Issue144 继续修改之路 留链互拍

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越写越没信心了
不过该怎么处理ISS了，怎么看都觉得自己的文章好浮，不深入，逻辑也不够强，也不流畅
请问大家有什么好办法？

144"It is the artist, not the critic,* who gives society something of lasting value."

*a person who evaluates works of art, such as novels, films, music, paintings, etc.

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In my opinion, something, if has a value, is surely to full with worthy and usefulness to someone. When it comes to be a lasting value, the value needs endure forever. Accordingly, making something lasting value requires: to be created first with a certain meaning, be given a well understood next, be come down at last. That is, what can determine a value far-reaching and lasting is relevant to many factors. Therefore, it is not only the artist or the critic able to make an art work with a lasting value, as the speaker implies.

To begin with, it is widely known that no matter what kind of discussion about one work occurs only after an artist creates this work. This is the beginning of everything. But why does an artist have a spirit to do things like this (and how he or she finishes a work)? As we all know, it is the motive, also being called inspiration, drives the artist to create a work that always reflects the environment and society the artist places. Within this, the artist starts his work and finishes it swimmingly. Similar to human beings use their mouths, bodies to express what and how they think, works are the mirror to display the artist’s personal emotion and attitude towards the world. In this way, works are highly close with the society, which are likely to have several meanings to the world even being not the reflection of society directly.

Admittedly, works are just the materials been created by artists, it has worth in the reason that it can be understood by people and effect people. Despite the artist puts their personal value in his or her works, if these works have no chance to expose to other people, the works are only several pieces of paper without any value but a little weight. In this case, the critic plays an indispensable role in finding the value of the works. The critic, beyond well trained, is a professor in this area and acknowledges as many works as possible, has a much better and extensive comprehension of the works than others. It is no doubt that almost each priceless work is first discovered by the critic. For example, do you remember how many books or movies ever seen are introduced by the critic? Most people may find it is numerous. And when you want to choose one movie to see, unless you see it according to its director or players, you will first search and read some critics about it, then judge if it is worth to watch. Books are created by their authors and movies are made by their directors, players and many others. They are shown to the public the most notable points of them by critics, then, cause the interesting of the public to the work.

Finally, it still lacks the third factor—common people, to combine with the artist and the critic, control the lasting value of works. When a common people like a work, he/she will share it with his/her friends or discuss with others. If so, it will make more and more people know the work, then, the increasing number of humanity will think over it, then, obtain a further understand of it, find its usefulness, as the example of value, to each one: it can relax people, it can encourage people…Only if people think a work is meaningful and useful to them, which is the value of this work in the view of common people, they will tell more and more people even their children. For instance, the MONA LISA, with lasting value, is known by the mysterious smile of the woman in the painting. It is just because one said to his/her friends that how unique the woman was smiling in the painting, then his/her friends began to see it and also tell others. Therefore, the painting is known widely from up till now.
In a conclusion, the artist who gives birth to an work, under the guide of the critic together with the infectivity of common people make the work priceless with lasing value to the society.