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[题目讨论] 0706G冲刺模考第四辑 [复制链接]

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发表于 2007-5-30 06:34:21 |只看该作者 |倒序浏览
6G冲刺模考讨论(四)5 t6 m4 t! y. u+ S8 O* K( \" h2 _

% a+ w  [2 N2 b1 }9 z8 ]6 x现在模考应该限时. 同时也要练习涂答题卡.
7 U2 W9 o: ^  j% y( {& w其他规则同前。
' \- `: b* _/ ^4 w- {/ Z" w' P( ^/ D" y6 d# n
7 b0 f# b7 h5 I+ n
SECTION 1
+ `( T3 X# |9 b+ R7 B1 wTime –30 minutes
$ r5 p* x9 A( r6 ^: X! |7 Z' l4 }38 Questions
' D1 J/ W$ W3 Z+ B0 `; [& _6 W
2 C  p4 z  Q  I5 x) z5 V$ p1. Because the monkeys under study are ---- the / H" `* z! e& h
  presence of human beings, they typically ----
: N. m& i; H/ g# ]+ E+ z0 e  human observers and go about their business 0 Z+ ~3 d5 @3 g4 ~: N  U
  (A) ambivalent about .. welcome
' x; n6 q. C% B- n5 o  (B) habituated to .. disregard
+ D  h4 P3 _# e7 v( f2 {: R  (C) pleased with .. snub
+ Y1 V* k# P0 I$ R) Y$ ]! I. R5 |% p  (D) inhibited by .. seek & H- ]7 A7 i7 _: G/ b* ~
  (E) unaware of .. avoid
7 J, Y' S: t. F" j" ?* n6 ~9 l4 C+ N5 i( x. R+ O. C% X& Y
2. Give he previously expressed interest and the
# A1 {  j- c: z+ {ambitious tone of her recent speeches, the senator's # l* w! j6 @, G1 q) U
attempt to convince the public that she is not inter-
! I6 P7 B* A! v2 ]% R0 G% K; aested in running for a second term is ----.9 I# Q  Q. o5 ^; `2 Y. {
  (A) laudable
3 k( Y( S+ _% I2 i; [9 M- y% e  (B) likely
* h/ N0 D6 t# `" J( ^" n$ x  (C) authentic 5 G4 b$ P+ }" B  B
  (D) futile / F# _( w! ^3 ~. m
  (E) sincere 1 U: f& e6 v( Y

4 A7 M9 k( b1 Y3. Many of her followers remain ---- to her, and
9 \4 b3 \- K- X0 K% c  even those who have rejected her leadership are / c2 G8 L, c- R9 d
  unconvinced of the ---- of replacing her during ' ]* b" V; Z- k% O5 ~( H; E6 S
  the current turmoil. ! g6 Y1 J- F5 l- `5 l1 q2 O
  (A) opposed.. urgency
' Z0 j  M' s  j0 M% y- \- |( D: g  (B) friendly.. harm
4 ^& t2 T; W1 F8 R  (C) loyal.. wisdom
$ t( d3 K5 T/ f; V+ ]0 o  (D) cool.. usefulness
* Z$ L1 G, h8 e0 z4 `  (E) sympathetic.. disadvantage 7 x9 Y& d' Q. h& f% \2 i
3 I: _7 H# I& U9 M5 p
4. Unlike many recent interpretations of Beethoven's
0 |' ~( q, V7 h* cpiano sonatas, the recitalist's performance was a / g- O$ D9 f) @( ]& _$ Z
delightfully free and introspective one; nevertheless,
* |6 Q9 {. v: cit was also, seemingly paradoxically, quite ----.# ~6 [1 K3 S0 ^3 _$ ]! g
  (A) appealing ! Q' @; l; R0 }
  (B) exuberant * S" W" z/ p$ \. T) ?% W
  (C) idiosyncratic
( K5 l, q( K3 Z  (D) unskilled
& I5 F- f* e' R2 X# o  (E) controlled
8 J5 b7 m) r" p
* h$ O5 {! V7 b; p. ^4 f5. Species with relatively ---- metabolic rates, including
5 `2 s  A( t2 x% x! ohibernators, generally live longer than those whose
# _: s- l  Q9 {0 R4 d8 qmetabolic rates are more rapid.
! U- w( a; L" B, d3 I& x  l(A) prolific 1 k  [8 \/ Z- o
(B) sedentary
1 [; {5 S% p: R# N  a! k! z  (C) sluggish
- b3 ^1 g/ m; W: k  M* p4 V! ^+ L  (D) measured ! L" H2 _! f9 M2 {6 j
  (E) restive
3 ]' v8 f7 Q0 Z/ f7 c. z+ R/ G4 U  w4 s- z% q4 j- Z: A
6. Belying his earlier reputation for ---- as a negotiator,
, m( {; K" R0 VMorgan had recently assumed a more ---- stance ( L# _; p2 G0 @# o1 G" E$ I* q
for which many of his erstwhile critics praised him.
1 q+ \9 g) t7 u% f9 s; l3 Y  (A) intransigence.. conciliatory
4 J* t+ B" U- K- V. I  (B) impropriety.. intolerant 9 v) f! X$ s  H4 h3 T
  (C) inflexibility.. unreasonable
* E# Y# @' q  ~* U1 K  (D) success.. authoritative & W2 |( a5 ]. @! N8 \8 Z! l
  (E) incompetence.. combative ) Z9 J" x+ v4 g% W; `) J

