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6G冲刺模考讨论(四)
, `3 O, h& F! H, [
# j2 m( _: ~& W- i. Y2 M现在模考应该限时. 同时也要练习涂答题卡.
2 @/ c) s' K2 y& g
' G K$ n$ G1 W5 o! X4 Q! v! J& Y/ y6 o
SECTION 1: z3 p7 Q, }2 u
Time –30 minutes$ u0 g% p! X8 k \3 ]' L
38 Questions
9 b% }# [% K, O: I" p) O1 @( c& _% @9 ^
1. Because the monkeys under study are ---- the ' a( c( L0 t1 g" c0 U9 ?
presence of human beings, they typically ---- 0 j2 }) Q* G6 L2 i
human observers and go about their business
v" }3 F9 n) q: J4 ?; m5 X (A) ambivalent about .. welcome
2 o* Q/ i9 [( U (B) habituated to .. disregard
9 [5 ] E- I5 a. h! K (C) pleased with .. snub
( N9 x' v8 t! H (D) inhibited by .. seek
% P& j' L" y% k) A+ D2 O, J% i( K (E) unaware of .. avoid : E2 }0 l' b9 F, x
6 i* ~! _; Y5 V5 r: ]$ Q, y9 R
2. Give he previously expressed interest and the * Y4 F) D! T1 w$ P. m& v1 Y
ambitious tone of her recent speeches, the senator's / z5 q4 a5 U& P+ t, y: c7 ]
attempt to convince the public that she is not inter-
& a0 K1 _/ w. ? a( tested in running for a second term is ----.4 G& p, w( _) j$ J' N7 h
(A) laudable
+ P$ h6 O0 |9 V; }( x3 F. n (B) likely + {* }, @' Z( a/ w" o0 o4 `
(C) authentic 0 C" s! g3 q4 `; e8 }* r i
(D) futile 6 ], i/ B! |$ I" O8 ?
(E) sincere
% I6 m. Z5 O$ ]- z6 G$ f- I+ T$ O$ ]4 v
3. Many of her followers remain ---- to her, and
( x1 P( H2 W7 A0 v; t& W even those who have rejected her leadership are 2 z* x# [' j3 R) t6 _/ I5 M
unconvinced of the ---- of replacing her during 9 @9 m" H5 u z8 n- F; t/ k8 w
the current turmoil.
) l" i; H6 q2 d5 E (A) opposed.. urgency 7 e% D5 m9 y1 }; } ?' r& Z
(B) friendly.. harm " d2 d/ H9 d& x6 E# R! T: @
(C) loyal.. wisdom `4 p; V- ^' i& e* @; ^3 p6 `
(D) cool.. usefulness
) b# F4 {7 v/ X9 K! L (E) sympathetic.. disadvantage 8 Y! e6 b9 o5 b) v
& I: B* B1 [2 x. k
4. Unlike many recent interpretations of Beethoven's
3 b9 J" e8 z# {) D3 h& Dpiano sonatas, the recitalist's performance was a
# ?3 a: P/ J" T# c& r" C1 {delightfully free and introspective one; nevertheless, 5 |0 f+ L4 z7 Z. ]- n, c6 L
it was also, seemingly paradoxically, quite ----.% @* G3 d6 m- [: Q5 L
(A) appealing
3 Z2 X& M( f7 r& y& k4 b; Z (B) exuberant
5 S7 s4 ~: V" R' q (C) idiosyncratic
/ M" B. c! l+ A8 E4 ]) B" C (D) unskilled
8 b4 G3 g% n4 p( y (E) controlled ; t/ H) V0 `& @
* p) [" m" B% J6 W5. Species with relatively ---- metabolic rates, including
+ F$ w& l3 d5 G6 G. Y) p6 j4 p6 ~hibernators, generally live longer than those whose
5 e) S' }8 t. u" C) Mmetabolic rates are more rapid.
0 T) y0 o* H# g( q S(A) prolific
( S( P, b/ I( L' A% C& H( G(B) sedentary ! M) N+ D. z8 T4 \/ j' p4 U
(C) sluggish 4 C3 Q, @" {0 l9 s# x( n# ?
