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6G冲刺模考讨论(四)5 t6 m4 t! y. u+ S8 O* K( \" h2 _
% a+ w [2 N2 b1 }9 z8 ]6 x现在模考应该限时. 同时也要练习涂答题卡.
7 U2 W9 o: ^ j% y( {& w其他规则同前。
' \- `: b* _/ ^4 w- {/ Z" w' P( ^/ D" y6 d# n
7 b0 f# b7 h5 I+ n
SECTION 1
+ `( T3 X# |9 b+ R7 B1 wTime –30 minutes
$ r5 p* x9 A( r6 ^: X! |7 Z' l4 }38 Questions
' D1 J/ W$ W3 Z+ B0 `; [& _6 W
2 C p4 z Q I5 x) z5 V$ p1. Because the monkeys under study are ---- the / H" `* z! e& h
presence of human beings, they typically ----
: N. m& i; H/ g# ]+ E+ z0 e human observers and go about their business 0 Z+ ~3 d5 @3 g4 ~: N U
(A) ambivalent about .. welcome
' x; n6 q. C% B- n5 o (B) habituated to .. disregard
+ D h4 P3 _# e7 v( f2 {: R (C) pleased with .. snub
+ Y1 V* k# P0 I$ R) Y$ ]! I. R5 |% p (D) inhibited by .. seek & H- ]7 A7 i7 _: G/ b* ~
(E) unaware of .. avoid
7 J, Y' S: t. F" j" ?* n6 ~9 l4 C+ N5 i( x. R+ O. C% X& Y
2. Give he previously expressed interest and the
# A1 { j- c: z+ {ambitious tone of her recent speeches, the senator's # l* w! j6 @, G1 q) U
attempt to convince the public that she is not inter-
! I6 P7 B* A! v2 ]% R0 G% K; aested in running for a second term is ----.9 I# Q Q. o5 ^; `2 Y. {
(A) laudable
3 k( Y( S+ _% I2 i; [9 M- y% e (B) likely
* h/ N0 D6 t# `" J( ^" n$ x (C) authentic 5 G4 b$ P+ }" B B
(D) futile / F# _( w! ^3 ~. m
(E) sincere 1 U: f& e6 v( Y
4 A7 M9 k( b1 Y3. Many of her followers remain ---- to her, and
9 \4 b3 \- K- X0 K% c even those who have rejected her leadership are / c2 G8 L, c- R9 d
unconvinced of the ---- of replacing her during ' ]* b" V; Z- k% O5 ~( H; E6 S
the current turmoil. ! g6 Y1 J- F5 l- `5 l1 q2 O
(A) opposed.. urgency
' Z0 j M' s j0 M% y- \- |( D: g (B) friendly.. harm
4 ^& t2 T; W1 F8 R (C) loyal.. wisdom
$ t( d3 K5 T/ f; V+ ]0 o (D) cool.. usefulness
* Z$ L1 G, h8 e0 z4 ` (E) sympathetic.. disadvantage 7 x9 Y& d' Q. h& f% \2 i
3 I: _7 H# I& U9 M5 p
4. Unlike many recent interpretations of Beethoven's
0 |' ~( q, V7 h* cpiano sonatas, the recitalist's performance was a / g- O$ D9 f) @( ]& _$ Z
delightfully free and introspective one; nevertheless,
* |6 Q9 {. v: cit was also, seemingly paradoxically, quite ----.# ~6 [1 K3 S0 ^3 _$ ]! g
(A) appealing ! Q' @; l; R0 }
(B) exuberant * S" W" z/ p$ \. T) ?% W
(C) idiosyncratic
( K5 l, q( K3 Z (D) unskilled
& I5 F- f* e' R2 X# o (E) controlled
8 J5 b7 m) r" p
* h$ O5 {! V7 b; p. ^4 f5. Species with relatively ---- metabolic rates, including