& g' j; _, f& m6 a% M, S7. Although Irish literature continued to flourish after
) f+ H5 X+ ]0 x6 y5 V: sthe sixteenth century, a ---- tradition is ---- / A5 w+ N, F, Q/ B( }' \" v
in the visual arts: we think about Irish culture in terms of ) t( E1 e& J# a1 H  t2 c" z8 ^
the word, not in terms of pictorial images. 5 ]/ I+ H% ?1 I2 x# o9 ^8 J8 s( m" C
(A) rich.. superfluous $ {* I$ \7 Y) R* J, ~9 g: E$ k
  (B) lively.. found ) M4 T$ N+ N( V! m/ Q+ V
  (C) comparable.. absent
- E; u8 v8 U  k6 S4 ?8 E" E  (D) forgotten.. apparent
0 b2 h, [" `; f* p, n  @9 N! B  (E) lost.. extant & Z7 i' U) x! g  t" N

/ n- [; V  Y* a/ \8. SILVER: TARNISH::
/ g: H* N" Y0 ~" N. w  (A) gold: burnish 9 K9 q6 ~% p+ V4 C5 H. O/ M" r; N2 R
  (B) steel: forge
# F) i( Z9 m4 l' [2 B8 {  (C) iron: rust 7 f  X! o  O" l/ e3 e/ p6 n
  (D) lead: cast ) T) C) {) `- ^( D4 ^$ j
  (E) tin: shear , L: f' l+ Q, G' ^% h- X
' u% T8 ^5 w9 y7 y9 C9 I
9. DISLIKE: LOATHING:: / Y, G' E+ I  w( }/ j; }5 l) j
  (A) appreciation: gratification 0 ]2 b, _, x) `# y/ T* d& y
  (B) hunger: appetite * A' K0 F' U/ q9 B' T" g. |! _$ N/ Y
  (C) void: dearth : D+ ~. y  H9 L! d8 N
  (D) pleasure: bliss # e: i7 _2 E: ?+ N; _1 X
  (E) pain: ache
6 ?* L+ ^& d1 F3 e2 w
! y% n) ?" `9 N/ @10. CRAVEN: HEROIC:: * i- u2 D) k, x- K
  (A) unruly: energetic : E5 Z# U/ [+ ]! _7 B
  (B) listless: attractive 2 R6 V" c$ v/ Q; v4 I
  (C) volatile: constant
& q) ?+ H: _% c! K! e+ h" N  (D) deft: trifling
; f: w. T# W( J6 G  (E) awkward: amusing   m5 K% ^5 s( x. n+ K
; `! {8 \- `8 {+ F# t  b+ I) Q
11. FILLY: HORSE:: . g2 C4 X- v3 y% o
  (A) antennae: butterfly ( L1 M) F; h1 ?& B+ g
  (B) pullet: chicken
7 O' v; z) \( {; e' n  (C) gaggle: goose 4 r6 }  G$ i( X* D7 L: D7 o
  (D) duck: drake 2 X. l3 L2 F( F% ?* ]
  (E) wasp: bee
/ u% j( v3 O5 j; Z  U& H8 e& _' g6 F! e1 e
12. PITHINESS: APHORISM:: 2 C; t: k* l% b2 o. A
  (A) craft: art
6 a9 @" s7 F4 v  (B) detail: sketch 4 y! n) Y' _: Y4 B1 {. x. b/ C
  (C) illusion: story
5 ]8 c$ }9 Z4 d- O2 @3 K: R  (D) exaggeration: caricature   `! b* ^* \5 n  r5 [  K# w
  (E) sophistication: farce
* h! u! @- K. h3 j$ t
  ~8 w5 n9 ^/ N; ~13. EPHEMERAL: ENDURING:: & @% b2 v2 ]& {  T
  (A) infirm: healing
+ ]. G" v  C$ {! [) u  (B) insensitive: cooperating
2 C. V# o& @7 u6 g" b6 l; h  (C) inanimate: living 3 r2 m- S( W* }; R; D; u
  (D) interminable: continuing
5 h+ |/ ~% y7 h+ Y: d! t" S  (E) ineffectual: proceeding $ E9 @3 W( z6 S, k1 f