(D) measured
Y& E5 P S1 B (E) restive
! j% v9 {1 A9 T, `, t5 m- }* |+ e5 V/ N' O4 g. e
6. Belying his earlier reputation for ---- as a negotiator, / P' _2 x. V8 h" `8 y5 ^ c7 g
Morgan had recently assumed a more ---- stance ; D8 W1 f U* r( M& L) c, S
for which many of his erstwhile critics praised him.
z6 t# [# c2 F (A) intransigence.. conciliatory . r1 w S; \+ |5 h3 ]
(B) impropriety.. intolerant
: k" e2 J9 ?3 e7 n (C) inflexibility.. unreasonable
4 m# Y8 F; m8 t& ~; N (D) success.. authoritative
( h, O- O/ a1 h) a/ I' u (E) incompetence.. combative 0 }" q U5 | P
; R& E2 X% u, ~: r" E7. Although Irish literature continued to flourish after 0 \$ h( N$ c0 Q# d. y& s% b
the sixteenth century, a ---- tradition is ---- & n9 n/ [: y7 r3 W; H
in the visual arts: we think about Irish culture in terms of
* G$ Z# Z' N4 m' b5 [$ lthe word, not in terms of pictorial images.
7 w/ U& Y+ A l& i(A) rich.. superfluous
' ^2 g1 d4 X8 {' _ (B) lively.. found : r& _# y3 y! G/ S- b/ F4 a
(C) comparable.. absent 3 {5 t) T8 D7 [' M
(D) forgotten.. apparent `- g/ e1 `" x4 f. k; L
(E) lost.. extant : Z* D$ ]* m9 Q2 c% {" u4 a
# s- X4 a4 L' E; T9 V4 g8. SILVER: TARNISH::
/ C- s3 L, j; Y# t) V (A) gold: burnish " i: e( l' B4 F% B
(B) steel: forge
& f7 N4 ^7 {1 t$ Q/ m4 _ (C) iron: rust
9 E! `! ?1 ]- u (D) lead: cast : c6 Q: o$ F# h
(E) tin: shear
% A, i6 \7 g) J# u% ]
A5 Y$ b. S2 ?4 |! n9. DISLIKE: LOATHING::
6 t! G! ]$ J( i" E0 V) q/ |0 x: G (A) appreciation: gratification
" R0 H6 L8 _$ I0 ~2 K& Z1 K& O/ v8 X (B) hunger: appetite * s* b# E: w% ^! k6 E, t$ r) E/ e
(C) void: dearth
2 }6 `% X3 q' a7 Y( o9 ~ a (D) pleasure: bliss
- d" f2 L) C3 A: Z6 e$ Z (E) pain: ache
3 h8 t' U' j( t6 V, K1 u* L5 y6 Q$ |+ ^: T0 O6 i, O2 ~
10. CRAVEN: HEROIC::
! S4 [3 E! {) s" g; p, _ (A) unruly: energetic 0 `- d) h: `9 {0 J
(B) listless: attractive
+ V! n$ p2 m# b7 L9 i6 K% V& R (C) volatile: constant
8 R2 U! B& i0 e5 m b8 H7 { (D) deft: trifling
: y+ V( y$ x/ S7 p* k1 v# ^ (E) awkward: amusing 6 ~3 ^5 A1 R' H9 h
+ K$ E( f& F+ q/ f a5 S11. FILLY: HORSE::
; S# ]( A- b6 x/ a (A) antennae: butterfly ! \5 X: h0 Y: }( _% [
(B) pullet: chicken 8 N }' \% P2 X A& |- T
(C) gaggle: goose 4 U& j V6 p5 P, X
(D) duck: drake % M9 k- s; Z* G' z, b7 a& M0 Y! w
