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发表于 2005-9-18 14:59:21
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No4-1-5阅读题目
Thomas Hardy’s impulses as a writer, all of
which he indulged in his novels, were numerous
and divergent, and they did not always work
together in harmony. Hardy was to some degree
(5)interested in exploring his characters’ psycholo-
gies, though impelled less by curiosity than by
sympathy. Occasionally he felt the impulse to
comedy (in all its detached coldness) as well as
the impulse to farce, but he was more often
(10)inclined to see tragedy and record it. He was
also inclined to literary realism in the several
senses of that phrase. He wanted to describe
ordinary human beings; he wanted to speculate
on their dilemmas rationally (and, unfortu-
(15)nately, even schematically); and he wanted to
record precisely the material universe. Finally,
he wanted to be more than a realist. He wanted
to transcend what he considered to be the
banality of solely recording things exactly and
(20)to express as well his awareness of the occult
and the strange.
In his novels these various impulses were
sacrificed to each other inevitably and often.
Inevitably, because Hardy did not care in the
(25)way that novelists such as Flaubert or James
cared, and therefore took paths of least
resistance. Thus, one impulse often surrendered
to a fresher one and, unfortunately, instead of
exacting a compromise, simply disappeared.
(30)A desire to throw over reality a light that never
was might give way abruptly to the desire on the
part of what we might consider a novelist-
scientist to record exactly and concretely the
structure and texture of a flower. In this
(35)instance, the new impulse was at least an
energetic one, and thus its indulgence did not
result in a relaxed style. But on other occasions
Hardy abandoned a perilous, risky, and highly
energizing impulse in favor of what was for him
(40)the fatally relaxing impulse to classify and
schematize abstractly. When a relaxing impulse
was indulged, the style—that sure index of an
author’s literary worth—was certain to become
verbose. Hardy’s weakness derived from his
(45)apparent inability to control the comings and
goings of these divergent impulses and from his
unwillingness to cultivate and sustain the
energetic and risky ones. He submitted to first
one and then another, and the spirit blew where
(50)it listed; hence the unevenness of any one of his
novels. His most controlled novel, Under the
Greenwood Tree, prominently exhibits two
different but reconcilable impulses—a desire to
be a realist-historian and a desire to be a
(55)psychologist of love—but the slight interlock-
ings of plot are not enough to bind the two
completely together. Thus even this book splits
into two distinct parts.
17. Which of the following is the most appropriate
title for the passage, based on its content?
(A) Under the Greenwood Tree: Hardy’s
Ambiguous Triumph
(B) The Real and the Strange: The Novelist’s
Shifting Realms
(C) Energy Versus Repose: The Role of:
Ordinary People in Hardy’s Fiction
(D)Hardy’s Novelistic Impulses: The
Problem of Control
(E) Divergent Impulses: The Issue of Unity in
the Novel
18. The passage suggests that the author would be
most likely to agree with which of the following
statements about literary realism?
(A) Literary realism is most concerned with the
exploration of the internal lives of
ordinary human beings.
(B) The term “literary realism” is susceptible to
more than a single definition.
(C) Literary realism and an interest in
psychology are likely to be at odds in a
novelist’s work.
(D) “Literary realism” is the term most often
used by critics in describing the method
of Hardy’s novels.
(E) A propensity toward literary realism is a
less interesting novelistic impulse than is
an interest in the occult and the strange.
19. The author of the passage considers a writer’s
style to be
(A) a reliable means by which to measure the
writer’s literary merit
(B) most apparent in those parts of the writer’s
work that are not realistic
(C) problematic when the writer attempts to
follow perilous or risky impulses
(D) shaped primarily by the writer’s desire to
classify and schematize
(E) the most accurate index of the writer’s
literary reputation
20. Which of the following words could best be
substituted for “relaxed” (line37) without
substantially changing the author’s meaning?
(A) informal (B) confined (C) risky
(D) wordy (E) metaphoric
21. The passage supplies information to suggest that
its author would be most likely to agree with
which of the following statements about the
novelists Flaubert and James?
(A) They indulged more impulses in their
novels than did Hardy in his novels.
(B) They have elicited a greater degree of
favorable response from most literary
critics than has Hardy.
(C) In the writing of their novels, they often
took pains to effect a compromise among
their various novelistic impulses.
(D) Regarding novelistic construction, they
cared more about the opinions of other
novelists than about the opinions of
ordinary readers.
(E) They wrote novels in which the impulse
toward realism and the impulse away
from realism were evident in equal
measure.
22. Which of the following statements best describes
the organization of lines 27 to 41 of the passage
(“Thus…abstractly”)?
(A) The author makes a disapproving
observation and then presents two cases,
one of which leads to a qualification of
his disapproval and the other of which
does not.