; K3 j# ]7 G5 F. D9 q14. POSTURER: UNAFFECTED::
( q5 k# {6 f  F, ]3 R  (A) brat: insolent
1 b3 U3 @' f; Q- p" ]+ {$ a  (B) hypocrite: perceptive 0 [3 R& |, V# U4 X$ Q
  (C) grouch: respected   u( ^4 c3 H5 G6 |! y3 r! e- M
  (D) bigot: tolerant * o" u8 p- U+ l' O2 t
  (E) rogue: empathetic
! G$ j# \- h/ m( X# S* R1 a4 A0 F' R0 T0 S  s- A. I/ p4 z
15. FACETIOUS: SPEECH::9 W0 q# d/ E# q  q+ g, G8 ^% c
  (A) precocious: learning 3 S% @! V+ F7 H2 r9 ^. c+ T0 m) X
  (B) unbecoming: color : D* t  s7 R+ V9 \! T8 }
  (C) exemplary: conduct
4 I7 N: k( ^! L7 P" X  (D) craven: timidity 1 F! w% B, h$ P9 |. I5 L+ K
  (E) antic: behavior
2 `# r. z6 I" K+ v& h& f6 k- T
# M% n. T: ?1 x16. VAGARY: PREDICT::$ K  E( A1 A0 M: V- }+ e' \
  (A) quotation: misdirect
: j) u6 m( c5 b- }  (B) investigation: confirm
/ K% g; f5 |8 k  (C) stamina: deplete
% k- X9 |% D' w! F% Z+ l  (D) turbulence: upset
9 m4 G. m" s! ]4 r4 U. f3 F  (E) impossibility: execute + x7 r/ Y& l2 c
) @9 [, c* a4 M1 j& `: T$ O
28. PREFACE:
/ U$ z" \% D2 c8 Q$ {(A) improvisation 3 B! ]! X; }. D) R" @$ L
(B) burlesque
* N' X( h2 N9 z" k(C) epilogue 3 B/ _1 J7 o0 B( ^( m9 r5 v
(D) tangent
& V  k$ D2 p$ k1 B, I" S(E) backdrop
0 m8 U, D, Q6 H7 n9 j) w: y& o+ ~7 g6 a! O3 [
29. DEBILITATE:
+ Q) @4 j4 ^' P4 {: }* o' O(A) implicate6 U0 [9 R" p; m6 t$ a- K
(B) invigorate
9 D$ N7 p7 z& i0 m(C) obfuscate   {8 Q# m6 Q) Q* i0 k1 E
(D) realign % d+ K3 L4 y/ h, V9 r8 {! A- q6 m4 ?
(E) encumber 9 V8 j# A2 J% k; U4 j/ G- ?
% Q7 d  ]# v( e5 _
30. TASTY: ; g/ c! `* x" d9 E+ x$ e
(A) uninteresting ; y  B; G; a: j% n% O  Q5 g
(B) unfamiliar
4 B! N% [6 ~3 f( S3 Z(C) unexpected
, j2 Y! R' j. V(D) understated
" D- ^3 H- n  K, c(E) undervalued
4 K  B4 t' G5 f# K- e( N  b, G; `
$ B, o( [. T9 A- ]8 S/ x31. ABNEGATE: : n3 G' t4 |: |
(A) refresh 4 C* }$ @( E+ O1 ?
(B) reaffirm / ~1 m) i. [$ ^: i, t# |
(C) relieve - q9 k$ C) i" C( I6 v( \! Y1 D
(D) react
' M& ~2 W0 f9 {) k& f( y(E) reform
: V1 A; d1 E/ ?; q6 L+ j2 E
+ u" l  U2 y& {8 D) u5 z32. SERRIED:
3 b- f; B$ [( u6 }  g4 U" w(A) partially formed
! h# W$ e  G5 Y1 @# t3 u5 ^(B) widely separated
! E# k5 V' S0 c2 ^(C) narrowly missed 0 K; f+ z  V0 J( Q$ A; J" J
(D) extremely grateful
' s" w' L2 x, ](E) reasonably clean
3 M$ F# c  U% e, n
$ ]# U0 ]% ?6 `' u33. BOMBASTIC:
4 g# \0 {- ^& r* V' j: ~5 G9 U: s' S(A) unflappable + g$ ?) Q/ K, ?  [6 I& [! ]7 ^
(B) uninspired
9 O# u/ X( n5 |& v(C) unpretentious ( r) N! Y% f- M' I- M6 u
(D) inscrutable : z- f& ^' `& e! A# Z; Z
(E) incisive ( O/ Z5 a. h2 `+ T7 @( R

  ?: F3 h4 L+ N34. BANAL:   e" C; X, f) N/ j- E, p* r
(A) comfortable
" g# H2 E2 W; j(B) novel
' }0 B3 g5 v- K(C) equal   t( d) q, S! l# q1 s
(D) fatal , b/ U4 p: G+ w8 ^4 i
(E) competent ) y2 F# x; ^; }( p/ Y" a2 ^
35. LANGUISH:
$ l# J( l/ N( a& {8 a5 \+ K(A) agitate 1 m* U5 O) K, \2 y* J  d: R6 _& N
(B) wander
; n+ g  a+ s$ \9 q1 ?(C) relieve
5 z0 H+ ~6 P" H  s9 [(D) discomfit   _$ j8 _1 R# E! E* B6 ~- N: G
(E) thrive 3 [: o: {" G% W* k, W& T; ?
$ V2 W  ~4 h1 p8 d
36. ENNUI:
+ u4 Y3 z5 ]4 ]/ @(A) intimidation
' Z) g7 \* d8 S, a( ?3 }6 e5 X(B) sleaze
# D# }! t9 }5 T(C) faint recollection 5 l$ L& y* _4 `) `+ p: A
(D) keen interest 7 K6 b" m4 k3 J1 P
(E) deep reservation $ x# U) i. |( ?/ h& B0 q
1 \, [1 F8 @& S* s" j- N
37.DAUNTLESS:
, E% R; i4 x1 |1 U; u* X4 L0 O$ `(A) sophomoric
% ?, C. x$ [& @: h& S% U( ~$ |(B) trifling
% b4 K1 m( _) S: L(C) pusillanimous
. G: b* y3 I" p- J% Z& q(D) specious
0 z# D+ ~1 `8 {1 S" |) d  B(E) parsimonious
! ^  \0 o! x% _6 x7 g2 ~) i$ s/ L( p8 D4 h- r' g6 v
38.TEMERITY:
; T& u$ }; @$ M! u, v! Y# T(A) credibility
1 H' o6 X( _3 x(B) authority9 k6 B& O( t0 H' S
(C) celebrity8 O8 s8 Z6 [: x
(D) acrimony8 `9 A6 D& [6 T8 h, h0 u
(E) circumspection+ r+ {' @& r4 i8 V
/ G: `- Z3 |( R' @7 ~# e4 ]3 L  A/ g