(E) wasp: bee
1 T9 ^3 L7 g+ \: I
9 I0 J& {! d; ?$ L1 H5 K! E12. PITHINESS: APHORISM::
- b; R" s1 R8 Z7 m9 z2 P- I (A) craft: art
$ u# V, H/ I& ]# o (B) detail: sketch + u) m( d: a# Z2 e- ^2 a2 d
(C) illusion: story ) s$ E& h4 a9 d
(D) exaggeration: caricature
0 q, ?* K2 U } (E) sophistication: farce : e" M2 b& E* f- I e
t. ^3 e0 `6 f w7 ~: m
13. EPHEMERAL: ENDURING::
' @7 B4 A; x8 e0 u (A) infirm: healing
5 s1 m+ x1 W, n5 h, R& @ (B) insensitive: cooperating
' f6 t' t+ N0 S (C) inanimate: living 2 {! h5 l4 p. B( h ?8 g5 \8 ?( M
(D) interminable: continuing 3 E: u7 x- m. G, d7 T- P4 M$ B( j: r
(E) ineffectual: proceeding
$ l" A; F* U; y
, ~2 b8 \4 F8 L1 F, T; } A+ c6 Y7 P! C14. POSTURER: UNAFFECTED::
" @7 |! t" v* f* J (A) brat: insolent
# @$ E/ N2 m5 z* T# z8 ? (B) hypocrite: perceptive
( c9 X }. e) } (C) grouch: respected ' l* o: N6 p y) v4 }/ b7 e6 y
(D) bigot: tolerant + b2 q& ^1 G0 V. ?
(E) rogue: empathetic 7 \, a/ {+ O9 H9 M+ Y& q: ?$ _& S) x+ p
6 E& Q' a1 K" m& P; M2 k: \1 h15. FACETIOUS: SPEECH::
/ n ]. M4 H" [% m+ ?) ^, j (A) precocious: learning ( b( s# N8 u0 {3 V4 ]# D
(B) unbecoming: color
" m7 t' {; R3 s( O6 z0 J (C) exemplary: conduct
9 [6 B' a: j3 ^2 q! _' ? (D) craven: timidity ; N: d4 A& O* k8 Y! A& u
(E) antic: behavior
& l' j5 r4 |. _' T1 g6 N: R% w+ M, a' ?6 w
16. VAGARY: PREDICT::
3 Q' l3 r" ?& Y% q5 u! Z, I (A) quotation: misdirect
. a3 i* \/ v% L# L c: | (B) investigation: confirm 6 }: }6 t9 r9 k- y- a- F
(C) stamina: deplete
6 z0 m' ?- _! f0 u6 L4 F (D) turbulence: upset 6 @8 W; ]7 C+ m: [
(E) impossibility: execute
% U2 t; o5 i+ J3 G" F) h) e
: r4 C- H; M' C2 b4 L% Z5 D28. PREFACE:
* S7 ~9 H, L7 Q) g* Q, k' K(A) improvisation
# f1 i5 ]6 A& z2 q0 _2 Q/ s/ b(B) burlesque
" C4 [* e$ C) j) h+ {(C) epilogue ( d) f( H: H5 K* h' a
(D) tangent
" h0 d' E3 G1 f6 J3 @7 }(E) backdrop
: A- S i& W/ r+ v. y2 V K0 F% F' d* Z) I: X' V- `6 U
29. DEBILITATE:
6 H( R5 l/ B6 x5 _, X1 c. l(A) implicate1 _" W! F, d! i% F
(B) invigorate
, f# @ y a8 _& v4 M: @8 K' b(C) obfuscate ( W6 n: Y- i. S* W
(D) realign
" \) c/ E" I0 l7 a. ~(E) encumber ' e8 N- |* ~( R2 k7 w# P
( G7 n, |1 h; O
30. TASTY:
, J: @. Q0 \% ]" Q( k* |. \+ Q" k6 R(A) uninteresting 5 N; Z* |( a9 I( t; |9 J6 I& r