(B) The author draws a conclusion from a
previous statement, explains his
conclusion in detail, and then gives a
series of examples that have the effect of
resolving an inconsistency.
(C) The author concedes a point and then
makes a counterargument, using an
extended comparison and contrast that
qualifies his original concession.
(D)The author makes a judgment, points out
an exception to his judgment, and then
contradicts his original assertion.
(E) The author summarizes and explains an
argument and then advances a brief
history of opposing arguments.
23. Which of the following statements about the use
of comedy in Hardy’s novels is best supported
by the passage?
(A) Hardy’s use of comedy in his novels tended
to weaken his literary style.
(B) Hardy’s use of comedy in his novels was
inspired by his natural sympathy.
(C) Comedy appeared less frequently in
Hardy’s novels than did tragedy.
(D) Comedy played an important role in
Hardy’s novels though that comedy was
usually in the form of farce.
(E) Comedy played a secondary role in Hardy’s
more controlled novels only.
24. The author implies which of the following about
Under the Greenwood Tree in relation to
Hardy’s other novels?
(A) It is Hardy’s most thorough investigation
of the psychology of love.
(B) Although it is his most controlled novel, it
does not exhibit any harsh or risky
impulses.
(C) It, more than his other novels, reveals
Hardy as a realist interested in the
history of ordinary human beings.
(D) In it Hardy’s novelistic impulses are
managed somewhat better than in his
other novels.
(E) Its plot, like the plots of all of Hardy’s
other novels, splits into two distinct
parts.
Upwards of a billion stars in our galaxy have
burnt up their internal energy sources, and so can no
longer produce the heat a star needs to oppose the
inward force of gravity. These stars, of more than a
few solar masses, evolve, in general, much more
rapidly than does a star like the Sun. Moreover, it is
just these more massive stars whose collapse does not
halt at intermediate stages (that is, as white dwarfs or
neutron stars). Instead, the collapse continues until
a singularity (an infinitely dense concentration of
matter) is reached.
It would be wonderful to observe a singularity and
obtain direct evidence of the undoubtedly bizarre
phenomena that occur near one. Unfortunately in
most cases a distant observer cannot see the singu-
larity; outgoing light rays are dragged back by gravity
so forcefully that even if they could start out within a
few kilometers of the singularity, they would end up
in the singularity itself.
25. The author’s primary purpose in the passage
is to
(A) describe the formation and nature of
singularities
(B) explain why large numbers of stars
become singularities
(C) compare the characteristics of singularities
with those of stars
(C) explain what happens during the stages
of a singularity’s formation
(D) imply that singularities could be more
easily studied if observers could get closer
to them
26. The passage suggests which of the following
about the Sun?
I. The Sun could evolve to a stage of col-
lapse that is less dense than a singularity.
II. In the Sun, the inward force of gravity is
balanced by the generation of heat.
III. The Sun emits more observable light
than does a white dwarf or a neutron
star.
(A) I only (B) III only (C) I and II only
(D) II and III only (E) I, II, and III
27. Which of the following sentences would most
probably follow the last sentence of the passage?
(A) Thus, a physicist interested in studying
phenomena near singularities would
necessarily hope to find a singularity
with a measurable gravitational field.
(B)Accordingly, physicists to date have
been unable to observe directly any
singularity.
(C) It is specifically this startling phenomenon
that has allowed us to codify the scant
information currently available about
singularities.
(D) Moreover, the existence of this extra-
ordinary phenomenon is implied in the
extensive reports of several physicists.
(E) Although unanticipated, phenomena such
as these are consistent with the structure
of a singularity.
No4-1-5 长文章,托马斯·哈代的文风,感觉却是不太好做
错题:18、19、22、24
17题:主题题,比较容易判断
18题:定位于原文L11,我选的A,只是几个want to中的一个,肯定不正确,后来发现文中的“literary realism in the several senses of that phrases”,这应该是susceptible的一个合理解释吧等待大家讨论一下,具体文中的证据是什么
19题:定位于文中L42,破折号后面的内容,完全对应题目,一个问题是最初没有定位到破折号是不是也应该标记?还有我的书上面style写成了stly,郁闷
20题:纯词汇题
21题:定位人名,强对比取非即可,和哈代的文风相反
22题:文章结构,结论-两个方面的分析,关键是没有看明白,亟需提高
23题:细节问题,定位L8-9即可
24题:定位非常容易,最高级的标记要敏感,然后题目就是考了最高级,E选项推测其他文章也存在相应的plot分开了,不能瞎推测,而且刚刚发现E中有all of,看来还是不够敏感
短文章是讲到黑洞的问题,26题错
I和II都谈到了,我竟然没有看到II,在文章的最开始部分,晕,III在文中并没有提到
[ Last edited by iceoolong on 2005-9-18 at 18:13 ] |
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