5 `2 s A( t2 x% x! ohibernators, generally live longer than those whose
# _: s- l Q9 {0 R4 d8 qmetabolic rates are more rapid.
! U- w( a; L" B, d3 I& x l(A) prolific 1 k [8 \/ Z- o
(B) sedentary
1 [; {5 S% p: R# N a! k! z (C) sluggish
- b3 ^1 g/ m; W: k M* p4 V! ^+ L (D) measured ! L" H2 _! f9 M2 {6 j
(E) restive
3 ]' v8 f7 Q0 Z/ f7 c. z+ R/ G4 U w4 s- z% q4 j- Z: A
6. Belying his earlier reputation for ---- as a negotiator,
, m( {; K" R0 VMorgan had recently assumed a more ---- stance ( L# _; p2 G0 @# o1 G" E$ I* q
for which many of his erstwhile critics praised him.
1 q+ \9 g) t7 u% f9 s; l3 Y (A) intransigence.. conciliatory
4 J* t+ B" U- K- V. I (B) impropriety.. intolerant 9 v) f! X$ s H4 h3 T
(C) inflexibility.. unreasonable
* E# Y# @' q ~* U1 K (D) success.. authoritative & W2 |( a5 ]. @! N8 \8 Z! l
(E) incompetence.. combative ) Z9 J" x+ v4 g% W; `) J
& g' j; _, f& m6 a% M, S7. Although Irish literature continued to flourish after
) f+ H5 X+ ]0 x6 y5 V: sthe sixteenth century, a ---- tradition is ---- / A5 w+ N, F, Q/ B( }' \" v
in the visual arts: we think about Irish culture in terms of ) t( E1 e& J# a1 H t2 c" z8 ^
the word, not in terms of pictorial images. 5 ]/ I+ H% ?1 I2 x# o9 ^8 J8 s( m" C
(A) rich.. superfluous $ {* I$ \7 Y) R* J, ~9 g: E$ k
(B) lively.. found ) M4 T$ N+ N( V! m/ Q+ V
(C) comparable.. absent
- E; u8 v8 U k6 S4 ?8 E" E (D) forgotten.. apparent
0 b2 h, [" `; f* p, n @9 N! B (E) lost.. extant & Z7 i' U) x! g t" N
/ n- [; V Y* a/ \8. SILVER: TARNISH::
/ g: H* N" Y0 ~" N. w (A) gold: burnish 9 K9 q6 ~% p+ V4 C5 H. O/ M" r; N2 R
(B) steel: forge
# F) i( Z9 m4 l' [2 B8 { (C) iron: rust 7 f X! o O" l/ e3 e/ p6 n
(D) lead: cast ) T) C) {) `- ^( D4 ^$ j
(E) tin: shear , L: f' l+ Q, G' ^% h- X
' u% T8 ^5 w9 y7 y9 C9 I
9. DISLIKE: LOATHING:: / Y, G' E+ I w( }/ j; }5 l) j
(A) appreciation: gratification 0 ]2 b, _, x) `# y/ T* d& y
(B) hunger: appetite * A' K0 F' U/ q9 B' T" g. |! _$ N/ Y
(C) void: dearth : D+ ~. y H9 L! d8 N
(D) pleasure: bliss # e: i7 _2 E: ?+ N; _1 X
(E) pain: ache
6 ?* L+ ^& d1 F3 e2 w
! y% n) ?" `9 N/ @10. CRAVEN: HEROIC:: * i- u2 D) k, x- K
(A) unruly: energetic : E5 Z# U/ [+ ]! _7 B
(B) listless: attractive 2 R6 V" c$ v/ Q; v4 I
(C) volatile: constant
& q) ?+ H: _% c! K! e+ h" N (D) deft: trifling
; f: w. T# W( J6 G (E) awkward: amusing m5 K% ^5 s( x. n+ K