(B) unfamiliar
% x: O" W5 {4 v2 \8 x) E3 X(C) unexpected
# C3 [) E# F$ O o |; ^1 _(D) understated
3 F$ ^1 G' l/ {" |; E% J8 S! R" {(E) undervalued
' [0 k: D1 k0 |8 M
; s) I( }- `2 @31. ABNEGATE: 7 G; L) M; x; `' J# B& K2 |
(A) refresh & \) u7 e6 g- e7 C8 Y- S
(B) reaffirm
: V9 \4 x% b, j, Z/ P) k(C) relieve 2 T% q. C' N, v$ j& W5 e
(D) react , @8 e7 H# {, j! a- M
(E) reform
% q8 ]3 U* u9 y) j
4 l( V; I- f/ X9 |/ m) z6 t32. SERRIED: # ]3 D8 d8 ~1 N0 b0 W+ w
(A) partially formed $ q( j$ f. Z& a5 `
(B) widely separated
) c6 R) M x. ?: v) z7 O# P1 |, F(C) narrowly missed # t1 u" z H' J; E9 E
(D) extremely grateful & z8 V8 O, H. @9 e+ K1 \" x5 P
(E) reasonably clean . M8 n4 S2 m( D% [& P2 W+ D) Q+ g
{& {0 @ ?9 w, h33. BOMBASTIC:
; A5 j. p) v0 X5 u4 Y(A) unflappable
* D# k' M6 f" B, J* l) M(B) uninspired
6 S) O: @3 }/ ^& h5 r(C) unpretentious * y! z: I8 u* Q1 Q5 U6 u
(D) inscrutable ) {5 e6 y# `! J K! J
(E) incisive 3 J6 E' A1 w/ \: l* ~+ w1 |
9 x( T8 Y- B5 z5 U9 h34. BANAL:
5 K, ?/ g8 E2 I5 E7 a* h(A) comfortable 9 m8 Y- Y8 [6 i2 ~0 h
(B) novel 9 z9 ?6 Q, c+ W2 c
(C) equal
3 @; z2 j5 K7 C3 l* h(D) fatal
7 l6 I( R! G2 {( {(E) competent
* C$ K" ]8 j l6 y; _/ ~5 W! }35. LANGUISH: 1 h6 @3 r$ J J. w6 o, @7 n
(A) agitate 0 Q: q6 f/ v/ y
(B) wander
: H+ E- h6 P. Z, C& r/ w/ v(C) relieve
! ^' h9 F' S! y' L( t% }! r(D) discomfit
. |2 u* p! i, ?- _+ _( g* x$ o. Z. v(E) thrive
9 Y7 w+ [ Z8 o4 ~) W
) }3 {5 S0 c% O36. ENNUI: 8 L8 V6 W+ B8 l/ K; C8 F0 C
(A) intimidation 4 R. c \; o& G& F
(B) sleaze : v& d: \! X( `% \/ N* T4 T9 l
(C) faint recollection
' B2 ?0 C% q [# o( d9 o(D) keen interest
/ @- {& [9 S Q0 K(E) deep reservation # p ?( x' e0 V" [: r& {! J
* |) c8 z4 c& T7 O( R; {7 z2 w37.DAUNTLESS:# V2 B6 E% r; k
(A) sophomoric
/ j8 Z1 W& u+ d" `" z* M! O& q(B) trifling
: E: H0 D1 Q5 w0 M3 d' q(C) pusillanimous
* X4 U: z7 q3 \4 R(D) specious
, v. s0 _* k7 b$ B* t(E) parsimonious. _; M; Z" B8 h& A) A$ X: \- G
4 d3 J$ G O) k/ }; c38.TEMERITY:
& i8 U7 H0 F5 @: }' x- c(A) credibility/ t7 ]" q5 y4 {
(B) authority9 A! p& C- B, W+ d% \- P: p0 ]6 V+ X
(C) celebrity6 ? B5 C' P! u1 ^* t% d
(D) acrimony
$ C K9 T& s: h. Y L% `2 \, B(E) circumspection
8 }; s; m8 y4 k7 x% {7 E+ A! g3 _7 ?
