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6G冲刺模考讨论(四)
7 V% z, N2 a+ u2 c; w7 |* `( E/ i7 V6 b5 x' P
现在模考应该限时了. 同时也要练习涂答题卡.
1 J' H! d- F x% X+ h( b
+ } G4 m: g0 D# v) @: l* [3 U$ z4 J4 i3 b. \3 `: \) P
, h2 Z4 B7 {5 n; N( Q8 c* @3 g" OSECTION 17 _; s8 n Z. A/ a3 g" c4 b
Time –30 minutes
; r' i& G8 y7 l' P8 d, q- ], x, v U38 Questions
6 v* V5 [4 X S1 t& J9 ]; w% p1 d* ^9 T+ b; v, w4 d
1. Because the monkeys under study are ---- the 2 {, s" C: R' L& |3 W; ^$ c
presence of human beings, they typically ----
( H) O% `" d6 L2 ^& g human observers and go about their business 2 A0 o/ U$ e9 _) D+ ?
(A) ambivalent about .. welcome
5 S* [( k1 d6 S5 R (B) habituated to .. disregard 9 i, |( L' ~, C
(C) pleased with .. snub : E( W( y( k- o; V6 p
(D) inhibited by .. seek
7 \4 k/ {2 h2 P- r4 I (E) unaware of .. avoid
* T; k& X# Q5 V, W
' T' p# Q9 \& {( I# J' K2. Give he previously expressed interest and the
( n3 P9 g d7 `" S1 Eambitious tone of her recent speeches, the senator's
; i' k, F3 a! p9 Z$ w; Q- zattempt to convince the public that she is not inter-
# H, n4 U& d: B- p* X4 sested in running for a second term is ----.
) g' t/ L$ B' m( {& K (A) laudable
; r( ^8 w$ Y1 C/ p8 c9 _5 P (B) likely 2 b! o, m3 T6 c9 a
(C) authentic ( R& ~* s" o P( g8 _
(D) futile " h9 l, c/ I8 R( ? y Y B
(E) sincere ( c, ?1 c% [% \
f5 p; V! e8 P8 i3. Many of her followers remain ---- to her, and 8 f: n! H P" M' U# f
even those who have rejected her leadership are
7 \8 @: P8 i& K$ m unconvinced of the ---- of replacing her during 2 R" v+ O( k' m
the current turmoil. & E) Y& B8 ?5 O6 C5 R4 Q2 _5 T# s \
(A) opposed.. urgency 8 A7 v* g$ i0 p5 n- \
(B) friendly.. harm # O2 {3 C/ L9 J2 N* r
(C) loyal.. wisdom
# @8 p4 x. j) d1 o5 Y ~ (D) cool.. usefulness
& |+ Q! Q( K' Q* _ (E) sympathetic.. disadvantage ) H1 B: `' m4 ^1 E* E$ ^
T2 q" l+ }' G0 V
4. Unlike many recent interpretations of Beethoven's # x& u& W, t) O5 X
piano sonatas, the recitalist's performance was a % e9 \! V9 M# _; A) R! `. q
delightfully free and introspective one; nevertheless,
. F7 C# \1 j, d* z+ n/ z6 ]it was also, seemingly paradoxically, quite ----.
0 {- N3 w. ^) O/ T5 a (A) appealing
# t3 e. E* |$ x5 l (B) exuberant 8 r" X$ H' q0 ]$ i. [, D i* J
(C) idiosyncratic
y1 F3 g7 H2 |1 ~; N6 H- A& Y (D) unskilled 3 o/ y f% a5 V" Z& k! D
(E) controlled
& Q0 Y: |# R8 b! B7 S* v! T% y l( j7 t) j
5. Species with relatively ---- metabolic rates, including
1 ^5 S4 u. B" w4 s8 D5 e) zhibernators, generally live longer than those whose $ d5 c0 z4 X) q0 \! w: T
metabolic rates are more rapid. 8 _% G( h0 N! o' _$ M4 T3 i: K3 D
(A) prolific . x) o2 I0 Q8 v( ^
(B) sedentary N% [$ G6 r. `& N
(C) sluggish
% j4 L8 i1 t6 R# S (D) measured
# k8 ?" J8 C8 G& S1 q/ B' D (E) restive
+ q2 t; z9 M: h+ b( [3 C U, d' K' }- e2 u* s! p$ y q+ G( P
6. Belying his earlier reputation for ---- as a negotiator, " S: D2 `( K2 ] i1 v! a
Morgan had recently assumed a more ---- stance ' E) l8 r N$ q* O$ Y) O& v" p% E
for which many of his erstwhile critics praised him.
