D: t9 Z* }/ d. F
0 R @. q2 B) Z4 h1 P16. BLANDISHMENT: CAJOLE::* A+ g: f5 O( B1 t/ ^1 N
(A) prediction: convince - V* l w' m# I! W
(B) obstacle: impede ; I! g8 P& }2 @
(C) embellishment: praise
& N( o' ^5 O" f0 f, L5 O(D) deficiency: compensate : `5 X" \+ N8 F
(E) compliment: exaggerate
3 b2 U& W( r. B# X- U, S- k5 l( W! I3 O) w }
6 o9 R* n5 E' K# ?+ Y8 ~+ A# p
28. DEBUT:) {9 B- b8 X) e: O
(A) collaboration + U# c& p. v' x% c. I! l
(B) monologue ; r- x3 ]& h; C9 [( e& w8 t
(C) farewell performance
7 M% E0 R6 p. k' F/ P& z(D) repertoire standard 8 v5 y6 n0 u/ M) L9 o8 r& t
(E) starring role : _5 V+ F* A! m& A: ^) |
( L: G6 {" m/ M% i& k29. WITHER:
% @# B8 }( w- t(A) disagree
* \1 @$ d9 Y O8 X0 D% P l8 }(B) shine " T$ T8 W- a2 c! k$ [
(C) plant
' F" C: _, c1 ^/ N3 b(D) adhere
' L% Q+ U( u( O5 t I(E) revive
l) q: K/ d4 O t6 {8 v# ~1 S! D2 y: R2 Z1 F
30. BUCK:
) }* Y& {' j8 D# E(A) cover over & E4 n H4 ]" Z. I3 [3 w
(B) assent to
; `# d6 q5 i* o* K+ O# |(C) brag about
& n! P! Q: z; @2 h(D) improve
+ o0 P5 w0 C% p. n$ }5 Z(E) repair
/ U* M! K4 r& d, K) w
( y$ \8 G# {- n3 L& f1 B31. MEAN:
3 b7 u8 X. o2 z3 a# c(A) trusting , i0 T$ n& R" g6 p' A. d
(B) ardent ) Z/ Y- n1 V) h' ]/ {1 E% b' U; a! x! P
(C) clever ' f* n) V5 e" b5 z* x
(D) incautious
/ G. E( S: U5 F+ @$ n% n" J! r9 ~(E) noble
+ N4 A0 ^2 g2 o8 j7 ^0 _" d3 `: U: d" r) K# t. A( A/ u
32. ADJUNCT: 2 u: I' P+ x) A+ _" S* I' K
(A) expert appraisal $ _5 P4 s. T0 Q
(B) generous donation
: w9 }* Z1 H% B(C) essential element ' t% n7 c" d2 V/ u) j
(D) mild reproof 9 _: [( X+ c) I. }' |
(E) impartial judgment
& Y3 ^* r9 T5 _4 i+ B
. Z" z. y! X( C7 }7 u, e33. CANONICAL: ) Q4 w. s0 m$ \$ h
(A) imprecise
3 O. _& U/ t2 n* w' v2 L. R0 z(B) ubiquitous
" z$ E/ c5 b1 v& g3 O(C) superfluous
; F5 S$ p- j& a% J% w) S(D) nontraditional
+ L$ }+ N3 Q$ l8 j4 S. E% C) W8 Y(E) divisive
; F' j0 }8 D5 ]
' ~/ [3 D9 ~: H* d$ D( t34. TICKLISH:
& g: U) l7 G# K) W(A) heavy-handed
3 K- U4 D2 O5 w(B) significant ! p* w1 I0 |8 L) @
(C) tolerant * }* {5 h2 b T
(D) impartial
" U/ [5 A9 `6 l" V7 ](E) imperturbable
7 ?$ t X/ Q% @: T; S- \8 [7 F. m- c8 V
35. PREVALENT: - }8 W( L4 e% q! Z
(A) invasive
7 W: u, @( v I- h8 r, b(B) inconsistent
# O5 I5 n" }1 w1 O% h" \(C) indistinct ( I% z4 m/ h, P7 d! I
(D) unpalatable
: B8 d3 c6 M9 ?. T(E) unusual
, H+ }7 B s6 j& f8 v& h* s @" u% i* c
36. PENURY:
, d% H/ q% W; q(A) approbation
# Z* J( T/ L! N: \(B) affluence / c3 }) \; I- Q2 o" H* C& z5 z0 o
(C) objectivity , } ^# i* v& H Z$ x* [; Y
(D) compensation
* a* ~" v- ?7 s" C2 O(E) grandiosity ' B, N2 u0 O+ m- |5 K# c6 O4 B8 h" l
% B( H1 R- D! \) q/ T7 m) g; t37. MINATORY:
: b' h' F8 d. {9 n(A) convenient 9 p( K0 E: B# x3 r& Y" X* Z. g+ `
(B) nonthreatening
+ Y9 o4 o! H) X(C) straightforward 7 h- s% N% \! q; N
(D) fastidious
0 V5 \' F4 C# {8 m% }7 C# K: s(E) rational
$ r- `# y( |# i( g7 z2 e$ q/ C1 a- U8 K& q3 U0 X, T' ]
38. CALUMNIOUS:
' E# a7 \: a0 F3 v. }4 l(A) adept
9 X0 H* Y% d! z, s' w) K(B) aloof 2 V( m9 W$ f: n4 L
(C) quaint 3 h& b, {! e+ U' L; T
(D) decorous
/ i/ @$ f/ G# V" p6 m2 z; i' v5 g(E) flattering , Q2 X6 J3 F5 j8 ~0 i& F
$ P0 v8 F$ G" D! E9 {) X
% f! j$ v1 j( V$ _4 x/ v5 e1 `! V
SECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE
7 j6 j" i2 @5 e: i- L, |4 P7 s6 j. uSECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE1 t* u7 ?$ O9 t/ \7 K
SECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE; U5 _) Z8 L0 @: t
SECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE
) F# N/ U h* Q. m( A- x& Y
9 g0 _7 }# H# i. B% J继续努力吧~~~~~ |
|
GO
发表于 2006-5-29 11:51:20
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