; `! {8 \- `8 {+ F# t b+ I) Q
11. FILLY: HORSE:: . g2 C4 X- v3 y% o
(A) antennae: butterfly ( L1 M) F; h1 ?& B+ g
(B) pullet: chicken
7 O' v; z) \( {; e' n (C) gaggle: goose 4 r6 } G$ i( X* D7 L: D7 o
(D) duck: drake 2 X. l3 L2 F( F% ?* ]
(E) wasp: bee
/ u% j( v3 O5 j; Z U& H8 e& _' g6 F! e1 e
12. PITHINESS: APHORISM:: 2 C; t: k* l% b2 o. A
(A) craft: art
6 a9 @" s7 F4 v (B) detail: sketch 4 y! n) Y' _: Y4 B1 {. x. b/ C
(C) illusion: story
5 ]8 c$ }9 Z4 d- O2 @3 K: R (D) exaggeration: caricature `! b* ^* \5 n r5 [ K# w
(E) sophistication: farce
* h! u! @- K. h3 j$ t
~8 w5 n9 ^/ N; ~13. EPHEMERAL: ENDURING:: & @% b2 v2 ]& { T
(A) infirm: healing
+ ]. G" v C$ {! [) u (B) insensitive: cooperating
2 C. V# o& @7 u6 g" b6 l; h (C) inanimate: living 3 r2 m- S( W* }; R; D; u
(D) interminable: continuing
5 h+ |/ ~% y7 h+ Y: d! t" S (E) ineffectual: proceeding $ E9 @3 W( z6 S, k1 f
; K3 j# ]7 G5 F. D9 q14. POSTURER: UNAFFECTED::
( q5 k# {6 f F, ]3 R (A) brat: insolent
1 b3 U3 @' f; Q- p" ]+ {$ a (B) hypocrite: perceptive 0 [3 R& |, V# U4 X$ Q
(C) grouch: respected u( ^4 c3 H5 G6 |! y3 r! e- M
(D) bigot: tolerant * o" u8 p- U+ l' O2 t
(E) rogue: empathetic
! G$ j# \- h/ m( X# S* R1 a4 A0 F' R0 T0 S s- A. I/ p4 z
15. FACETIOUS: SPEECH::9 W0 q# d/ E# q q+ g, G8 ^% c
(A) precocious: learning 3 S% @! V+ F7 H2 r9 ^. c+ T0 m) X
(B) unbecoming: color : D* t s7 R+ V9 \! T8 }
(C) exemplary: conduct
4 I7 N: k( ^! L7 P" X (D) craven: timidity 1 F! w% B, h$ P9 |. I5 L+ K
(E) antic: behavior
2 `# r. z6 I" K+ v& h& f6 k- T
# M% n. T: ?1 x16. VAGARY: PREDICT::$ K E( A1 A0 M: V- }+ e' \
(A) quotation: misdirect
: j) u6 m( c5 b- } (B) investigation: confirm
/ K% g; f5 |8 k (C) stamina: deplete
% k- X9 |% D' w! F% Z+ l (D) turbulence: upset
9 m4 G. m" s! ]4 r4 U. f3 F (E) impossibility: execute + x7 r/ Y& l2 c
) @9 [, c* a4 M1 j& `: T$ O
28. PREFACE:
/ U$ z" \% D2 c8 Q$ {(A) improvisation 3 B! ]! X; }. D) R" @$ L
(B) burlesque
* N' X( h2 N9 z" k(C) epilogue 3 B/ _1 J7 o0 B( ^( m9 r5 v
(D) tangent
& V k$ D2 p$ k1 B, I" S(E) backdrop
0 m8 U, D, Q6 H7 n9 j) w: y& o+ ~7 g6 a! O3 [
29. DEBILITATE:
+ Q) @4 j4 ^' P4 {: }* o' O(A) implicate6 U0 [9 R" p; m6 t$ a- K
(B) invigorate
9 D$ N7 p7 z& i0 m(C) obfuscate {8 Q# m6 Q) Q* i0 k1 E
(D) realign % d+ K3 L4 y/ h, V9 r8 {! A- q6 m4 ?
(E) encumber 9 V8 j# A2 J% k; U4 j/ G- ?