% y" t) A0 N4 l- N3 h (A) intransigence.. conciliatory 9 h# f# Z' z! Y5 N" M
(B) impropriety.. intolerant x$ K+ [; @$ l, @) ^: z. x
(C) inflexibility.. unreasonable 0 E9 U* x0 t3 ~3 r
(D) success.. authoritative
, F% _/ A/ x: T- W4 Y (E) incompetence.. combative
) r& P# s6 k, p* f2 _0 h& g; j& h% P' ?; \" R5 H7 \' O7 J/ i
7. Although Irish literature continued to flourish after
' i* p$ n* E0 W0 n5 hthe sixteenth century, a ---- tradition is ---- 7 ^ U) }5 D/ L3 _
in the visual arts: we think about Irish culture in terms of
( `. z! V" D: ]7 {the word, not in terms of pictorial images.
7 s! V3 k3 ] Q" ^" R, k# V* H(A) rich.. superfluous
8 H) Z0 w9 Z, ^+ f* Z (B) lively.. found
3 O% L1 @8 i+ M7 e% T (C) comparable.. absent 9 H- q1 }6 B" e8 @" _8 z
(D) forgotten.. apparent
1 j, X& C6 j# T5 s! U (E) lost.. extant
. {- z/ p6 |9 M6 o4 K7 c& h9 g4 g2 V, _: u% T, \+ j7 V
8. SILVER: TARNISH::
+ \) c$ e. ^! i1 Y: {# ~- d/ Y* W (A) gold: burnish % Z0 ]6 M& Q/ i$ f
(B) steel: forge ) U! s' W8 ?: p; S/ x& j5 G
(C) iron: rust
7 Q! s3 \# k9 ^: s (D) lead: cast 9 @0 x) ]0 Z5 h' W
(E) tin: shear 6 D4 o4 `8 X. G, ~
0 r* g6 Z/ k) ~0 Z, G {2 i, [# E4 _
9. DISLIKE: LOATHING:: 5 E; a/ `! \8 h+ J8 t: F4 o/ c7 `
(A) appreciation: gratification . E8 ]6 I5 p1 ?% ?+ ~, b0 T9 O
(B) hunger: appetite 4 A; C& d" ~3 `4 h; n; q0 I0 @
(C) void: dearth
9 z% T6 g& N' b/ s7 x (D) pleasure: bliss 2 s {/ v b: U$ r3 G
(E) pain: ache ! h0 W7 r2 d" U5 B) c: M
) k+ w3 O n5 s6 Z
10. CRAVEN: HEROIC:: 4 B8 T* K0 X: b4 d
(A) unruly: energetic
/ z) Y) y( u" v (B) listless: attractive
7 a6 o {" k/ ] (C) volatile: constant 4 @ h1 W8 `- ~) n
(D) deft: trifling
! ]& B) K: o0 G8 k1 _8 f) R (E) awkward: amusing / z6 @! B+ B6 I1 K0 w. P
0 O6 d6 z* M9 F
11. FILLY: HORSE:: % d/ W6 ?# ^/ J8 l% n+ ~+ v
(A) antennae: butterfly 3 D2 {0 n2 V9 e. I
(B) pullet: chicken
) `# P' L/ H) U0 Z6 h/ ^* }3 ? (C) gaggle: goose
) `% r' r3 R6 M (D) duck: drake
, s4 M( Q6 n2 H: }' h (E) wasp: bee # j; W' h1 n* A
2 o6 T u R3 V$ t: V n12. PITHINESS: APHORISM:: 2 y4 }: G) }2 s, B6 \6 \* M% g
(A) craft: art ( O$ c3 `9 }, g, `3 v* g
(B) detail: sketch
& [0 G% Z. X7 }) E5 ?* j (C) illusion: story J' p e9 f, p- F2 `: b1 H
(D) exaggeration: caricature
