本帖最后由 qxn_1987 于 2010-1-7 23:26 编辑
Once upon a time in the annals of women's stories, getting married was the fairy-tale ending. These days, marital ambivalence rules the literary scene. December brought Julie Powell's new memoir, Cleaving: A Story of Marriage, Meat and Obsession (Little, Brown; 307 pages), in which the Julie & Julia author tells the sad, sordid tale of the recent years she spent butchering(n.屠夫,屠户 v.屠宰,屠杀) pigs, cows and her husband's heart. 【Meanwhile, in a New York Times Magazine story, writer Elizabeth Weil detailed her efforts to subject her "perfect union" to every kind of therapeutic scrutiny available in Northern California.】【Her goal of complete marital introspection — needed or otherwise(或相反) — inspired heated holiday-party conversations and terror at the thought of the memoir to follow, as well as giving single women everywhere a new appreciation of their unburdened ring fingers.】(See the 100 best novels of all time.)
Elizabeth Gilbert does these reluctant wives one better. The author of Eat, Pray, Love returns with Committed: A Skeptic(n.) Makes Peace with Marriage (Viking; 285 pages), in which she is a vehemently(激烈地,暴烈地) wary second-time bride, due to be dragged down(把…向下拖,使衰弱) the aisle by Uncle Sam's immigration henchmen, who will otherwise toss her beloved, Brazilian-born "Felipe," as she calls the older man she met in the last section of EPL, out of the U.S. for good. They hadn't planned to marry. Like Gilbert, Felipe had endured a hard divorce, and they were content to be "lifers" together. But a helpful Homeland Security officer prescribes marriage as the only certain way out of Felipe's immigration dilemma, and the couple agree that they love each other enough to do it. (See a Q&A with Elizabeth Gilbert.)
Gilbert cites statistics, scientific studies and her painful experience with her first marriage —【 the impetus for the worldwide spiritual ramble of EPL 】— as her reasons for not wanting to tie the knot. She demonstrates how the institution threatens her independence and the well-being of many women. 【Her fears hold up even when she's considering union with a man who loves her, excuses her memoirist tendencies and has been known to tell her that the curves of her body "look like sand dunes(沙丘)."】
But whereas in Eat, Pray, Love the journey was what mattered, the end of Committed is, as of page 18, a foregone conclusion(预料中的结局). As Gilbert puts it, she and her lover are "sentenced to marry." 【This makes the book a supreme act of navel-gazing, even for a memoir. 】While the legal complexities are being worked out, the two kill time by traveling together. 【Along the way, Gilbert, ever the good journalist, gathers string on marriage and love from various sources, including the humble Hmong women of North Vietnam, seagulls(海鸥), a humble frog-farming family in Laos and her humble 96-year-old Grandma Maude back in Minnesota. (Gilbert practices humility with vigor, even when sweetly patronizing(俨然以恩人态度的,要人领情的) Third World cultures.) Her process is exhaustive, and the results are exhausting, though some of her points are astute. This slog(v.艰难进行) through one woman's relationship angst(n.焦虑,担心) feels, in the end, like much ado about nothing(庸人自扰,小题大做,无事空忙).
Gilbert is a highly conversational writer — a blessing if you are in the memoir business. Four years after its publication, Eat, Pray, Love remains on the New York Times best-seller list, giving its author a chance, with the likely sales of this new book, to become the Malcolm Gladwell of soul-searching(真挚的自我反省,深思). Gilbert left her loyalists believing that a year of spiritual questing would end with peace, love and the address of the best pizzeria in Naples. There could be no doubt that her readers wanted more. She and Felipe had gone off into(开始,爆发出) the sunset; could she now describe the rosy glow? (See the top 10 fiction books of 2009.)
【But Committed — and to a certain extent, Powell's Cleaving — demonstrates the curse of the conversational writer. I confess to having found EPL tedious at times(有时,不时) and to struggling with the fortuitous arrival of true love at the end of Gilbert's year of self-discovery(自我发现).】 (In Committed, she pokes fun at(取笑) herself, quoting her sister Catherine's response to her gushy(流出的,易动感情的) e-mails from Bali: "Yeah, I was planning to go to a tropical island this weekend with my Brazilian lover, too ... but then there was all that traffic.") There was no denying, however, that she was a vibrant woman on a cool adventure, with stories to tell. The pressure to return to that fertile ground must have been enormous. Just as she was sentenced to marrying, she was sentenced to sequel(结局) writing. (See questions and answers about retirement.)