, r7 a1 i& V: }& L  V2 e% z0 o4 B  t4 p- p2 _4 _. r& x
SECTION 4
7 N- }. ^$ E. t" ?Time-30 minutes
6 A& F) V3 _7 ]" ?. P+ w38 Questions
3 ~3 I: Q' ^0 |7 _: a, t% p/ {( i; n5 a0 b
1. Although sales have continued to increase since last
8 B$ Q' `! Y- ?April, unfortunately the rate of increase has ----.
* h  Y/ o' z/ O1 M; ^9 G(A) resurged
3 d6 R7 T) b9 ~0 b% Y6 x" k$ Q; p(B) capitulated
0 ~( S6 q$ W2 U0 J* X, m. y(C) retaliated
2 e: R1 y, \$ `8 y' H(D) persevered ) D" U* E3 k8 r4 T9 h. B. p1 }0 K
(E) decelerated
: \( I' B: k2 x& [3 J2 w! j
( C- ?+ P# i* i" V. a2. Although the mental process that creates a fresh and ' I" b1 q- h- A
original poem or drama is doubtless ---- that which
, D  M; ?: S$ _1 K6 i' f% a+ M0 |4 w) Goriginates and elaborates scientific discoveries, there 0 g/ v4 H. c# m. N5 P- N$ S
is clearly a discernible difference between the crea-
. U8 J4 C2 k& Z7 w/ xtors * Z, w: t% K! p( ]2 y- r3 F' S! b
(A) peripheral to 9 M0 _* @& H% ^. ~& T
(B) contiguous with + s  u. Z( w1 ~" @# q' i9 Y
(C) opposed to
, ^0 F( w$ e8 d% C1 i(D) analogous to : U" T( r; @& R! p
(E) inconsistent with
" F8 J4 |+ a' D, J$ F/ L/ D; d: t" \4 M5 N/ F. `; {
3. It is disappointing to note that the latest edition of
2 M: L" U1 {( Athe bibliography belies its long-standing reputation * V7 a* D1 V8 P) q# l
for ---- by ---- some significant references to   ~) b1 l3 \& S
recent publications.
5 K4 A5 R% Z. o4 y5 H4 G7 l3 f) N9 ~(A) imprecision.. appropriating - T# i6 u# i' ]
(B) relevance.. adding
% s$ D. v/ _, ?+ `2 P8 V(C) timeliness.. updating
0 |+ L8 @4 @$ U. f( i. h2 i(D) meticulousness.. revising
2 N2 v3 v# s6 G4 p' ]0 w(E) exhaustiveness.. omitting  
! K1 R) K! ?! e4 g4. Although Simpson was ingenious at ---- to appear
9 @, l# r+ A& F, @& Yinnovative and spontaneous, beneath the ruse he ; ~. f. ?: Z" h* s& i
remained uninspired and rigid in his approach to
5 s( c/ q9 r' f4 ^$ o1 F- Yproblem-solving. 5 j; ~1 f2 z" C7 o9 w
(A) intending ! ]7 H1 C, s2 T" a1 P' |8 C& S* ~4 S7 \
(B) contriving
1 R' V8 p- F- w4 o: w6 Q; z(C) forbearing
* K% B+ x) W9 Y, n(D) declining & p  G- U3 N6 o! }+ j- Y
(E) deserving 9 m" F$ N6 ]- ^  r3 G
+ Y" l4 ?$ T* M, r$ R
5. She was criticized by her fellow lawyers not because ) H: t  `0 b" X/ u, z# r
she was not ----, but because she so ---- pre-- h) f6 P6 W7 Z4 X
pared her cases that she failed to bring the expected
0 W8 _$ z% b9 k- K" I' [/ z4 vnumber to trial.
& h1 E7 y5 O! ~(A) well versed.. knowledgeably % L8 e% g0 l$ `7 q8 e( W( z3 R: Z
(B) well trained.. enthusiastically
& D3 y0 P6 v3 v6 i. s3 t& N3 L(C) congenial.. rapidly
; c0 {3 D8 G* z/ w(D) hardworking.. minutely 6 v" @% N) K% |& a. A3 N% x
(E) astute.. efficiently * p+ ~# v) q; D2 `; @4 f* ^9 e  `

: _% U% H" G# {8 Z* n1 v  o6. Schlesinger has recently assumed a conciliatory atti-8 `. Z, o  A  V+ G: n* k
tude that is not ---- by his colleagues, who con-
' f8 B: Z, D) n9 m( [. gtinue to ---- compromise. $ s8 e% ~6 j- L/ ]% v
(A) eschewed.. dread 5 n6 z& y- r5 J2 K8 `! G
(B) shared.. defend $ H( k- I, F3 ]$ _& i: ?6 c7 C2 q
(C) questioned.. reject - C) i8 p2 \; `; I5 f+ U
(D) understood.. advocate % c) v- z* @" A0 A1 z1 O, t
(E) commended.. disparage ) [5 C# i  @( E6 {
: H" e, V" X% ?
7. The National Archives contain information so ---- & s1 q+ e  `2 O9 e3 l
that researchers have been known never to publish # f' t+ P8 K2 o2 A7 J6 f
because they cannot bear to bring their studies to an 5 b' R" O' p4 U/ w/ _
end. 6 J( U, G$ _  U& O9 g( P# J
(A) divisive
# C9 D5 N6 W) m9 n/ Y(B) seductive
1 _8 M2 A0 \) f(C) selective
, @" l& U$ p+ K* G% M( r(D) repetitive
' q0 @! a. M+ G2 l. M(E) resourceful
& u2 i8 q% n+ r  S, ]; n2 {. K
# i5 L* z4 e3 m# f8. HILL: MOUNTAIN::
% U4 D8 P) x6 m8 Y! {& P(A) grass: rocks ) {2 J; n& Q2 }0 W! @
(B) autumn: winter
. o4 S4 K" ^$ o3 \+ w(C) creek: river
3 p$ v' _& G( u; Q2 t2 }, R(D) star: sun   P0 t& w$ C, M4 v
(E) cliff: slope 3 `6 L# e' R4 k. w9 p
/ z, j4 V  O$ \, k
9. AERATE: OXYGEN::
* v5 B/ b+ e: f7 G  e0 s(A) eclipse: light , A# p% n% A4 ?5 u
(B) desiccate: moisture
, _) C8 d3 U* s) \; X(C) precipitate: additive
' @! H/ u; t' z) m: e. F1 {2 Z(D) hydrate: water * k/ k% S" L" H) M
(E) striate: texture ' ?: y4 q. h2 n9 ]9 m) _' o+ B