# y0 t: K/ _5 Q9 I% z (E) sophistication: farce . y' Q* R6 X5 l! @$ B
; I: J, y1 ~) e9 a
13. EPHEMERAL: ENDURING::
* v$ j, o7 v) ` _2 t: N (A) infirm: healing 6 d; B2 P& _: W, h7 d
(B) insensitive: cooperating ; e$ B! R5 E: ] B
(C) inanimate: living
9 Z% _& T/ F& y: u# d (D) interminable: continuing
+ P7 F: @# R* G2 F (E) ineffectual: proceeding
% ]1 ^& F0 z, a N- S2 x. q0 D
7 E% l- c& b; }/ N14. POSTURER: UNAFFECTED::
) m. {' V* V2 ~ (A) brat: insolent 7 k5 {: a6 P5 ^. P% m
(B) hypocrite: perceptive
3 Z+ z/ Z& H+ e" d7 n$ T5 i (C) grouch: respected 5 `$ P* h* [( Y) V7 S& t* r$ b" v
(D) bigot: tolerant
f& H/ R- R" w" t (E) rogue: empathetic
1 j# Y3 U, |* b9 m( `; r' ^. u% c; C; Y7 N
15. FACETIOUS: SPEECH::
0 p4 i) A, u: S7 F8 i! Z* O (A) precocious: learning - T) R6 x9 Q4 F
(B) unbecoming: color
% G( K. I: {" G% N (C) exemplary: conduct , n- ]. X4 X3 N" M& Y
(D) craven: timidity
5 j9 m" M* t2 z1 U2 E+ t (E) antic: behavior " h( L: S+ ~8 W2 T! N
9 C% P* N0 }7 B: |1 f- Q5 _
16. VAGARY: PREDICT::$ b" s5 P& `. K& N9 K" X0 o1 M+ d3 z
(A) quotation: misdirect
3 ^5 s7 D, @" c+ _ ?8 F* H (B) investigation: confirm
7 _" a% a- a5 D (C) stamina: deplete
% u2 L! }3 q$ ? J- q3 l (D) turbulence: upset
: O* Q- S9 f5 R- C (E) impossibility: execute
6 @/ ~4 m0 m9 ]
) S. \2 z7 U/ T3 W28. PREFACE:
3 j b* r' R3 G! l' ~8 n& t (A) improvisation , e' I& Z) y6 {4 K% p
(B) burlesque 6 n/ U c' l1 e4 ~& g# p- a* P! M
(C) epilogue 4 E$ p- p# r- m5 O- M
(D) tangent . E$ v- L# v8 Q
(E) backdrop
% c' n ?! \/ B, ?, q1 y& N8 v6 P& m2 ~9 G# u1 A
29. DEBILITATE:
; q: {! E1 h1 B$ y( l0 q (A) implicate* h, i. v8 f+ T8 R. e; {7 ~
(B) invigorate : P6 x* W9 F: I# S* W/ C
(C) obfuscate ; D2 g8 ~" W; g2 I- W. G) X
(D) realign
' b g+ }: E5 c; N$ e5 X (E) encumber
% |$ d# i& ^1 A- v- j$ a, Z. L* x. @' v: c
30. TASTY:
5 a+ E t! |1 t4 g& j (A) uninteresting
! ~8 L) ?: D: e: z" C1 N# A% } (B) unfamiliar - X1 T' u; a) O& S. p
(C) unexpected
( }$ x$ \, `9 n. \3 e (D) understated - ^% W/ N0 L: ~. O ?$ C
(E) undervalued ' a9 r% D( e s7 _- \( X
6 z8 J1 e3 D8 }' N
31. ABNEGATE:
' v0 `6 ? W6 j9 I& u (A) refresh $ t1 m: t! P* S3 H; D( j
(B) reaffirm
6 h; G) [5 f4 t( s; x D# u: v: d4 S (C) relieve
5 e' K+ \) P; j, Y9 a (D) react 7 x; O/ S0 I0 `* r4 D3 ^: i
(E) reform ( T( B7 d) } h; W. T4 ?