% Q7 d ]# v( e5 _
30. TASTY: ; g/ c! `* x" d9 E+ x$ e
(A) uninteresting ; y B; G; a: j% n% O Q5 g
(B) unfamiliar
4 B! N% [6 ~3 f( S3 Z(C) unexpected
, j2 Y! R' j. V(D) understated
" D- ^3 H- n K, c(E) undervalued
4 K B4 t' G5 f# K- e( N b, G; `
$ B, o( [. T9 A- ]8 S/ x31. ABNEGATE: : n3 G' t4 |: |
(A) refresh 4 C* }$ @( E+ O1 ?
(B) reaffirm / ~1 m) i. [$ ^: i, t# |
(C) relieve - q9 k$ C) i" C( I6 v( \! Y1 D
(D) react
' M& ~2 W0 f9 {) k& f( y(E) reform
: V1 A; d1 E/ ?; q6 L+ j2 E
+ u" l U2 y& {8 D) u5 z32. SERRIED:
3 b- f; B$ [( u6 } g4 U" w(A) partially formed
! h# W$ e G5 Y1 @# t3 u5 ^(B) widely separated
! E# k5 V' S0 c2 ^(C) narrowly missed 0 K; f+ z V0 J( Q$ A; J" J
(D) extremely grateful
' s" w' L2 x, ](E) reasonably clean
3 M$ F# c U% e, n
$ ]# U0 ]% ?6 `' u33. BOMBASTIC:
4 g# \0 {- ^& r* V' j: ~5 G9 U: s' S(A) unflappable + g$ ?) Q/ K, ? [6 I& [! ]7 ^
(B) uninspired
9 O# u/ X( n5 |& v(C) unpretentious ( r) N! Y% f- M' I- M6 u
(D) inscrutable : z- f& ^' `& e! A# Z; Z
(E) incisive ( O/ Z5 a. h2 `+ T7 @( R
?: F3 h4 L+ N34. BANAL: e" C; X, f) N/ j- E, p* r
(A) comfortable
" g# H2 E2 W; j(B) novel
' }0 B3 g5 v- K(C) equal t( d) q, S! l# q1 s
(D) fatal , b/ U4 p: G+ w8 ^4 i
(E) competent ) y2 F# x; ^; }( p/ Y" a2 ^
35. LANGUISH:
$ l# J( l/ N( a& {8 a5 \+ K(A) agitate 1 m* U5 O) K, \2 y* J d: R6 _& N
(B) wander
; n+ g a+ s$ \9 q1 ?(C) relieve
5 z0 H+ ~6 P" H s9 [(D) discomfit _$ j8 _1 R# E! E* B6 ~- N: G
(E) thrive 3 [: o: {" G% W* k, W& T; ?
$ V2 W ~4 h1 p8 d
36. ENNUI:
+ u4 Y3 z5 ]4 ]/ @(A) intimidation
' Z) g7 \* d8 S, a( ?3 }6 e5 X(B) sleaze
# D# }! t9 }5 T(C) faint recollection 5 l$ L& y* _4 `) `+ p: A
(D) keen interest 7 K6 b" m4 k3 J1 P
(E) deep reservation $ x# U) i. |( ?/ h& B0 q
1 \, [1 F8 @& S* s" j- N
37.DAUNTLESS:
, E% R; i4 x1 |1 U; u* X4 L0 O$ `(A) sophomoric
% ?, C. x$ [& @: h& S% U( ~$ |(B) trifling
% b4 K1 m( _) S: L(C) pusillanimous
. G: b* y3 I" p- J% Z& q(D) specious
0 z# D+ ~1 `8 {1 S" |) d B(E) parsimonious
! ^ \0 o! x% _6 x7 g2 ~) i$ s/ L( p8 D4 h- r' g6 v
38.TEMERITY:
; T& u$ }; @$ M! u, v! Y# T(A) credibility
1 H' o6 X( _3 x(B) authority9 k6 B& O( t0 H' S
(C) celebrity8 O8 s8 Z6 [: x
(D) acrimony8 `9 A6 D& [6 T8 h, h0 u
(E) circumspection+ r+ {' @& r4 i8 V
/ G: `- Z3 |( R' @7 ~# e4 ]3 L A/ g
, r7 a1 i& V: }& L V2 e% z0 o4 B t4 p- p2 _4 _. r& x
SECTION 4
7 N- }. ^$ E. t" ?Time-30 minutes
6 A& F) V3 _7 ]" ?. P+ w38 Questions
3 ~3 I: Q' ^0 |7 _: a, t% p/ {( i; n5 a0 b
1. Although sales have continued to increase since last
8 B$ Q' `! Y- ?April, unfortunately the rate of increase has ----.
* h Y/ o' z/ O1 M; ^9 G(A) resurged
3 d6 R7 T) b9 ~0 b% Y6 x" k$ Q; p(B) capitulated
0 ~( S6 q$ W2 U0 J* X, m. y(C) retaliated
2 e: R1 y, \$ `8 y' H(D) persevered ) D" U* E3 k8 r4 T9 h. B. p1 }0 K
(E) decelerated
: \( I' B: k2 x& [3 J2 w! j
( C- ?+ P# i* i" V. a2. Although the mental process that creates a fresh and ' I" b1 q- h- A
original poem or drama is doubtless ---- that which
, D M; ?: S$ _1 K6 i' f% a+ M0 |4 w) Goriginates and elaborates scientific discoveries, there 0 g/ v4 H. c# m. N5 P- N$ S
is clearly a discernible difference between the crea-
. U8 J4 C2 k& Z7 w/ xtors * Z, w: t% K! p( ]2 y- r3 F' S! b
(A) peripheral to 9 M0 _* @& H% ^. ~& T
(B) contiguous with + s u. Z( w1 ~" @# q' i9 Y
(C) opposed to
, ^0 F( w$ e8 d% C1 i(D) analogous to : U" T( r; @& R! p
(E) inconsistent with
" F8 J4 |+ a' D, J$ F/ L/ D; d: t" \4 M5 N/ F. `; {
3. It is disappointing to note that the latest edition of
2 M: L" U1 {( Athe bibliography belies its long-standing reputation * V7 a* D1 V8 P) q# l
for ---- by ---- some significant references to ~) b1 l3 \& S
recent publications.
5 K4 A5 R% Z. o4 y5 H4 G7 l3 f) N9 ~(A) imprecision.. appropriating - T# i6 u# i' ]
(B) relevance.. adding
% s$ D. v/ _, ?+ `2 P8 V(C) timeliness.. updating
0 |+ L8 @4 @$ U. f( i. h2 i(D) meticulousness.. revising
2 N2 v3 v# s6 G4 p' ]0 w(E) exhaustiveness.. omitting
! K1 R) K! ?! e4 g4. Although Simpson was ingenious at ---- to appear
9 @, l# r+ A& F, @& Yinnovative and spontaneous, beneath the ruse he ; ~. f. ?: Z" h* s& i