. P  U) J- i' V10. ORCHESTRA: MUSICIAN:
; T9 G% m5 `5 N# z6 x$ Y" l(A) cube: side
9 c: K' u2 W: V3 p: s(B) kilometer: meter
3 H8 h) V% ~! k1 O0 ~0 \# X- A(C) sonnet: poem* p3 @$ ?& X) B+ H2 f# ^- l
(D) biped: foot
0 S* n3 K) d/ u& |4 G; J( f(E) pack: wolf
7 E- u2 w5 a5 q; t+ @4 ^4 u* y& a  t  ]5 Z& Y* Z, m
11. EQUIVOCATION: MISLEADING::  i) i( @2 A! S; a9 c
(A) mitigation: severe ) x% Y# ~8 H0 c
(B) advice: peremptory $ m4 ~" _' s; Y& a
(C) bromide: hackneyed * j1 w+ R) s* w$ C' E0 f, T* e
(D) precept: obedient 5 l+ M3 ?" T; z5 a% p9 }* I" A2 ^
(E) explanation: unintelligible 1 `0 C" C7 D: `) `! A# w. R' v
  r% t' Q9 S1 L. c
12. CENSORSHIP: COMMUNICATION::
! f: U. q7 a" a! ^( [  }(A) propaganda: ideology
% R7 d! B, }9 ^2 u(B) preservative: decay . J6 R9 ?1 d1 ^4 }/ ~
(C) revision: accuracy% ?2 [  b$ _$ c1 p" V+ _5 F
(D) rest: atrophy' C" M5 R& h, r1 n0 T" K
(E) exercise: fitness
+ a' U4 G5 r; x* }1 ^# z, c  q: s- j
13. BUS: PASSENGERS: : _$ S9 `  Q) N: z& z$ ^
(A) flock: birds
+ n9 r/ j0 w$ M# b* M(B) tanker: liquid + L2 |; w1 l) I' n# v5 k# m% T( z
(C) envelope: letter - M0 a$ m6 t1 T6 ]! ]% x8 J9 n* o  _
(D) bin: coal 5 {9 C  _6 O; h+ r) Q( r
(E) automobile: gasoline   W( Q! H, e" R) I, V% _* v1 S
- X2 A' M! n* ?9 R1 f6 U- Z
14. BALLAD: STANZA::! N0 J6 W6 Z) G0 x0 y/ j) W
(A) novel: chapter 4 S' z7 f3 O" ]; A% n( Q
(B) poem: meter : i8 q$ v* l+ H
(C) play: dialogue
3 k  z6 q7 v' g, K(D) movie: script 6 c& a# w5 ^7 N- u5 j7 S
(E) photograph: caption 2 w8 D. G  f$ U2 d
$ z7 ]! s( ^, ~8 k* t+ e
15. DISABUSE: FALLACY::# W( F$ o6 j, h1 o
(A) cure: disease   k; r7 E7 m" {4 l- I
(B) persevere: dereliction
6 v2 p3 o* K9 z: i: S(C) belittle: imperfection
$ P9 u# M4 ~# q(D) discredit: reputation # J6 E  a3 h" M* N! H
(E) discern: discrimination 0 {. q' L% C# {6 J! E, J1 p

0 d6 }/ p5 `6 _% `: z% T4 Q% R16. BLANDISHMENT: CAJOLE::
- |* h: L+ T' E4 }0 \" Y! f(A) prediction: convince
. G9 E* {! ~) z7 ]. v: F; b(B) obstacle: impede 6 N; \  K1 C1 m! P  t) c
(C) embellishment: praise
" P, b8 A- t6 `( X1 Y(D) deficiency: compensate ; j) G% Q: j5 h# V* g5 J$ N
(E) compliment: exaggerate - z5 j' ?9 Q/ v: ]7 Q
( i9 X- p# ~0 `5 c4 A

" U) n. q8 H% T, z& B, x6 a28. DEBUT:
5 Y1 d+ l+ Z6 A. r, E" B6 u(A) collaboration ) T: q( V2 B& Z3 Y6 w+ W4 s+ K
(B) monologue * Y) n) l" _6 C7 ?4 D
(C) farewell performance 9 t1 s- e7 y- k; y2 F; K2 K
(D) repertoire standard
8 h/ d; y2 C# _/ u(E) starring role
( q4 L  Z, T& b9 x& F- A+ b9 R7 p& s  x  C; j
29. WITHER:
+ f9 @/ w) n0 ^1 s# j(A) disagree 7 j" @' J1 }* j8 B1 M
(B) shine
1 M- e- u! T& f/ o(C) plant 8 i. [3 t+ R* S  C9 e/ H/ g
(D) adhere
& N6 f0 ~( z' N; o8 k& y# D(E) revive ; l- _0 z; H( Y4 d; ]8 L1 f& r
! a. e2 e+ U8 G
30. BUCK: - A! G  {& m+ s$ ?
(A) cover over $ Y1 w9 A" v3 n% ~2 ^
(B) assent to
; x; g* |& ^. k9 E" f0 q(C) brag about
( }. l" o% \- l9 ~(D) improve
. t& E( O4 z% a) {  V) @(E) repair 6 R* O! F* F9 U- l3 W
0 r6 x# y1 a$ z) Q$ a$ x9 X+ \5 w
31. MEAN:
/ |- A5 Y! h% P8 C(A) trusting 3 h& W) }5 b+ `8 M- X
(B) ardent
1 _! d- N! ?0 i(C) clever
1 \& e' j6 t9 {(D) incautious * {2 q9 {( N8 e
(E) noble
$ k! q# M7 \4 t0 r  I- f# P4 g  N$ g
32. ADJUNCT: . z2 W5 I6 D- k3 ^
(A) expert appraisal ( s7 H8 d' q, L) z8 M" z
(B) generous donation " {8 F0 k  s2 [- W" p! d2 c
(C) essential element
8 U( I! v. L% q6 t! A; M6 P(D) mild reproof * d* w2 _# g7 w% z. T
(E) impartial judgment ; Z3 z( w3 c" j- Z5 u# Q6 h' @5 w5 K