, \5 a5 k! _( v! e9 W& v S32. SERRIED: 8 y+ B Z& \: g( C# C3 s
(A) partially formed & ]# }& A9 p7 y [& m
(B) widely separated
0 R- E8 r5 j* e# W7 d$ `" Q* ` (C) narrowly missed
' s* m/ f3 N- A# h( [: }8 r1 Y (D) extremely grateful % N. w# t) @; [
(E) reasonably clean
) d Y% z6 q3 X5 m" n8 ~1 w' y! }- _) g4 g8 J
33. BOMBASTIC: * y6 h8 k/ `1 M) G0 ~- t/ C
(A) unflappable
0 R2 M& O( ~. y) ^- ~8 r (B) uninspired
w! z) ]) {7 G3 ?& a) a4 r (C) unpretentious , h/ Y k- w5 W( P
(D) inscrutable 4 ~2 ?' f8 I$ W b
(E) incisive
' m7 Q( T% W0 n
) W# d: x/ e" Z! x/ `7 }' v34. BANAL: ) J, l& U; v5 @' p
(A) comfortable ; i" z, Y3 }3 y' K
(B) novel 5 J$ G: _. k' T0 y
(C) equal + _; ~: O' g, w1 o5 z2 m! m" K# Q
(D) fatal " c+ B2 V2 A& V6 o
(E) competent
- k+ d4 |9 P+ c9 P; U* \( T35. LANGUISH:
; T& g& H0 w# P (A) agitate
1 d9 _5 ^9 Z/ }6 J, g- L (B) wander # \: l' D9 i7 w: j
(C) relieve
; Q! b7 z% {9 G# [* D& o! f (D) discomfit - J+ m2 b1 ]3 [: ?( C
(E) thrive 6 O; _# h7 h4 p. N2 C* d& Z
7 T" Q/ N- N3 p8 E2 c36. ENNUI:
5 r( d' o' D5 B (A) intimidation
2 K4 I& A6 L) F( ?) p$ s' h+ T- b (B) sleaze
( {/ k4 E( D( U, M( u/ j* r (C) faint recollection
% W. ^* |0 b6 \ X (D) keen interest ' l3 [/ R8 t/ n1 D
(E) deep reservation
7 @, N7 a8 H8 k, `2 ?
! p! _; b1 g4 T o7 V37.DAUNTLESS:" U& e; Y0 j4 z- }& A& e
(A) sophomoric& L1 s4 K$ M4 l* @. v' V. V- I) T# R
(B) trifling [5 ]. ^" n$ @
(C) pusillanimous, P/ ]. R$ x* j8 E, W( ~9 T
(D) specious/ M6 R1 ~7 J/ C
(E) parsimonious
8 Z/ u! M7 ?$ i' U9 m, v2 T9 D. }/ Q# {: E: ?# }1 @1 J. n6 @
38.TEMERITY:
/ C/ x) ?5 h7 V, \' u; H" ?# |(A) credibility! [! D; T7 e. _/ k. G2 o) B2 J2 P
(B) authority. @/ T: g7 `' }" V$ l( w$ E' u
(C) celebrity9 K0 V0 G0 \, ^# c# {
(D) acrimony: z' r: H' H" o: A v1 E7 r
(E) circumspection* q( [6 u( e) P- j
7 I; B+ X! e! v6 {8 q0 V( ^; `& j
. S3 Q! [% X- }( X( {% t
K$ }8 _# ?3 i, _SECTION 4/ ?$ x" ~4 t W* k
Time-30 minutes
/ i0 j; U. ^( Q! ?$ i: W! i38 Questions8 @" z6 c# \8 o' u: Q
4 _# n- t# }$ l/ j' J! X1. Although sales have continued to increase since last ) z0 b1 D! {( C
April, unfortunately the rate of increase has ----.