Committed gives us a woman trapped in a command performance she's too smart not to be dubious about. She seems self-conscious(自觉) about the need to remain everyone's best friend, littering her prose with chirpy asides ("Listen, I want to make it clear here that I am not intrinsically against passion. Mercy, no!") and cutesy(矫揉造作的,忸怩作态的) interjections ("Just a little free advice there, from your Auntie Liz"). Then there are the apologies for anything that might offend. Her eloquent defense of gay marriage, for instance, is diminished by this chatty advisory: "You see where I'm heading with this, right? Or rather, you see where history is heading with this? What I mean to say is, you won't be surprised, will you, if I now take a few minutes to discuss the subject of same-sex marriage?"
【Gilbert also repeats, incessantly(不间断地), information she's already conveyed, whether it be the vastness of the belly of a pregnant woman she's dining with or the details of a coat — wine-colored, with a fur collar — once owned by her grandmother.】(We hear about its beauty four times in three pages.) There are useful insights into the dilemma of modern marriage here, but the overall effect of the heavily padded(填补) Committed is like that of being called, over and over, by a friend who wants to talk your ear off(对某人叨叨不休) about her impending nuptials. Only instead of debating the floral arrangements, she's wondering, Should I really be taking the leap? Halfway through Committed, I wanted to put the phone down and walk away, leaving Gilbert to figure it out on her own.
How to Butcher a Marriage
It would be much harder to hang up on Powell. She makes no apologies and no effort to be likable (可爱的) in Cleaving, a ghastly work of revelation without enough self-reflection(自省). Soon after wrapping up(掩饰, 伪装, 使全神贯注, 围好围巾, 包起来)Julie & Julia, Powell began cheating on(对…不忠) the kindly Eric, that husband who dutifully ate her butter-soaked Julia Child meals for a year. Her lover and S&M partner was Damian, a former college fling with "Mick Jagger lips, and a weak chin." I am saddened that I have a clearer vision of Damian's masturbatory methods than of his actual appeal, and sadder still at the mental images Powell provides of herself tied up, awaiting his next "R-owwr." (Since when is talking like Austin Powers sexy?) This recipe for marital disaster comes with scattered recipes you'd hesitate to trust, given the horrific disorder of Powell's upstairs kitchen. (See the top 10 nonfiction books of 2009.)
Cleaving is, however, a much livelier book than Committed, in the way that your narcissistic pal is more riveting than your earnest, loyal girlfriend. Powell's interest in butchery is genuine, and the passages set during her internship at Fleisher's, an upstate New York butcher shop, bristle with(充满) clarity. That's not to say the intended metaphor — that as she learns to butcher, she's also exploring the anatomy of her tumultuous love life — is clear or convincing, largely because her journey feels so incomplete.
What is fascinating is the impact of previous writing successes on these pages. In one heartbreakingly venal passage, Powell thrills at Damian's audacity in pretending to be Eric for an eager reader who recognizes her on the street. The honesty of the admission doesn't cleanse(v.纯净) the implied disrespect for those — from the real Eric to her fans — who adore her. Powell was also sentenced to sequel, although her amply demonstrated lack of humility suggests she was happier to comply than Gilbert. But when she runs out of story — the Fleisher's internship complete — she copies earlier Gilbert, setting forth on(动身) a haphazard journey around the world. Her "Eat, Sulk, Stew" wraps up with a return to the husband she belittled and betrayed. Now here is a marriage to be debated. Maybe one of Weil's therapists could lend a hand.
Both books feel rushed into(仓促行动) print. Cleaving begs for(乞求) better boundaries and structure; the ladylike Committed is too confined to feel truly intimate. Gilbert overshares only in the department of exclamation points, and if you want to know what life postsunset is like, be advised: she takes us only to the altar. But these two writers share more than just marital ambivalence. It may be difficult to work up sympathy for best-selling authors who end up portrayed on the big screen by the likes of Amy Adams and Julia Roberts. (EPL the movie is scheduled for release this year.) Yet these women have been caged by the expectations of voracious publishers and readers. Their escape methods are different — Powell appears to be chewing her own leg off, Gilbert gently boring her captors into letting her go — but it's hard not to empathize with someone in a trap, even one built on success.
Comments:
The passage is mainly about a comment on two authors and their books--- Cleaving and Committed. Bluntly put, I am not so interested in this passage, and which is a bit abstract and obscure to me to some extent.
Anyhow, we can see,obviously, that the author’s writing skill is graceful, masterly and workmanlike. The passage is highly effective in its use of language---such as effective vocabulary and sentence varity, the language is precise and often figurative. At the same time, there are a great amount of vocabulary or glossary for me to learn, and which will take me a long time to assimilate them completely. |