& R/ C% n5 s! G1 ~9 F! m
4 [7 E, z; @8 d! s* N& W6 \9 X
SECTION 4
, v7 n' u+ l2 X* pTime-30 minutes
$ u: k, N# L0 D7 T; q/ Q* E+ u38 Questions
% B/ ^% N. n0 {
& u5 g; W* s: W$ ]+ U! V1. Although sales have continued to increase since last
# r& Q; P2 U l* oApril, unfortunately the rate of increase has ----.
4 K) K2 a! h3 L& s/ a) ~. x, n; r0 t(A) resurged
3 [" n$ Z' w! g2 w5 Y! r5 P) _& n: S(B) capitulated
- c& A; y/ C; O" R(C) retaliated . Q- O0 ]% ~' p) c
(D) persevered * Q) `& k4 s5 Z; z' E B+ y! K
(E) decelerated
! ~9 T! x) b# I0 ^* E' z4 V, c+ D! D8 @2 H: i4 g( n" S
2. Although the mental process that creates a fresh and
d3 g3 b- r' C( H2 N9 voriginal poem or drama is doubtless ---- that which
% p5 y) E# g7 \/ H8 a: j' u0 uoriginates and elaborates scientific discoveries, there $ T7 m+ I! \) @5 j6 k
is clearly a discernible difference between the crea-
$ j" ]) A- W W9 ltors
1 ]$ i* a( l4 l: y v- \(A) peripheral to
3 U9 ^3 R- P- a' A1 i5 N; ^. u(B) contiguous with
4 G$ `% B- p6 ]( l/ c O(C) opposed to
! s" C- J' h' g+ H(D) analogous to / c; x* `( A; y
(E) inconsistent with
( i0 |+ G0 C/ p; u( v8 @ N5 L- X! q1 o" B
3. It is disappointing to note that the latest edition of ! v8 A$ j) b' h" ?/ L; P0 J
the bibliography belies its long-standing reputation & _5 a: ^5 z2 [1 Y% j
for ---- by ---- some significant references to
+ I; n9 ?" `1 M: K$ o. R* brecent publications. 0 T# m) H1 m3 U$ R$ x
(A) imprecision.. appropriating " s1 p' D; C( J
(B) relevance.. adding ! Q5 u: h( H) d9 m m% c% a
(C) timeliness.. updating # x! O. X) C4 u
(D) meticulousness.. revising . f, |5 t" J* h' _2 T
(E) exhaustiveness.. omitting
1 l9 E7 B, p! u7 u4. Although Simpson was ingenious at ---- to appear 4 i3 g6 w8 e0 V( v2 n Y0 S, P6 N* k
innovative and spontaneous, beneath the ruse he $ e* `; k' V& Q( {$ g ?; c
remained uninspired and rigid in his approach to
1 L# q' ^6 H! z* J1 j+ C& g& ~problem-solving. - G, E! }0 v7 X2 J# S
(A) intending 0 h3 e4 V/ |9 k
(B) contriving
) s. W. x; K8 q(C) forbearing 3 X K% d/ R) U8 Y2 N, I
(D) declining & F, `& Z6 i% q# j8 P; p {
(E) deserving
- _4 U% d1 N0 G) \! b* i' P2 W8 W: |8 k d
5. She was criticized by her fellow lawyers not because
( h0 E- ?+ U5 vshe was not ----, but because she so ---- pre-! O8 M: g _' n" x
pared her cases that she failed to bring the expected 5 P0 I3 X! w# X, j! O0 W. [! `& n
number to trial. & c7 u8 N9 f) y
(A) well versed.. knowledgeably
0 Z7 y4 i: R* }* y. f(B) well trained.. enthusiastically
9 }; g* }& E j) ~, h, `(C) congenial.. rapidly ' E6 a% y# g4 [8 L
(D) hardworking.. minutely
* N. K/ ~+ b, a(E) astute.. efficiently . Q" Y- e1 L, c3 _0 V$ L
! J* W: Q' Z* t4 U( B0 f4 ?" w6. Schlesinger has recently assumed a conciliatory atti-6 F6 o' U! O# Y: P4 v
tude that is not ---- by his colleagues, who con-
( I( J2 M4 O( w# ptinue to ---- compromise.