$ T" ^+ E* U+ x# k' D6 {$ y2 g(A) resurged ; k; S! |4 v6 ~ c+ W) D% a
(B) capitulated
3 ?& ] p8 c: j9 `$ W(C) retaliated . _/ B: H6 n) E8 @5 b8 E
(D) persevered $ ?0 [* E7 x- H. t
(E) decelerated % \6 O; o' w# Z. E& m) q
, F' ^/ S% @+ ?, C' N2. Although the mental process that creates a fresh and
) c9 L) {0 f* P7 [original poem or drama is doubtless ---- that which / Q" `& }1 x, c3 e! q9 Y
originates and elaborates scientific discoveries, there
) i% Z; R% f$ p; q; vis clearly a discernible difference between the crea-
+ ]8 q$ q9 \, _; mtors
2 S4 t) Z, y& [9 A(A) peripheral to : @% K0 |1 `# ~' u
(B) contiguous with ! U4 G+ s' _# t. i/ G+ f+ i
(C) opposed to ' o) a( A8 x5 Q: x: h2 O
(D) analogous to
e7 M' F( ]" U. |4 v' N3 I% D3 o J(E) inconsistent with / T; J* W4 c# p: N0 o: W* F
2 y& p: R- @" Z: c& h2 ?3. It is disappointing to note that the latest edition of
9 N6 E% ~- g0 Y; P% ithe bibliography belies its long-standing reputation
4 H/ b2 q/ `4 L/ g3 d7 ^. ~for ---- by ---- some significant references to & L, k% V0 J9 Y
recent publications. 4 r7 ^4 D8 Q9 d- P' j# h
(A) imprecision.. appropriating & B3 H! h# o9 w% N# d& C: Z! v5 j
(B) relevance.. adding 7 Z8 O% q! z) W
(C) timeliness.. updating # E5 A' o& D, b! S$ L. {
(D) meticulousness.. revising 6 _2 ^& E {6 r" X
(E) exhaustiveness.. omitting 1 q* B: u1 E B7 `1 f
4. Although Simpson was ingenious at ---- to appear
& p& b8 h+ j2 H: T' O6 p- hinnovative and spontaneous, beneath the ruse he % A9 y- G, K. r2 J4 d/ h* Y: T
remained uninspired and rigid in his approach to $ o0 p% g9 I+ i: I: M
problem-solving. % r0 T8 X8 [+ v1 D1 k) y
(A) intending * w+ U0 G: w7 j S% Z- `6 B
(B) contriving
8 _: z1 y1 H: X(C) forbearing
6 ^. |$ ~8 L6 W" c(D) declining ( _, }6 E+ A' J( }, Y- i! V. Z5 f
(E) deserving 2 ^8 L! x2 C' Y ^2 O
+ o* N$ k% r* E7 C7 r( W5. She was criticized by her fellow lawyers not because 9 M" v% r/ i) \( l
she was not ----, but because she so ---- pre-
3 ]! o R2 R& f$ {" Fpared her cases that she failed to bring the expected - a: l3 f V# z0 D9 j/ `
number to trial. . O3 e2 z7 g7 J8 N
(A) well versed.. knowledgeably - p) m8 i. h3 d/ e' L
(B) well trained.. enthusiastically . X. n$ B, g! ^4 y& @2 x9 f
(C) congenial.. rapidly
3 C/ X) E8 H. h! G% f, ~(D) hardworking.. minutely
) o1 \+ s- U# Q) A d(E) astute.. efficiently ; U! F6 J0 F- U) h: P+ l
4 v; F6 D/ @9 b1 s& C7 E3 X0 g6. Schlesinger has recently assumed a conciliatory atti-
$ x; W6 u3 O* ]7 P+ btude that is not ---- by his colleagues, who con-: R' e: {# z/ D6 P
tinue to ---- compromise.