remained uninspired and rigid in his approach to
5 s( c/ q9 r' f4 ^$ o1 F- Yproblem-solving. 5 j; ~1 f2 z" C7 o9 w
(A) intending ! ]7 H1 C, s2 T" a1 P' |8 C& S* ~4 S7 \
(B) contriving
1 R' V8 p- F- w4 o: w6 Q; z(C) forbearing
* K% B+ x) W9 Y, n(D) declining & p G- U3 N6 o! }+ j- Y
(E) deserving 9 m" F$ N6 ]- ^ r3 G
+ Y" l4 ?$ T* M, r$ R
5. She was criticized by her fellow lawyers not because ) H: t `0 b" X/ u, z# r
she was not ----, but because she so ---- pre-- h) f6 P6 W7 Z4 X
pared her cases that she failed to bring the expected
0 W8 _$ z% b9 k- K" I' [/ z4 vnumber to trial.
& h1 E7 y5 O! ~(A) well versed.. knowledgeably % L8 e% g0 l$ `7 q8 e( W( z3 R: Z
(B) well trained.. enthusiastically
& D3 y0 P6 v3 v6 i. s3 t& N3 L(C) congenial.. rapidly
; c0 {3 D8 G* z/ w(D) hardworking.. minutely 6 v" @% N) K% |& a. A3 N% x
(E) astute.. efficiently * p+ ~# v) q; D2 `; @4 f* ^9 e `
: _% U% H" G# {8 Z* n1 v o6. Schlesinger has recently assumed a conciliatory atti-8 `. Z, o A V+ G: n* k
tude that is not ---- by his colleagues, who con-
' f8 B: Z, D) n9 m( [. gtinue to ---- compromise. $ s8 e% ~6 j- L/ ]% v
(A) eschewed.. dread 5 n6 z& y- r5 J2 K8 `! G
(B) shared.. defend $ H( k- I, F3 ]$ _& i: ?6 c7 C2 q
(C) questioned.. reject - C) i8 p2 \; `; I5 f+ U
(D) understood.. advocate % c) v- z* @" A0 A1 z1 O, t
(E) commended.. disparage ) [5 C# i @( E6 {
: H" e, V" X% ?
7. The National Archives contain information so ---- & s1 q+ e `2 O9 e3 l
that researchers have been known never to publish # f' t+ P8 K2 o2 A7 J6 f
because they cannot bear to bring their studies to an 5 b' R" O' p4 U/ w/ _
end. 6 J( U, G$ _ U& O9 g( P# J
(A) divisive
# C9 D5 N6 W) m9 n/ Y(B) seductive
1 _8 M2 A0 \) f(C) selective
, @" l& U$ p+ K* G% M( r(D) repetitive
' q0 @! a. M+ G2 l. M(E) resourceful
& u2 i8 q% n+ r S, ]; n2 {. K
# i5 L* z4 e3 m# f8. HILL: MOUNTAIN::
% U4 D8 P) x6 m8 Y! {& P(A) grass: rocks ) {2 J; n& Q2 }0 W! @
(B) autumn: winter
. o4 S4 K" ^$ o3 \+ w(C) creek: river
3 p$ v' _& G( u; Q2 t2 }, R(D) star: sun P0 t& w$ C, M4 v
(E) cliff: slope 3 `6 L# e' R4 k. w9 p
/ z, j4 V O$ \, k
9. AERATE: OXYGEN::
* v5 B/ b+ e: f7 G e0 s(A) eclipse: light , A# p% n% A4 ?5 u
(B) desiccate: moisture
, _) C8 d3 U* s) \; X(C) precipitate: additive