I% K/ l! t( B3 U) G(A) eschewed.. dread
0 |% K( c; w1 g# y(B) shared.. defend ' U3 }+ Q1 y- P, e8 y
(C) questioned.. reject
# z3 q( u+ M; m- o& X9 W(D) understood.. advocate
- M5 ?. z% T0 a: P+ t! [) j( r(E) commended.. disparage
1 K% u: w' H7 C+ H) k# ^9 h# Z
8 u8 Y0 a: ~) `( u7. The National Archives contain information so ----
) P$ t+ d2 ?- Y4 y! D% pthat researchers have been known never to publish
Y9 Q# P, _" t% R7 }# o5 Hbecause they cannot bear to bring their studies to an 2 w6 C3 Q- E# t2 ?
end. & N7 d" d- M; |9 G0 y9 ^
(A) divisive 1 `$ A8 ]' X0 O$ U5 h6 L1 K
(B) seductive
( {# |1 i! F* g8 t$ g, P(C) selective / w- S: Y4 H# F9 z9 w' p9 J8 c [
(D) repetitive
$ Z" ]" S2 A* r3 M$ |; q- U(E) resourceful & t1 X6 H; H% O) t6 F& P
& E1 p& t' Y* S) t$ E$ \6 l5 d6 [8. HILL: MOUNTAIN::7 Q& @) u- i6 C4 G
(A) grass: rocks
0 b4 Y$ i% v3 ^6 c+ @) Z(B) autumn: winter $ C0 j& d, e6 O/ O, ~2 ]
(C) creek: river
, t$ |) n: m2 [+ G7 ^. O" Y5 I$ t(D) star: sun
9 B6 B0 A' r7 J6 ^2 L3 S$ r ^(E) cliff: slope : k# `$ F) b8 ]$ E
7 G- v0 b8 I& h9 V7 a" H/ H# E
9. AERATE: OXYGEN::
. F {; I0 V; S. @. K: o' h) C(A) eclipse: light
* P+ o1 X8 K8 T; I% U! C(B) desiccate: moisture
% ]3 ^1 B9 ~# l; i! y(C) precipitate: additive 0 `% m7 B; [" N' Z" G
(D) hydrate: water
7 e T7 S5 ]3 o& F& X- P2 B7 k4 I(E) striate: texture
. M8 c' h3 ^# `& w+ }7 u
/ r% O3 c. T; U, \* B/ |0 F* M10. ORCHESTRA: MUSICIAN:
" @& W/ u3 b% b% v; \9 i$ d! {( l(A) cube: side
5 ]9 c( e. ^6 I8 k9 H% ~9 r(B) kilometer: meter
4 \: p' c( S7 ^( A9 @(C) sonnet: poem" G# V6 n# [ `. F
(D) biped: foot
/ e$ G% r8 ^8 c% _5 ^$ X8 W(E) pack: wolf 1 v2 a5 }) O+ Q4 M7 @
+ s! u4 q: @7 `7 ^& R/ V11. EQUIVOCATION: MISLEADING::- l' w; B2 X6 w5 o
(A) mitigation: severe
0 v0 _% F! u, n: o6 z6 P6 b(B) advice: peremptory
9 P) Y! H' a, r8 v% d3 E& H6 Z, _(C) bromide: hackneyed
9 y4 M& o3 y. I) s% S(D) precept: obedient 1 k1 s# g; h' Y5 S( O
(E) explanation: unintelligible # Y1 m/ C* p S9 c a* \" F
3 k+ p& J- F g( j( H( h9 u
12. CENSORSHIP: COMMUNICATION::
* d( ~0 P5 C" y. {+ u9 H s9 l(A) propaganda: ideology
# x t g' E: A: {(B) preservative: decay
+ ?. ?' C# r! K, z' d(C) revision: accuracy$ `! X; X- _% H; O
(D) rest: atrophy4 }$ i1 y/ x: \9 K' N+ U; w
(E) exercise: fitness
9 i F( U$ N3 L! h6 o8 _! S+ l