' C- w8 Z. i4 ~: R(A) eschewed.. dread & J/ A9 a. e' k u
(B) shared.. defend / r8 z; L- e8 Z
(C) questioned.. reject
. d9 A6 l0 f# e0 x( @; p(D) understood.. advocate
; r+ n+ L/ t" V( g5 y- A(E) commended.. disparage
- y1 P/ w" ~7 \1 k- L
; m" d, a4 M% M6 {; Q. P7. The National Archives contain information so ---- ) o( W; ]; ?* Y% J$ y* e
that researchers have been known never to publish
. k/ S9 m/ I0 [$ p9 V. xbecause they cannot bear to bring their studies to an
7 \7 D" R2 W Fend.
+ G+ i" r$ U5 C B: b) N(A) divisive 8 L2 ^0 x- |$ j
(B) seductive
% g1 R4 h3 f+ T: O(C) selective 3 q$ J+ P% e* b8 d9 p- s/ X! d
(D) repetitive
L. R5 h) J( z) }( l9 d(E) resourceful
6 l, d9 O: f1 G& U+ N% q4 O7 ~6 r# F/ V! L
8. HILL: MOUNTAIN:: P+ e0 h; [4 ~; `" [0 S
(A) grass: rocks
7 J( ~6 ]: o# F8 R1 p5 a (B) autumn: winter
" }" a6 A+ @! n9 X (C) creek: river ' j1 A8 ]3 y0 J5 B
(D) star: sun $ Y5 l; k! H. U u4 e5 @
(E) cliff: slope + s% A9 f) S! h, A1 g
) h" ]. k; q" O" i) F9. AERATE: OXYGEN::
( x b% f2 v# Z- J& u8 G (A) eclipse: light
3 j4 p( W* Y2 g1 S9 d6 B0 S+ x (B) desiccate: moisture # t; j4 q8 {: P3 \( g4 @* f. V# r
(C) precipitate: additive
1 N" Y% y% b/ V- H (D) hydrate: water ' d j f. I/ A/ ]
(E) striate: texture 9 w) p* d& n( S6 u$ s4 u$ O) L4 [
0 g8 e5 K9 m- H4 s l
10. ORCHESTRA: MUSICIAN: # G4 b/ [# a7 o
(A) cube: side
" Z1 b: F( t6 N. c7 p Z (B) kilometer: meter
( M( E; I. M @$ X (C) sonnet: poem
1 w' d- ]6 A- H (D) biped: foot
: |; h3 h" I5 j+ O (E) pack: wolf
& C2 I4 U+ }: n0 a
# s) I% V0 T5 B11. EQUIVOCATION: MISLEADING::1 }- @2 h m1 H6 e; B
(A) mitigation: severe
3 D! q. s: J k8 a& L% d (B) advice: peremptory 6 @6 A; W2 ]* P! E3 P `+ \
(C) bromide: hackneyed
1 ]0 B/ Q7 B8 y (D) precept: obedient 8 b5 n0 b" C! _1 Y3 ^! I
(E) explanation: unintelligible + u+ L" N, D& S' f6 x' U, Z& r
4 l" }; R4 A, f$ ]+ g p
12. CENSORSHIP: COMMUNICATION::
3 g4 C) r/ p- G) V (A) propaganda: ideology
: k4 C- s% g; l, _3 y+ H% H (B) preservative: decay ! H' F% U* M, ^; Q/ [# b! }
(C) revision: accuracy2 Y1 [; x8 r/ h- H" B+ Y3 t% P
(D) rest: atrophy
1 ]# L8 R7 e/ J8 X( G* e (E) exercise: fitness
% c1 E, G( _ R# K. E8 H |) v. U) H F0 j. U' K3 r
13. BUS: PASSENGERS: ! W' t2 b }8 x! k4 g7 \
(A) flock: birds