0 T  w' d0 [5 C: `$ n33. CANONICAL: - |/ r5 ]0 J8 i7 s0 [
(A) imprecise
! K+ x6 Q( W- }9 \# c( O2 V/ {(B) ubiquitous 0 s  l7 J, R* b. F
(C) superfluous
! t3 G4 i) ?1 o0 F3 f: J7 R  B(D) nontraditional / Z9 m) J6 `; j% J" K- H4 M
(E) divisive
  u. P; J  }! k6 f9 B3 U
4 |$ y+ B: h6 t: [0 x* \34. TICKLISH: + Y$ `3 G- v3 c+ X% E/ ^
(A) heavy-handed
, K7 d. X$ y! Z. n(B) significant 1 m7 n; j' q2 {2 K
(C) tolerant " L4 @0 t* N1 D" U
(D) impartial
! @  {+ T. f& H/ u9 u(E) imperturbable
+ P9 a+ M  d4 P
$ a0 T' b( m  C6 |: u/ Q" m* X35. PREVALENT:
  |+ p1 P- _6 L+ g4 S4 L/ I(A) invasive
8 @( e5 b0 B/ v6 o+ B3 z7 ^! z9 t(B) inconsistent : P3 B1 c( I, B5 D+ W& a
(C) indistinct
. g8 g3 A, K0 X(D) unpalatable
5 V( N& E9 x# u' |( e& C9 @  v% N(E) unusual ( @# ^! H1 |! q, A2 D4 Y, x
4 A; Z" r- d8 N/ Q3 W; v6 l2 x
36. PENURY:
( I! a% ~6 I- O0 l- X, c. P& I(A) approbation
$ y8 a0 @: |6 H2 l. c2 T(B) affluence ( J" N( M& C" P7 p
(C) objectivity
" O+ R: E; m  k. ^(D) compensation
6 z/ f3 V& S3 s% u% V. e(E) grandiosity
7 H) T& ]9 V$ `0 m5 y: P
' ~# l% ]/ r0 ?" ^# }# ~37. MINATORY:
% `! V, O: E( e2 m9 ]. k$ E(A) convenient 4 _. y7 d: [$ H% F( G6 j9 Y  J3 n
(B) nonthreatening
* X" y& T8 i  @, e% ~- W(C) straightforward
; U+ `$ e. {/ q3 m% f# P(D) fastidious - H* K* H: N5 l8 y1 x) f8 Z8 ~6 V; G% M/ p
(E) rational
2 E1 Y' a) ~  N. Q  |' Q, Y  h  D  J' q! ~# n& t2 q
38. CALUMNIOUS: . r8 k6 l' e$ _/ J. K
(A) adept 1 a, y$ }2 G* N9 ?, L4 V! e
(B) aloof % I; z6 L- K& |
(C) quaint
8 L2 s5 w: q1 B" o( t(D) decorous , H1 n. K) O) |) [6 h+ s
(E) flattering ! @* I/ m% q! ^5 S. u& w0 C
- n- I  P- Q6 |

3 l, M) M" Z4 s/ J& hSECTION 1.        BDCEC ACCDC BDCDE EECBB CBACA DDCBA BBCBE DCE! T, u4 j3 Z2 p9 h7 T
SECTION 3.        ABBCD CCDAA DDDAA DBBEB EDECC AADCE
. c6 T, j+ e4 q' i3 ]) {SECTION 4.        EDEBD EBCDE CBBAA BDECB DABCA ACCEB ECDEE BBE% J: }3 [6 y/ u2 C
SECTION 5.        CBDAA DABCD BBBCD BDABE ECBEC ADDDE / V  U+ `) ^8 o( k# f
( s( G) T+ P5 L5 m! p3 s* ?; ?
继续努力!
0 0

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Scorpio天蝎座 荣誉版主

沙发
发表于 2007-5-30 23:55:22 |只看该作者
Take a sofa
2 s8 T" y$ x5 F0 P( z
* H, j7 Y' o3 L8 J; X————————————+ q0 e# D# r6 Z/ H& G% b# f  F/ z

( \3 g6 c1 r, C" g) L+ w我来问个好了~~
3 f& I: X' c' E0 ]0 R5 x7. The National Archives contain information so ---- 2 r7 t2 t+ _5 R9 k8 z6 j2 b7 O1 y
that researchers have been known never to publish
- c% W0 h( f/ M: E1 Fbecause they cannot bear to bring their studies to an
5 R+ q$ R) d3 X$ k$ y: \. A- tend.
9 [/ {0 Y- @8 ^% @, N2 a5 I! M4 C( }(A) divisive ( \( r$ @1 {7 @8 p* i. S
(B) seductive 1 B) n+ ?8 ^7 r  Z
(C) selective   q' [1 [: C9 b# E* T  j8 x9 e
(D) repetitive 3 T8 Y2 Y2 B2 y7 k
(E) resourceful
. B2 Q- ^/ b; V; ~; Q: O' Y # k# P( w7 ~0 Q1 t0 V% M
这个看过解释了。。。但还是不懂解这道题目的关键~~: O8 e% F  f, c7 g  Y
* p; R" o- `' T8 t* T, X: o
bow
0 J: i% J9 s% a* f/ w
# q$ Z8 K7 m2 v4 i! w[ 本帖最后由 dicmi 于 2007-5-31 00:43 编辑 ]

