求助1014一道阅读题

vinci_gohUID: 3469516

Women played a substantial role in the furthering of the Polish art song in the late eighteenth and early nineteenth centuries. One notable woman from this time period was Maria Szymanowska, who was both a concert pianist and a composer.

Szymanowska was a member of the Warsaw Music Society who contributed pieces to a cycle entitled Historical Songs. Her songs are by far the most creative and individualistic of the cycle. In addition, Szymanowska composed more than one hundred other pieces, mostly for the piano, including six romances.

Her songs most resemble French romances, and she also employs Polonaise rhythms in two of her songs. In all her works, the melodic line is technically superior. She employs idiomatic keyboard writing, wide chord-spacing, broad cantilenas, and interesting modulations. She also uses the most compelling registers of the instrument and pianistic keys. Her romances are on par with those of Beethoven, Schubert, and Mozart. In fact, Szymanowska was praised by her contemporaries, such as Schumann, who lauded her etudes. Her piano playing was frequently equated to that of Hummel, though Szymanowska's was said to be more ethereal. Thus, she is a progenitor of Chopin in both piano technique and composition.

Female contributors to the development of Polish music have been chiefly ignored. From the meager records which have been preserved, it is incontrovertible that Polish women were, in fact, playing, instructing, and writing music as early as the fifteenth century. However, patriarchal societal structures have precluded adequate documentation about, and preservation of, their work. Unless changes take place, human society will be made poorer for its inability to recognize the expertise and inventiveness of these women.

题目是：
Which of the following can be properly inferred from the passage?（多选题）

A  Szymanowska's advancement of the music of Polish art songs in spite of patriarchal pressure demonstrates her feminist tendencies.
B  Szymanowska composed works beyond the genre of the Polonaise that are deserving of praise.
C  Szymanowska's works that contributed to the development of Polish art song garnered a disproportionate amount of attention, considering that such compositions were only a small part of her repertoire.

vinci_gohUID: 3469516

答案是B

我想问一下，B在文章哪里能体现出来。C又为什么不对。

RevrieRiverUID: 3470313

选B的最相关信息在这句：Her songs most resemble French romances, and she also employs Polonaise rhythms in two of her songs.
Also一词表明她谱写的作品并不仅仅限于Polonaise

下面in fact一句还提到她写etudes。

C项完全和该文主旨相逆，最后一段说明在父权制的社会背景下，女性作曲家在波兰音乐发展史上的地位是被忽视的，对她们的记载甚少。全文举Szymanowska这个例子旨在为女性音乐家正名。而且原文推不出Szymanowska的波兰派作品收获了不成比例的关注，她总体是被归入被忽视的一类。

vinci_gohUID: 3469516

RevrieRiver 发表于 2015-6-2 23:25
选B的最相关信息在这句：Her songs most resemble French romances, and she also employs Polonaise rhyth ...

有道理。beyong the genre of the Plonaise 这段话我理解错了，原来超出Polonaise，但是包含有。我理解成她的作品不包含Polonaise.