% c' Y' V& F1 n- K. ]3 f13. BUS: PASSENGERS: # C0 C$ [8 W/ `
(A) flock: birds 2 P0 j$ p* [2 K9 c$ y+ v
(B) tanker: liquid " ~7 c$ U4 T# ^
(C) envelope: letter ! A' k3 Q' l3 h$ z# w( m* Z' T
(D) bin: coal ! f T7 Z3 Z7 Z- e
(E) automobile: gasoline ( }. G# X; O5 U) Z5 G
4 D7 ~3 s: [; ]. a, a0 L14. BALLAD: STANZA::8 L0 h5 ^, Z4 c, K
(A) novel: chapter
9 E8 `( {$ j; H) a a5 K/ Q7 \(B) poem: meter
Q |4 D \. @7 g(C) play: dialogue
- E8 N# l) H- c! U(D) movie: script ) Y( b+ U$ ^. U
(E) photograph: caption 1 M3 f9 i9 C9 z+ e
; }! H' o$ f9 G y. J. t& b15. DISABUSE: FALLACY::; H- Z0 H5 E; l- X7 v
(A) cure: disease 8 w1 p% Z: G0 i( B+ h
(B) persevere: dereliction ; L! W5 O3 G3 e( h5 i$ q9 S
(C) belittle: imperfection
$ s. B @. X+ H. @; A(D) discredit: reputation
- a K. @& O6 X# |8 B& N(E) discern: discrimination 7 g+ A$ R& n4 O- `
* Y- C) s1 h: T" X( c/ B16. BLANDISHMENT: CAJOLE::7 `( V: _$ A( X9 x0 \
(A) prediction: convince
- I# c1 X6 Z4 e3 P4 h, d" L(B) obstacle: impede , ~/ j0 o) O$ s7 }) F* M
(C) embellishment: praise
3 r" X% b# Y- f% B% h) t3 J(D) deficiency: compensate
9 v! `+ r) I6 H2 m+ y(E) compliment: exaggerate
, f1 Q, T. w' r/ Q) K
/ M: r- I1 w/ S3 |( B
( [/ A4 F% U3 c" X. _+ }28. DEBUT:5 w8 Z1 k3 m. n; P7 c j$ v
(A) collaboration : f" \) M u7 E6 v) v
(B) monologue 0 W) O1 F E) k
(C) farewell performance
9 M4 w6 _6 e& V, B3 O(D) repertoire standard
. P3 z! u3 D# I0 S% n- e, u+ o# {4 j(E) starring role
/ k( D( G% _+ j% @
$ Q! E3 A" f( D) m29. WITHER:0 Z: r# D" v) h
(A) disagree
* c5 Q r( p4 w# e, }, c(B) shine 1 D \5 g- o2 l
(C) plant $ Q! |9 ^( d- C) A8 m
(D) adhere 5 V: x5 v4 x8 Q* l; q! R
(E) revive 2 h! ~' d0 X8 f6 A/ Y3 b. y
/ {6 j \* [6 P
30. BUCK: 2 S! [" Q% d: b6 z& w/ l* o
(A) cover over $ Z1 c: c% J- L- e
(B) assent to 7 k1 i: w6 x" a* g K2 H. N
(C) brag about
& z9 A- }* t9 }* \(D) improve Z8 h$ u0 E* U8 y- z; Y
(E) repair
2 u4 f. b8 w: T( R$ j5 Q( _5 b! u0 P' Y/ P: x4 s7 P2 i
31. MEAN: ) s1 ~* X( V' s$ b5 x9 X+ ]
(A) trusting
8 P$ D7 u1 S) f' k! i2 |3 }9 J(B) ardent ' V7 o- e5 |& e+ H; H
(C) clever
% q' G+ F! v7 p" h+ ~& [5 ?(D) incautious
* [' x& V) i8 g" P2 e! H* `(E) noble
( b1 |" s/ S- D, \( h, r0 }
G' f3 u0 a7 r' I+ `32. ADJUNCT: 5 M8 \) E9 o2 j L% y5 E
(A) expert appraisal 9 @/ @+ T! e, S. o- p' d
(B) generous donation 7 T8 O4 {9 B6 G5 Z