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中秋勋章 荣誉版主 Cancer巨蟹座

板凳
发表于 2007-5-31 00:08:21 |只看该作者
就这么一会偶都没有抢到沙发:(- k/ R# w7 K" n5 n, N# t  c
明天开始跟贴了^_^
0 b0 y. P$ P/ H8 B斑斑辛苦了!6 w' N5 B  S" f% o6 d
-------------------------------------------------------
5 ?6 i7 i7 X5 A1 }; h$ L4 t第四套 顺序vqvq(是偶喜欢的顺序)! M: I2 J! u5 f% A- I
v1 4+0+5+0            29min51s! f. [& V1 B% y' E& s7 y
q1 3                          22min46s4 I9 b6 K8 Q' B5 n  [
v2 2+1+2+1            29min33s
1 x3 ?3 O2 \( W- w8 |) [2 \q2 6 :(                   22min50s9 w$ e" V. V9 \3 z6 r4 A
--------------------------------------------------------
, o; A9 Y' C9 w& T; T4 D: Y8 Mv错15个             time:1h 45min 03s        & ~$ u  g4 G9 b" w+ V
q错9个            
& ]+ T. m5 O6 F: g$ l! Pv6603 t3 _" u; _" Q) V& ^
q 720        
" H5 @, G% k) n+ o5 B3 Q2 w--------------------------------------------------------
$ g2 z/ @4 f) i5 s' t不知道最近咋搞的q总错很多,做到第4个section的时候就觉得很累,有点熬不住了,极度怀疑自己现在处于亚健康状态==~
5 h. |9 U6 F9 y/ D- t4 F% I填空还是很差,总是被填空的第一道题给难倒,浪费掉了大量时间,本来还以为自己进步了,唉.....继续总结方法.......
8 A% f' M& V" \9 v阅读还得努力练习( ?8 o3 x; {7 U/ n) D7 z& f% N
吃饭去了,累死了,带回来总结8 T& z& [' {5 u+ z7 Z- V

' ^0 B" C+ Y2 T9 \4 X6 _# s& c! L[ 本帖最后由 tongwawaw 于 2007-5-31 11:12 编辑 ]

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地板
发表于 2007-5-31 01:19:54 |只看该作者

斑斑辛苦啦~~

请问这是哪一年的题目啊~~
/ l% S4 E1 V+ n2 b7 P& K% y ; [7 }& u* H1 _$ l/ B
另外可以在这里问两道9904第二个section的填空吗?(也就是新东方最新模考题练习题五,162页)" A! ]% `* {5 `9 o( J! F; u* o0 e3 `
之前发帖子问没人答... 原贴https://bbs.gter.net/thread-675553-1-1.html
0 a* }% M4 M  X2 [
2 Z% ~& a5 j: J! R" ^4.The term"modern" has always been used broadly by historians, and recent reports indicate that its meaning has become more ____ than ever.
7 B7 m# d3 p; J; B3 n! B# oA precise
2 H% _8 ^& M3 @) @B pejorative
  |6 c5 }% s2 j, e. Y% SC revisionist
- d2 Y" _1 J! Q6 ]* ~- S4 MD acceptable
6 Z$ A: Q. a4 PE amorphous: N: H5 L" }+ j

5 ?% A1 p& M! R0 `  n& f3 @4 i6. Originally, most intellectual criticism of mass culture was______ in character, being based on the assumption that the wider the appeal, the more_______ the product.
" A  Y) @" l. k: M+ U, I+ FA unpredictable.......undesirable
* P+ G$ m7 g2 e3 D1 L. y- r, UB ironic.....popular1 @! v" v# g! b, n3 e, Q2 u  H
C extreme.......outlandish
/ I  O4 R7 Y3 y& hD frivolous........superfluous
& b4 p" U. J& Y; o! |E negative......shoddy$ B6 g2 I5 |+ I/ g( V, z
; ^8 f2 Q: s. p1 c5 D- G7 I* a
这一题好像找不到什么同一重复,全靠搭配吗?没有思路啊~~
& m0 j. h9 z' p; S+ c + c& B- ?* {' `+ U
先谢过~~
2 D+ k9 Z, J8 Y5 x/ c& }5 [4 V+ O- _6 S$ k
[ 本帖最后由 luckychina 于 2007-5-31 11:26 编辑 ]

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5
发表于 2007-5-31 10:07:16 |只看该作者
我汇报一下
) }5 J# t# }% E0 x% \2 |" f数学因为之前做过,所以没模5 v( W1 U! F- z$ Z( ]( V1 N1 F

$ x3 V) j1 P. l! n6 }$ uverbal:- v9 {& f- z' {
section1错9个, 填空错了1题,类比2个,短阅读1个,长阅读4个,反义1个- ^8 [& e2 F+ K3 a% M  u
section4错11个,填空错了4个,类比1个,短阅读0个,长阅读4个,反义2个
. v# F% x. b" ^# |1 S& ]& l, Y% I" a. c. z& g
象我这种填空和阅读错的多,类反错的少是不是很不利啊.+ C8 Z8 C7 z3 M' l( L
    填空今天调整了一下,已经有所进步了,但对填空解答的精髓还是把握不够,有3道填空找出了答案,却被我更仔细的分析给废了,也许是对陈圣元提供的方法不够相信吧
9 m+ ?8 g; @+ n( ^+ {- {( l4 z) ~    类反这种错误是在我的预期之内的,如果每部分再多给我两分钟,这些错绝大部分可以避免,但这并不是因为我的单词背的很熟,我现在红宝还有一堆单词不认识,说来惭愧,正打算好好再背两遍单词的,我的意思是我这个类反水平绝对不是假象(也许对你们来说还是错多了,但对我而言比较满足)
6 u$ |7 m8 i: r1 [    阅读今天错的还是比较多,但相对前几次还是有进步的,错的基本上都是长阅读,而且大多都是时间不够瞎猜而错的
" S- y$ C7 L1 T8 f& g6 o. f4 Z6 L' J& k  L1 W, g
请大家指点,我该怎么办,很多人说模考比实际要高100分,尤其是填空阅读错的多,类反错的少的人