3 k3 R. x; T V (B) tanker: liquid ) E1 a7 p- i0 Q1 R$ T+ I' _- J
(C) envelope: letter
8 [3 X1 c5 p& ~& O (D) bin: coal
}" ~. N7 ~2 w! T# E. t! Y' X$ D (E) automobile: gasoline
! M3 x9 j3 d. H6 T5 [
2 G0 G( v; f: B14. BALLAD: STANZA::8 M7 Q* w& b4 A0 y# F9 ~( g9 S* @
(A) novel: chapter . s/ K" \& P0 e% Z/ @ i
(B) poem: meter
3 z4 W, b \5 p" n. O (C) play: dialogue 4 C6 Y2 A" y( t6 Q$ S
(D) movie: script
; [- Y D4 H1 [. V4 { (E) photograph: caption
$ u, f7 o+ f# r, h D2 W7 K
. ?( e4 O5 `8 x k15. DISABUSE: FALLACY::
2 Z9 z% H$ a8 N# y (A) cure: disease ( P& j6 h: ^' A0 j! i- G( ~5 ]
(B) persevere: dereliction 1 i" t$ ?- E2 s R
(C) belittle: imperfection 7 ~; z8 A) F# C$ B
(D) discredit: reputation . L1 t. t' h2 l! _" H
(E) discern: discrimination 7 n( k- f5 E( k6 U6 j4 c
+ ?) V4 Z! O1 \) F# T
16. BLANDISHMENT: CAJOLE::
$ f5 L: k0 h, i) d6 M% a (A) prediction: convince
3 R/ ]2 {0 ]+ {, {' W (B) obstacle: impede
i6 H ^& ~2 }3 v0 a4 q6 {/ L (C) embellishment: praise 4 W& D3 z. s0 p. h5 V
(D) deficiency: compensate
3 C |5 t; b4 g! a% v- v- G (E) compliment: exaggerate + h" |& [2 Q0 e8 D \
3 Q9 ~' n9 S+ x( P1 z4 H
. | T, h" O* D+ e& n6 [
28. DEBUT:
6 e5 B6 x# n. b" e7 i (A) collaboration
8 L9 S1 \2 M8 Q1 } (B) monologue 3 f5 e3 @9 c# H( ^2 X
(C) farewell performance $ k# S- t' H' ]8 w% ]: `" K8 Z1 E
(D) repertoire standard
% A! ]# w% z. h3 R+ L (E) starring role , x1 \' ?( J6 b1 i5 K9 f
% U# |" Z0 d' q! V" B: T |" Y29. WITHER:
8 R: R1 R0 e* Y9 ?: q (A) disagree 4 h {$ b+ Q5 a6 f7 i) [
(B) shine
; G% L0 G0 a& t6 `2 K (C) plant
: @7 q& B* T. E' t0 [; N% B/ A (D) adhere
2 Y# b+ J- _ F0 Q. ^ (E) revive
g$ m! I7 I/ ~% q4 F6 j! P8 I" t: s. [- {
30. BUCK:
1 T- q# A3 z& B: ^% h5 W (A) cover over
" y- X# |: i4 M* q K (B) assent to 7 j3 K( ^7 x' k" L; t: m
(C) brag about
( f6 ?9 {/ @) U0 z9 a. i ` m (D) improve
) j. [7 h% N% T& t7 Y6 m (E) repair ; e* [7 ^" ^8 V3 N! r4 P
; Q% X$ c) a9 _! S. }8 {31. MEAN:
# e1 X$ D5 U! t' M; }7 r (A) trusting & W$ {; j$ x! }9 b7 ?$ f m
(B) ardent
! F6 y7 W4 J* n7 J (C) clever 6 l g+ p) L) j1 x5 g8 k6 g
(D) incautious * `4 Y& s/ n4 X. ]- n. R, V+ T
(E) noble
* g! N' J& \3 O7 x+ N4 t' d% k% w: |3 @: _4 S
32. ADJUNCT:
: o& t) T7 Q/ B# E! r2 v (A) expert appraisal " q' c! U' s6 ^* F9 d7 y