(C) essential element ' x2 Q6 _4 |1 X+ g6 W: ?: Z
(D) mild reproof
/ u* h* P( d0 y2 G; }9 P(E) impartial judgment @6 ?( [: J& X S3 |9 i" B% K
; X6 }1 x: {" n) Z, O. w
33. CANONICAL:
/ J+ }$ t" k8 n6 C& b: `4 a: R(A) imprecise
t i4 N7 u9 q1 a- Y1 X(B) ubiquitous - _. c( n! ~% T) n. h
(C) superfluous
+ y9 A8 f% W1 \* A, P. c(D) nontraditional + j1 P" t. x' D" d
(E) divisive / f. f& b6 t/ j9 {, e
# ~7 |$ z" r2 n2 v1 `34. TICKLISH: $ [) q# T. Z' W3 C* t5 X" k" ?& O
(A) heavy-handed
* o0 Z& t. f7 q# m6 [" c$ K(B) significant & o6 O) y, x0 z
(C) tolerant " k: d) R A8 o3 l# W$ q( |
(D) impartial
, u7 Z+ p) ?8 b& ?/ L1 x0 b j(E) imperturbable % w; \4 w& r$ h5 k
8 D% m- a2 R4 `% A: ~ x+ c2 p35. PREVALENT:
5 F6 J' {& R1 Q: Z- i3 M' l1 P(A) invasive ! p0 k r. z: r. {1 J- W8 X
(B) inconsistent
; [' f- ]& I3 M. Y0 {$ C, d9 p(C) indistinct 2 j1 O/ G6 N; q; N$ D9 p8 h8 r
(D) unpalatable 8 T$ \, U1 [9 g3 r2 B5 ~( e( [
(E) unusual
6 O" \: {. Y. s8 M/ v/ z7 u) \) R a; a0 @# w
36. PENURY: . f6 T2 a1 q+ a, F/ Z# A# o
(A) approbation
4 o; _3 g) Z/ y- N7 i$ L5 ^) p F(B) affluence
1 `! U5 ^- s7 K2 @(C) objectivity
. X# w# I, t3 b `- b1 u3 B(D) compensation
! C" D" g& K" \" Q" t+ S(E) grandiosity
( r: X% ~4 z* H0 `0 G4 q! Q8 |& z6 O8 T. t
37. MINATORY: B) Q5 b6 O) x$ I+ T* D( A
(A) convenient
8 {1 g+ m& Z P+ n& K4 `/ @& o4 H+ p(B) nonthreatening ! Q9 f# d5 w$ {: l; x
(C) straightforward
. z7 W" D* _* t1 B8 ](D) fastidious
4 s7 G+ ` \+ t$ t! n' k(E) rational ) ?! `# V. I. ^- `
, _1 f( t- N+ j, r
38. CALUMNIOUS:
- e6 c. X. ~/ R8 z9 g(A) adept ' ^, N9 O( @3 a
(B) aloof 3 [( n4 q5 Z( u; R/ V2 T. g$ B, X
(C) quaint
7 _% P7 d$ r# l4 e# Q! L# E(D) decorous
- |7 V" b4 J9 r(E) flattering
' r. |# l( I% C" N- Q) f4 p1 D. i7 ^
9 o+ P! o/ |7 ]0 ?+ W8 u7 E& h$ M5 h! N
SECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE
5 {, U" u( c& v6 R# z( dSECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE
: ]; O( W$ Z8 w: k* f4 fSECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE& P3 J1 Y1 `6 H6 j6 L, E' ~5 W0 T
SECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE
, |' t9 J& e" \
$ R7 S6 Z& O) B, F x8 C) V继续努力吧~~~~~ |
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发表于 2006-5-29 09:52:27
发表于 2006-5-29 11:51:20
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