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Capricorn摩羯座 荣誉版主 QQ联合登录

6
发表于 2007-5-31 10:20:41 |只看该作者

回复 #5 mdyn 的帖子

被LS打击了..5 t9 U+ a' i6 c& `) u
类反真牛4 d8 f/ V( Z) {4 `3 v

4 x7 J" S4 H+ B% A阅读要加油了~加油~

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7
发表于 2007-5-31 10:21:19 |只看该作者
偶想问下这一套section 1阅读的第24题,就是问那个作者态度的题
. a1 ~$ d& x6 B为什么是midly positive阿?
谁也不是谁的谁

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8
发表于 2007-5-31 10:24:46 |只看该作者

回复 #7 宫城失温 的帖子

那题挺有争议的/ R# U/ \% w  n2 f0 M$ F8 M0 i
杨继给的答案是strongly supportive4 b+ V, a/ H  ^' d9 |

. {* I0 `# Y0 G7 f, ~4 w* a7 W反正没有人知道正解释什么...0 g1 i1 V4 z& V7 y  G
不用纠缠的 9 @  Q, m' s9 s, ~0 n
估计这样作者自己提出hypothesis的文章也不会很常见

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9
发表于 2007-5-31 10:40:16 |只看该作者
我分别错11个和13个 赫赫 还是类反错的非常多

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发表于 2007-5-31 10:47:09 |只看该作者
哈哈 数学错7个 要死了。。。马上来分析

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中秋勋章 荣誉版主 Cancer巨蟹座

11
发表于 2007-5-31 11:15:25 |只看该作者
原帖由 spspli 于 2007-5-31 10:47 发表4 z( s, E% i) g, Z. z
哈哈 数学错7个 要死了。。。马上来分析

; X1 I1 u8 c% ]4 A我错了9个咧~

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12
发表于 2007-5-31 11:16:25 |只看该作者

觉得数学答案有问题

我觉得$ T9 e- W$ Y; C  n  U8 L1 r1 U" X
" D8 P, B  k  A: o7 n5 S# M+ l
section3& i, \7 s4 ~. y. ]
第六题4 ]% n6 g; g$ s8 V+ c, D
0.04《0.004选A% N  G6 R6 M; L+ r* m4 h0 E" y/ B

9 |- |3 I7 `8 ]5 Z第二十五题
5 T, ^9 W( W  N# L' m选E 因为有多少employee并没指出6 K  k7 ?# {5 j

7 k9 P, R" g3 E大家说呢

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13
发表于 2007-5-31 11:18:31 |只看该作者
还有问题:) z& B$ N1 o7 H3 f% R
right circular cylinder 跟一般的cylinder有什么区别吗?我开始还以为是一半,结果错了,郁闷

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发表于 2007-5-31 11:29:30 |只看该作者

大家可以看看我3楼的填空吗?非常感谢啦~~

4.The term"modern" has always been used broadly by historians, and recent reports indicate that its meaning has become more ____ than ever.5 F- A: X2 i# N' u! q2 X+ C6 F
A precise
* D2 n2 i: p. U5 }* C( p: m$ ZB pejorative9 G" o4 Y8 b) a) G( t9 N9 V- g
C revisionist
, }" S8 |$ {! I1 `D acceptable
7 k+ l$ E% [0 E2 XE amorphous
! h# \8 P. m* q" @7 w# p0 k7 M( k
" Y% c' v9 v2 O% w( }4 i7 l6. Originally, most intellectual criticism of mass culture was______ in character, being based on the assumption that the wider the appeal, the more_______ the product.) p) i0 \  A% F& u* A+ i2 E
A unpredictable.......undesirable. o7 @, ~8 t+ @' P
B ironic.....popular
5 P$ `* P. b2 q4 n5 Z: h1 J! @+ vC extreme.......outlandish6 }5 E+ }1 B- |! j: w& f4 L' S0 q
D frivolous........superfluous! I3 N5 d6 [  }5 U/ A
E negative......shoddy

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中秋勋章 荣誉版主 Cancer巨蟹座

15
发表于 2007-5-31 11:38:05 |只看该作者
原帖由 shermanxia 于 2007-5-31 11:16 发表
8 L4 o, h+ y8 \' Z# H我觉得' S! D4 X1 }6 X6 u, S/ `! i. Q8 W
2 C* J2 s' M' A- u, c0 X- o+ O
section3. U6 S! Z6 Z. z: `
第六题
( o5 G7 h3 U& _; l0.04《0.004选A
8 n% m6 Q" y0 X; S  u: Y* G
同意
9 n% {! K  f: N' ?9 `4 r, d
) ]. a8 H# T& ]& b: z8 ^# n
第二十五题
8 a9 s7 }. {$ j6 `; ]+ F选E 因为有多少employee并没指出
. H3 Q- \& G+ G1 F, G1 g& P0 C
: {% G5 n5 s, y4 M) c大家说呢
  w2 Q. x  A* e* x
应该选c,按照百分比就能计算 50%是在错4个的那个区间

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RE: 0706G冲刺模考第四辑 [修改]

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0706G冲刺模考第四辑
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