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[问答] 阅读题No.3 section A 19题 [复制链接]

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GRE斩浪之魂

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发表于 2012-2-4 16:13:35 |只看该作者 |倒序浏览
在论坛上没搜到相关的帖子,只能自己发了,这道题真的不懂
传说中的文学评论
      Notable as important nineteenth-century novels by women, Mary Shelley’s Frankenstein and Emily Bronte’s Wuthering Heights treat women very differently. Shelley produced a “masculine” text in which the fates of subordinate female characters seem entirely dependent on the actions of male heroes or anti-heroes. Bronte produced a more realistic narrative, portraying a world where men battle for the favors of apparently high-spirited, independent women. Nevertheless, these two novels are alike in several crucial ways. Many readers are convinced that the compelling mysteries of each plot conceal elaborate structures of allusion and fierce, though shadowy, moral ambitions that seem to indicate metaphysical intentions, though efforts by critics to articulate these intentions have generated much controversy. Both novelists use a storytelling method that emphasizes ironic disjunctions between different perspectives on the same events as well as ironic tensions that inhere in the relationship between surface drama and concealed authorial intention, a method I call an evidentiary narrative technique.

19.Which of the following narrative strategies best exemplifies the “evidentiary narrative technique” mentioned in line 24?
    (A) Telling a story in such a way that the author’s real intentions are discernible only through interpretations of allusions to a world outside that of the story
    (B) Telling a story in such a way that the reader is aware as events unfold of the author’s underlying purposes and the ways these purposes conflict with the drama of the plot
    (C) Telling a story in a way that both directs attention to the incongruities among the points of view of several characters and hints that the plot has a significance other than that suggested by its mere events
    (D) Telling a story as a mystery in which the reader must deduce, from the conflicting evidence presented by several narrators, the moral and philosophical significance of character and event
    (E) Telling a story from the author’s point of view in a way that implies both the author’s and the reader’s ironic distance from the dramatic unfolding of events

对应的句子已经用红色标出了
一直对自己的阅读挺有信心的,直到遇到文学评论……
给钱就是好学校!!
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沙发
发表于 2012-2-4 17:53:15 |只看该作者
ironic disjunctions between different perspectives on the same events
ironic tensions that inhere in the relationship between surface drama and concealed authorial intention

强调对相同事物的不同看法,以及戏剧表现和内在目的的对比冲突(实际上是反衬)。这两点必须出现在答案中。
从上一句看,应该是体现结构与内在表达外在的冲突,而内在的加强与一致。
C无疑对于上面两点都提到了。
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板凳
发表于 2012-2-4 18:28:37 |只看该作者
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GRE斩浪之魂

地板
发表于 2012-2-4 19:44:52 |只看该作者
ironic disjunctions between different perspectives on the same events
ironic tensions that inhere in the relationship between surface drama and concealed authorial intention
强调对相同事物的不同看法 ...
苏梳眠 发表于 2012-2-4 17:53

佩服之极!!
文学评论真的要命呀!!
给钱就是好学校!!

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RE: 阅读题No.3 section A 19题 [修改]

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阅读题No.3 section A 19题
https://bbs.gter.net/thread-1331135-1-1.html
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