(B) generous donation 9 n( Y4 w4 O6 B9 l( k* Z
(C) essential element + M7 r3 v. z+ d8 M: L+ y
(D) mild reproof 7 J8 p5 N1 Y+ O: ^0 E
(E) impartial judgment ( Z9 f: o9 h. W$ y
: U9 T! L' [2 K9 X1 G9 d
33. CANONICAL: 8 @0 ]+ T: o! m" e' h
(A) imprecise
! j' x4 b2 S* j (B) ubiquitous
0 q2 [/ @. a/ V- f) { (C) superfluous
4 L# j( C0 M; j I$ i (D) nontraditional + \! C, Q( B+ _: S
(E) divisive / D% y- `: p% b; g& I
8 R Q( h" X$ ?4 M5 B( J$ ?34. TICKLISH:
w7 \; c. m, Y2 Z3 O (A) heavy-handed $ H g1 n- A3 R( D
(B) significant
& S1 _7 _9 R$ [3 ^* {4 k (C) tolerant 1 z* f2 `7 @8 z2 o) |7 [2 Z
(D) impartial * [; H1 m/ U( \- ~7 B6 R8 F4 s" B" K) \
(E) imperturbable
0 h, _) E k9 p) f' \% D. z7 J/ S
35. PREVALENT: ) V* Y" v9 S8 M4 Z# |
(A) invasive / i4 x$ m) |- S) Q# T' E
(B) inconsistent 3 T; @& ]- w+ v4 j/ }
(C) indistinct
0 p8 V: T9 f/ D3 E* R (D) unpalatable
1 V4 F0 P. f( L1 s' { (E) unusual
' @ X0 C, g. f. M5 |5 k, b- Y% V0 ~, L6 E: _) g& S2 ~
36. PENURY:
; O- h$ f8 L7 w* Z H# b (A) approbation
! r2 _" C- y& F- p m M (B) affluence 2 r: B+ Q; _% N0 p, e. u1 ]
(C) objectivity
8 [' r3 I F; x% ]0 E4 k3 } (D) compensation
$ u4 r) G8 F+ S# z* j (E) grandiosity
g6 ^1 L0 |- l z$ Y, Q) N- r4 q2 a6 _% }( ]3 Y* W
37. MINATORY: " d \5 ~0 z+ R
(A) convenient
' x, w6 ~, P6 I5 [; r (B) nonthreatening
- V& E" x" X2 A- ^ (C) straightforward
2 w6 S7 I/ {; w8 Q7 u (D) fastidious / c- d! @8 U+ t- q- p; J9 v$ V
(E) rational : b/ h4 R* w8 F7 R8 d. l0 Q
0 l7 N2 Y/ c4 h0 ~ r7 I' ~7 B& N38. CALUMNIOUS:
0 y6 U4 v! _3 v: N/ z' G (A) adept & T! d# I) v" P4 ]
(B) aloof 2 J9 C, u1 r E) Z
(C) quaint
; k. f+ q) l5 N7 U, n (D) decorous ( x; F: C) E% ^9 @3 O; @1 H5 [0 w: R
(E) flattering
6 H4 Z0 e, ?9 r3 ]7 W
3 z9 R4 L) h. t5 S' c1 W. t: k7 u$ [# Q4 V
% r9 C( \8 u. n/ a8 m1 q! p$ }3 p, _/ `
% w& V/ t. D5 O9 s3 z5 t" s
0 w8 v3 K# j# G1 J) H
SECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE
5 z, z* s* `0 q& H6 l# ASECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE
% y+ w% Q% {6 K9 BSECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE! B* H0 a4 F& [# C; `, U
SECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE |
|
GO
发表于 2005-6-2 10:06:39
发表于 2005-6-2 11:20:54
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