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本帖最后由 名字是个词儿 于 2010-1-14 15:13 编辑
TPO 12-5
臭名昭著的opera
Listen to part of a lecture in a musichistory class. The professor has been discussing opera.
The word “opera” means work, actually itmeans works. It’s the plural 复数 of the word poers[opus 作品] from the Latin. And in Italian it refers in general to works ofart. Opera lyrica[lyric] or lyric opera refersto what we think of as opera, the musical drama. Opera was commonplace 寻常的事物 in Italy for almost 1000 years before it became commercial aseventure[a venture 风险投资], and during thoseyears, several things happen, primarily linguistic or thymatic[thematic 主题的],(6. 主旨题) and both involve in secularization 世俗化. Musical drama started in the churches, it was an educational tool,it was used primarily as a vehical[vehicle] forteaching religion, and was generally presented in Latin, the language of the Christianchurch, which had considerable influence in Italy at that time. But thelanguage of everyday life was evolved[evolving]in Europe, and at a certain point in the middle ages, it was really only merchants 商人, suristicrats[aristocrats 贵族] and clergy神职人员 who could deal with Latin. The vast 大量的 majority of the population used their own reagional[regional 当地的] vernacular地方语 in all aspects of their lives,and so, in what is now Italy, operasquit being presented in Latin, and started being presented in Italian.(7. 细节,逻辑顺序,题干定位) And once that happened, the themes ofthe opera presentations also started to change. And musical drama moved fromthe church to the plaza right outside the church. And the themes, again, thethemes changed, and opera was no longerabout teaching religion(7. 细节,逻辑顺序, 正确选项改写) as it was about sataya[satire 讽刺] and about expressing the ideas of society or government withoutcommiting[committing] yourself to writing andrisking in prison and[imprisonment]or prosecution[persecution 迫害], or what have you.
Opera, as we think of it, is of course areserected[rather restive 不安静的] form. It is the melonious[melodious 悦耳的] drama of ancient Greek theater,the term melodious drama being shorten eventually to melodrama 音乐戏剧, becauseoperas frequently are melodramatic, not to say I’m realistic. And the groupthat put the first operas together that we have today then were,(8. 细节的逻辑作用) well, it was a group ofmen that included Galolao’s[Galileo’s] father,Venchenzo[Vincenzo]. And they met in Florence,he and a group of friends of the count of Bardy[Countof Bardi], and they formed what is called the Camarata Diabardi[Camerata de’ Bardy]. And they took classicaltheater, and reproduced it in the Reloson’s[Renaissance’s文艺复兴] time. This producedsome of the operas that we have today.
Now, what happened in the following century[centuries] is very simple, opera originated inItaly, but was not confined in[to] Italy anymore than Italians were. And so, as Italians migrated across Europe, theycarried theater with them, and opera specifically because it was an Italianform.
What happened is that the major divide of[in] opera that endures 持续 today took place. The French said opera auto-reflect[aught to reflect] the rhythem[rhythm 节奏,韵律] and cadens[cadence 抑扬,节奏,韵律] of dramatic戏剧的 literature, bearing in mind thatwe are talking about the golden age in French literature, and so the music was secondary, if you will, to the dramatic cadence oflanguage, to the way the rhythm of language was used to express feeling and usedto add drama,(9. 细节,对象特征) andof course, as a result, in stead of arias 咏叹调 or solos独唱 which would come to dominateItalian opera, the French relied on what the Italians called Regitatival or Resatative[Recitative] in English, the lyrics were spokenfrequently to the accompaniment ever[of a] hardsequard[harpsichord 键琴].
The French said, you really can’t talkabout real people who lived in opera, and they relied on methology[mythology 神话] to give them their characters and their plauds[plots 故事情节], mythology, the pasril[past old] traditions, the novels of chivalry 骑士精神 or the apicts[epics 史诗] of chivalry out of the middle ages. The Italians said, No, this isa great historical tool, and what better way to educate the public about theneural[neo 新的,现代的] or atilo[Attalla] or any number ofpeople then[than] to put them into a play theycan see and listen to.
The English appropriated opera after theFrench. Opera came late to England because all theaters, public theaters wereclosed, of course, during their civil war, and it wasn’t until the restoration 修复 in 1660 that public theaters again opened and opera took off. The English made a major adjustment to opera,and exboarded[exported 出口] what they have done toopera back to Italy,(10. 重听,演讲者意图) sothat you have this circle of musical influences: the Italian invented opera,the French adapted it, the English adopted it, the Italians took it back.
It came to America late, and was consideredto illegas[elites 精英] for the general public, but Broadway musicals fulfilled the similarfunction for a great long while. John J.Chapen[Champon] wrote about opera, “If an extra terrestrial 地球外的
bingore to[being or two] appearbefore us and say, what is your society like, what is this earth thing allabout, you could do worse than take that creature to opera.” Because operadoes, after all, begin with a man and a woman, and emotion.(11. 重听,演讲者态度)
8题错,听的时候没理解上下文关系。笔记自然记不清。并且C有生词,不敢选。印象中很早很早就在Italy有opera,所以猜的A。
生词:precursor 先驱 |
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