' @! H/ u; t' z) m: e. F1 {2 Z(D) hydrate: water * k/ k% S" L" H) M
(E) striate: texture ' ?: y4 q. h2 n9 ]9 m) _' o+ B
. P U) J- i' V10. ORCHESTRA: MUSICIAN:
; T9 G% m5 `5 N# z6 x$ Y" l(A) cube: side
9 c: K' u2 W: V3 p: s(B) kilometer: meter
3 H8 h) V% ~! k1 O0 ~0 \# X- A(C) sonnet: poem* p3 @$ ?& X) B+ H2 f# ^- l
(D) biped: foot
0 S* n3 K) d/ u& |4 G; J( f(E) pack: wolf
7 E- u2 w5 a5 q; t+ @4 ^4 u* y& a t ]5 Z& Y* Z, m
11. EQUIVOCATION: MISLEADING:: i) i( @2 A! S; a9 c
(A) mitigation: severe ) x% Y# ~8 H0 c
(B) advice: peremptory $ m4 ~" _' s; Y& a
(C) bromide: hackneyed * j1 w+ R) s* w$ C' E0 f, T* e
(D) precept: obedient 5 l+ M3 ?" T; z5 a% p9 }* I" A2 ^
(E) explanation: unintelligible 1 `0 C" C7 D: `) `! A# w. R' v
r% t' Q9 S1 L. c
12. CENSORSHIP: COMMUNICATION::
! f: U. q7 a" a! ^( [ }(A) propaganda: ideology
% R7 d! B, }9 ^2 u(B) preservative: decay . J6 R9 ?1 d1 ^4 }/ ~
(C) revision: accuracy% ?2 [ b$ _$ c1 p" V+ _5 F
(D) rest: atrophy' C" M5 R& h, r1 n0 T" K
(E) exercise: fitness
+ a' U4 G5 r; x* }1 ^# z, c q: s- j
13. BUS: PASSENGERS: : _$ S9 ` Q) N: z& z$ ^
(A) flock: birds
+ n9 r/ j0 w$ M# b* M(B) tanker: liquid + L2 |; w1 l) I' n# v5 k# m% T( z
(C) envelope: letter - M0 a$ m6 t1 T6 ]! ]% x8 J9 n* o _
(D) bin: coal 5 {9 C _6 O; h+ r) Q( r
(E) automobile: gasoline W( Q! H, e" R) I, V% _* v1 S
- X2 A' M! n* ?9 R1 f6 U- Z
14. BALLAD: STANZA::! N0 J6 W6 Z) G0 x0 y/ j) W
(A) novel: chapter 4 S' z7 f3 O" ]; A% n( Q
(B) poem: meter : i8 q$ v* l+ H
(C) play: dialogue
3 k z6 q7 v' g, K(D) movie: script 6 c& a# w5 ^7 N- u5 j7 S
(E) photograph: caption 2 w8 D. G f$ U2 d
$ z7 ]! s( ^, ~8 k* t+ e
15. DISABUSE: FALLACY::# W( F$ o6 j, h1 o
(A) cure: disease k; r7 E7 m" {4 l- I
(B) persevere: dereliction
6 v2 p3 o* K9 z: i: S(C) belittle: imperfection
$ P9 u# M4 ~# q(D) discredit: reputation # J6 E a3 h" M* N! H
(E) discern: discrimination 0 {. q' L% C# {6 J! E, J1 p
0 d6 }/ p5 `6 _% `: z% T4 Q% R16. BLANDISHMENT: CAJOLE::
- |* h: L+ T' E4 }0 \" Y! f(A) prediction: convince
. G9 E* {! ~) z7 ]. v: F; b(B) obstacle: impede 6 N; \ K1 C1 m! P t) c
(C) embellishment: praise
" P, b8 A- t6 `( X1 Y(D) deficiency: compensate ; j) G% Q: j5 h# V* g5 J$ N
(E) compliment: exaggerate - z5 j' ?9 Q/ v: ]7 Q
( i9 X- p# ~0 `5 c4 A
" U) n. q8 H% T, z& B, x6 a28. DEBUT:
5 Y1 d+ l+ Z6 A. r, E" B6 u(A) collaboration ) T: q( V2 B& Z3 Y6 w+ W4 s+ K
(B) monologue * Y) n) l" _6 C7 ?4 D
(C) farewell performance 9 t1 s- e7 y- k; y2 F; K2 K
(D) repertoire standard
8 h/ d; y2 C# _/ u(E) starring role
( q4 L Z, T& b9 x& F- A+ b9 R7 p& s x C; j
29. WITHER:
+ f9 @/ w) n0 ^1 s# j(A) disagree 7 j" @' J1 }* j8 B1 M
(B) shine
1 M- e- u! T& f/ o(C) plant 8 i. [3 t+ R* S C9 e/ H/ g
(D) adhere
& N6 f0 ~( z' N; o8 k& y# D(E) revive ; l- _0 z; H( Y4 d; ]8 L1 f& r
! a. e2 e+ U8 G
30. BUCK: - A! G {& m+ s$ ?
(A) cover over $ Y1 w9 A" v3 n% ~2 ^
(B) assent to
; x; g* |& ^. k9 E" f0 q(C) brag about
( }. l" o% \- l9 ~(D) improve
. t& E( O4 z% a) { V) @(E) repair 6 R* O! F* F9 U- l3 W
0 r6 x# y1 a$ z) Q$ a$ x9 X+ \5 w
31. MEAN:
/ |- A5 Y! h% P8 C(A) trusting 3 h& W) }5 b+ `8 M- X
(B) ardent
1 _! d- N! ?0 i(C) clever
1 \& e' j6 t9 {(D) incautious * {2 q9 {( N8 e
(E) noble
$ k! q# M7 \4 t0 r I- f# P4 g N$ g
32. ADJUNCT: . z2 W5 I6 D- k3 ^
(A) expert appraisal ( s7 H8 d' q, L) z8 M" z
(B) generous donation " {8 F0 k s2 [- W" p! d2 c
(C) essential element
8 U( I! v. L% q6 t! A; M6 P(D) mild reproof * d* w2 _# g7 w% z. T
(E) impartial judgment ; Z3 z( w3 c" j- Z5 u# Q6 h' @5 w5 K
0 T w' d0 [5 C: `$ n33. CANONICAL: - |/ r5 ]0 J8 i7 s0 [
(A) imprecise
! K+ x6 Q( W- }9 \# c( O2 V/ {(B) ubiquitous 0 s l7 J, R* b. F
(C) superfluous
! t3 G4 i) ?1 o0 F3 f: J7 R B(D) nontraditional / Z9 m) J6 `; j% J" K- H4 M
(E) divisive
u. P; J }! k6 f9 B3 U
4 |$ y+ B: h6 t: [0 x* \34. TICKLISH: + Y$ `3 G- v3 c+ X% E/ ^
(A) heavy-handed
, K7 d. X$ y! Z. n(B) significant 1 m7 n; j' q2 {2 K
(C) tolerant " L4 @0 t* N1 D" U
(D) impartial
! @ {+ T. f& H/ u9 u(E) imperturbable
+ P9 a+ M d4 P
$ a0 T' b( m C6 |: u/ Q" m* X35. PREVALENT:
|+ p1 P- _6 L+ g4 S4 L/ I(A) invasive
8 @( e5 b0 B/ v6 o+ B3 z7 ^! z9 t(B) inconsistent : P3 B1 c( I, B5 D+ W& a
(C) indistinct
. g8 g3 A, K0 X(D) unpalatable
5 V( N& E9 x# u' |( e& C9 @ v% N(E) unusual ( @# ^! H1 |! q, A2 D4 Y, x
4 A; Z" r- d8 N/ Q3 W; v6 l2 x
36. PENURY:
( I! a% ~6 I- O0 l- X, c. P& I(A) approbation
$ y8 a0 @: |6 H2 l. c2 T(B) affluence ( J" N( M& C" P7 p
(C) objectivity
" O+ R: E; m k. ^(D) compensation
6 z/ f3 V& S3 s% u% V. e(E) grandiosity
7 H) T& ]9 V$ `0 m5 y: P
' ~# l% ]/ r0 ?" ^# }# ~37. MINATORY:
% `! V, O: E( e2 m9 ]. k$ E(A) convenient 4 _. y7 d: [$ H% F( G6 j9 Y J3 n
(B) nonthreatening
* X" y& T8 i @, e% ~- W(C) straightforward
; U+ `$ e. {/ q3 m% f# P(D) fastidious - H* K* H: N5 l8 y1 x) f8 Z8 ~6 V; G% M/ p
(E) rational
2 E1 Y' a) ~ N. Q |' Q, Y h D J' q! ~# n& t2 q
38. CALUMNIOUS: . r8 k6 l' e$ _/ J. K
(A) adept 1 a, y$ }2 G* N9 ?, L4 V! e
(B) aloof % I; z6 L- K& |
(C) quaint
8 L2 s5 w: q1 B" o( t(D) decorous , H1 n. K) O) |) [6 h+ s
(E) flattering ! @* I/ m% q! ^5 S. u& w0 C
- n- I P- Q6 |
3 l, M) M" Z4 s/ J& hSECTION 1. BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE! T, u4 j3 Z2 p9 h7 T
SECTION 3. ABBCD CCDAA DDDAA DBBEB EDECC AADCE
. c6 T, j+ e4 q' i3 ]) {SECTION 4. EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE% J: }3 [6 y/ u2 C
SECTION 5. CBDAA DABCD BBBCD BDABE ECBEC ADDDE / V U+ `) ^8 o( k# f
( s( G) T+ P5 L5 m! p3 s* ?; ?
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